ab. 1926 Woman's evening dress (embroidery designed by Natalia Goncharova, made by the firm of Myrbor, Paris)
silk with silk appliqué and metallic thread and wool yarn embroidery
(Philadelphia Museum of Art)

seen from Spain

seen from Malaysia
seen from Mexico
seen from United States
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seen from United States

seen from Czechia

seen from United Kingdom

seen from United States

seen from Colombia
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seen from Türkiye

seen from United States
seen from United States
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seen from Malaysia

seen from United States
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seen from United States
ab. 1926 Woman's evening dress (embroidery designed by Natalia Goncharova, made by the firm of Myrbor, Paris)
silk with silk appliqué and metallic thread and wool yarn embroidery
(Philadelphia Museum of Art)

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"Manteau du Soir" de Mariano Fortuny en fourrure bordée de perles de Murano et imprimée à la planche d'un motif végétal (circa 1925-30) et "Cape" de Myrbor en velorus de soie brun brodé de frises géométriques de fils métalliques de couleurs or et argent (crica 1925-30) présentés à l'exposition “Azzedine Alaïa , Couturier Collectionneur” au Palais Galliera, décembre 2023.
Silk evening ensemble from French couture house Myrbor (see other Myrbor posts here), 1929. Myrbor employed Natalia Goncharova and Sarah Lipska, Eastern European artists who had worked as set designers with Leon Bakst and whose designs employed abstract and Cubist motifs. (I’ve posted Goncharova’s and Lipska’s work before.)
(source: Metropolitan Museum of Art)
Marie Cuttoli
The Modern Thread from Mirò to Man Ray
Cindy Kang With contributions by Laura Pirkelbauer, Laura L. F. Sevelis, Virginia Gardner Troy, K. L. H. Wells, and Bruno Ythier
Yale University Press, New Haven/London 2020, 160 pages, 100 col.ill ISBN 978-0300251319 , Distributed for the Barnes Foundation
euro 52,50
email if you want to buy [email protected]
The Barnes Foundation, Philadelphia (February 23–August 23, 2020)
A book tracing the career of the textile designer Marie Cuttoli. Marie Cuttoli (1879-1973) lived in Algeria and Paris in the 1920s and collected the work of avant-garde artists such as Georges Braque, Joan Miro, and Pablo Picasso. In the ensuing decades, she went on to revive the French tapestry tradition and to popularize it as a modernist medium. This catalogue traces Cuttoli's career, beginning with her work in fashion and interiors under her label Myrbor. She subsequently commissioned artists including Braque, Le Corbusier, Fernand Leger, Man Ray, Miro, and Picasso to design cartoons to be woven at Aubusson, a center of tapestry production since the 17th century. Today these cartoons-paintings and collages by canonical artists-are often understood as autonomous works of art, but this catalogue uncovers their original purpose as textile designs. Beautifully illustrated with rarely exhibited works by giants of European modernism, Marie Cuttoli reveals the significant contributions of a shrewd and visionary woman as well as the role of the decorative arts in the development of the movement.
03/09/20
orders to: [email protected]
ordini a: [email protected]
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Evening Dress
Natalia Sergeyevna Goncharova; Retailed by Myrbor
c.1926
Philadelphia Museum of Art

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Evening Dress
Myrbor
1924
The MET
Harper's Bazaar, Mar. 1926
Outfits by Martial and Armand, Myrbor, Talbot, Goupy, and Yvonne Davidson.
Illustrations by A. Soulié.
"WHY CLOTHES ARE NOT CHANGING"