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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: きのう何食べた? / Kinou Nani Tabeta? / What Did You Eat Yesterday?
Kinou Nani Tabeta? (which I'm going to abbreviate here to NaniTabe) is a live-action adaptation of a manga with the same name, which tells the story of two middle-aged Japanese gay men as they navigate their relationship, their families, and their professional lives, all while having some good meals.
Do you want something nice? Do you want a show that's just ... nice? Not saccharine, not cloying, not reductive, but just cozy and kind? This! This is what you want. Every episode deals with some events in their lives, and then the action will pause once or twice while someone demonstrates how to make a meal. There's no real overarching plot. You just get to peek in on them every so often and see how they're doing.
...Shit, I'm just going to steal the GagaOOLala second-season synopsis, it's perfect:
Shiro Kakei and his partner, Kenji Yabuki, live a life full of some hardship but mostly happiness together, with Shiro's speciality cooking affordable and delicious dishes. As they turn 50, they begin to experience different changes, but Shiro and Kenji are still gentle with each other as they move on to a new stage in their lives.
So here I am, a middle-aged gay who cooks affordable and (mostly) delicious dishes and treats my partner gently, serving you a five-course meal of reasons that you should watch this show -- especially if you too are a middle-aged gay, in which case I'd say this goes straight from "should watch" to "unmissable."
1. Help, my face hurts from smiling too much
Prepare to get your heart warmed whether you like it or not.
Kakei Shiro, the main character, is a closeted gay attorney in his forties whose main likes are cooking and saving money. He lives with his slightly younger boyfriend, Yabuki Kenji, who is a very openly gay hairstylist. They're an incredibly unlikely couple who somehow manage to make a relationship work, kind of to their mutual surprise.
I called bullshit on the show early on: This relationship is cute, I said, but this is not the behavior of guys who have been together a decade. But as the show unfolded, it became clear that I was so wrong -- their behavior is perfect, because these middle-aged boys actually haven't been together nearly that long. In fact, once you finally get the story of how their relationship started, yeah, it explains a lot of their insecurities and awkwardnesses about one another. Combine that with how Shiro's a neurotic mess who absolutely does not want anyone to know that he's gay, while Kenji lives on eggshells for fear of rejection, and it all starts to make sense.
It helps that the two leads have incredible chemistry. Not in a horny way, mind you (the show is incredibly, and intentionally, nonsexual, but more on that later), but where they genuinely make one another smile and laugh. Nishijima Hidetoshi plays Shiro as an anxious mess who slowly learns to become at least a little more comfortable in his own queer skin. I have a t-shirt that says Oh, Honey and I want to put it on every time he does something.
Meanwhile, it would have been so easy to make Kenji a caricature, but Uchino Seiyou skips right past the stereotype and plays the behavior that the stereotype comes from. He minces his way along as Kenji so perfectly, I was surprised to find out he's married to a lady in real life. He's got to be doing an impression of someone he actually knows, because his faggotry is just too accurate.
Their relationship is far from perfect. They're capable of annoying the tar out of one another, sometimes on purpose. They keep secrets and avoid talking about feelings. They get jealous over completely irrational things. They want things the other person isn't comfortable giving. They get into petty little arguments over petty little shit.
And because of all that, it feels real.
Also, if you're one of those Jane Austen bitches who swoons every time lovers scandalously brush knuckles, well, here you go.
2. Surprisingly educational about the state of gay life in modern Japan!
This is not incidental: Like the manga, the show uses this cute food-based story to present a fairly realistic snapshot of what it's like to be a middle-aged gay couple in Japan right now.
Like the manga it's based on, the show goes out of its way to be incredibly nonsexual, to the point where Kenji and Shiro barely touch, much less kiss or even hint at getting naked together. It is very consciously and deliberately attempting to counteract the stereotype of the hypersexualized, salacious homosexual by presenting two gay men who are delightfully mundane.
