#nnt analysis

First, let's take a look at their designs.

Tristan's Signature Color: Blue-ish Teal

Lancelot's Signature Color: Pink-ish Red

According to color theory, these two colors complement one another. Nakaba utilizes complementary colors quite often in his designs. You'll notice this in many of the most important pairs. It's a visual way to emphasize the connection between two people.

The use of complementary colors goes as far as Lancelot's Sin disguise. When he takes that form, he wears a teal collar... Just like how Tristan wears a collar with Lancelot's red.

Both of them also got their hair colors from their mother, while the style is more similar to their fathers. They have what has been described as a "feminine" appearance. Lancelot is incredibly bothered by this, to the extent he tries really hard to present as masculine. Tristan on the other hand doesn't seem to be bothered by it himself.

Their first volume covers also mirror one another.

Their namesakes are pulled from Arthurian mythos. In some of the original stories, Lancelot and Tristan do act similarly as friends who are "two sides of the same coin" in a way. Fated companions who counter one another.

Going into actual plot stuff now. The way their stories are intertwined, the particular tropes their relationship embodies, and why it's important.

The growth of both of their characters is often explored through their connection. For example, Lancelot first learned to read hearts while dueling Tristan.

Ban references the moment Lancelot received his scar here. Tristan was so excited while dueling his friend, that he lost control of himself. The heightened emotions awakened the dark magic in him that he inherited from his father. Tristan blacked out, striking Lancelot.

This was a significant moment for both of them. Tristan and Lancelot both experienced an "awakening" here, which set them down their respective paths and cemented their bond.

Lancelot is quite literally marked by him. With this scar, there will always be apart of him that is irreversible tied to his relationship with Tristan.

Additionally, the fact Tristan had hurt and permanently scarred Lancelot is what triggered Tristan's anxiety about fighting. It affected him so deeply that he began to fear combat, instead wanting to pursue a path of healing. So that it would never happen again.

The bulk of this film takes place when they're both 14. Which is a few years after Lancelot initially went missing. He felt the need to hide his identity, but even in his disguise, he wanted to somehow push Tristan to his peak performance.

This illustrates how Lancelot never once viewed him as a threat. Tristan isn't a monster to him... He wants to see him exercise the strength that Tristan is so terrified of.

(I wish this site had CC, but Lancelot wolf-whistles at him before this line...)

Lancelot knows Tristan well enough to be aware that these fears would hold him back in combat. He takes action when they fight together, pushing and prodding him until he is forced to conquer that fear and act.

Tristan's hesitancy comes from his care for Lancelot. He's terrified at the thought of ever hurting him-- or anyone-- again. Lancelot sees this differently. He views Tristan's attitude as if he's viewing Lancelot as someone weak who needs protection. He has faith in Tristan's strength and never doubts him. But that faith only makes things more complicated when Tristan avoids facing him. Lancelot knows he's capable and he wants to be his equal in that regard.

Earlier, I referenced Ban's comment in the one-shot where he wonders if Lancelot's behavior at that time had to do with this duel. There's an implication that part of why Lancelot felt so restless and inadequate had to do with Tristan's rejection. This was worsened by the fact that Lancelot had learned to read hearts, so he could see what Tristan must've been thinking in that moment. Tristan's concern doesn't come from viewing Lancelot as weak, but that's how Lancelot interpreted his heart and his words.

Between that and being babied by his parents, he lashed out and ran away to "prove himself." Which is how he went missing to begin with.

He didn't want to stop like Tristan did. He wanted to keep going. Tristan's strength motivated him, but Tristan didn't return those feelings because of his own self-loathing.

In the end, Lancelot is the one who convinces Tristan to embrace his power. He vowed to be there to stop Tristan in case things ever go too far.

Lancelot reads Tristan's heart in this moment and smiles to himself.

Lancelot's love for his friend manifests through his desire to propel Tristan to his peak potential. Through Lancelot's affection, Tristan changes forever. His pure faith in Lancelot and his intentions was all he needed to conquer his fears. To him, he doesn't need to be worried about losing himself, because he has Lancelot.

