@half-bloodrpg "It’s just a masochistic love I’ve got the push under your shove It’s not the anger in your heart Been in the pocket from the start."
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@half-bloodrpg "It’s just a masochistic love I’ve got the push under your shove It’s not the anger in your heart Been in the pocket from the start."

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A photogram...is a 1:1 scale negative record of a shadow. It is unique and unpredictable. Photographs tell sweeping, barefaced lies; photograms tell the truth, but only a thin slice of it. Genealogically, photograms have more in common with print-making, or even the world's oldest known paintings: outlines of hands silhouetted by pigment blown on to cave walls in Indonesia and northern Spain, dating from around 40000 BCE. Is this why photograms, and other camera-less photographic techniques, currently proliferate in contemporary art?
Matthew Green 'Tate Etc.' Magazine, Spring 2015
Pinocchio was a puppet carved out of a magical block of wood by a man named Geppetto. Even though he was supposed to be a puppet, Pinocchio was alive. He could move around on his own and talk and his nose even grew longer when he lied. But Pinocchio spent most of the time wishing that he could become a real boy. I hated Pinocchio. I think I was the only one in the class who hated him. Pinocchio was alive, but that was not enough for him. He could walk and talk and touch things in the real world, but he spent the whole book wanting more. Pinocchio didn’t know how lucky he was.
Memoirs of an Imaginary Friend