Mar 22
Lamentations Choir of Clare College, Cambridge & Timothy Brown — Miserere. Gregorio Allegri — Lamentations. Thomas Tallis — Stabat Mater. Giovanni Pierluigi da Palestrina
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Lamentations Choir of Clare College, Cambridge & Timothy Brown — Miserere. Gregorio Allegri — Lamentations. Thomas Tallis — Stabat Mater. Giovanni Pierluigi da Palestrina
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Outrageous sound..
Vicente Lusitano (1520-1561) - Heu me, Domine
Huelgas Ensemble - dir. Paul van Nevel
Happy Holidays, and Merry Christmas!
Francesco Durante (1684-1755) - Ad presepe venite "Pastorale e Mottetto per la nativitate Jesu Christe" in G-Major, I. Ad presepe. Performed by Roberta Mameli, soprano, Urusula Eittinger, alto, Andreas Post, tenor, Stephan MacLeod, bass, and Michael Alexander Willens/Kölner Akademie on period instruments.
Palestrina, VA ; Mc Creesh - Mass, Christmas In Rome. 1993 : DG Archiv.
OTD in Music History: The supreme master of music, Johann Sebastian Bach (1685 - 1750) was born in Eisenach, then the capital of the duchy of Saxe-Eisenach, in present-day Germany. What more is there to say? To all readers: Make sure that you listen to some Bach today (and every day). And to the musicians, just remember: "There is nothing remarkable about playing a musical instrument. All one has to do is hit the right keys at the right time, and the instrument plays itself.” - J.S. Bach PICTURED: A very fine printed copy of a late 19th-Century British engraving done by "C. Cook" after the famous 1746 painting of the elderly Bach by Elias Gottlob Haussmann (1695 - 1774).
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Bach - Motet Lobet den Herrn BWV 230 - Prégardien | Netherlands Bach Soc...
Happy birthday to Western music’s greatest composer, Johann Sebastian Bach (March 21, 1685 -- July 28, 1750).
Philippe de Vitry’s Petre Clemens/ Lugentium Siccentur.
Any time I see a French medieval composer, I am sure to like the music. But then again, I am a fanatic for anything to do with the French language.
Late last year, I was introduced to medieval composers from France whom I had not heard of before (my knowledge being limited to Guillaume de Machaut, Gilles Binchois, and Philippe de Vitry).
I find music from this era particularly suitable for long writing periods, so if you are a writer, consider returning to the Middle Ages!
Hello, friends, and welcome to the beginning of our yearly Blogmas here at Musica in Extenso! I’m thrilled to be first on the docket for this year’s twelve-day series, because there’s almost nothing I love more than the music of this season. For that reason, I tend to return to the same music year-to-year, so while I’m sure I’ve shared this very recording in years past, I can’t help turning back to it again.
I’m awake too early most of the time these days, but these wee hours are the perfect time for the quiet beauty of a 16th-century motet, such as this setting of O Magnum Mysterium (1572) by Spanish composer Tomás Luis de Victoria, sung here by Chanticleer.
O magnum mysterium, et admirabile sacramentum, ut animalia viderent Dominum natum, iacentem in praesepio! Beata Virgo, cujus viscera meruerunt portare Dominum Iesum Christum. Alleluia!
If I can be counted on for the still of early morning, my colleagues will surely bring some more boisterous joy to the table, so stay tuned through the holidays to Musica in Extenso! - Melinda Beasi
