i'm gonna say something potentially controversial: i don't want max to become a "good person" after this feud with hanger. i don't think or believe redemption stories are necessary for everyone. & honestly, sometimes when they do happen, they ain't good. what i think is important here is rather than chasing validation/love from the crowd, max needs to come to fully accept himself
of course his neurodivergence plays a huge role in all of this. so it's always gonna be something he deals with internally (even if the outside might not show it). however, there's something so enticing about an antagonistic & or villainous etc person accepting that they are. instead of always making their problems everyone else's, they reach that necessary point of acceptance & in turn evolve
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izzy calls him edward, the crew calls him blackbeard, but stede calls him ed. names mean everything here and to izzy, edward was a gift. a sign of the intimacy they shared. he treasured it every time he said it, wrapping his mouth around syllables that were his and his alone. and then blackbeard walks out of the cabin wearing stede's clothes, acting a damn fool, and that's bad enough. but then he hears stede call him "ed" and izzy's whole constructed fantasy world comes crashing down around his head. how long do you think he served under Blackbeard before he was allowed to call him Edward? how many men did he kill for him before he was given that honor? how many nights did he spend in edward's cabin looking at maps and on the deck dueling and leaning up against the main mast drinking together, before he was allowed this intimate act. and stede gets it immediately? this rich brat not only wiggles his way into blackbeard's good graces in a single afternoon, but gets closer than izzy ever had. and damn if that doesn't burn every time he hears him say it.
[ Misconception: Rangiku moves on fully after Gin and doesn't grieve him. ]
send me a misconception you think people have about my character and Iāll explain if itās true or not. | Accepting
Hello! And thank you for coming to my TEDTalk today. The concept that Rangiku moves on and doesnāt grieve Ginās death is 100% false ā when in actuality Rangiku is grieving the loss of Gin well before his death. I am going to attempt explain with both canon and also my interpretations; the only problem with using canon is that unfortunately Rangiku suffers from what I trademarked last time at 2 AM in bed as āSurface-Level Storylineā, #RangikuDeservedBetter.
While I would classify Rangiku as second-tier main character, she isnāt deemed important enough to really get to see what makes her tick. We donāt see a lot beyond the surface-level, her character isnāt developed beyond that for one reason or another. And unfortunately, Rangiku plays the all-important factor of being Ginās driving force, reason for redemption/pity, but thatās it. We see more how Rangiku matters to Gin, but we never really see the reverse because Bleach in Shonen and theyāre only allowed what, 1 main love interest storyline, otherwise the world ends?
Anyways, back to the main topic.
From the start of the Soul Society Arc, Gin is introduced as a villain and upon reflection and rewatching, we actually donāt see Rangiku and Gin interact all that much. Again, this is one of the things that truly infuriates me about this ship because it created mainly in tension, flashbacks and one-sided narratives and only in Ginās death do we get any sort of canonization that there is/was a relationship between the two; beyond just the concept of them growing up together. Itās only in the dramatic conclusion that we see Ginās true intentions and his true feelings, where his heart truly lies and who it lies with.
Now, in those flashbacks and one-sided narratives we see it at first from Rangikuās point of view. Whenever Rangiku dwells on Gin, questioning his motives or what heās doing her tone* (in the anime), and her demeanor are often sad, confused. Other than their original flashback panel/scene for first time meeting/introduction, most of her thought process on Gin revolves around his notorious abandonment/disappearances from her life.
Waking up to find footsteps leaving wandering away from their little shake, the view Rangiku has of Gin in more memories is that of his back. Sheās constantly questioning his motives, his reasonings, wondering what heās plan is for her, what he truly wants out of her. Her inner monologue during her fight with Kira is literally asks that exact question. Here was see that Rangiku doesnāt even know where she rests in Ginās life. They had become Shinigamis because of his desire to make sure she doesnāt cry anymore, which should seem like a cementing force in their places in each otherās worlds. But Ginās actions speak to the opposite of that. Itās as if his narrative goes from this protector of Rangiku, this desire to fulfil some sense or purpose to something entirely different once he comes in contact with Aizen, after he becomes a Shinigami.