It is not, however, homonormalization. There's no attempt here to make an argument that gay people are just like straight people, only with incidentally matching genitals. Every time someone falls prey to the pressure to conform to cishet gender norms, it ends badly for them. While the first-episode conflict establishes that Kenji tops, he's also the fruity hairstylist who does the housekeeping. Shiro's the straight-passing suit-and-tie guy, yet he's the one who cooks and goes grocery-shopping. They have a division of labor based on personality traits, not gender roles. In fact, their relationship as presented challenges a lot of those norms by decoupling gendered expectations from the necessities of everyday living.
(This isn't even just me getting my queer studies goo all over everything! Allow me to be a good academic and send you to two people who've done even more thinking about this than I have: the unfortunately paywalled "Queer Cooking And Dining: Expanding Queerness In Fumi Yoshinaga's What Did You Eat Yesterday?" by Katsuhiko Suganuma, and the more freely available "Queering the Palate: The Erotics and Politics of Food in Japanese Gourmet Manga" by Keiko Miyajima.)
Every so often, one of the episodes' conflicts will have to do with how gay people in Japan do not have equal rights and protections under the law. This doesn't just mean they can't get married -- not having a spouse and children actually messes with a lot of legal stuff, including inheritance and government assistance. Sometimes the show will even take a beat to have one of the characters explain to another what a certain statute says. Changing laws about same-sex partnerships even get factored into the story!
And sure, I don't know these things, but I bet a lot of straight people in Japan don't know these things either. Well, if you watch the show, now you do!
It's important that no one is ever outright shitty to Shiro or Kenji. No one calls them slurs or hate-crimes them or refuses to serve them at a business or anything like that. In fact, the majority of people they encounter are perfectly chill and even outright supportive. The most serious challenges they face are bigger than individual people being dicks. They're about systemic barriers to equality.
That said, there are still plenty of instances of individual people being dicks -- just not maliciously. In fact, most of the homophobic sentiments in the show come from the mouths of people who are otherwise supportive of Shiro and/or Kenji! These nice people seem like they're way okay with the gay ... and then they let slip that, no, they're actually not as okay with it as they think they are.
And I love that the show includes that, because I know that feeling way too well. When these things happen, our boys don't throw a righteous fit or cut the offender off completely. They just ... absorb the blow, sigh quietly, and keep going with the belief that the person in question means well. It just sucks, you know? It sucks to have to know now that your straight lady friend who thinks it's great that you're gay would be uncomfortable if her daughter were a lesbian. You're not going to stop being friends with her, and you're not even going to hold it against her, but it lives in your mind now, and you're going to add it to the I Am A Disappointment To My Parents rotation of intrusive thoughts.
Speaking of parents, Shiro's incredibly fraught relationship with his aging parents is hands-down one of the best parts of the show. They love him, he loves them, but they don't always know how to love one another. As their childless only child, Shiro finds himself having to support them in spite of a lot of hurt they've caused him because of his sexuality. He would in many ways be justified in cutting them off -- after all, many other gay people in the show no longer speak to one or both of their parents! Shiro wants to keep them in his life, though. He'll just have to learn how, for his sake and for Kenji's, to lovingly set boundaries.
This, to me, is the most important lesson a show about boring gays can teach a straight audience: There's always a background level of suck. You can be as chaste and normie and regular as you want, but you'll never be normal, because there's literally nothing you can do to erase the background level of suck.
It's easy to reduce someone else's oppression to Big Bad Events, and then to assume that the absence of these Big Bad Events means that oppression has ceased. That's like thinking there's nothing left that needs to be done about racism because the US had a Black president and you've never personally seen a cross burned on somebody's lawn. Once other people's oppression stops being Big Bad Events, it becomes Everyday Stuff You Can Ignore. And that's worse.
NaniTabe pushes back against this in two directions. The first is to show gays who are not miserable, but are instead living happy, fulfilling, and exceedingly regular lives on their own terms. The second is to give reminders that what gay-related misery they do experience largely comes not from their being gay, but from society's giving them shit for being gay. This misery doesn't destroy the happiness, but neither does the happiness make the misery go away.
