#mel meta

Mel the Politician: 

I think of Mel as someone who WANTS to be good but was never taught how, so her initial attempts at goodness fail. Manipulation seems to her a good middle ground from the violence she was raised in. She does not see it as a different, but still horrific type of violence because she was immersed in so much overt violence growing up. 

Mel is introduced in episode 2, which focuses more evenly on the Piltover cast whereas episode 1 focused entirely on establishing the Zaunite characters with Piltover as a villain. Mel stands in direct contrast to them. And make no mistake — from Zaun's perspective, Mel IS an antagonist. Episode 1 shows us enforcers murdering Zaunites on the bridge and Vi openly saying that no one in Piltover is going hungry, in direct contrast to the undercity. With that context, let's look at Mel's introduction.

Mel is introduced to us as the epitome of the Piltover elite. In her opening scene, she stands in a huge room, presumably an office or similar, having a private meeting with a merchant there to sell her something. She almost entirely ignores the merchant in favor of speaking to her assistant Elora, who outright states Mel is the richest woman in Piltover. Mel immediately bemoans the fact that she is still the poorest Medarda. Remember: this scene does not exist in a vacuum. Mel is standing in a room larger than the one shared by Vander’s 4 children, and still complaining that she doesn’t have enough. I think that we the audience are meant to go "is she for real right now?" The sun shines on Mel, and the undercity is covered in smog. 

In retrospect, this scene also introduces Mel's conflict with her family and identity as a Medarda. But again, in retrospect. We don't have that context at the moment. Mel does not exist independently of the Zaunite characters, though she might think she does at first; they are all tightly woven together. Mel is not introduced as cruel — and I don’t think she is cruel on a personal level — but she is introduced as the exact type of person who directly benefits from the oppression of the undercity. This is not by accident. Mel is that person. And she does not need to be intentionally cruel for her actions to have cruel effects.

Some people want to hate the council without acknowledging that Mel is one of them. That is willful ignorance and erasure.

(also look how stupid they all look. why are they posing. Mel is the only one who kind of looks cool, the rest are just funny.) 

Mel is not just a part of the council, she is their de-facto leader after Heimerdinger (gonna expand on this later). She is the one who first addresses Marcus and Grayson directly in this scene. The kind of violence Mel and the council inflict is the kind of silent violence oppressed communities experience every day: Sending enforcers to do their dirty work. Restricting commerce, and therefore inflicting poverty on an already impoverished community. Raiding and searching everyone in Zaun, regardless of if you have any reason to think they’re connected to what actually happened. While characters like Jinx, Vi, Sevika, and Silco are directly, physically violent, this is the kind of insidious violence that is accepted as the norm. To draw a comparison from our world, why does the world care when the head of a health insurance company is murdered, but not when that company denies healthcare and lets people die every day? When our healthcare system sends people into debt for daring to live? Why do we care when violence is done with a gun, but not a pen? They are wealthy, they have power, therefore it is accepted that they have the right to benefit from other’s suffering. 

This is obviously an incomplete view of Mel … but it’s not inaccurate. Anyone from Zaun in universe would have reason to hate her.

I would argue that this is the Mel we see from episodes 1-7. Someone who is beautiful, charming, sounds nice enough, but ultimately self-interested and who benefits from the suffering of others without a thought. 

But then episode 8 feeds us. Let's talk about her flashback scene.

Mel’s Relationship to Power and Goodness: 

This scene haunts me. I love this whole scene so much. This is where we are introduced to Ambessa. And oh, what an impression it is. 

Suddenly, a lot about Mel clicks into place. We see past her mask of perfection and realize she is still a child with a mother who is violent and loves her dearly.  Who says her violence is for her family. Done in Mel’s name, no matter how much she does not want it.

They stand in a destroyed throne room that belonged to someone Ambessa conquered. Ambessa characterizes herself as a wolf and Mel as a fox. We immediately know what Ambessa was like and how Mel was raised. Ambessa is brutal and merciless; Mel uses guile and trickery. Ambessa crushed the throne; Mel talks about what sort of puppet leader they should install to control. But to her mother, it is not enough for Mel to be a good politician. She needs to be without mercy. Brutal. This is the kind of violence Mel understands, the kind she was raised in. And it is what she abhors. 

