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Title: “Cold as Ice” (Foreigner) Swing Jazz Cover by Robyn Adele Anderson #shorts
Description: It’s really been heating up this summer so here’s a tune to help cool everyone down! This also might be my favorite Foreigner song 😎🧊
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Vocals — Robyn Adele Anderson
Keys — Macon Mann
Bass — Wallace Stelzer
Drums — Tom Jorgensen
Trombone — Jacob Melsha
Saxophone — Ben Golder-Novick
-
Arranged by Robyn Adele Anderson
Mix and Master — Tom Jorgensen
Audio — Amrish Mahabir
Video – Max Arias
Filmed at Smash Studios NYC
YouTube URL: https://www.youtube.com/watch?v=OSDPCpqyGfI
Thinking about the way BND uses MJ and the way Spidey 5 is likely to use MJ sent me down a bit of a rabbit hole, and I think I've put my finger on why the MCU Spider-Man feels so offputting.
Basically, what it comes down to is that the MCU Spider-Man movies don't really know what to do with Peter's supporting cast or personal life or... Or the very concept of Peter Parker as a human person outside of being Spider-Man.
Homecoming was probably the most Peter Parker that an MCU film has featured on account of its mission statement of keeping Peter grounded.
But then Far From Home took him away from his setting and supporting cast to send Spider-Man globetrotting with S.H.I.E.L.D. and Mysterio. It still found excuses to bring his class along with him, though, so he could get into Peter-like shenanigans in these strange locales and start a relationship with MJ.
Nonetheless, May and Ned were reduced to recurring gags.
And then No Way Home pretty much kicked Peter to the curb. From the moment Doc Ock arrives on the film, it is 100% a Spider-Man movie. MJ and Ned are paired up to wander around being Spider-Man's sidekicks for a bit, May's killed off, and ultimately the very concept of Peter Parker is deleted from the universe.
Which then brings us to BND, whose central thesis is that Peter Parker is an integral part of who Spider-Man is and that Spidey needs to be feeding his Peterness too. It reconnects Peter with MJ and Ned, and ends with the promise of a restoration of Peter's identity outside of work.
But. LIke.
What does that even look like? Who even is Peter Parker at this point?
Peter has no day job. He never went to college. He's apparently independently wealthy enough to afford multiple years of housing and supercomputers and shit without an income; No idea where that money came from.
He doesn't have Aunt May. He doesn't have the Daily Bugle or Horizon Labs or anything. He doesn't have Midtown High anymore. He's never really been established to have any sort of dreams or aspirations besides "be Spider-Man" or alternatively "get that cute girl to be my girlfriend".
Flash sometimes exists for like one or two scenes of a movie.
It feels like we started Homecoming with a notional idea of Peter Parker and then spent the next three films subtracting elements from him. What is there left to build from?
If the idea at the end of BND is that Peter's going to take more time to be Peter then Spider-Man 5 is going to have its work cut out for it figuring out who Peter Parker even is. Who he can even be in the corner he's been written into.
But I have a sneaking suspicion that a lot of the Peter elements of Spider-Man 5 are just going to be spent on "get that cute girl to be my girlfriend", since they left that "MJ has a boyfriend now" plot thread dangling. Maybe it'll be about rekindling his relationship with MJ. Or maybe Black Cat will be in it and it'll be about how she's all wrong for him and then it'll be about rekindling his relationship with MJ.
I do not buy for one second that the MCU actually intends to leave Peter and MJ split up. I thought before BND that we were going to have to spend a movie painstakingly watching them get back together, and now I've increased that estimation to two movies of painstaking Will They/Won't They shipping of a couple that already did and it was already fine before they fucked with it.
But also. Like.
I hope it's not just Ned and MJ. Because Peter needs, like, an actual life. Even if he's going to have to build it from scratch because the films have burned all of his bridges to the iconic Peter Parker stuff.
Please let the big Spider-Man plot of movie 5 be in service to Peter's growth and development as a person rather than just having Peter be what Spider-Man does in his downtime. Peter needs another Spider-Man Homecoming to detox from the No Way Home/Brand New Day double-whammy.
