THE RELATIONSHIP

Alright, to get it outta the way, anything that involves showing a past relationship for a character seems to set off a bomb inside fan heads. And as a queer writer with an MLM Bane series, some folks have seemed to kind of want to feel me out on this one!

Honestly, the Bane and Arin relationship intrigued me, and I like her.

But first, before I dig into why, I have seen some folks uncomfortable with the idea of a character that's had a blank slate backstory past now being given a "love interest," so I'm going to speak to that first. What is presented here doesn’t change all that much about what we know of Bane as a character—this was a relationship that was definitely physical and involved SOME sort of emotional attachment, but that's about all that was said, and I don't see how it really threatens most interpretations of Bane. Yes, even and especially the queer ones. One can write Bane and/or Arin with any earth-equivalent sexuality, gender, or romantic preferences (or lack thereof) that you choose and these interpretations would still work within this canon information (if you even want to keep canon information in your works!) I've been looking at this relationship from the angles of queerplatonism, aromanticism, bisexuality, pansexuality, heterosexuality, gay with a confusing puberty, etc. etc. etc.. And that’s just if Arin is in fact a woman in the sense that many earth humans mean it.

There’s a lot of wide narrative holes for creatives to nest in here, and I'm really happy I can say that, because I'm already building a nest. And, besides all THAT, Bane’s a cowboy alien?? Like. I think we should all keep getting weird with it, because he SURELY would be up to things outside of our earthly human day-to-day perspective.

So yeehaw. Do Whatever You Want Forever!

Moving on.

THOUGHTS ABOUT ARIN HERSELF

I really like her. I love the idea of this young person who was kind, who was trying to pull Cad back from the worst parts of his nature, who was wiser than he was about the possibilities of a future past the violence of their world. That is part of what my own OC Nuni was when I wrote him. And now in canon, there were at least two people—Arin and Niro—both trying to pull Cad back from his fixation on gold and blood, and I like that theme!

Was I curious how Cad and Arin came together…? Yeah. Of COURSE. But I know this was limited time we had, and decisions were made about how to convey the most telling details in shorthand and the story in broad brushstrokes—so here, I settle for the subtle body language, which honestly was very deliberately rendered. It’s clear Cad is attached on some level to Arin; the way he works easily alongside her and doesn’t leave her behind when the going gets tough isn't without meaning at all. For him, it seems as close a relationship as he's able to have. But a lot of their interaction regardless comes across as a very Cad way of handling someone, especially while younger, rasher, his anger hotter. He doesn’t confide in her, he snips, he barely listens. He hardly looks at her or even touches her, though her own gaze is often on him, analyzing, hoping, bidding for him to let go of what doesn’t matter. But he doesn’t consider her needs for a single second as more important than him coming out on top. And this… this was a relationship I’ve seen before in life, in which one side is too focused on what they’re chasing to properly, truly notice the other person, even if some facet of having the other person around comforts them. I couldn't help but wonder if Arin was indeed startled by how easily Cad hugged Niro, when Cad just doesn’t seem to be like that with anyone else that we see, not even her. So yes, his and Arin’s relationship was strange, one-sided, with so much unspoken… but it was a lot we can glean from very little.

I wish in some ways that Arin had still been alive in the final episode, but I am sensing perhaps why it was decided that she wouldn’t be. There’s a narrative hole here I’m going to have to speculate inside, but—when Bane returns an unspecified amount of time after he was arrested, he’s grown up a fair amount. Got new scars. He has crew coming to meet him as if they want to give loyalty, when he didn't exactly come across as Lazlo's second in command previously. And now, the community council seems like they’re wetting their pants about him showing up, and they ALL know and seem to fear his name, whereas when he was arrested, they absolutely didn’t.

Frankly, the writing seems to imply that there was some serious stuff that happened in the interim between when they arrested him and he made his way back to his old stomping grounds. I don't know if it was a situation in which Bane still managed to make trouble from inside his cell, pulling strings, or if there were periods in which he was free, then arrested again.

But either way, Arin was left behind for a long while, just like Niro was once. Enough for Cad to get up to his own mischief, forge at least some part of his intimidating legacy. But again, he’s been so sucked into his own workings that the world he left behind moved on without him. I don't think he ever says that he was coming back for Arin when he does arrive; that’s a guess everyone ELSE is throwing around. He’s seemingly just there to settle accounts in general, and the mention of Arin having married Niro just seems to stick him in the pride. Either way, he's come back far too late to have done anything about it. They've both long moved on, and he wrote her off as a traitor long ago. Arin's had a life alongside a kinder person, and now is gone, and perhaps Cad could have tried to learn anything at all about what had happened before now, found a way for someone to bring him intel, wrote a letter, etc. But he didn’t.

He only returns to old places in this story when it’s time for revenge.

I think it fits his character fairly well, so unwilling to deal with these emotional difficulties that any question of Arin he still held in his heart was answered by a life fully lived without him, one he stayed ignorant of until it came back to needle his ego. The fact that Arin is dead isn't the point. It was that he didn't know she was dead, years gone. If that isn't a character statement, I don't know what is.