Many years pass since this moment, but Tristan still views Lancelot as that anchor he needs by his side. Tristan's control over his power has grown significantly, but he still fears using it without Lancelot by his side.

Something interesting about their dynamic in the present day is the way the dynamic has flipped. While Tristan respects Lancelot's power, now he is the one feeling weak in comparison. This is also a testament to the strength of their bond. While Tristan feels they're no longer "equal", it doesn't drive a wedge in their relationship. He isn't resentful or jealous, it doesn't push him away from Lancelot. Their bond is too strong for that.

Not to mention, what seems to bother him more than anything else is the fact that Lancelot won't discuss how he gained this new power. He's bothered by the way his friend vanished without a word for so long, and now refuses to talk about what happened.

Regardless, this just means that Tristan trusts Lancelot's abilities without question. The moment he arrives, Tristan believes so strongly in his ability to win above anyone else. If anyone can defeat the King of Camelot, it will be his closest companion.

Circling back to Lancelot being his anchor: This is pretty common in fantasy Shounen. Leading characters who possess dark magic often have a partner who they rely on to bring them back down, or stop them from going too far and losing themself. However, you usually see it between the leading male main character and the female secondary protagonist... In fact, this is the exact dynamic Meliodas and Elizabeth had with each other in the original manga.

This dynamic came up frequently whenever Meliodas went full-demon mode. But this page from the Holy War arc in particular really reminds me of Lancelot's line where he says he'll "beat Tristan into the dirt if he has to."

Considering these two are Tristan's parents, you'd think the parallel with Tristan would be between him and Isolde, or something. But it's not. It's with Lancelot.

Their chemistry is so natural. They spend some time apart, but nothing really changes. The play off of each other so easily and understand each other so deeply.

Lancelot teases him for a lot of things. Being air-headed, being childish around his parents, etc. But it isn't mean-spirited, and Tristan knows that. It's just an aspect of their relationship and one of the ways Lancelot shows affection to people. That's Tristan's best friend who is mean to him, but he still calls him by a cute little nickname ("Lance.")

The implications that Tristan has called Lancelot out for being like his father before is really funny. Quick lines like this convey a lot about a relationship, it demonstrates that familiarity.

I have a lot more I could say about them, but Tumblr apparently has a 30 image limit per-post. I'm just really excited to see what comes next for them in the timeskip. I suspect all of these building themes are going to come together in some pretty important ways the closer that we get to the main conflict of the sequel.

Meliodas' demon secret doesn't actually become a secret until after the end of the First Holy War. Before the end of the war, he has no reason to try to hide it. Everybody already knows what and who he is. For those who don't, well, they soon figure it out. He doesn't hide it; he openly uses his demonic powers and shows himself as a demon, because again, he has no reason not to, and he even admits to being a demon when asked about it. This, to me, is especially noteworthy since this is something we're shown repeatedly that he doesn't do after the end of the war.

After Meliodas and Elizabeth's confrontation with their parents, and the following death and cursing, Meliodas wakes up to a new Britannia. A demon-free Britannia. The war has by then ended, leaving the demons sealed away and the goddesses having lost their physical forms. A new era has started in Britannia. An era where the demons are becoming nothing more than a great evil sealed away by the goddesses. The more years that pass, the more solidified this view becomes. The humans who once had encountered demons, all die or are already dead. By the time of the first season, the demons are just monsters of myth. While there are still some people who know about demons, like Gerheade (who lived through the war) and Elaine, we're also shown that most people don't. They struggle with the idea that such beings even exist, or have a very limited knowledge of demons. We can probably also safely assume that nobody is exactly considering the possibility of a "good" demon. After all, that was already a foreign idea back before they were sealed.