By the way, this is true of any non-normative identity! The gays do not have a monopoly here. There's always going to be a level of suck when you don't inhabit an area of privilege, and it's very easy to be unaware of someone else's background level of suck when you yourself do have that privileged status! One of the best ways to become aware is to listen to stories about people unlike yourself! Hooray for empathy and learning!
3. tfw your bffs are straight-up freaks
If you're queer, and especially if you're queer and the vast majority of the people around you aren't, you know all too well that sometimes you wind up being friends with people you'd never associate with otherwise, except that you're queer and they're queer, and buddy, if you thought the queer dating pool was shallow, the queer friendship pool can sometimes be even worse.
That's how you get Kohinata and Wataru.
When I said earlier everything about how nonsexual and normie the show is, I was intentionally glossing over whatever the hell is going on with Kohinata and Wataru, the bizarre boyfriends who become Shiro and Kenji's gay besties. You know that couple where you think, I cannot imagine how this relationship works because if you were my partner I would want you stab you every minute of our lives, but it clearly does, so I'm happy for you both? Yeah, that's these two.
The elder of the pair, Kohinata, is a butch, severe man -- except when it comes to his boyfriend, the much younger and worse-behaved Wataru. Then he's reduced to a complete simp, catering to Wataru's every whim. Wataru knows that throwing a tantrum and being bratty is the way to get anything he wants from Kohinata, so he's just a little shit recreationally. He loves saying bitchy things and pointing out people's flaws, while Kohinata chides him ineffectually.
And I love how much this is totally a sex thing for them, except that when you put it in the context of an otherwise extremely PG-rated show, the kink of it flies completely under the hetero radar. Ha ha, look how generally funny these two weirdos are! While Shiro and Kenji are over here doing the thing where somebody calls their partner "master" in front of you, and you're like, I wish you wouldn't.
Their presence is great for the acknowledgment that gay people can be maladjusted freaks in a whole spectrum of ways! They also make the point that a great deal of your ability to openly be a maladjusted freak is related to your job and your level of wealth. Wataru works from home and Kohinata works with celebrities, both of which bring in high incomes and allow for way more deviance from social norms. They're in positions of privilege that allow them to be themselves, but the price of being themselves is that they're always going to stick out in a society that values harmony in sameness.
By contrast, Shiro's good-but-not-great-paying suit-and-tie job means he has to behave. Because of this, he has plenty of angst about being Not Gay Enough, through which the show reinforces time and again that not all gay existence is about barfing rainbows. You're still a valid homosexual even when you're a dull one.
So just remember: When you feel like you're not queer enough, remember that there are always worse queers out there in the world. Oh, they're not worse at being queer. They're just worse in general.
4. Itadakimasu!
This show, like the Sleuth of the Ming Dynasty and Otoko Meshi, is a food-centered show that is very dangerous to watch if you're hungry, so be prepared! Snack first!
It's also got actually followable recipes! Unlike those other food-centric shows I've done recs for, this show actually gives pretty precise measurements, lists all the ingredients, and walks you through basically the whole process. Aside from a few "add the incredibly Japanese thing I bought premade at the store" steps, Shiro's cooking methods are replicable at home.
...It is here that I should probably put up a warning for the occasional bout of very Japanese-typical and gay-man-typical fatphobia, which can be a heck of a combination. I don't think it's a dealbreaker, but you should be aware of it going in. However, I will say that the show almost always comes down on the side of positive moderation: Sometimes you need to eat like you're an aging homosexual watching your cholesterol, and sometimes it's a special occasion so you should enjoy yourself without guilt. It also never once conflates "eating healthy" with eating disappointing meals. If anything, it's mostly just being honest about what happens to your body's relationship to fried food when you hit your forties.