I think what it really comes down to is that the MCU just doesn't really do personal stories about the protagonist where the villain his hero persona fights reflects some element of the personal struggle going on in his civilian life and helps him grow as a person through their conflict.
It does have those kinds of villains, mind. But it doesn't have those supporting casts and status quos and relatable life lessons for the human side of the superhero. This is because the MCU tends to treat its heroes as full-time heroes.
It's just that this is more noticeable with Spider-Man because. Like. We expect Iron Man to always be Iron Man when he's onscreen, even if he's not in the suit. We expect Captain America to be Captain America and to deal with Captain America type problems, not regular people problems. We expect Thor to always have his Thor face on and always be doing Thor things.
But we expect Spider-Man to have a rich, robust life as Peter Parker. We expect to see him doing Peter things just as much if not moreso than Spider-Man things, and for Spider-Man to be a tool to facilitate Peter.
And the MCU has struggled to deliver that because it just isn't the type of story the MCU tells. The MCU is much more comfortable operating in the "Bruce Wayne is the mask that Batman wears" space, and that just doesn't really work for Spider-Man.
The gradual erosion of the Secret Identity has been going on in the superhero genre for a while now, though the MCU being the juggernaut it once was has certainly contributed heavily to it's decline.
Part of it is an issue of managing time. Comic Books pivoting to a writing for the trade model means that there's less room in each issue to focus on building a civilian supporting cast, and creators increasingly pivot towards having the heroes interact with other heroes instead of civilians (There's a very good post by Maxwell Grant on Tumblr that discusses how this has lead to Amanda Waller losing her complexity and becoming a one note villain)
With TV shows, the pivot towards shorter seasons has left less room for playing around in a status Quo. Seasons have to be serialized, episodes have to push that serial narrative forward, and there's no room for the civilian Superhero divide. The Supporting Cast has to just be the supporting cast, for both sides of the hero.
Which have some upsides to. ironically, given your fers about MJs future, this trend has contributed to a lessening of will they won't theys in movies. Outing the Superhero to their love interest eliminates the missed meeting drama that was prevalent in Superhero stories for decades.
The Love Triangle between Clark Kent, Superman, and Lois Lane used to be a core element of Superman stories, and I can't remember the last adaptation where Lois was still in the dark by the end of the first installment. And while I feel Superman as a character is harmed by the lack of Dichotomy between his two identities, Lois figuring things out is a better look for her.
Which gets at another big difference, a desire for the Supporting cast to carry it's own weight in the story. In the old days, a Supporting cast was there to cause problems for the hero. They would drive social situations that put the hero in conflict with his duty, they would try to uncover the heroe's identity making them take greater efforts to hide. They would be endangered to make the latest villain's scheme have more stakes.
Nowadays, there's more of an effort to give the civvies a role that contributes to the resolution of the problem. Most commonly in the form of "The Guy in the Chair" who talks to the hero while he's in the field, and feeds solutions to him that the hero would have just come up with on his own in the old days.
I’m sorry but this is so on the nose ghoulcynation
Photo credit goes to our boots on the ground @auguryintheether
I just have to say what we’re all thinking. Ghoulcy is canon. There’s just no way. Like this is visual foreshadowing at its finest. The girl in the poster even vaguely resembles Lucy with the bangs.
You can call me delulu, but this with everything else we’ve seen…I’ve never believed a ship would be canon more in my life
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A minor but really interesting Fallout set leak detail that has some pretty major lore/worldbuilding implications:
There is an NCR propaganda poster all the way out in Salt Lake City. 😭😭😭
Either the NCR has begun expanding past Nevada and into Utah, or someone brought it all the way out there. 😭
It wouldn't surprise me if the NCR has some presence in western Utah. But they probably don't have much of a foothold in Salt Lake City and eastern Utah in general(yet).
*EDIT*
There is in fact multiple NCR posters there. The same poster as above again, plus this one:
VERY interesting implications for the state of Utah indeed.
I think this is definitely more than just someone randomly putting up their posters. They must have some presence in the general region.
