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Negative Fragments: Imprints of Hunger
Clay, plates, glass water, glass bowl
For Imprints of Hunger, I created negative impressions directly on a glass table, using common utensils like forks and spoons, as well as my fingers to serve as a physical metaphor for hunger. The bowl of soup and glass of water are positioned in the center, creating a focal point to deepen my piece narrative on need and longing. I wanted to create clay impressions as a ghostly reminder of meals that were never consumed and hands reaching for food that will never be provided. In order to make the impressions, I placed forks and spoons into the clay to create parallel lines that represent repeated, empty attempts to obtain food. Then I use my fingers on the slab of the clay and place them on a plate to add human traces, capturing a desperate, almost primal gesture of reaching for livelihood. I wanted these marks to introduce a personal element, suggesting the way hunger impacts both body and mind.
Memories of a door clay, plaster of paris, wood
My home was once equipped with several different entrances which led to spaces that served as efficiencies. When I purchased the home those entrances became nonfunctional as I did not need them. I removed these doorways and all that remained were concrete footprints. With this piece my aim was to recreate this entrance, but only in memory. Using clay impressions and plaster molds I recreated the door which once occupied the space, however nonfunctional. I remember the previous door being in bad shape, it had water damage and was brittle around the corners. My recreation aligns with the original through the fragility of the material and its nonfunctional nature.