The other nice thing is that Shiro's not some trained chef. He makes good food, but he's a dedicated amateur at best. There's not a single super-fancy technique in anything he does. Much of the time, he's just winging it, combining techniques he knows with what he's already got in the fridge. Sometimes he uses recipes he found on the internet. Occasionally he cooks alongside other, more experienced people and learns techniques from them. Once in a blue moon he just tries a thing to see how it works. (Of course, he does have the unfair advantage of being fictional to cover for how none of his meals ever turn out bad, which, you know, must be nice.)
Sometimes you even get to see other people cook when Shiro's nowhere around! Some of them follow instructions to the letter, while others just sort of wing it with whatever's on hand. And that's okay! For a show so much about cooking, it is very unpretentious about food. The manga drives home even more strongly the point that you don't need fancy meals and a million perfect side dishes to be content. It's great if you're perfectly happy microwaving a pork bun! What matters is that it works for you and your family.
...Now can we please convince subbers everywhere to translate "Itadakimasu!" as "Itadakimasu!"? Please? I think my favorite bad choice is "Bon appetit!", which, okay, good job, you took an opportunity to teach English-speakers a non-English phrase that has no good English translation, and instead you chose to bank on their extant familiarity with a different non-English phrase that has no good English translation. Just keep it what it is. It's just something you say before you eat. It's obvious from context clues. I promise.
5. Makes you, an aging queer, feel real weird about some stuff!
Over the course of the show, Kenji and Shiro go from their early/mid 40s to pushing/over 50. Their parents age, have health scares, and even sometimes die. They deal with losing eyesight and hair alike. They get promoted. They make household budgets and purchases. They worry about saving enough for the future. They work late. They go on vacation sometimes. They wear the same clothes they wore a couple episodes ago.
However, they do all this while also wrestling with their unequal status as gay men in Japan. All their discussions about retirement are colored both by Kenji's tendency to impulse-buy ice cream and by the fact that they can't get married. The choices Shiro makes about his job rest both on his desire for a good work-life balace and a fear that his profession would react badly to his coming out. They have to make all the normal decisions expected of men their age, and then they have to make all the extra decisions to compensate for how "normal" doesn't account for gay.
To pick one issue running throughout the story: Shiro is an only child who is himself childless. This comes up fairly often, in fact, as various circumstances make him aware time and again that he's not making his parents into grandparents, and he won't someday have someone to take care of him like he does for them.
The first time the show brought this up, I thought it would be a one-and-done thing, where the conclusion of the episode got to be that Shiro learns to be happy without being a parent, the end. Nope! It isn't a constant stressor, but it never goes entirely away. Shiro is happy with his life, but he's also reminded that he's failing to live up to social standards. He doesn't want to be a dad. Or does he? No, he actually doesn't. But he also doesn't want not to be a dad, if that makes sense. He doesn't want to disappoint everyone by not having a wife and children, but at the same time, that disappointment isn't enough to force him back into the closet. But it's always going to be seen as a failure on his part.
As a middle-aged queer with no kids, yeah, I feel that hard. I don't want kids! But I also don't want to not have kids. I know I'm always going to be a little bit of a misfit in my family compared to my siblings, who are all parents now. Besides, I think about all the things I do for my parents, and all the things they did for theirs, and yeah, it kind of scares me to know I won't have that when I get older. And we're just basic-ass white people! Japan takes filial responsibility to a whole 'nother level!
So I really, really like that this show doesn't resolve that tension. Shiro has chosen what's right for him. It just also sucks sometimes. The honesty of that narrative is refreshing. Sometimes your best choice still kinda sucks. Sometimes the only way to get closure is to say, you failed me and I failed you, so we're even.
It's a frequent thing for the show to present the realities of people's lives and choices, and to say, maybe this isn't everyone's perfect solution, but it's the right decision given what the circumstances will allow, and you are still allowed to be happy despite the imperfections. It's not that you need to settle for less than perfection because you're gay -- everybody settles! Everybody makes choices and then has to live with the consequences of those choices. You'll never know if things could have been better if you'd done something different, but that doesn't stop what you have right now from being able to be pretty damn good.
I'm not going to say you must be a middle-aged queer to watch this show, because did you read the whole part earlier where I talked about how you should consume stories from experiences that are not your own? Right? Right.
I will, however, say that if you are a middle-aged queer, a lot of it's likely going to hit real close to home, and often in uncomfortable ways. I've seen a couple people say they had to take breathers after some episodes. I know I've been left chewing over a few things in the days and weeks since watching. There are definitely parts where you're laughing because you know exactly what that feels like, and if you don't laugh, you'll do something else.
But you know what? I like that. It can be nice to see people go through situations similar to yours and emerge realistically happy. It's nice to be able to laugh about things, or to know that you will laugh about them someday. The world is fundamentally hostile, but there are people who love us and watermelons are on sale this week, so instead of despair, let's have lunch together.
bonus: porn!!
I want to make it clear that the mangaka isn't some erotophobic dishrag who fetishizes gay men so long as they don't have any of that icky nasty smex. Oh no. The proof that NaniTabe's sexlessness is intentional is how Yoshinaga Fumi made six fairly explicit pornographic side stories that fill in some of the sexy gaps in the larger narrative. You can read all six volumes scanlated right here! ...though if you want to avoid spoilers, I'm going to recommend you wait to dig in until after you watch the show and/or read the actual manga to the appropriate points.
Enjoy the confirmation that Shiro is a freaky size queen (at least in theory, as is the case with maybe most freaky size queens).
Are you hungry for this show yet?
Tragically, this one's a little hard to watch. If you're in Japan (or you have a VPN that can fake it), you can see the first season on Netflix. Otherwise, the preposterously named GagaOOLala is probably your best bet. The watch order goes like this:
Season 1
the New Year's Special
the Movie
Season 2
While the two movies and the second season require a subscription, the first season is available for free. So if you want to give it a try, you've got a whole twelve episodes to see if you like it!
Maybe it'll get a third season someday? We can hope! After all, there's still much more manga left to adapt! All I know is that I'm very sad that I've run out of new installments of it to watch, and I look forward to going back and starting again from the beginning soon.
...Boy, it's funny to see behind-the-scenes shots and think, wow, they're so much snugglier in real life! That's how not-snuggly the show itself is! You think I'm joking but I'm not!
My reaction, as soon as I saw Shiro staring at his spreadsheet on my screen, was oh, I MISSED them.
The character development we got up to here didn't get retconned (my biggest fear with any sequel), and I love it so much. That scene at Shirou's company – he's DEFINITELY not going to girly bars, and everyone knows, but the way his boss really emphasised the "he's not going anywhere they've got girls!" … poor Shirou. Also kudos to Nishijima-sensei, I loved his 😑 face in that scene. We see that as a plot point, that's going to come and cause more trouble (or plot development) – I'm excited to see how that goes.
I was genuinely sad about their supermarket closing. Where we choose to shop is such a personal thing, and as someone who hates third-party-inflicted change, I really felt for Shirou here. His indignant reaction to learning the cashier could be friendly! And the way he doesn't learn -- but we do -- that the lady from the supermarket is happy to see him again!
Kenji -- I missed him, too. He's a lot, but he's perfect that way, and every time Shirou and Kenji were on screen together I just kept thinking how much I love these two together.
For the staging: I LOVE how I can see Yoshimoto-sensei's panels in many these shots. I don't remember that as clearly from S1, though I might just not have been paying attention then.
I missed this show so much. Looking forward to trying more recipes, too, when Shirou makes things I can get the ingredients for. ¥30k/month for two adults' food is incredible, I'm in awe. Raw ingredients for food (other than fresh seafood) can be had relatively cheap where I live, my household cooks pretty much everthing from scratch, we rarely cook or eat meat at home, and when scaled, we still don't manage with that little. Gotta take a page out of Shirou's book.
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