Words from Professor Hannah McGregor, from one of my favorites - the Oh Witch Please podcast. :)

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Words from Professor Hannah McGregor, from one of my favorites - the Oh Witch Please podcast. :)

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ALUMINIUM SPIRALS, comedy process coiling up this pair. Today @londonsculptureworkshop for last #MATERIALTY #electronic sculpture. #sculpture #sculptures #metal #sound #soundsculpture #making #makersgonnamake #diy #diyelectronics #ElectronicMusic #musictechnology #synthesizer #synth (at London Sculpture Workshop) https://www.instagram.com/p/Bmgu8umAKmg/?utm_source=ig_tumblr_share&igshid=1puf2f949fehj
'Welding Rhythms:Field Recordings to Beats" new #MATERIALTY blog post: https://bit.ly/2KOYvzX @ableton #noise #synthesizer #fieldrecording #ElectronicMusic #synthesis #industrial #materials #metal #welding #makersgonnamake #diy #electronics
Printing #graphene onto copper sheets @UoMGraphene institute. Such a mesmerising machine. #MATERIALTY #graphene #sculpture #materials #soundart #machines #musictechnology #electronicmusic #innovation #womeninstem #noise (at The University of Manchester)
3D Printing psychedelic pipe connectors for new #soundsculpture to control #ableton for #MATERIALTY with @awkwardarcade #electronicmusic #diy #noise #electronics #soundart #musictechmology @ace_thenorth (at The Landing at Media City UK)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Modes of vibration/resonances of an open pipe, . #MATERIALTY #metalnoises #soundart #electronicmusic #noise #sculpture #stem #soundsculpture (at Hulme)
Electrons with a BAD ATTITUDE. Starting the electronics for #MATERIALTY project next week, hanging out with these lads. #electronics #electronicmusic #diyelectonics #musictechnology (at Rogue Artists' Studios & Project Space CIC)
the materiality of stones
the materiality of stones
clearly the modernist mantra to ‘let the material speak’ goes back to prehistory. the materiality of the stones selected for use in prehistory’s ceremonial assemblages is one of great importance, where stones are carefully chosen for there surface texture, visual tactility, shape and size, can be ‘imported’ over great distances to perform their part in these specialised cosmological complexes.
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