Max Neumann (German, b. 1949), Untitled, November, 2013, 2013. Acrylic and charcoal on canvas, 200.7 Ć 149.9 cm
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Max Neumann (German, b. 1949), Untitled, November, 2013, 2013. Acrylic and charcoal on canvas, 200.7 Ć 149.9 cm

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"UNTITLED (NOVEMBER)" MAX NEUMANN // 2013 [oil and acrylic on canvas | 63 Ć 47"]
Helen Lundeberg, āInterior with Two Paintingsā, 1982, acrylic on canvas
Room with sculpture by Chakaia Booker, āThe Privilege of Eatingā, 2012, rubber tires, wood, shovel
Max Neumann, āUntitledā, 1986, oil on linen
Liza Lou, āDogā, 2002, glass beads on fiberglass and plaster
Ori Gersht, āAgainst the Tide, Diptych Monksā, 2010, archival pigment print on aluminum
Thereās a lot of exceptional work on view for A Shadow Set Free, the group exhibition at Palm Springs Art Museum. Above are a few of the standouts, as well as one of two walls on which numerous works are grouped together.
From the museum about the exhibition and its theme-
A Shadow Set Free presents a selection of sculpture, photography, painting, drawings and prints from roughly the last 100 years. Though very different in style, subject matter and historical context, the works are united in their ability to evoke a sense of memory and convey an otherworldly aura.
The artists forgo an interest in the bright light of objective reality in favor of creating dream worlds, maintaining a rootedness in everyday reality while remaining free from specific histories. Together they demonstrate the various ways that modern and contemporary art imbues the familiar, external world with a spirit of subjectivity.
This exhibition closes 8/4/24.
Attribution: Max Neumann (Germany, 1949-). Dog related art spotted at @ma_idf Maison de l'architecture Ile de France (Couvent des rƩcollets) in Paris 10e, France. Tout homme craint les temps, le temps craint la pyramide (Cheops). 1992. @galerievidalbertoux
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Max Neumann - Untitled. 1993
"How many lives go into a life?" Leaving by Cees Nooteboom, Drawings by Max Neumann
How many lives go into a life? Leaving by Cees Nooteboom, with drawing by Max Neumann @seagullbooks
A man standing in a winter garden becomes aware of something not quite rightāa cloud that seems too heavy, bare branches against an ancient wall, the refusal of neighbouring geeseāan unspoken uneasiness that carries his thoughts back to the war: The war that never stopped coming back, a guest whoās known to all, a toothless kiss, the language of intimate betrayal around him now again, rememberingā¦
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Ā© Max Neumann - sans titre (2018)