Steve Rogers & Leila Whittaker || betty // Taylor Swift
Leila shifts in her seat, suddenly uncomfortable. âItâs not a big deal,â she says. âAfter Tokyo, I may or may not have wrecked my own apartment in a crying jagââ
Steveâs head snaps away from the road, his eyes wide and concerned. He turns back to the road when he starts drifting and another car sails by, honking loudly, but he still glances at her out of the corner of his eyes, looking bewildered and, if she didnât know better, protective.Â
âI made you cry?âÂ
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Leila asking Vision for updates on Steve when he comes back from "secretly" visiting Wanda = "I'll keep up with our old friends just to ask them how you are, hope it's nice where you are"
This song, again, applies to the fallout of their fight in C:SW.
âMy only oneâ
Leila being Steveâs rock after he wakes up
âMy smoking gunâ
A smoking gun is a metaphor for indisputable evidence of a crime. Steveâs always had misgivings about Leila, deep down, but he was able to ignore it until now.Â
âMy eclipsed sunâ
Eclipsed as in Steve will never be able to see her the same way again.Â
âThis has broken me downâ
Iâve written a lot (posted and unposted) about how their falling out impacts Leila but I donât talk as much about how it impacts Steve. Heâs pretty devastated; Leila, like I said, was his rock, his constant since he came out of the ice, and more recently was making him feel like maybe he could even move on and have some kind of life in the 21st century. Now their relationship is gone, and that with it.Â
âMy twisted knife
My sleepless nightâ
I donât have anything to say about these lyrics they just vibe hard
âMy winless fightâ
Their fight in CSW and how neither of them really won, both of them walked away having lost something.Â
âThis has frozen my groundâ
The word âfrozenâ has obvious implications for Steve. Leila and his falling out makes him feel frozen again, like he canât move on.Â
However, this line also works really well for Leila. Partly because âfrozenâ is a very good metaphor for her general demeanor during their fight, but also because frozen ground prohibits plant growth. She was starting to grow and change with her friendship with Steve and become less guarded. Now sheâs more guarded than she was before.Â
âStood on the cliffside screaming âgive me a reasonââ
Steve begging Leila to give him a reason to forgive her, and her refusing to do so.Â
âYour faithless loveâs the only hoax I believe in.â
The word âfaithlessâ here is interesting applied to Steveâs affection for her. Leila sees him as not having any faith in her, not bothering to hear her side of things (he asks, but heâs angry when he does, and she assumes heâs already made up his mind about her.) Still, looking back, she believes that he did care about her, which just makes it hurt more.Â
âMy best laid planâ
I think Steve was planning on telling Leila he had feelings for her before they fell apart.Â
âYour sleight of handâ
I think also Steve feels deceived by her, that she showed him one side to her and now heâs not even sure if that was real.Â
âMy barren land
I am ash from your fireâ
This goes back to what I said about Leila in the frozen ground line. She liked how she felt with Steve, although it scared her, too--she liked feeling alive again, like she was growing. Now thatâs gone and she feels stagnant and barren and part of her blames him.Â
âYou know I left a part of me back in New Yorkâ
On Steveâs side, he left a part of himself back in 1940s New York. On Leilaâs side, she left a part of herself in New York after the move to DC. But the âyou knowâ is important; they know each other well enough to know those parts of each other. Or thought they did.Â
âYou knew the hero died, so whatâs the movie for?â
The hero being their relationship. (Ties into the meta for exile: âI think Iâve seen this film before, and I didnât like the ending.â) What was the point of getting close if it ends like this?
(You could even argue that the hero is both of them from each otherâs perspective. Leila sees him as a model hero in a way she could never be, and she knows she broke his heart, metaphorically killing him; Steve sees Leila as a hero in the normal way but also in a personal way, someone who he was able to attach to when he had nothing, and now that image of her has died.)
âYou knew it still hurts underneath my scars, from when they pulled me apartâ
Both of them and their trauma. Steve might not know exactly what Leilaâs been through but heâs seen her trauma itself on display and he knows sheâs been through the ringer (although he could never imagine how bad it was until she tells him.)
âYou knew the password, so I let you in the doorâ
Both of them letting themselves get close to each other and letting down their guard
âYou knew you won so whatâs the point of keeping score?â
I think this is them settling into their mutual animosity but also being exhausted by it and wanting it to be over.Â
âYou knew it still hurts underneath my scars
From when they pulled me apart
But what you did was just as darkâ
This line is especially troubling from Leilaâs POV as it directly compares Steveâs rejection to her past traumas. Leila has a lot of conflicting feelings about Steve--on the one hand, she feels like he thinks heâs too good for her. On the other hand, she thinks he is too good for her, and she hates him for it.Â
But ultimately there is a part of her that groups him in with Johnny and David as âpeople who made me think they cared about me and then rejected me.â After all, thereâs still a part of her that thinks she deserves what they did to her, too.Â
âMy only oneâ
Leila letting Steve get close to her in a way she didnât with anyone else.Â
âMy kingdom come undoneâ
Leilaâs kingdom being all of the walls and guards she built up over time, and her sense of self, her evil queen persona--all of it undone by her feelings for Steve.Â
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Steve knowing that Leilaâs always kept him at armâs length (or tried to) but still being shocked at how they fell apart so quickly.
âItâs getting dark, and itâs all too quiet, and I canât trust anything nowâ
Steve being genuinely devastated by their falling out. I talked here about how Leila was more than a friend, she was his anchor to the modern world, and without her he feels very lost.