So, given everything we know about this new Britannia and how it came to be, it makes sense why Meliodas would choose to hide the fact that he is a demon. He has no reason to believe anyone would accept this about him. While the world before was also filled with hate and fear towards demons, back then he at least had Elizabeth. And his entire race, even if they did hate him too (but not for being a demon). Now he is all alone, stuck trying (and failing) to protect Elizabeth in a world that doesn't understand demons. People knowing he is a demon would also make it a lot harder for him to live among the humans, which we know he has done repeatedly during his attempts to keep Elizabeth safe and in his search for a way to break the curse. So, yeah, it's easy to see why Meliodas' demon secret would come to be.

At the same time, I think it's really interesting to point out that while Meliodas does hide that he is a demon and won't even answer the question when directly asked about, he doesn't really lie about it either. He doesn't say he is a demon, but he also doesn't say he isn't a demon or that he is human.

We don't get to see lot of what happens to Meliodas over the 3,000 years between the start of the curse and his arrival in Liones. What we do see is Meliodas, repeatedly, living human lives with Elizabeth's numerous reincarnations. Because of this, the most significant moment we get during those years in regard to his demon secret is the fall of Danafor.

Danafor is an example of a human life we see Meliodas living with Elizabeth, or Liz in this case. From the flashbacks of his times there, provided by the druids' trial, and his interactions with Cain, it's safe to assume that the people of Danafor saw Meliodas as a fellow human - a stupidly overpowerful human perhaps, but a human nonetheless. When Cain learns that Meliodas is in fact Meliodas (and not his son) he is, understandably, shocked. After all, he clearly expected Meliodas to age like a human would and not still look as young. Danafor, or rather the fall of Danafor, marks the beginning of the unraveling of Meliodas' demon secret. This is the first time in who knows how long that Meliodas uses his demonic powers. It's also the first time he's faced with someone who knows who and what he really is (not counting Merlin and Elizabeth with her memories regained) with the appearance of Fraudrin. Even disregarding Fraudrin's future possession of Dreyfus, the events in Danafor (Meliodas' destruction of it and the Coffin of Eternal Darkness) have significant repercussions for Meliodas going forward.

After Danafor, Meliodas life becomes different. Back in Danafor, he was greatly respected as the leader of the Holy Knights. In Liones, he still has respect and status as the captain of the Seven Deadly Sins, but he (along with the other Sins) is also seen as a criminal and sinner. By then, rumors have also spread about what happened in Danafor and Meliodas' part in its destruction. We don't really know for sure what exactly those rumors entailed or how close to the truth they were (they most likely did not involve "demon" or "demonic powers"), they still told a story of Meliodas being the one, not only to destroy Danafor completely, but also kill its citizens.

So, from what we can see, Meliodas' arrival in Liones comes with a new life and a different role. While he is still mostly seen as human, he is also seen as more of a "monster" than before. Both Zaratras and Hendrickson admit to having sensed Meliodas' true identity during some of their earliest encounters with him.

That brings us to another interesting thing to look at before I get into analyzing the individual episodes: the extent of Meliodas' demon secret. Meliodas is generally seen as a human, but his secret isn't a complete secret. It's not a situation of nobody knows nothing, as seen above. Of course, how much is known depends on who's perspective we are talking about. So, since it's kind of important for these breakdowns, and it intrigues me to talk about, let's end this part with looking at what the fuck do each of the Seven Deadly Sins actually know about Meliodas in regards to his demon secret?

The most obvious (and also easiest) to start with is Merlin. She is the one who knows the most about Meliodas, seeing as she first met him 3,000 years ago before he even betrayed the demons. To her, there isn't really a "demon secret", only a secret he is keeping from everyone else. Merlin knows Meliodas is a demon. She knows what kind of demon he is and was, his past with the demons and Stigma, even about the curse at the hands of the Demon King and Supreme Deity and what it means for him.