Then Ambessa asks Mel what they should do with this girl. A living symbol of a power that Ambessa has conquered, a member of the old regime, and as young as Mel herself. Ambessa plans to kill her; that much is clear. But what Mel suggests is also cruel. Stripped of her lands and titles, banished from her home, her family and people dead. That's horrible! That's a horrible way to live! 

And Ambessa doesn’t even let her have that. No wonder Mel doesn’t recognize her own actions as cruelty when this was the alternative she was shown. She does not know kindness. She only knows violence or political games. She was taught to seize power and hold onto it. There is no other option. Not that she knows. 

(This girl’s name is Mion by the way. Look at how she looks down and away from Ambessa, versus how she looks at Mel with hope 🥺) (And if I say that this is the character I ship with Mel. That I have a whole canon divergent au in my head where she lived and grew up alongside Mel, developing a deeply unhealthy, uneven, and codependent but ultimately loving relationship. What then.) 

I love that this moment haunts her. It's not just a flashback for the audience, Mel is actively having a nightmare about it years later. She paints the girl's bloodied necklace. She's one of the forms LeBlanc takes to speak to her, and it's her necklace that Mel uses as a power conduit in her final confrontation with Ambessa. She carries this moment with her for over a decade. It’s when she loses her mother and when Ambessa loses her daughter. This is Mel’s loss of innocence.

With this in mind, it’s suddenly clear why Mel is the way she is as an adult. The council casts Jinx and Silco as violent, but utterly fails to comprehend that violence is not inherent to them. It is directly because of Piltover's treatment of them. Neither Jinx nor Silco start out as cruel people. They were created, not born. But while other members of the council are either willfully ignorant (Heimerdinger) or casually cruel because they genuinely don’t view the Zaunites as actual people, Mel seems to not realize her own cruelty. She does not mean to be cruel. I don’t think she wants to be. I think that she believes this is genuinely the best option that still lets her hold power. And power is everything. Power is how you make sure no one hurts you the way Ambessa has hurt others. But foxes and wolves are both predators, no matter how they kill you. 

So what changes? 

I’ve only accelerated a process that you started. Mel says she wanted to protect the city. I believe her. She believes herself. But what parts of the city? Certainly not the undercity, who have no access to Hextech despite Jayce and Viktor’s own desires. Not the people for whom violence, disease, and starvation are just a part of life. Mel has tried to be good; Mel has failed. Now her own mother bluntly tells her that Mel is the one who started this; Ambessa only intends to finish it. 

This is the scene where Ambessa tells Mel why she was sent away: she weakened her. Ambessa couldn’t make the necessary decisions (note how she says it; necessary decisions, not hard ones) and look Mel in the eye. Everything Ambessa did was out of love … 

And look what she did. 

I believe that this scene with Ambessa is Mel’s “my god, what have I done” moment. Maybe she had good intentions; so did her mother, in her own way. Intention hardly matters when these are the results. It is after this moment that Mel votes for Zaun’s independence. That she works with Lest. Mel finally starts to see the harm she has done, and she decides that she must undo it. Mel has failed … but she will keep trying until she gets it right.

Mel’s relationship with Jayce (and Viktor): 

This is the controversial part of my analysis. But what can you do? 

Here’s the thing: I think that most of Mel and Jayce’s interactions are knee-deep at best. They like each other on the surface, but they do not deeply understand each other. And once they do, they realize that they do not match. They are not meant to be. 

To me, Mel and Jayce are fundamentally different. That’s fine. You want characters to be different, you want that push and pull. But Mel is a politician, a power player. The person who looks at the pieces on the board and tries to maximize her own influence. (And to be clear: Mel is allowed to want power. That is a good and fine trait for a character to have. It creates conflict for her character and we see her use that power for good in season 2 before she is unceremoniously yanked off screen.) Jayce is an inventor. A dreamer. He wants to change the world. Not for his own sake, not for power, but because he just wants to make things better for everyone. Oh, he also wants recognition. Who wouldn’t? But he wants it to come as a result of the good he does. And he has an obsession with magic, but because that magic saves him. 