âAnd itâs coming over you like itâs all a big mistakeâ
Steve can tell Leila regrets it somehow (regrets what she did to Alex? Or regrets getting close to Steve in the first place?) but he's so stunned he can't grab onto it
âOh, losing my breath
Wonât see you againâ
He will see her again, but not in the same light.
âSomethingâs made your eyes go coldâ
This could refer both to when Leila dissociates and almost kills Alex, and also when she turns icy and refuses to talk to him when they fight.
"Come on, come on, don't leave me like this"
He feels very alone and ungrounded without her.
"I thought I had you figured out"
Lmao bitch u thought
"Somethings gone terribly wrong
You're all I wanted"
Again, it's this devastation.
"Can't breathe whenever you're gone"
Again, Leila was his anchor and he feels lost in the modern world without her.
"Can't turn back now, I'm haunted"
He tries to move on from what they had, but he can't--especially when theyâre still working together.
"Stood there and watched you walk away from everything we had"
This is Leila's POV. From her side, Steve is the one who rejected her.
"But I still mean every word I say to you"
This is a reach but: despite lying to him and pretending she doesn't care about anyone or anything, she means it because she's trying to believe her own lies.
"He will try to take away my pain
And he just might make me smile
But the whole time I'm wishing he was you, instead"
Rumlow
"Holding my breath, won't see you again"
Leila will still see him but she won't see him as in, being close to him like she was. (Also her avoiding him.)
"Something keeps me holding onto nothing"
Despite their estrangement there's still a connection between them...only people who care about each other could be that mad at each other.
"Come on, come on, don't leave me like this"
During the fight itself, Leila internally begging him not to leave her and to give her a chance to explain.
"I thought I had you figured out"
Leila thought she knew that Steve would never understand her, she didn't realize how much hope she was holding onto.
"Something's gone terribly wrong, won't finish what you started"
The way that they had this budding romance and it was very suddenly cut off.
"Can't breathe whenever you're gone"
Leila takes his rejection and sudden absence in her life hard.
"Can't turn back now, I'm haunted"
Leila wishing she could just let go and pretend it never happened and she never wanted him but it's too late to go back
"I know you're not gone
You can't be gone, no"
Secretly, way, way deep down, Steve hopes that eventually he'll make peace with Leila and they can at least be friends again; he's desperate for a reason to believe in her again.
This song fits snowcap after their falling out in Tokyo.
âI can see you standing, honey
With his arms around your body
Laughing but the jokeâs not funny at allâ
Leila flirting with Rumlow to annoy Steve
âAnd it took you five whole minutes
To pack us up and leave me with itâ
Steve feeling like Leila just threw away everything they had and didnât even care
âI think Iâve seen this film before
And I didnât like the endingâ
Leila connecting Steveâs rejection to her past relationships. Sheâs seen this happen before, she shouldâve known how it would play out.Â
âYouâre not my homeland anymore
So what am I defending now?â
So after coming out of the ice, Leila kind of becomes a constant for Steve; sheâs the one who recruits him for the Avengers, and then for SHIELD, most of his SHIELD missions involve working with her, and she sort of becomes his touchstone, his anchor to the present, without really trying. Then they fall apart in Tokyo and suddenly he has nothing to ground him.Â
(âSo what am I defendingâ could refer to Steve losing faith in SHIELD due to losing faith in Leila; the two are intrinsically intertwined in his mind.)
âYou were my town, now Iâm in exile seeing you outâ
Again, Steve feeling very out of place now that he doesnât have Leila to anchor him
âI can see you staring, honey
Like heâs just your understudy
Like youâd get your knuckles bloody for meâ
Steve wonât admit how jealous he is of Rumlow, to Leila or to himself, but he is and itâs in his eyes.Â
âSecond, third and hundredth chancesâ
On Steveâs side: he feels like looking back he always had misgivings about Leila deep down but ignored them and kept giving her chances to earn his trust, but she never did
On Leilaâs side: She feels like she had tons of chances to push him away, to keep him at armâs length, but she didnât take them and she shouldâve.Â
âBalancing on breaking branchesâ
Related to the above, their relationship has always had that underlying tension and was always bound to snap in some way
âThose eyes add insult to injuryâ
Leila looking into Steveâs eyes when heâs confronting her and seeing so much distrust that she canât even think of coming clean to him about why she did what she did (even before she finds out he was reporting on her to Fury.)
âIâm not your problem anymore
So who am I offending?â
Leila putting her walls back up and being a dick again because sheâs not bothering to be open with Steve anymore
âI think Iâve seen this film before
So Iâm leaving out the side doorâ
Same as earlier where she connects their falling out to her previous relationships, but this time with an element of prevention. Sheâs not going to stay and try to defend herself to someone who (she thinks) doesnât care, when itâs never worked before, and sheâs not going to stay attached to him and let it get as bad as it did with Johnny or David.
âAll this time, we walked a very thin lineâ
Going back to how thereâs always been an underlying tension in the relationship that was bound to snap.Â
âYou didnât even hear me outâ
Both of them feel this way about their fight in Tokyo, but Leila especially feels like Steve just turned on her at the drop of a dime and didnât care enough to get her side of things.Â
âYou never gave a warning sign (I gave so many signs)â
Steve feeling like this side to Leila came out of nowhere bc he ignored the red flags and tried to believe the best of her, vs Leila saying that she gave him tons of signs that this side to her existed and he shouldâve known.Â
(This might be part of why she allowed herself to get close to him; she thought he was seeing the signs and intentionally choosing to be close to her anyway).Â
âI never learned to read your mind (you never learned to read my mind)â
Despite caring deeply for her, Steve never fully understood Leila and thatâs the catalyst for their explosion, for him being so shocked by this violent side to her.