As the Soul Society Arc wraps up and we see the departure of Aizen&Co, the idea that Rangiku is already beginning to grieve the loss of Gin starts to take shape.
Sheās grieving the loss of the boy she once knew; sheās grieving the man she thought she knew. I also think sheās starting to grieve the loss of the future she thought they had. She states at one point āThatās what I hate most about youā¦ā we can only assume that it is his disappearing act because that has been a reoccurring topic when it comes to Rangikuās narratives revolving around Gin, but I also want to point out that it could be regarding to Rangiku not knowing Ginās motives.
It is only at the end of their character development arc that we find out the whole truth, but Rangiku never truly does ā this notion that Gin keeps her at armās length to protect could be the something she hates. The walls that Gin has built around himself, the faƧade that he has crafted has kept everyone out, including Rangiku and she is starting to realize how she doesnāt know who Gin really is and why. But also, the fact that Gin leaves her with nothing ā but questions.
The stages of Grief are:
1. Shock & Denial
2. Pain & Guilt
3. Anger & Bargaining
4. Depression
5. Upward Turn
6. Reconstruction & Working Through
7. Acceptance & Hope
Obviously, the manner in which grief manifests for each person is different and how long they move through the stages is unique to each individual. Because Rangiku suffers from Surface-Level Storyline Syndrome we donāt see any of these stages or mentions of these stages until depression, in the filler Reigei arc, and while that is not recognized as canon, I think itās important to mention and will come back to this later.
It is my belief that Rangiku is already going through stage 1 and 2 during this period. The shock of Ginās betrayal is the first manifestation of her grieving process and while Gin isnāt dead (yet), heās gone, itās a break-up, a loss of the person most important to her. Sheās in pain, she feels betrayed. The weight of being one of Ginās most important, longest connections brings in a sense of guilt ā how did she not know, how did she not see, how come she couldnāt stop him.
These feelings have to be weighing on her for much of the Arrancar Arc and Fake Karakura Town Arc and it comes to a dramatic head at the Winter War.
You can simply see the ferocity in her gaze the whole interaction with Gin prior to his fight with Aizen. Compared to how she looked at him the last time she saw him as he left Soul Society verses how she looks at him upon their reunion.
At some point weāve entered the stage of anger but at the same time weāre still in denial because Rangikuās question to Gin, to which Gin turns back on her ā is how could he do this to Kira?When in reality she was asking āHow could you to do this to me?ā
Itās also interesting to mention the lack of Ginās smile during the entire interaction with Aizen. I would safely assume that Gin didnāt expect Rangiku to make some dramatic show of force, to show up in her state because she had to know she wasnāt strong enough to take on him, let alone Aizen. Itās almost like during those few precious moments, heās trying to recalculate his plan, which is why he ferries her away and places her under kido. And why he continues that rouse to Aizen in claiming that he killed her.
Of course, this leads to Ginās āIām a snakeā monologue ā referencing back to TBTP. Small side note, it wasnāt until years of watching, reading and writing Bleach that you start to notice these little things; but Ginās narrative has always been defined by the āIām a snakeā statement when in actuality heās always been depicted as a fox or kitsune which in Japanese folklore are considered āfaithful guardians, friends, and lovers.ā I could write a whole research paper on this, but anyways back to the good stuff.
It is during the Fake Karakura Town/Winter War that the transition happens in the GinRan ship. Up until this point it was always from Rangikuās point of view but now weāre getting Ginās. We have the narrative in our heads that Gin is this terrible person, heās a villain, heās working with Aizen, heās betrayed the people he cares most about and then BOOM. He flips the script.
The true reveal takes place, we see Ginās motives for everything ā and that motive is Rangiku; what was done to her; what was stolen from her; Gin is seeking revenge. In order to do this, heās kept the driving force, his whole reason at armās length to protect her. In the end, he fails.
And the grief process for Rangiku starts over.