Title: “Your Song” (Elton John) Swing Cover by Robyn Adele Anderson #shorts
Description: My favorite movie of all time is Moulin Rouge. I was in sixth grade when I first saw it and was instantly entranced by the intricate costumes, the La Bohème inspired love story, and the way modern songs were reimagined to fit the turn of the century setting. Little did I know that someday I’d be making my own Baz Luhrmann-esque covers for a living. I knew I couldn’t do Ewan McGregor and Nichole Kidman’s version justice (or Elton John’s for that matter!) and I didn’t want to mess with a good thing so I kept my version sweet and simple. Enjoy! ❤️
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The Band:
Vocals — Robyn Adele Anderson
Keys — Ben Covello
Bass — Wallace Stelzer
Drums — Tom Jorgensen
Trombone — Jacob Melsha
Trumpet — Michel Sarian
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Arranged by Robyn Adele Anderson
Mix and Master — Tom Jorgensen
Audio — Amrish Mahabir
Video – Max Arias
Filmed at Smash Studios NYC
“Your Song” (Elton John) Swing Cover by Robyn Adele Anderson
All my videos are done live, using one take.
YouTube URL: https://www.youtube.com/watch?v=B2F_fOLHE08
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Title: “Cold as Ice” (Foreigner) Swing Jazz Cover by Robyn Adele Anderson
Description: It’s really been heating up this summer so here’s a tune to help cool everyone down! This also might be my favorite Foreigner song 😎🧊
Pinup Print Shop, CDs, Vinyls, and more:
https://ift.tt/KjSyix9
For more videos, support me on Patreon!
https://ift.tt/wThIW8A
Check out all my music on your favorite platform!
https://ift.tt/yWSCE47
Subscribe to my YouTube channel!
https://www.youtube.com/user/AdeleRobyn
Find me on Facebook, Instagram, TikTok, and Twitter!
https://ift.tt/j6WYRl2
https://ift.tt/qGxikoA
https://ift.tt/9M24qlW
https://twitter.com/robynadele
The Band:
Vocals — Robyn Adele Anderson
Keys — Macon Mann
Bass — Wallace Stelzer
Drums — Tom Jorgensen
Trombone — Jacob Melsha
Saxophone — Ben Golder-Novick
-
Arranged by Robyn Adele Anderson
Mix and Master — Tom Jorgensen
Audio — Amrish Mahabir
Video – Max Arias
Filmed at Smash Studios NYC
“Cold as Ice” (Foreigner) Swing Jazz Cover by Robyn Adele Anderson
All my videos are done live, using one take.
YouTube URL: https://www.youtube.com/watch?v=tMo1TpAMTbU
We talked about Karen's unexpected friends... So how about we will talk about her enemies?
It's obvious that just by assosiation with superhero community to some extent, Karen Page regularly became a target for variety of supervillains.
But there were some foes that targeted Karen specifically, sometimes even without her affiliation with Devil of Hell's Kitchen, and things turned out to be rather personal.
The first major villain with whom Karen fought, or at least tried to actually fight, like literally engage in physical confrontation is... None other than Wilson Fisk.
This is no East Pennsylvania greasy spoon called "Ghost of Chance". It is hell.
And its wicked master is a terrifying power named Wilson Fisk.
"This man looks hurt-- and it looks like you're responsible! We're not just standing by while you finish him off!"
Karen Page wants to be an actress someday. Her performance this night is never to be matched. A show of bravery even as every instinct tells her to run screaming.
Daredevil #341, writer: D.G. Chichester
Chronologically, before she arrived in New York, Karen witnessed Fisk (before his rise as Kingpin) hunting down his former employer Victor Krueller. She jumped right in front of soon-to-be-Kingpin to confront him, but was quickly saved by Ben Urich.
The reason why this incident was never adressed previously is because Wilson Fisk wanted to clear witnesses, but decided not to cover his hands in blood of the random people, so he just gathered everyone who saw him executing Krueller, including Karen, and brain-washed them with memory-erasing drug.
