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šØāš©āš§āš¦Out with Incest Laws: Reconsider Blood Quantum Laws in Native Reparations
An open letter to State Governors & Legislatures
1 so far! Help us get to 5 signers!
I am writing to express profound concerns about the continued reliance on Blood Quantum Laws, or Indian Blood Laws, in Native Reparations Programs. These laws, established by federal and state governments as far back as 1705, define Native American status based on fractions of Native American ancestry, perpetuating harmful consequences for tribal communities and some, alarmingly, terminating before just 5 generations.
The use of Blood Quantum Laws has led to detrimental effects on Native American families and communities. It has incentivized harmful family planning practices, compelling individuals to marry within close kin networks to maintain "pure bloodlines." This practice not only violates individual autonomy but also jeopardizes genetic diversity and the long-term viability of tribal populations.
Of utmost concern is the declining population within many tribal communities, with some nearing critical thresholds of fewer than 1000 individuals. This situation is further exacerbated by the principles of population biology, particularly the 50/500 rule, which underscores the need for a minimum population of 500 individuals to reduce genetic drift and ensure sustained viability. It is troubling to note that these laws inadvertently encourage cousin marriages, posing additional risks to community health and resilience.
Moreover, Blood Quantum Laws impose an arbitrary expiration date on government-funded reparations and jeopardize the cultural continuity of these communities. By tethering Native American status to ancestry thresholds, these laws undermine the diversity and autonomy of tribal enrollment criteria.
I urge policymakers to urgently reconsider the use of Blood Quantum Laws in Native Reparations Programs and advocate for a more inclusive and sustainable approach to reparations. This approach should prioritize the cultural and social integrity of Native American communities, safeguarding their continued existence and resilience for future generations.
Our villages were razed by colonizers, our ancestors were genocide survivors, and, as ever, our children bear the enduring impacts of historical injustices.
Thank you for considering these critical issues and taking decisive action to address them.
Source:
This page is an electronic version of a tribal code or constitution from the National Indian Law Library.
Other articles where 50/500 rule is discussed: minimum viable population: Estimating MVP: They created the ā50/500ā rule, which suggested th
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my identity will never make sense to people who only look into the binaries .
my ethnicity and culture plays a role in that .
i am 2-spirit , but a trans male . i am mlm , but strictly t4t . i am nothing , but also everything .
āWhen I explain to people what those murals are, then Iām talking about my background, Iām talking about Hopi, and even where the murals come from, how they came to be, and how this particular village was destroyed during the Pueblo Revolt, that kind of thing⦠because my paintings contain the history of my people. I still work within the Hopi culture but I put my own angle on it.ā ā Linda Lomahaftewa, Hopi/Choctaw artist and educator, P. 128.
Douglas Miles is an Akimel OāOdham/Apache artist who lives on the San Carlos reservation in eastern Arizona. Miles creates graphic and graffiti inspired work. Miles created Apache Skateboards and has collaborated with many young artists to expand his outreach into many different media including film, photography, skate-park design, shoes, and clothing. ā Summarized from Barry Ace, p. 144.
Image 1: Left: Linda Lomahaftewa, āCrescent Moon XIVā (detail), 1999, Monotype, 15āx11āĀ Right: Douglas Miles, āD-Fenceā (detail), 2006, White picket fence, spray paint, 58āx45ā
Image description: Left: Bright red mountain with spiral and four-legged animal against the dark blue night sky with a crescent moon. Right: Image of two indigenous men spray painted on a white picket fence with three helicopters on the left and a group of women on the right with texts written.
Image 2: Front cover
Image description: Abstract image with the title
New Native art criticism : manifestations Museum of Contemporary Native Arts Santa Fe, NM : Museum of Contemporary Native Arts, c2011. 199 p. : ill. (chiefly col.), port. ; 30 cm. English HOLLIS number: 990131504070203941
Like capital, colonialism, as a structure of domination predicated on dispossession, is not "a thing," but rather the sum effect of the diversity of interlocking oppressive social relations that constitute it.
Glen Coulthard - Red Skin, White Masks (2014)

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I have just added 21 more books to my resource list on native readings. Including books by LGBT authors and quite a few books on indigenous feminismĀ
Check it out
do you know if it is common in the past for natives to lie about their heritage? (specifically between 1910-1990) i was looking through my families records and my great grandpa identified as white in every census and military enlistment records (he served in wwII if that helps any), but in his death records he was labelled as non-white. if you dont know, could you link me some knowledgeable blogs that might? thanks ;v;
Iām actually not sure? Though I wouldnāt be surprised if it was common, especially in that time period where Natives were facing dangers like having their children stolen from them and other issues. Natives hiding their heritages would make sense if they were trying to protect themselves and their families.
On the other hand, it couldāve been something done by government officials in an attempt to reduce the number of people who have claim to Native land, since thatās been a main goal of the US and Canadian governments since theseĀ āgreat nationsā were founded.
I donāt know of any specific bloggers who might know about this, so Iām opening this up to suggestions from my followers. Hope you can find someone who can help you!
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