My favorite thing about Daredevil: Born Again season 2 is that Matt is practically zen compared to his previous Daredevil seasons and The Defenders. He's the most self-actualized in himself and steadily confident in his Faith as Iâve ever seen him.Â
Iâm almost surprised Romans 8:28 was never brought up in the narrativeâ âWe are assured and know that all things work together for good to and for those who love God and are called according to His design and purposeâ âbecause thatâs basically the ethos heâs walking in, and never wavered from it. Every move he made was in either 100% confidence/trust or 100% faithâin himself, in Karen, in âa system that is not entirely brokenâ (2x03). Even, him feeling ok leaving Karen alone with Dex was a hilarious thing to do, but hey, it worked out. Speaking of which, he was typically the calm to her storm this season, especially any time he had to do something especially dangerous that sheâd rather he didnât. Somewhat ironically to this, it's finally being with Karenâboth of them fully, honestly, and committedâthat likely has a lot to do with his relative contentedness and emotional security. And then he had the wherewithal to (with Jessicaâs help) stave off an angry lynch mob and talk Fisk down into knowing when to fold 'em.
Lastly, thereâs probably only one other set of such accepting and peaceful arrest/incarceration scenes Iâve ever seen, and thatâs Faith in Angel, âSanctuaryâ (one of my favorite Buffyverse episodes)âwhere itâs not a bad or sad ending, itâs bittersweet at most (especially regarding Karedevil), but mostly a positively framed beginning of a new life chapter and a willing atonement.Â
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The Kathryn Hahn drought is doing a number on my conspiracy theory that the witches have a key role in Secret Wars and a bit in Doomsday because good lord this is surprisingly intense
I don't care that deadpool and wolverine isn't the next citizen kane because it isn't trying to be. deadpool and wolverine is a movie that is purely wholeheartedly and unabashedly 100% fanservice that literally only got made because hugh jackman thought "I really want to see these two interact" and ryan reynolds said aw hell yes. the plot is secondary; if you go into the movie focusing on story beats and plot holes and camera angles you're not going to enjoy it very much - this was a movie made purely by fans for fans (and i love that hugh jackman and ryan reynolds clearly had as much fun making it as people did watching it!). in an mcu where every show and movie and plotline has to be tied up in some ridiculously epic "saving the world" grand scheme with stakes that they keep trying to make higher and higher each time it is so REFRESHING to see a movie that doesn't bother with all that. deadpool and wolverine came here to HAVE FUN. i'm so glad this movie got made
so Nick Fury made Director of SHIELD sometime between 1995 and 2008. He's a regular field agent in 1995, so personally I'd put it close to his interactions with Tony in 2008, but I'll split it in the middle and say 2002.
That means he's Director of SHIELD for roughly 12 years before he starts getting curious about what Pierce is doing, begins digging and Hydra attempts to kill him.
Meanwhile Peggy is Director/Founder/High Command from 1950ish to at least 1989, and she gets to retire, relax, and die peacefully in old age
So we don't even have to unpack all the Hydra scientists it's implied she recruited. Because how on EARTH did she run things for FOUR TIMES as long, and didn't see enough to make her question things??? While it was a SMALLER organization? She really didn't ask a single damn question that ticked Hydra off in fourty years? Not one?
Peggy Carter is either incompetent, or complicit.
the way I've seen multiple Peggy stans attack Nick Fury for not noticing faster- the racism is real
To my knowledge the entire Clint in vents trope in domestic Avengers fics is not founded in any canon reason or instance (I believe our first introduction to Clint even ever being INSIDE a vent is from the Black Widow movie when Nat and Yelena are in that vent in Budapest) which isnât to say that itâs a bad thing (headcannons are quite literally the bread and butter of fandom culture, but I think when taken meta textually this trope highlights a glaring problem with Clint Barton and Hawkeyes introduction and characterization throughout the MCU.
Which is to say his introduction and characterization was so botched by the hands of Marvel and their inability to juggle a multi-character story without picking favorites (probably corporate meddling to increase merchandise sales) that we literally had nothing to go on as far as his character at the end of Avengers. Zilch. Nothing. Nada. We had Nat and the scorching chemistry between Scarjo and Jeremy but that was it! And because of that we resorted to hand waving that the guy just climbed in vents because he like Obi-Wan likes the high ground. Likeâ
Think about it. We all already had a pop culture knowledge and in some instance entire movies about Thor, Tony Stark, Hulk (the old version), and Captain America. And even in those movies we had knowledge and an on screen portrayal of: Black Widow, Loki, fuck even Bucky. And yeah sure Hawkeye had a cameo in Thor but did we really get anything about his character on the same level that we got of Black Widow, Loki and Bucky that they got in their respective supporting roles? No. We got his smart mouth and Jeremyâs perfect acting.
And then the Avengers, where heâs brainwashed 98% of the movie?
Yeah itâs no fricken wonder the whole Clint in Vents trope was a thing in domestic Avengers ficsâ
We.
Literally.
Had.
Crumbs!
This isnât a bashing of the trope of course but merely an opportunity to highlight just how butchered Hawkeyes introduction was and how Marvel utterly dropped the ball with such a wonderful character.
(And Jeremy Renner deserved better)
Anyway read more Clint Barton centered fics. They are great.
And for the love of god let that man out of the vents!