I'm gonna try to do these in order of who knows most, so next up is Gowther, who - well, who the hell knows what he actually knows? But he is the one, next after Merlin, who is the most knowledgeable about Meliodas. Technically, he met Meliodas before even Merlin did, since he was (as his creator's proxy) in the Ten Commandments alongside him. It has also been revealed that the original Gowther was one of Meliodas best friends (Q245, Q&A Corner of chapter 234 in the manga). But Gowther also did erase his own memories prior to season 1, after Nadja's death. Despite this, Gowther is still shown to know more about Meliodas' secret than the others. When the group is first reunited with Gowther, he points out to Meliodas that none of them are of the same race, hinting that he knows Meliodas is not human. Though given his powers, to me at least, it's hard telling exactly how much Gowther knows about Meliodas.

Merlin and Gowther are more or less the only Sins with any real knowledge about Meliodas' secret, but that doesn't mean the others don't know anything. In fact, most of them have gotten some hint prior to the events of season 1, proving that Meliodas' demons secret isn't absolute. Among the remaining Sins, Escanor is the one with the biggest reason, I think, to suspect something. Escanor has, after all, seen Meliodas in his demon form. He might not know exactly what Meliodas is, but he should definitely suspect that Meliodas isn't human. The moment I'm talking about happens during the battle between Escanor and Meliodas, when Meliodas is trying to convince him to join the Seven Deadly Sins. During that battle, Meliodas easily defeats Escanor by releasing his Assault Mode. This means that Escanor saw him with his black eyes and demon mark. Like I said, Escanor probably didn't know what it meant at the time, seeing as he hadn't actually met another demon by then, but at the same time, it stands to reason, that Escanor shouldn't be seeing Meliodas as quite as human as the rest of Liones did.

Now let's talk about Ban. The interesting thing about him is that while, out of the last three Sins, Ban is the one who knows the most about demons, he is also probably the last one who would (willingly) suspect Meliodas of being one - something that he shows later in the first season. Ban's knowledge of the demons comes from him encountering and fighting the Red Demon during its attack on the Fairy King's Forest. This means that his knowledge of the demons as a race is very limited compared to Merlin (though to be fair, most people's knowledge is limited compared to Merlin, especially about demons since, well, very few people seem to know what the demons really are anymore). The Red Demon is also a huge part of Ban's struggles with the idea of Meliodas being one, as he obviously can't let himself put Meliodas equal in any way to the monster who killed Elaine. Still, even if he doesn't want to, Ban has reason to suspect it even before season 1, given what happened with Meliodas' dragon handle. When Ban tried to take the dragon handle, Meliodas cuts him with black flames. This is also the one and only time something has managed to leave a permanent scar on Ban's body since becoming immortal. Both of these indicate, if nothing else, that Meliodas isn't as human as he first appears to be.

Between Diane and King it's a little hard to tell who knows most, because let's face it, neither has much knowledge about Meliodas' secret at this point. Though I would probably have to say Diane does - mostly because I've got an issue with King's knowledge, but more about that later, let's talk about Diane first. Diane doesn't have much knowledge about neither demons nor Meliodas' secret, but, like the others, she has some reason to suspect him not being human. Diane was there and saw Meliodas scar Ban, meaning she saw Meliodas with the black flames just as Ban did. Later, during the events of the Vaizel Fighting Festival, she also admits to having seen "that look" on Meliodas, referring to how he looked while defeating Ban. So, yeah, not much knowing but still some hints.

Now then, last but not least, King. Okay, to be fair, he is one of the Sins with the least knowledge about Meliodas' secret. He also, like Diane, lacks the knowledge of demons in general. He wasn't there during the Red Demon's attack in the Fairy King's Forest and has shown himself to not share Elaine's knowledge about demons, given his reaction to seeing the Red Demon's corpse. He even expresses shock that beings like the Red Demon have actually existed in Britannia. As for Meliodas' secret, when King first meet him in the manga, he literally calls him human. By the time of the first season, King is seemingly still holding this view, later expressing his surprise that Meliodas looks exactly the same despite 10 years having passed.