While they never will cross paths again face-to-face, Karen and Fisk will have a certain beef, unbestknown to each other. In "Born Again", Fisk sent mercenaries after Karen to clear the trace, and they chased her all the way she ran from Mexico back to New York. He later hired Nuke to attack Hell's Kitchen, in order to lure Matt and Karen out from their hideout, which resulted in Karen almost dying in explosion.
Since Fisk considered Karen "the heart" of Matt Murdock that saved him from Fisk's insistant attempt to ruin Daredevil's life, he makes everything in his power to break Karen's heart by hiring Typhoid Mary. Years later, Karen gets a job at WFSK radio station, which Fisk used for money laudering, to indirectly mess with his illegal activities.
Rewinding back to the classics, in Daredevil #28, Karen shows her bravery when she, Foggy and Matt are kidnapped by Masked Marauder and Stilt-Man. When Masked Marauder seemingly shoots Matt, causing him to fall off from helicopter, Karen goes berserk and physically assault the villain as an act of revenge for Matt.
"You fiend!! You heartless, merciless beast!!"
"I'm glad you're showing some fight, young lady--! It will make it easier to do what I must!"
Daredevil #28, writer: Stan Lee
Of course, Daredevil saves everyone before Masked Marauder kills anyone, and Matt, to Karen's great relief, turns out to be alive.
The moment is significant, since it was actually loosely adapted in Netflix series, with Masked Marauder, reimagined as corrupt police officer Farnum, being sent to strangle Karen in cell in the pilot episode, only for her to pull the same move as in comics, and claw his face.
And then, few dozen issues later, Matt "dies" again, which leads Karen to temporarily leave New York in Daredevil #65, and come back to her hometown of Fagan Corners, Vermont, an eerie and unwelcoming place ripped out of Lovecraftian Horror. As Karen goes thru the closed bridge, she encounters a mysterious and frightening Death's Head, whose mask, based on Aztec turquoise skull, Karen had seen in her childhood nightmares.
Daredevil #56, writer: Roy Thomas
Karen arrives to her family's estate to learn from her mom that Death's Head is responsible for demise of her estranged father Paxton Page. Daredevil suddenly appears to help Karen out, but his encounter with Death's Head ends in Daredevil losing.
That's when Karen decided to take it upon herself to take down Death's Head and she follows the primary suspect, the butler Garth. She ends up in secret laboratory and tries to confront Garth, by attacking him with wooden plank, but the real Death's Head interrupts the altercation. When Daredevil yet again engages in the battle with the villain, they suddenly drop a tank of melted cobalt, and Death's Head jumps in its way, to protect Karen, to everyone's surprise.
The plot-twist: Death's Head was actually Karen's dad, Paxton, who got intoxicated by cobalt and in futile attempts to clear his name, as he was claimed a traitor by US government, lost his mind, resulting in faking his death and attacking his own daughter.
Death's Head later returns to haunt Karen, as the impostor tries to learn the details of scientific work of Paxton Page in creating a cobalt bomb, and puts a bounty on Karen's head, when she becomes an established Hollywood star. This new Death's Head turns out to be Phillip Sterling, an old enemy of Daredevil under the mantles of Exterminator and later Death-Stalker. Ghost Rider, Karen's somewhat of a new boyfriend at the time, helps to banish new Death's Head with his iconic Penance Stare and Hellfire.
But before we return to this "bounty on Karen thing", let's talk about Brother Brimstone, a villain whom Karen faced right on her first job as an actress, the horror TV series "Strange Tales", in Daredevil #65.
Daredevil #65, writer: Gary Friedrich
Brother Brimstone is actually a main antagonist character of this series, portrayed by a slightly deranged actor Ross Archer, who tried to attack his double after learning, that they are cutting his role in order to relaunch the show.
Later, Ross was murdered by impersonator, who turned out to be Vince Sterling, another co-star, who planned to use the high-tech exoskeleton developed for the character portrayal in his own benefit. Initially, Sterling hitted on Karen, but after seeing her learning about exoskeleton from lead costume designer, he intends to murder her in La Brea Tar Pits museum.
