Jul 4, 2015
"I did it because I am free."
#FreeBree
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"I did it because I am free."
#FreeBree
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Yes!
Getting crafty on my mini break from school!! My 1st cedar rose, second headband tho my 1st with a five strand weave, completed my 1st pair of Mocs, and began the journey of beading my shawl :) full heart gratitude to those teaching and guiding me, and to my blood memory.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ron Noganosh is an Ojibwe artist, born and raised on reserves near Parry Sound, Ontario. his work mixes sly, irreverent humour with a deep concern for the complex problems shared by many communities around the world. He addresses many of these issues – environment, poverty, culture, language and identity - in the context of present-day First Nations communities. He creates sculptures using found objects, contemporary garbage comments on ecology and hierarchy. He says “If it is natural, it feels good” “it’s like the thing is still living the sculpture gives it another life and I use it in a way that’s respectful. In a sense, that helps me spiritually.”
This is an image taken from âpihtawikosisân blog, it demonstrates the various ways that people may respond defensively to accusations of cultural appropriation, or methods people use in order to attempt to justify their appropriation. She discusses how these phrases restrict people from having a respectful conversation, as they are confrontational and close-minded.
Apihtawikosisân within her blog post explains clearly that there are certain symbols within all cultures that are “restricted symbols,” she goes on to explain why certain symbols are restricted, using the particular example of the headdress.
Read the whole article at: http://apihtawikosisan.com/hall-of-shame/an-open-letter-to-non-natives-in-headdresses/
One thing I find quite troubling about the MOA is its large collection and display of ceremonial masks. Upon visiting last weekend I noticed one piece displayed attempts to open this conversation up among museum attendees. A Kwakwaka’wakw mask is wrapped in cloth and put on display, accompanied by a short text that explaining why to some people the displaying of ceremonial objects is highly disturbing. Although only one mask is displayed in such a way, I think it effectively makes people consider the significance of the masks on display within this room of the MOA.
Within this short text, the conflicting problems of the ideas of displaying cultural and ceremonial objects within museum spaces, as to some it is seen positively, to a certain extent, as their display allows for people to come and learn about their own community and neighbouring communities. While others, as mentioned above, a deeply disturbed by the display of powerful ceremonial objects.