But I did say I had an issue with King's knowledge, didn't I? Well, unfortunately, I do. It comes with that first meeting between King and Meliodas. As much as I love it, it provides some... inconsistencies, especially in regard to the reveal of Meliodas' demon secret - and since that is what this post is about, it's only fair that we address it. Okay, so here's the thing. King was captured 200 years ago. In the manga page above (first panel, lower left corner) you can even see Helbram's dead body still lying on the ground, proving that it was 200 years ago. Now, Meliodas being there when King is arrested by unnamed knights 200 years before he and Merlin decide to form the Seven Deadly Sins, while a coincidence, is not that unimaginable. But King remembers that moment. He references it to Meliodas in the druids' cave and thinks back to it in the fight against Chandler, which means he clearly remembers the Meliodas 200 years ago as Meliodas and not just some random knight. But then when they are reunited after only 10 years he suddenly thinks it's weird that Meliodas remains unchanged? I just- that is what is happening, right?? Anyway, let's just... drop it for now.

Okay!

So what do we start of with when the fist season begins? Meliodas, who has kept the fact that he is a demon a secret for 3,000 years because Britannia is now "demon-free" and demons are seen as ancient evil monsters; Merlin, who knows everything; Gowther, who knows he is not human; and the rest of the Seven Deadly Sins, who still think of him as human(?). At the same time, the events of Danafor's destruction has set the wheels in motion regarding Meliodas' demon secret finally being revealed to everybody.

Coming soon - Part 2: Cracks in the Mask (season 1 part 1)

---

Note: I am someone who suffers from the above conditions, so I am basing my analysis on that.

To Escanor, his very reason for being alive in his world was to protect the people he cared for, even if that meant losing his life in the process. And while he does care for the people of Liones — seen by him battling Estarossa to keep them safe and purposefully moving their fight to a lake to avoid hurting the knights nearby — the largest part of his world was the group of misfits who had become his friends. The Seven Deadly Sins were his family, the people he loved, the ones he would do absolutely anything for. Escanor did not see value in himself outside of as a tool to protect others; even without Sunshine, facing down an Indura spawn, he was willing to let it rip him to shreds to protect Gilthunder and the others. He was willing to die then. If Mael hadn’t intervened, he would have.

The long and short of what I’m saying is that, even without Sunshine, he would have found some way to put himself in that battle. We knew he was dying. It was shown in the blood he continued to cough up no matter how many times he was healed, in his disregard for his safety while fighting the Sinner at Camelot. His one regret when he thought he was going to die then was that he wouldn’t be able to continue protecting his comrades. Escanor, in his final moments, made two choices that those around him, who loved him, respected: he retook Sunshine to fight for his friends, and he burned up his life to keep them safe. (For those of you saying that Mael could have taken his place: yes. Or he could have joined in. But the Sins weren’t able to resist the Demon King without Merlin’s limit break magic, so whether or not him doing anything would have changed the outcome is debatable.)

Now that the bulk of my understanding of Escanor’s character is done, let’s move on to what originally prompted this post: his confession, and Merlin’s reaction to it.

While saying his farewell to the Sins and others, Escanor makes sure to acknowledge each of them in some way, whether by thanking them, apologizing, or asking for a favor. Or, in Ban’s case, getting in one final roast. What doesn’t he do? Downplay their grief. He fully acknowledges that his death is going to impact them all in some way, particularly not being able to attend King and Diane’s wedding. And when he gets to Merlin, he makes the confession of feelings she already knew he held. 

After which Merlin does what Merlin is best at: she deflects. This is a canonical character trait for her; whether making a vague mention of something (her love for Meliodas), or waiting until the last second to reveal pertinent information (her Infinity magic), Merlin is known to be powerful and mysterious. She’s cool, she’s unruffled. And that doesn’t change here.

What does change is how Escanor speaks to her. Up to this point, he has always been respectful, almost to the point of absurdity. He does not press her on anything, does not question her. Yet here we see him blatantly refuse to allow her to hide behind a half-truth. Did Merlin view him as a test subject? Yes. Merlin views everyone that way to some degree. But Escanor isn’t a fool, and he immediately shakes his head and tells her that his feelings for her exist regardless of her view of him. Which leads to this:

Her veneer cracks. Merlin has only appeared vulnerable to this degree at one other point, and that was the death of Arthur. Her cool demeanor falls apart whenever some she cares for is dying, and that’s what happens here. If you want to read her body language, she’s averting her gaze (hiding from him), crossing her arms (to get distance/hold her emotions in check), and digging her fingers into her coat (to retain control). The moment Escanor tells her that he doesn’t care how she sees him because it won’t change how he feels, she begins to fall apart. And what does she say? “You’re too late.” We’ll come back to that.

