here’s my design [so far] for ornna the fire fairy, from the first arc of critical role campaign 2!
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here’s my design [so far] for ornna the fire fairy, from the first arc of critical role campaign 2!

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Upon further thought, I bet I could sketch out a pretty good idea of what the arc of Molly and Ornna’s relationship was.
I bet at first, her hostility towards him was genuine. Ornna sees herself as the practical, rational person who makes “good choices,” as opposed to Gustav, who apparently listens to his heart and makes mistakes. I think Ornna probably objected to taking Molly in on principle - you can’t just keep adopting every stray weirdo you come across, Gustav! This is a bad idea, Gustav! We don’t know anything about this person, Gustav!!!!
And, like... she was probably pretty cool taking in Toya. Toya’s a darling, and was a helpful, performing member of the circus immediately. When they found Molly, he was barely able to speak, had no name, no idea where he came from and no ability to tell them if, for example, he was in trouble with the law, or if somebody was after him. You find someone in the state Molly was in when they found him, it’s perfectly reasonable to assume he might be trouble waiting to happen. But nope, Gustav doesn’t care about that, he sees someone who needs help and he’s helping! (I’m pretty sure this forms the basis for Molly’s ‘don’t expect people to earn things’ policy, btw.)
And then as Molly gradually pulls himself together and becomes the person we know and love, she finds herself less concerned about those things. After a while, it becomes clear that if anybody’s looking for him, they’re clearly not looking in the right places. They’ve been to plenty of towns and haven’t had anybody trying to arrest him on sight. He’s started talking and then he starts turning cards and making himself a functional part of the carnival. But also he gets snarky. So her hostility becomes sort of more personal? In that she’s annoyed with Molly, particularly, and not just as an extension of her general annoyance with Gustav. But it’s also less serious, and it just continues until they’re exchanging playful banter and talking shit about each other with great affection.
Molly’s dynamic with Ornna is so much like what he’s developing with Beau, this is so important to me.
What if in the cages with Yasha, Jester and Fjord, they find the Knott sisters, Bosun, Ornna and Toya from Molly’s circus and they were all captured and Molly has to deal with saving his carnival family and these new bunch of misfits he’s starting to think of as family? BONUS: what if he can’t save them all and one of the Knott sisters dies before he gets there or Toya gets hurt in the fray and dies afterwards? How bad would Molly feel?