Thankfully, a yearning and desperate Matt Murdock arrives to Los Angeles, in attempt to reconcile with Karen and take her home to New York, and together they managed to fight back Brother Brimstone, who fell into tar pit and drowned there.
The next big bad targets Karen in Ghost Rider #14, in order to get the million dollar offered by second Death's Head. Johnny Blaze's nemesis at the time, Orb with hypnotic powers, sets the film set on fire, for Karen to succesfully save the day by using a firehose. While everybody is distracted by dispute on a matter or legitimacy of Johhny Blaze working on set as a stunt performer, Orb enthralls Karen and commands her to kill her double Katy. Yeah, this was also the debut of "Karen Page with the gun".
In the next issue, Orb kidnaps Karen, but Ghost Rider manages to seemingly break hypnosis, for Karen to instantly attack Orb. When Johnny later attempts to kill Orb, Karen stops him, claiming that Blaze would be no better than the villain.
"What? The Orb-- Alive? And trying to gun Johnny down?"
"NO! YOU'RE RUINING MY SHOT!"
"You'd better believe it, Mister!"
Ghost Rider #15, writer: Jenny Blake Isabella
In the same issue, Karen's rant ios backed up by mysterious figure known as A Friend, appearing in an image similar to Jesus Christ. He followed Ghost Rider for some time, and much later in the run revealed to be none other than Mephisto, the lord of Hell.
The little reference in Daredevil Vol. 2 #13 might imply that Mephisto might have been the culprit behind Karen's decent into drug use and porn, but before that, in Daredevil #263, where Mephisto also made a deal with Typhoid Mary and helped her in achieving her goal of breaking Matt and Karen apart, in order to attempt to drag Daredevil to the path of darkness in following storyarcs, as Karen departs from New York. While she runs away, demons from Mephisto's realm who invaded New York swarm Karen to torment her about her dark past.
Daredevil #263, writer: Ann Nocenti
Many years later, after the Multiverse was destroyed and rebuilt into the Battleworld, an alternate version of Karen from "Secret Wars: Secret Love", who is still living in demon-filled New York, encounters Mephisto face-to-face, as Hell-lord is close to killing Matt. Karen takes the sword and decapitates Mephisto to protect Matt, right before a yet another apocalyptic event wipes out this New York.
"I don't know if this is happening or not. I can't stop myself. There's no other option. I have Mary's weapon to thank. Or the thing that was Mary."
Secret Wars: Secret Love, writer: Michel Fiffe
Another Karen's big adversary is, who could've guessed it, Bullseye. Their first confrontation happens on the pages of "Predator's Smile" novel, where "Benjamin Poindexter" is hired to stalk Karen as she becomes a threat-posing witness to his new employer. When Bullseye approaches Karen in his "civilian" outfit to warn her not to push it too hard, she, trained by Matt, punches Bullseye in balls and runs away,
Later, Bullseye invades Karen and Matt's appartment to kidnap her, but she fights back. Karen throws shurikens and even cuts Bullseye with them, also causing him to fall off the stairs. Despite initial wish, Bullseye doesn't kill her, as his empoyer plans to use her as a bait for Daredevil.
"Daredevil: Predator's Smile", writer: Christopher Golden
Years later, in Daredevil Vol. 2 #5, Bullseye is hired by Mysterio to take a newborn under Matt's protection, and Karen confronts him again. She tricks Bullseye by giving him a doll instead of a child, and then grabs the gun, ready to shoot the villain point-blank. Unfortunately, the gun turns out to be empty, and then Karen tragically sacrifices herself, when Bullseye throws Daredevil's billy club to kill Matt.
This specific kill is so imprinted in Bullseye's mind, that when Elektra travels in Lester's mind many years later, he still replays this encounter with Karen over and over again, as if it happened yesterday.
"Man, you're a persistent broad. First rule in the "cleaning" business... Never discard a loaded weapon"
Daredevil Vol. 2 #5, writer: Kevin Smith
This confrontation revisited in reimagined in Netflix series not once, but twice, with distinct homage to it in 1x11, where Karen successfully shoots James Wesley, and then in actual adaptation of church battle in 3x10, Karen-centric episode, only it ends with Bullseye failing.