She continues by seemingly veering off topic. “Too late for anything, for everything . . . some things just can’t be taken back.” Now, quite obviously we have yet to get a full gaiden for Merlin. Some of her backstory has been hinted at, like the destruction of Belialuin, which seem to be what she’s referencing here. But there’s something odd about it, and as @derieri​ pointed out, the way she’s wording her sentences and the confusion of Meliodas and Elizabeth make it highly likely that she’s referring to something other than Belialuin’s fall while saying that it’s too late. She continues by saying, “Escanor, I wish you would have found me sooner . . . If possible, 3,000 years sooner . . .”

That’s a very specific time frame, given that the first Holy War ended exactly 3,000 years before this event with the sealing of the Demon and Goddess Clans and the curse put on Meliodas and Elizabeth. 

Here, Escanor directly acknowledges that there is something other than the sin that earned her the title of Gluttony. Merlin’s reaction?

Utter surprise and, by the sweat on her brow, horror. Whatever this sin is, it’s something that she’s tried desperately to keep hidden for centuries. Not even Meliodas, who she once loved, or Elizabeth, who she views as an older sister, know what it could be. When Escanor says that he doesn’t know the specifics, only that there was something else because she always looked so sad, we get a close up of her eye. Traditonally, this is a technique used whenever one character breaks through to another. It’s meant to bring us close to the character, to show those boundaries breaking down.

In this context, it means the boundaries between Merlin and Escanor are breaking down.

She goes silent after this while he says his final farewells, and doesn’t move until she goes to him and kisses him. There are three things that happen in those few panels that contradict Merlin’s established character: 1.) she moves towards someone, instead of having someone move to her; 2.) she acts on an impulse; and 3.) she puts herself directly in harm’s way. Merlin has been in battles before, yes, and she has suffered damage, but it is very rare for her to put herself so blatantly in danger when she doesn’t need to be. She could have told him she’d always remember him fondly. She didn’t need to burn her face as horribly, yet she did. 

Directly after the kiss, she says:

There’s an interesting word choice here that might not be obvious to non-native English speakers. Merlin does not say, “I do not reciprocate your feelings for me.” She says, “I was never able to reciprocate your feelings for me.” In other words, she doesn’t say she does not love Escanor. She says she’s unable to love him. And there’s a world of difference between those two. It’s the difference between saying you do not eat something because you don’t like it, and you aren’t able to eat something because there’s a reason, like an allergy. Something is prohibiting Merlin from returning his feelings, at least in a deep way.

This is the panel that first caught my attention. “As proof of your life, as proof that you existed, I’ll take these burns upon my body . . .” That is a lot of commitment for someone she claims to see only as a research subject. There’s another person we’ve seen sear their flesh to touch the person they care for, and that was 3,000 years ago, when Meliodas reached into a goddess barrier to cradle and comfort Elizabeth. Merlin is scarring herself so that no one, herself included, will ever forget Escanor. And furthermore, she’s doing it as a symbol of his love for her. 

Remember that point I said we’d come back to later? In the theory, it’s stated that Merlin sold Meliodas and Elizabeth out to the Demon King and Supreme Deity. Which, frankly, I think would be another level to the tragically beautiful story that is Nanatsu no Taizai, but from that come two possibilities: Merlin was punished for her hubris in daring to speak to the gods she betrayed by having her ability to love removed, or she removed it herself after the destruction of her home/the curse being placed. 

