Jensen - TorCon2022 (x)
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Jensen - TorCon2022 (x)

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When I point out cute actors in musicals to my friends and one of them is a sound guy
I'd say that what we hear is the quality of our listening...
Robert Fripp
Don't be afraid to get creative with where you put your microphones.
Using Processors and Effects in Your Home Studio
I don’t consider it a hard task to setup a line that records directly from your audio source to your computer. One jack needs to be an acceptable headphone jack that plugs directly into the soundcard, and the other jack needs to connect to your audio source either using the same type of jack or perhaps a pair of RCA cables. Beyond that, the only significant changes that can be made are those that adjust the level of the incoming, or those that adjust the level of the recording side. Now, if you want to record using microphones and live sound, there is much more than can be done to achieve a better recording. Finding the balance between noise and sound can be more challenging at this stage of recording, but there are more tools to work with. Ignoring any software or digital devices for now, the placement of the microphone will have the best effect on the kind of sound you will receive, and you can even use physical implements to reduce the hissing of a person’s voice. If that is not enough, you are left with many post recording options that will allow you to remove noise and other echoes from your initial recordings. http://blog.discmakers.com/2012/09/using-processors-and-effects-in-your-home-studio/

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The quality isn’t the best, but the information is clear. Check out this 2 hour lecture recorded by a student at Full Sail University, where Eddie Kramer discuss’ his recording and mixing techniques. In addition to this he also describes how he makes use of waves plugins when mixing inside of a DAW.Â
Please consider how you sit and place your mic Thomas
After research this week into the various different types of microphones I've come to the rather simple conclusion that... there are great deal of mic's choose from in the realm of music technology, and each comes with its own specific advantages depending on what you're recording.
My recordings will be limited only to microphones I have available to rent out at my university, although the selection seems more than enough for the purposes of my composition.
Along with there being a dozen different microphones, there are also a million different ways of placing them. When I come to recording later this week, (last week was busier than I expected) I hope to try out various different set-ups as a means to find the sound I'm looking for.Â
I've began early work on my composition, although at these stages nothing is set in stone. My listening has led me to more ambient style soundscapes and films scores, particularly those by Clint Mansell, and to be more specific, his film score for the movie, 'Moon’. I'll be sure to post some audio examples in my next post, as I feel these soundtracks are along the same lines as what I wish to create for my final composition.Â
The big question lingering after all this research is of course, 'What microphones do I intend to use’? I've narrowed down three in total, and depending on their availability I hope to record with all of them this saturday. These microphones are as follows:
DPA 3506A Stereo Kit
2x AKG C1000s
I've realised from my research that my recordings would be highly beneficial if they were done in stereo - the wide range of frequency on the piano makes a perfect point for this. Likewise the microphones I intend to record with must have a high range of frequency response. The DPA stereo kit should definitely be up to this task. My main reason for using the C1000s is to compare the sounds as I'm sure there will be some significant differences in audio recording. I also want to see if I’m able to capture some of the physical aspects of a piano performance i.e the sounds of the fingers hitting the keys, or the pedal resonating the strings. The music I intend to play will be just simple extracts that encompass the different frequencies of the piano. I hope this will give me the best feed back when it comes to using the different microphones on the day.