After the conclusion on the Winter War are we sneak a peak at how Soul Society and the rest of the Shinigami are moving on. No one has come out of that war unscathed and thatās the whole point ā the loss of those three captains was a ripple effect that didnāt just hit each individualās division directly, but it radiated out to those around them. The personal impacts that each of these captains had on so many among their ranks. Weāre given this insight by Rangiku, who sees those around her picking themselves up, dusting themselves off, realizing their shortcomings and working to grow stronger. They wonāt be defined by that one battle, they wonāt be defined by the loss of their mentor, theyāre moving on.
Rangiku claims that she too is moving on, and that Ginās bad habit of leaving her with nothing is actually a sort of blessing, she has nothing to cling to, nothing to hold onto, nothing to keep her back from stepping out and moving forwardā¦which is utter nonsense. While Gin may have left nothing physically for her to hold onto, he left her with everything emotionally, and mentally.
Rangiku never learned the reason for Ginās actions, no one besides Aizen truly knows what happened to her as a child, who she is and what she was. Gin kept that from Rangiku for all those years, he never had the chance to explain her role in his actions. So, what did Gin leave her with? Questions.
Gin also left her with all the memories she has recanted over all the arcs leading up to this, as if the image of him lying there dying isnāt seared into her brain. As if her birthday isnāt going pass and she isnāt going to think of him, of why that day is important.
Weāre back to the stages of grief, sheās denying that she has anything to hold onto. Sheās still in a state of shock, sheās mourning his loss. I have referenced before that in the filler arc after this there is a mentioning of a month having passed and Nanao mentions to Rangiku that itās good to see her kind of coming back to her old self to which Rangiku sort of questions what she had been for the last month ā in which Nanao responds in kind that she had been depressed.
Now this isnāt canon, but I think it ties in rather well, because unfortunately with Bleach being a shonen feelings are kind of just dropped like a hot potato. One moment theyāre sad and then not anymore. We donāt see really any other character suffer besides that of Ichigo, but then we have this moment where someone else mentions that another characterās personality has been off for a month (shocker off-screen however).
Now comes my interpretations.
For the whole period of the Soul Society arc until the end of the Winter War you are seeing Rangiku going through a grief process as well as character development. She is learning during that whole time how to live without Gin.
In the beginning, itās simply learning to live without him romantically perhaps. Since Aizen references that he always assumed Gin has āfeelingsā for Rangiku, I have personally headcanoned that they had a relationship that may have been one of those āworst-kept secretsā in Soul Society. Everyone knew they were together, but it was meant to be hush-hush, however as things were beginning to heat up with Aizenās plans, I have always pinpointed around the events of Isshinās disappearance, Gin ended things ā out of protection for Rangiku.
Ginās betrayal cements this process, Rangiku needs to learn how to live without him in her life and without him in Soul Society. Their lives had been so interwoven for so long that pulling back would be a process, learning to live without him would be like learning breathing again. It wouldnāt be easy.
While she has proven to herself that she can live, thrive and survive without Gin in her life, the idea of death isnāt exactly what she had in mind. The idea that heād still be there ā without being there ā is where her mindset is at until ultimately, she is forced to truly let him go for good. And so, she grieves, hard, for months, if not years ā if not for the rest of her life.
One has to, right? To see the man, you loved die before you, not knowing why, not understanding his motives, never getting the answers to the questions you donāt even know you should ask, it must be torment.
They were in a sense soulmate, meant for one another ā Gin devoted his life to literally a stranger. He had no idea who this girl was, but he saw a crime being committed, he knew it was wrong and swore vengeance on someone he didnāt know without even knowing the girlās name first. And Gin was Rangikuās whole world, when someone doesnāt start counting the days until theyāve met you, youāre important, youāre literally their everything. She is basing the passage of time off of when she met the boy who saved her life. To lose that person, it canāt be something you simply get over, in a month, or a year. You simply slowly start to come to terms, with the new reality and the new normal. That void never goes away, the hole in your heart is never going to be filled, not by drink, not by another person, not by things. It lingers and for a time it gets worse before it gets better.