Granted, this isn’t exactly what happens to Arthur in Nanatsu no Taizai, but the broad strokes are still there. Arthur is wounded in his “final” battle at Camelot and is taken to a mysterious location (the Boar’s Hat on top of Hawk Mama, who is theorized to by the Mother of Chaos - a fact confirmed by the movie, the accuracy of which is up in the air), where at least two maidens have presumably tried to treat him. While not actually stated, it’s incredibly likely that Merlin and Elizabeth have both attempted to heal him.

But does Merlin count as a mysterious maiden? In original lore, Merlin is an incredibly powerful sorcerer who mentors Arthur from a young age, helping him acquire Excalibur and training him to be a good king. So, traditionally, no, a wizened old wizard is not a mysterious maiden. Nakaba, however, plays fast and loose with his source material, and most of Merlin’s backstory is unknown to the readers. I would say that, in her current form in Nanatsu no Taizai, she does, in fact, count as a mysterious maiden.  Elizabeth, too, fits that role. As does Elaine, whose title is the Holy Maiden of the Fairy King’s Forest. 

(Note: Here I am using “maiden” loosely. Traditionally, maidens were unwed and presumed powerful because of their “purity”; because I cannot vouch for the marital/sexual history of Elizabeth or Merlin, I’m just using maiden as “young woman”.)

“Hexxe,” you might be saying, “what does any of this have to do with Zeldris?”

Well, one of Nakaba’s favorite tropes is one known as Just in Time; from the TV Tropes wiki: 

“They’re in deep trouble. The Dragon or perhaps the Big Bad himself have them cornered, their heaviest hitters worn out. Their enemy is just about to unleash an attack that will no doubt kill them. Cue The Hero, standing all coll-like, deflecting the Finishing Move and saying, “Sorry I’m late,” for effect. Alternately, the hero is in dire straits until The Calvary and his ragtag band of acquired friends arrive to save the day.”

This is something we’ve seen over and over again throughout the story. Meliodas saving Elizabeth from Twiggo, Elizabeth’s powers awakening and protecting everyone from Hendrickson, Estarossa deflecting Meliodas’ Revenge Counter, Escanor’s arrival at Liones, the Sins arriving to save Arthur from Camelot, Mael’s arrival at Liones to save Escanor, just to name a few. The common thread with the big battles are that someone winds up fighting for their life, are about to lose, and someone else steps in and saves them while defeating the enemy.

Another trope I need to discuss before finally getting to the crux of this post is Back From the Dead. This trope covers the death of a character who, by magic or some other powerful agency, is brought back, often stronger than before. Meliodas is a prime example of this: his former curse brings him back no matter how many times he dies, each time a little less human and a lot stronger. You could even stretch this to his time in Purgatory, where he awakens his true power and returns to save Britannia.

Both of these tropes being so present and impactful on the story of Nanatsu no Taizai leaves little doubt that Nakaba will use them again, particularly since we’re at what seems to be the final battle of the series. Britannia is falling apart because of Meliodas and the Demon King, Elizabeth’s curse is still on-going, an Indura is wreaking havoc across the countryside, and Zeldris is, by all accounts, dying, his life fuel for the Demon King’s own. And, tellingly enough, this final battle is taking place at Salisbury, where the Lady of the Lake bequeathed Excalibur to King Arthur.

The final piece of evidence I want to look at comes from dialogue between Hawk Mama and Hawk:

Now, Hawk takes what she says to be about the Demon King’s return, but from the silhouette in her eye, it’s very clear she’s talking about Arthur being reborn. 

So, if we take the legend of Arthur, the two tropes Nakaba seems to favor, and the current events of the story, it looks like this:

Arthur was mortally wounded and taken to the Boar’s Hat, a mysterious location located on Hawk Mama/the Mother of Chaos, where he was attended to by three maidens: Elizabeth, Merlin, and possibly either Elaine or Hawk Mama herself. While he’s recovering, the Demon King returns to subjugate Britannia, using Zeldris as a vessel to return to his true form. This process is eating away at Zeldris’ life. Hawk Mama states that “the king” (Arthur) will soon be reborn. And, chapters ago, Merlin refers to Arthur as the hope of Britannia.