Michael Fassbender and Director Steve McQueen Expose Shame
http://spinoff.comicbookresources.com/2011/10/27/michael-fassbender-and-director-steve-mcqueen-expose-shame/
"I said to Steve at the end of Hunger, âYou know ⌠you changed my life.â Literally.â Fassbender recounted. âI mean, definitely in terms of a professional point of view, and I was getting to a point where I was 30 years old, the recession was just around the corner, which meant â the same as every other industry, less jobs for less actors. And for somebody to take a chance on an unknown actor, to give him the opportunity to take a risk, to play a lead in the film, you know â there was less and less of that happening. So, we â other then a sort of, I think, a big argument the first day of Hunger âŚâ Fassbender laughed. McQueen interjected with a chuckle, âI remember it well.â
"Fassbender was remarkably good-humored when addressing his preparation for the role, quipping, âI just went out and had a lot of sex, and ⌠um ⌠just tried to sort of embrace it as best I could.â He then switched gears, saying that McQueen first mentioned the filmâs premise in 2008 and he signed on without even reading a script. âAnd preparation? I spent a lot of time with the script, pretty much the same with my preparation for most other jobs ⌠and through re-reading ⌠the character and the story starts to unravel itself and starts to sort of set into my enamel."
"McQueen also addressed questions about the apparent sexual tension between siblings Brandon and Sissy. âObviously, theyâre of the opposite sex â brother and sister ⌠the background has something to play in their relationship,â he said. âThereâs a background, to some extent â itâs one of those things where itâs in the air. You see whatâs going on, but you canât really put your finger on it. Itâs like a wet piece of soap â you have a grasp, but no, itâs not there. Itâs constantly moving, constantly adjusting and thatâs life, I think, and also you can smell it but you canât taste it â you can taste it but you canât smell it. Itâs there but itâs not there. And thatâs how I sort of wanted to have that history. The history presents itself in the present, in different guises.â"
Despite the gritty subject matter, thereâs a real undertone of tenderness to the characters and their plights â especially, much to Fassbenderâs credit, Brandon. âThe whole film is about trying to communicate in an emotional way,â McQueen said. âSo, people write down this and that and the other but actually itâs just about human contact â and human contact where you can feel real, where you can feel alive. Itâs just like, you know, the homeless guy on the street ⌠heâs alive. Sometimes people donât want to talk to him because heâs homeless ⌠but if you give him contact, he realizes heâs alive. Thatâs what itâs about. Michael has the capability of that kind of tenderness. I feel that most great male actors are very feminine and very strong female actors are very masculine. And itâs the same with Carey and Michael. They have some kind of beauty, some kind of tenderness.â