So yes, despite the missing parts, Arin is a character I like. I see some folks mentioning the concept of her being “fridged,” but I personally don’t think that entirely fits. Fridging is… specific. She wasn't there in the story only to die of violent or sad means, all to inspire the protagonist into having character development. Conversely, Arin doesn’t pass the Bechdel test, no, and I wish she did! Regardless, the tragedy is that Arin DOES have agency and uses it to live, not die—and her sacrifice doesn't inspire or change Cad, because he was hurtling down into the dark all on his own. She chose to end the violence, defy Cad and steal his gun because she’s kinder and wiser than he is, and knows how to let go and move on. She only died after having lived a life she chose, even an offscreen one, Cad’s choices be damned. I can’t call it a fridging. I do still wish she had more time to tell us more about who she was, but I suppose fic is here, and I’m just going to have to write something about it sometime.

CAD BANE’S SON

I yelled when he appeared. Jfc what a cute kid. This story also told us Cad was a cute kid too. And the narrative spares neither of them. :(

I’m going to get it out of the way: the only thing, literally the only thing, I am having difficulty accepting about this story is the kid’s name. Isaac. What? What?? EXCUSE ME. IS THE BOOK OF GENESIS IN STAR WARS?? I’m going to need ten linguistics and history enthusiasts in my replies immediately so we can figure out what the hell happened culturally with the Duros and Judaism in a galaxy far far away.

BUT I DIGRESS. This kid Isaac looked into my soul with those big eyes and I opened a door in my heart for him and now I’m in hell, so whatever I guess.

I AM IN HELL AHHHHH.

But. The moment when Cad looks in that kid’s eyes and knows EXACTLY who the father is was almost startling. Like, he even reaches out for a second. Just a split second. It’s this razor-sharp shard surprise-cutting him inside his moment where he thought he was just wrapping up all the loose ends. All that gloating to Niro about “I’ll take care of him like you did Arin” had so little real caring behind it that I doubt it was any kind of real promise.

But it’s then that Cad sees. For one of the few times in this story, Cad looks into someone else’s eyes outside of himself, and he properly sees them.

And he reaches out.

But that’s shut down fast. The interfering mayor clearly knows who Isaac comes from, just like Cad knows now. And neither of them say anything about it, but their understanding is clear, and Cad walks away, quietly agreeing, perhaps, that it’s the right move to do so. What he’s become can’t help this kid in any meaningful way. He’s just made another abandoned orphan like he was, and who knows what kind of life is in store for that child now?

Obviously, later in canon, Cad will have a go at helping another kid’s journey, mentoring Boba Fett. I wonder if, perhaps, he did it to try and prove to himself he could, gnawing inwardly over what happened on this day with the son he’ll now never know.

After all, he's not very good at letting things go.

THE STORY IN GENERAL

I’m kind of working backwards with my thoughts, from this very specific musing regarding the important relationships to the larger story... I haven't even gotten into Niro! Did you see that moment where Cad was the one to hug him, and he couldn't quite manage to do it back? When the last time they saw each other, he was the one being abandoned? How he faced Cad in person, and so is NEVER the person running away to save himself? I am gently patting this Duros' face. Excellent. But. I am going to have to wrap this up eventually and save any other thoughts for later.

At the end of the day, there was a lot inside this short little visit into Bane’s life that really delighted me. The scores of different Duros characters (shoutout to the guy in that giant hat, hahaha. LOVE A DUROS IN A GIANT HAT <3) The love given to the modeling, texturing, and overall craft of this production... all my love to the Star Wars animation team. The small look at the culture in the area Bane lived in as a child. The way he discourages his friend from buying a little toy their hearts clearly want, in favor of that which is practical. That moment when child Bane gets a taste of what money can do, hungry, licking the box clean that held his first real, good meal in a long time. The moment when Niro tries to get him to walk away from Lazlo’s scheme, and he immediately spins around and agrees it’s not worth it unless they’re paid twice as much—the budding negotiator!

Being fast, agile, sliding over the hood of a car as he runs from the cops.

Choosing to save himself, then the instant regret, lack of surety, fear—drowned in his first handful of gold.

The visual of him as an adult seeing his childhood self in the glass before shooting that thought right through the heart… the foreshadowing. Goddamn.

Like, I do have mixed feelings on some level. It was too big a story in too small a space. The first episode was plain excellent, but the latter two suffered from the broad brushstrokes preventing us from being able to get to know some of the new faces introduced, and raised a lot of questions about other things—truly, we never get to see what Lazlo comes to mean to young Colby, why he inspired a boy to become so like him. We never see when Colby decides to leave behind his old name and why. We never see where Todo comes from, or why Cad chose Arin to spend his time with. It also doesn’t show the why’s and how’s that made Cad Bane the Legend exceptional at what he is.

But it did give us tantalizing tidbits, the smallest pieces of the before-times we can explore more on our own. It showcased that Cad Bane's greatest strength as a bounty hunter, why he's so feared, is the precise fatal flaw that made his life the way it is: the fact that once he has the scent of his goals, he’ll never let go, not ever—he'll chase them from one end of the galaxy to the other to settle accounts, inexorable, deadly.