Now, of course, I have to talk about the haircut. The start of The Thousand Year Blood War is 17 months later, so over a year and a half has passed, and I donāt think that is enough time for Rangiku to have healed or to be out of her grieving process/mourning period. I think it will be with her forever, but we enter a new stage in the grief process, the Upward Turn and Working Through.
The way I have written Rangiku is that after the events of the Winter War, thereās a pronounced shift in Rangiku. Thereās a more complex level of emotions to her after Ginās death ā sheās able to eventually return to a resemblance of her old self but sheās never quite there. The majority of her soul was taken by Aizen, but that hurt far less than when he stole half her heart.
TLDR; Rangiku did grieve and continues to grieve for Gin after his death, but over time she processes his death, learning to accept her new reality and in some sense of the manner move on while still holding onto the memories (the good and the bad) that she had with the man she loved from the moment she saw him.
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The organization thatā¦
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Absolutely floored that my Sokka meta passed 1k notes. Ty so much! Iāve gained a bunch of new followers, so Iām going to be rbing some of my other meta (literally just two other ones bc they take me So Long) in case you guys havenāt seen them. <3
i think the difference between karkat and dirk is that karkats warped narcissism is of a different kind than dirksādirk hates himself (every one of himself) but karkat hates the IDEA of himself, what he represents, what he causes by existing. the flip side, their antithetical but yet undeniable self-attraction, comes from different places as wellādirkās in love with who he thinks he could be (jake, roxy though not romantically, arguably the AR), karkat with who he knows he can never be (terezi, dave, arguably vriska but weāll come back to that). dirk and the AR specifically have the sort of relationship one would expect out of perhaps slightly interdependent siblings or even a pair of particularly volatile lovers but all their interactions are laced with the sort of tension that you get when you pull a rubber band tightātheyre both ready to go off on each other at the drop of a dime because thats all theyve ever known. (roxy isnt that great of an auspistice.) karkats interactions with his past selves are similarly tense, but his dialogues with other people are some of the more relaxed times we see himāhis increased use of slang when talking to eridan or his use of emojis with terezi come to mind? idk. thoughts
Okay so, about the Baby Shenanigans (because this is actually somewhat important to her character so) - Meta
Iāve mentioned it before, but Kaydenās home life, and her relationship with her parents was nowhere close to good. They often bought her gifts instead of caring for her or giving her affection and both of them wanted to her become like a little version of themselves instead of her own person. She was raised by her grandparents for at least 6 if not 11 years (depending on the verse). As a result of being raised by her grandparents, she does a little bit of a soft spot for older people, but also people who care for others when their official caretakers donāt or wonāt.
As she grew older, started going to school/university, Kayden was able to put a distance between herself and the expectations of her parents. This was the time when she realized that her parents had not been ready for her. They had had her while they were still fairly young (mid 20s) and when her father was hitting his prime in his job. So when they had her, they explicitly left her in the care of her grandparents, so that they could still be wild because they had her, but didnāt have her at the right time. It was during those years that she promised herself to never be like either of her parents, and certainly not towards kids. In fact, she ended up subconsciously vowing to never have kids for fear that she would treat them the same way she was treated. But, she has a soft spot for kids.Ā
And her conflicted feelings manifest in different way, depending on the verse.
In her Bloodborne verses, Kayden never really gets the chance to find out if she would ever be ready. Her health issues led her to Yharnam, and from there, even when she realized she wanted a kid, she knew that she would never feel ready for one. Even in her Yharnam Sunrise AU, she still thinks that her mind is too shattered, that she isnāt stable enough to give a child a good, healthy, environment to grow up in. The most she can do, is offer her services as a babysitter, even if that might do more harm than good (showing her what she could have if she were, in some way, and in her own mind, better).
In her Modern verses, she gets on birth control the first chance she gets, not wanting to risk it. And for years, she tells herself that she wonāt ever have a child if she doesnāt feel like she treat the child with the same warmth and affection that her grandparents gave her. She essentially decides to be alone for most of her life, unless she finds someone she loves and thinks she could be a good mom.
But either way, somewhere deep down, underneath the damage and the fears and the doubts, Kayden does want to be a mom.