Speaking of Season 3, it adapts "Born Again" storyarc, where Karen also encounters a Daredevil impostor, who's hired to kill her, while she's actively chased by her captor Paulo Scorcese and other men working for Felix Manning.
This includes Michael Kemp, the character whom Matt visits in Rikers in 3x04.
But coming back to good ol' days, where 616-Karen was still breathing and actively throwing hands in seeking justice. Remember when Karen indirectly caused Kingpin to lose the ownership of WFSK radio station? Well, that wasn't exactly true, as it turned out, by the time Karen started working there, Fisk already lost the ownership, so the money laundering was actually someone else's crime activity?
Introducing yet another iconic Daredevil villain, who made it his goal to ruin Karen Page's life, tho she'd never actually encounter him eye-to-eye: Mister Fear.
"Patience, boy... You'll get closer to Karen Page than you ever thought possible... You have the word of Mr. Fear!"
Daredevil #373, writer: Joe Kelly
Fear managed money laundering scheme at WFSK via his agent Insomnia, who acted as the owner of radio station. Thru Insomnia, Fear hired Karen as radio host, in order to gain more audience and thus affect as many people in his devious plans. The plan was to use Karen's show to transmit special low-frequency sonics, that will make listeners unable to sleep and with that, more vulnerable to Mr. Fear's toxins.
When Daredevil ruined Larry Cranston's villainery, he immediately put another plan in motion, manipulating events in a way to release Charles Boroughs, a deranged murderer known as Triple Threat Killer. Cranston tasks Boroughs with stalking Karen Page, and later makes him impersonate a police officer, so that later, Mr. Fear can force Karen into murdering Charles and via his connections in judicial system, charge Karen with this murder. To put a little spice in all that, he almost managed to make Karen cheat on Matt with newly-hired producer at WFSK, Ian Hunter.
Mr. Fear orchestrates the trial of Karen Page, falsifying evidence against her, mocking and tormenting her on TV and in court via prosecutors, about her past as a porn-actress and drug-addict. His plan to destroy Karen, and by that, Daredevil, seemed to go well, as Karen was actually sent to Rikers for the time of trial, but eventually Matt, with the help of friends (and even enemies) managed to get enough evidences that would expose Mr. Fear.
The storyarc was loosely adapted in Daredevil: Born Again 2x07-2x08, tho Mr. Fear's role was replaced by Kingpin, who actually helped to prove Karen's innocence in original book.
Interesting that the posters in the "Sinema" seem to all be about Mutant/Human relationships. I really think they'll double down on Cooper's anxiety with what he's become here, and esp his anxiety about if Barb could still love him when he finally finds her, after the "monster" he's become.
esp his anxiety about if Barb could still love him when he finally finds her, after the "monster" he's become.
I think that what you're saying is more applicable to Cooper's relationship with Janey moreso than it is his relationship with Barb.
I say that mostly because every indication we get is that it's Janey that Cooper is more invested in finding (like the fact that he was originally going to hallucinate Lucy and Janey while he was in the super mutant's den, or the fact that he only mentions Janey's name when he's convulsing on the pole). While he might still harbor some feelings for Barb, I think he's fallen out of love for her. Plus they divorced. (Yes, I realize Cooper still refers to Barb as "his wife", but it's not uncommon for divorced people to still refer to their exes as "my wife/husband" in the present tense. I think the writers are trying to keep things a mystery there.) And we have to also remember that it's been 220 years since he last saw her. He's also been the Ghoul far longer than he's been Cooper Howard.
Honestly, I feel like if anything, we'll see that Lucy was right in 2x02 when she said Cooper's family won't like what he's become, but not for the reasons she thinks. Barb won't like what Cooper has become because of the things he's done to survive, mind you. She won't like him because he's a ghoul, and the Enclave see ghouls as abominations to be cleansed. That and I feel like, as a parallel to Hank MacLean, Barb views Cooper as a threat to her control over Janey.
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