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â...when he disappeared? Really, it's those first twenty-four hours that are the worst, aren't they? When you call, and then you call, and you call and you call and there's just no answer. It becomes an obsession. The calling, the never-ending loop of a ghostâs voicemail in your ear. You worryâŚyou wonderâŚâ (3x08) (x)
That period from the end of The Defenders to Daredevil 3x04, when Matt was presumed dead by Foggy but Karen knew he wasnât⌠Poor thing was going out of her mind. For her to basically admit later that she incessantly called Mattâs phone on a loop. That she became obsessed. And that obsession, that never-ending hope and belief that he was out there somewhere, was expressed in other ways, too. In how she listened at Mattâs apartment door, then knocked, then waited for a responseâa ritual you just know she repeated every time she went over there. (x x)
In how she used her job at the Bulletin and a potential story about respiratory illness as an excuse to continue poking around Midland Circle (between this and her overall behavior and demeanor, of course Ellison noticed something had broken in her life and thatâs why he agreed to set her up). (x x)
In how she collected Mattâs mail and paid his rent and bills for months, and when she fell behind, asked Foggy to convince the landlord to give her an extension (after first lying to him that sheâd talked to the landlord about letting the apt go and asking him to help move out boxes). But what really gets me is:Â
âIâm just paying the billsâor, some of themâuntil Matt gets back.â
Just the casual matter-of-fact-nessâObviously heâll be back soon, Iâm just holding his life in place in the meantime. Then thereâs her other little ritual of opening the chest where Matt keeps his Daredevil suit, just on the off-chance possibility that maybe itâll be in there this time.đ¤đť (x)
Which leads into, the flashback scene of Matt and Karen after âIâm Daredevilâ is Karenâs memory, being triggered by her presence in that space. Thatâs how itâs positioned within the narrative context of the episode. Like, talk about rent-free (no pun intended).Â
And in all of this, Karen was alone. Because Foggy, one of the only other people who knew the actual circumstances of what happened at Midland Circle and the only one in her life and who also loved Matt, accepted Mattâs âdeathâ at face value. And from every time Karen talked to him about it, itâs clear he saw her as merely in the denial and bargaining stages of grief, then as refusing to move past denial and bargainingâat first humoring her a little, then getting more exasperated. (x)
F: âMaybe,â he indulges her a bit at the end (TD 1x08)
F: âAs much as it hurts me to say this, you're a reporter. Look at the facts. A building fell on Matt. A big one. And nobody's heard from him since. Mattâs dead. ⌠I don't want to accept it, either.â [but he did] [...]
K: âYou're right, okay. Everything you're saying is making sense. I just⌠I know it's irrationalâŚbut â (3x01)
Then Karen received a very serendipitous story assignment (that she didnât even want to do at first)...
x: âWe only got away because the other guy attacked him.â
K: âWhat other guy? You said there's another guy?â
x: âYeah, he came out of nowhere. He had this black mask over his face.â
K: *takes the deepest of breaths*
âŚand immediately went to tell Foggy:
K: đ âI think Matt's alive.â
F: âSo the guy in the mask, he wasn't in aâŚyou knowâŚdevil suit?â
K: âNo, but he was wearing a black mask, Foggy.â
F: âSo, it could be anybody.â
K: âIt could also not be anybody.â
F: âHellâs Kitchen is ground zero for vigilantes these days. Believe me, I want it to be Matt, too. But heâsâŚgone.â
K: âNo, no.â
F: âWe need to get past that.â
K: âThere is no proof of that. And until there isââ
F: âYou know how I know he's gone? Because if it was Matt, if he was really still alive, he wouldâve reached out to us.â [đ sweet summer FoggyâŚ]
K: âYou know how I know you don't really believe that? You keep saying âgoneâ instead of âdead.â Now, don't you want to take a minute and just be absolutely sure that that's not your best friend out there somewhere?â
F: âI wish it was my best friend. But it's not. He's dead.â
K: đ *storms tf out* (3x02)
She was going so hard to bat for that man. All by herself. But she knew. Because she felt. đśall along there was some invisible string tying you to meâŚđś And she trusted that feeling, and no one, no logic, no anything could convince her otherwise. (x)
Later, the show even visualized her *feeling*, this spiritual, soul-deep, metaphysical connectionâbeyond even knowing that Matt was still alive. (x)
Overall, one of my favorite things about this arc is that Karenâs unwavering determination to hold onto her belief and to find Matt had nothing to do with anything else. There was no ulterior underlying anything. It wasnât connected to or partly motivated by any previous trauma, behavioral pattern, or loss. She was driven purely by her love for Matt, by the exuding pain and hole of his absenceâ
â...coming into 'Daredevil' season three, it really feels like there are no connections, thereâs no one to turn to or to call home. I think thatâs why in the beginning, thereâs this denial about whether Matt is dead or not, when everyone else is sort of accepting it. I canât, because if heâs gone, then Iâm really losing every thread that keeps me tethered to this world.â (DAW)
âand by her unending belief and sense that their souls were indeed still on the same plane of existence. It was probably the closest sheâd ever personally experienced to spiritual faith. (x)
Hence why, despite not being Catholic or religious, the first thing sheâs shown doing after Mattâs disappearance is visiting Churchârockin' her messy depression braid, crying her eyes out, and lighting a candle for him. In homage to Mattâs faith. As her own private memorial. And first connecting with, then voicing, her own faith that Matt wasnât truly gone.Â