Master of the Joseph Sequence - Polyptych Altarpiece with Scenes from the Life of the Virgin (detail)

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Master of the Joseph Sequence - Polyptych Altarpiece with Scenes from the Life of the Virgin (detail)

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Still life with fish, vegetables, flowers and two cats, 1660, by Pseudo-Jan van Kessel the Younger (their “notname”)
Master of Mary of Burgundy - Hours of Mary of Burgundy Virgin and Child - 1477
Mary (French: Marie; Dutch: Maria; 13 February 1457 – 27 March 1482), Duchess of Burgundy, reigned over the Burgundian State, now mainly in France and the Low Countries, from 1477 until her death in a riding accident at the age of 25.
As the only child of Charles the Bold, Duke of Burgundy, and his wife Isabella of Bourbon, she inherited the Burgundian lands upon the death of her father in the Battle of Nancy on 5 January 1477. She spent most of her reign defending her birthright; in order to counter Louis XI's appetite for her lands, she married Maximilian of Habsburg, who long after her death became Maximilian I, Holy Roman Emperor. The marriage was a turning point in European politics, leading to a French–Habsburg rivalry that would endure for centuries. Owing to the great prosperity of many of her territories, Mary was often referred to as Mary the Rich.
The Master of Mary of Burgundy was a Flemish illuminator, painter and draughtsman active between 1469-1483 in Flanders, probably in Ghent. His notname is derived from two books of hours attributed to him, the Vienna Hours of Mary of Burgundy and another books of hours, now in Berlin, also for Mary of Burgundy.
He was influenced by advances in oil on canvas panel painting, especially the works and approach of Hugo van der Goes, and may have been also a painter himself. His illuminations are characterised by a tendancy towards a dark palette,[2] an aesthetic favoured by the court of the time, as well as innovative uses of trompe-l'œil devices in both his miniatures and border decorations. While a relatively small number of works have been attributed to him, the master is seen as one of the chief innovators of late 15th century manuscript illumination.
Sometimes, it sounds like an ideal fantasy to me. To be loved,
but not missed, or vice versa. To defy every god, including loss.
To make everything you create your name, and nothing else.
— Lyd Havens, from “Notname,” published in Glass
Master of the Legend of Saint Ursula - Virgin and Child at half-length, with a book (15th century)

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Master of the Baroncelli Portraits - Pentecost (c. 1490)
Master of the Joseph Sequence -Polyptych Altarpiece with Scenes from the Life of the Virgin
Master with the Parrot - Virgin and Child (between 1525 and 1550)