Let’s look at the scene where Jayce becomes a councilor. 

He’s stressed, he’s breathing heavily, he’s looking around like he desperately wants someone to put a stop to this. The camera spins, like Jayce is getting dizzy. His expression … he looks hunted. Viktor is the only one who notices his distress, but is powerless to stop it. Mel might not be a wolf yet, but she is a powerhouse, steamrolling over everyone else. After all, she knows what’s best, right? OBVIOUSLY Jayce wants this life, he just doesn’t know it yet. This is as close to goodness as she knows, and Jayce wants to do good, right? Doesn’t everyone want that kind of power? (Mel, you break my heart)

But Mel cannot understand Jayce at this point because she doesn’t fully understand herself (see everything with Ambessa). It's only after the two are separately isolated and forced to self-reflect that they actually understand each other … and it is as their whole selves that they realize they do not fit together. Season 1 Jayce/Mel could work BECAUSE they are not yet who they are meant to be, instead bowing to the expectations of others and themselves. The golden children of Piltover, they look good together, they are expected to be together … but they are not meant to be. 

I think Mel IS subtly manipulative of Jayce in the same way she is for everyone else on the council and in high society. But Jayce rarely gives her any pushback, and she looks genuinely shocked when he does (ex. after he talks to Ambessa in the bathhouse and Jayce decides direct confrontation is the next move). I think Jayce trusted that Mel was the best at what she did — which she is — but he failed to consider that he did not want to be the same as her. Like Viktor says, "In the pursuit of great, we failed to do good." Mel could make him great, but she could not make him good. Jayce is not meant to be a leader and is poorly cast in that role. Mel could never be a mere supporter of the world, she belongs as a power player. They are perpendicular lines — intersecting but moving in different directions. 

(Side note: It's so funny to me that Mel calls Jayce the de-facto head of the council when that could not more obviously be her! And she knows it! She is the one who changes Hoskel's votes with a single glance. She is the one who decides to add Jayce to the council and convinces everyone else. Jayce proposes kicking Heimerdinger out, but I do not think all of the council would have agreed if Mel was not the first to voice her support. Probably none of them would have. If the council actually has a leader after Heimerdinger (who's been here 200 years), it IS Mel. But Jayce makes a useful figurehead for Mel to work more subtly.) 

Jayce and Mel like each other well enough. At least, they like the versions of each other that they see. But Mel is so used to wearing a mask that she doesn’t even realize that’s what he’s seeing. She is so used to other people’s masks that she can’t see Jayce’s heart even as it’s plain on his sleeve. And being a councilor brings out the absolute worst in Jayce. If anything he needs to become a councilor so that he can realize the extent of his own prejudice and change. But it is not who he wants to be, nor who he should be. I think that Jayce, after everything he sees and does and goes through, could be happy living in a cabin by a stream with his love and 4 kids. Mel could never be satisfied by that kind of life.

While we're here, let's talk about her and Viktor. (Yes I am a jayvik shipper but this is about Mel.) Even with no context, the two are practically designed to contrast each other. Mel is from Noxus, Viktor is from Zaun (interestingly, both are cultures with a lot of violence, but Noxus is a conqueror, Zaun the oppressed). Mel is rich, Viktor is poor. Mel is a politician, Viktor is an inventor. Mel is a black woman, Viktor is a white man. Mel is able bodied, Viktor is disabled. Mel is born with magic, Viktor is an inventor of artificial magic. They're both outsiders to Piltover, but Mel is accepted and Viktor is not. They stand in direct contrast to each other through the show and represent two extremes Jayce must choose between. Mel is power and politics; Viktor is science and idealism. Both are valid. Both are interesting. But only one aligns with Jayce.

Two similarities between them that aren’t brought up often (if at all): They both have childhood flashbacks where an adult parent figure brutally harms an innocent they identify with in front of them (Singed to Rio, and Ambessa to Mion). They both see their bodies as things that betray them — Viktor through his disability and later corruption by the Hexcore, Mel by the magic blood that runs through her veins. These are both complex, emotional, and deeply interesting characters and I get why Jayce wants them both. This is the bisexual representation we need. 

