Sonny Rollins, whose forceful and imaginative approach to the tenor saxophone made him one of the dominant jazz musicians of the post-World War II era, died at his home in Woodstock, N.Y., on Monday. He was 95.
Even by the standards of a music that prizes individuality, Mr. Rollins stood out, as both a musician and a personality.
In the late 1940s, when most young jazz saxophonists favored a light tone with minimal vibrato, he developed a fat, full-bodied sound that was a throwback to the older style of Coleman Hawkins, the first great tenor saxophonist in jazz. In the late 1950s, when his career as a bandleader was just getting off the ground, Mr. Rollins abruptly began a hiatus that lasted more than two years — mostly, he explained later, because he was not satisfied with the quality of his playing.