Robert Indiana, Nine Golden Orbs, 1959

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Robert Indiana, Nine Golden Orbs, 1959

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Robert Irwin, Nine Spaces, Nine Trees, Public Safety Building Plaza, Seattle, Washington, 1983
t'karregat revisited, or wood pyramids
t’karregat revisited, or wood pyramids
I think through drawing; I interpret as I reproduce. The drawing above perfectly capture this, where I set out to draw an accurate representation of an existing floor plan and ended up drawing what I wanted to see. The project in question is Frank V. Klingeren’s T-Karregat Center in Eindhoven, of 1973. The original is a system of steel truss ‘trees’ that serve as both structure and building…
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another pavilion, of sorts
another pavilion, of sorts
Today’s project is a nine-square pavilion that is organized along the diagonal, with two opposite corners rounded off, one side a wall, the other a colonnade. An oculus centers the pavilion, inside the trabeated coffered ceiling. A diagonal section, perpendicular section, combo womseye oblique axonometric, and oblique wormseye axonometric round out the representations.
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Stephen Leet, untitled, 2017, dimensions variable

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nine squares, a few circles, and a couple piloti
nine squares, a few circles, and a couple piloti
The story of where these ideas come from is a hodgepodge, so let’s just talk about what this is: a circular atrium in the middle of a nine-square plan demarcated with Corbusian piloti-cum-columns, with its four corners filled with circles: two circles are set up as objects, while two others are strung together with a larger radius. All of this sits below a blank square volume, continuing the…
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two halves and a courtyard
two halves and a courtyard
This small house is defined by the square courtyard at its center, which is filled with trees and a reflecting pool. The form that wraps it is bisected by alleys, forcing one to ambulate through the courtyard to move between the halves. Further, no access is granted directly from the house to the surrounding landscape, making the courtyard the public entry as well. Studies below explore…
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double gables
This house plays a game of symmetry, where the magnificent double gable of Lutyens’ Homewood is played on every facade, but punches out by one module on the east and west facades. The stair is set off-center, with a tall square atrium (Craig Ellwood of two posts back), and an asymmetrical collage of symmetrical rooms inside. My first plan (above) had double columns throughout, the second plan…
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