#oustanding

High heels photography for commercial campaign

I took these photos at the end of last year, but somehow I didn't have a chance to share them earlier... ;)

On slides 1 to 3 you can see product photos, where I used a self-made photo prop in the shape of a grass cube and I decided to use one light source to make them more moody.

On slides 4 to 6 you can see studio photos that you have previously seen on my profile. To make them a coherent composition with the product photos, I also used a green background and similar lighting.

On slide 7 you can see a bonus studio photo that you haven't seen before.

On slides 8 and 9 there is a close-up of the cover photo, which should give you some idea of what the photos look like in full resolution - although compression on social media still reduces the quality of the photos to a level that is completely unacceptable.

And on the last slide (10) you can see the cover photo in the original, normal and correct aspect ratio of 3:2

SAG AWARDS WINNER!!!

Outstanding Performance by a Cast in a Motion Picture.

 WHEN TALENT WINS.......I knew..... What GREAT  Cast!!!

Thanks to Eddie, Francine and all stellar cast for winning SAG AWARDS 

The cast of their SAG award “The Trial of the Chicago 7” wins leonardohunnam4 hours ago

Instead of gathering on stage at the Shrine Auditorium in Los Angeles to win the best ensemble at the Screen Actors Guild Awards, the cast of The Trial of the Chicago 7 called for Zoom.

For video conferencing, they make a bunch of starry skies. Other logins from around the world include Sacha Baron Cohen, Eddie Redmayne, Frank Langella, Mark Rylance, John Carroll Lynch, Ben Shankman, and Aaron Sorkin’s historic trial drama. Was a member of.

After winning the guild’s highest honor, the cast briefly spoke with the Associated Press in an interview recorded Thursday before Sunday’s broadcast of the pre-recorded award. I’ve edited it a bit here for clarity, but it’s their remark.

AP: You are a particularly diverse group of actors with completely different styles and approaches. How did you unite as an ensemble?

EDDIE REDMAYNE: Our casting director, Francine Maisler, must be recognized for many achievements. All the characters in the movie were very unique and very specific. I think she gathered a group of actors who had a completely different style and a completely different perspective on their way to work. For me, what I liked when I saw the movie cut was that you saw it. Whether it was jazz, rock or classical, it was like a clash of different kinds of music, but they all came together under Aaron. He was mostly a conductor. So I give Aaron and Francine huge credits. It was a daily pleasure to see these wonderful, different and diverse actors hit it long.

Frank Langella: There is something very powerful in working towards greater good. Actors tend to think about themselves. How about my lighting? Are you going to get closer to your scene? But, as I said in the speech, Aaron surpassed it and let us all do it.

John Carroll Lynch: When working on the movie The Trial of the Chicago, there is an assumption that it will be a picture of an ensemble. It is a self-selecting group of people who want to work very closely with others and are willing to endanger their own processes in such quarters. This is not only a script for Casting and Aaron, but also a homage to the actor who said “yes”.

Michael Keaton: Frankly, that’s embarrassing to me. These guys did all the hard work. I appeared for a few days. I don’t get much credit-but I take it.

REDMAYNE: Michael, I always think it’s more scary. Working for a few months is one thing. You had to go in for two days and knock it out of the park, and you did.

Keaton: I like actors, and when I saw this cast, I said, “Oh, this will be …”. I didn’t have much interaction with anyone, but I liked it. I want to be a member of such a group.

AP: This is the first release from the Guild’s award-winning Netflix movie or streaming service. In the past, it was planned to be released in theaters from Paramount Pictures. You won this long-awaited award for Zoom, do you feel weird?

Lynch: It’s very frustrating because I did theatrical distribution acting when it turned out to be streaming acting. I don’t know you, but this is not a zoom suit. This is not a zoom tuxedo.

SACHA BARON COHEN: I think it’s great that it was released on Netflix. The movie’s horror about ambiguous historical events is that no one goes to see it and it’s in the professional box office section. Some of the beauty of these streamers is that millions of people around the world have seen this movie and now know this powerful story and have seen great art. That’s the plus side of this being not a play. I hope it will be released somewhere in the theater, but I think the streamer has helped me.

Langera: I hate award shows, so I like it this way. I go to very few, but when I go-tuxedes, lines, people all over the world. This is much more civilized. I’m wearing bedroom slippers. It ’s really comfortable.

Keaton: I don’t wear pants.

AP: You’ll usually be taken to a spectacular Hollywood party. Instead, you’re talking to me on your laptop.

REDMAYNE: Making a movie is a very strange process. You are like coming with a group of different people. I sometimes do rehearsals, but in reality there was no rehearsal. The actor will come for a day or two. You make a movie and you all leave again. The promotion process can sometimes be the moment when everyone actually sits down and knows each other. All of us met only a zoom call when someone like you was asking a question. It feels unique. And I feel pretty lucky. But at the same time, it fills in the slight sense that it feels incomplete.

Lynch: There is another part of this situation that I regret a lot. I can’t go to the other actors I was able to work with over time in each of the films I praised or nominated, and I appreciate the work they did.

Sirius: Why thank you, Minnie

Professor McGonagall: No Sirius. As in I haven’t received any yet