Let’s take this scene as a microcosm of their season 1 relationship. Viktor is putting a lot on the line. He is helping Jayce break into Heimerdinger’s lab to illegally use equipment that has been confiscated from him after a building blew up. Viktor stands to lose everything if helping Jayce does not work out; his position as Heimerdinger’s assistant, the scraps of power he’s managed to claw out of Piltover. He stands to gain a lot if it works out, granted. He says that he doesn’t want to be an assistant forever. But he believes Jayce is worth the risk. He understands hextech, understands the science and magic behind it. Jayce and Viktor share a vision. 

Mel stands to lose nothing. Even visually, Jayce and Viktor are in this together. Mel stands alone. She is in this as long as she stands to benefit. Jayce and Viktor are in the sky together; Mel is firmly planted on the ground. 

Okay, typing it out like that seems harsh, but it’s only to contrast the characters and their relationship with Jayce. Mel doesn’t NEED to do anything for Jayce at this point. She does not know him! He is just some guy! She also does not have the same understanding of hextech that Viktor does; that is not her area of expertise. She is very good at people and politics; he is very good at science and invention. She’s kind of just hoping Jayce pulls through. But it shows how Viktor and Jayce immediately have a deep and connected relationship, while Mel and Jayce’s early relationship is focused on being mutually beneficial. 

However, even after the timeskip, Mel wants the golden boy; she and Elora say as much. But that person isn’t real. And Jayce is not the man on the poster. They seem to barely know each other better than they did in episode 3. 

I don’t think that Jayce and Mel not matching is some huge moral failing on either of them, by the way. Mel does not need to be better for Jayce. Jayce does not have to change for her. Jayce and Mel’s relationship is one of misunderstanding. They just don’t quite fit, and that makes both them and the world more interesting. 

I also can't get behind mel/jay/vik as a ship. Mel and Viktor knew each other for 6-7 years and they still don’t like each other. I think Viktor just on principle would hate any politician, never mind one actively perpetuating the oppression of his people. I get it because I love them both too, but sometimes the characters we like don't like each other! They're not even toxic in a fun way they just don't vibe with each other 😭 I'm chill with the mel/jay/vik enjoyers, but I could never be one myself. (someone said they ship Jayce with Mel and Viktor in the way of divorced parents splitting custody; I can support that) 

What I think could have been done better:

This is to say that Mel's season 2 arc should have focused on her political development, leaving magic for a season 3 (that still had political elements). (Also in my ideal season 2 ending Piltover just gets fucking BRUTALIZED, forcing them down to the level of the Zaunites, struggling for survival instead of victory. But they were not gonna write that, lol) I think a season 2 ending where Mel is kidnapped by the Black Rose BECAUSE she's going too far off-course from where they want her would be good.

Talking about season 2 is ... difficult. Because I do like it. I enjoy watching, the writers and voice actors and artists are all performing beautifully. But I think the show they wanted NEEDED a third season, and only having 2 meant they had to severely compress everyone’s character development. It’s like someone listed all the plot points they wanted, then crossed out everything they could to make it fit. It broadly makes sense, but you can tell a lot is missing. Mel, Jayce, Ekko, and Viktor are all yanked off-screen for long periods of time. A lot is implied, and a lot isn't as deep as you want it to be. Season 1 is tightly written, season 2 is loose. It comes together as well as it can while keeping the original endpoint for the characters rather than changing them to fit in a single season.

But I am very happy that Mel’s story is not over. 

Conclusion:

Anyway, I want Mel to have a lesbian enemies to lovers story arc in the Noxus show. I want her to meet a power player character who can keep up with her. Similarly to how I see Jayce and Viktor as the same character type (inventors) who are different in every other way and THAT'S why they work, I want her to meet someone who is her equal and peer but still so different from her. I want that mutual fascination, that clash and collide, and for her to fall head over heels. I want her and this new character to manipulate each other, hurt each other, and understand each other like no one else can (I like when gay people are toxic in a cool and interesting way). That is my wishlist.