mod liszt is back and ready to rumble!! i may have just mentioned this blog on two of my college essays
i’m gonna see if i can get some of the other mods to help me write musician spotlights again, but i honestly want to branch out the focus of this blog past only that kind of thing. that said, if you have any ideas for other kinds of posts we can make, PLEASE send them over!!Â
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I just saw someone call a bass guitar "not a real instrument". Bassists are musicians just as classical violinists are musicians and their instruments are real and take dedication. Tired of the elitism against musicians who play popular music and their instruments! So glad blogs like this exist though to combat ideas like these <3
some asshole on music tumblr: basses aren’t real instruments!! oh but cannons and hammers most certainly areÂ
Hello. I'm a girl that wants to play the tuba but don't really know where to start. Thoughts? Suggestions? Snide remarks?
just go for it! if you’re in school and there’s a band, ask how you can join and where you can get lessons. if not, your local music store probably has instruments and books for you to learn from if you can’t get lessons.
either way, don’t let anyone tell you the tuba isn’t a “girl’s instrument”. best of luck!!
I do not have much to say apart from I love this blog so much and that I think the mods deserve the mini-hiatus because of all their hard work <3
thank you so much!! <3Â
also if you have any suggestions for more kinds of posts we could make, please let us know. the musician spotlight essay format is honestly getting a bit tiring for me to write, and we want to continue spreading awareness in a more fun way!Â
sorry for the inactivity, mod liszt has been in college and is currently studying for their midterm which they have in 2 hours. posts will probably resume after all our schedules become less hectic
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Hello! I know a guy who is a HUGE classical music snob and I showed him your blog and he just sorta sat there speechless for a bit... Thank you for everything that you are doing, you are helping to eliminate the elitists one by one!
no problem!! we love what we do, and it’s stories like this that make the work worth it.
Maybe I've missed a conversation had about this but it seems like we don't talk about about having opportunity? Like there's blind auditions to try stop discrimination in auditions, but what about who is auditioning? Surely there's already a gap in who is able to be selected because people aren't encouraged to audition, or had to stop playing, or never got to start playing. Idk this seems like an issue that isn't addressed a lot
you’re completely right, anon! for all the talk about how unfair auditions are, no one really steps back to examine why some musicians aren’t even given the opportunity to try. thank you for bringing this discussion up, and if you have any posts or links we could boost here, don’t hesitate to tell us!
Gustavo Mon-Dieu Porquoi is an American composer with a wide range of compositions under his belt. He has been nominated for 30 Grammys and is widely considered to be the father of modern avant-garde composing. He is also gay as fucking hell and has like 9 whole husbands shit is lit my dude.
Porquoi was born and raised in Hellville, Ohio to his parents Julia and Ricardo Porquoi. His house was very musical, his mother was a professional jazz oboe and octavin player and his older brother Jeremy went on to physically evolve into John Cage somehow. He began composing at 11 years old, starting with his famous “Vivace for 13 Oboes and a Scarecrow”. He was always a lover of the avant-garde and out of the ordinary, and continued to almost exclusively write in this style, until he hit the age of 35, when he wrote his “Concerto for Sopranino Recorder and Piccolo”, in which he chose to use the 2 most annoying instruments he could think of and use them beautifully. (Author’s note: I actually high key love recorders.)
He studied music education and composition at the Sniggledap Conservatory in New York, there his friend and future 5th husband Amadeus Housuer, let him try his cello. Porquoi immediately fell in love with the instrument and began to learn all the string instruments he could. Which later evolved to woodwinds and percussion too. Around the time he began to pick up all these instruments was when he composed his first Orchestral Suite: “Tabatha and the City of Rainbows” which was critically acclaimed.
Here are some of our favorites of Gustavo Mon-Dieu Porquoi’s compositions: