do you like fucked up houses? do you wanna build your own?
i've just released a 1.5 update of my gmless mapmaking game house, with some quality of life tweaks and a refreshed layout! purchasing it also now gets you a scp-flavored hack i wrote ages ago!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
hello do you remember the king gizz time loop heist game i wrote several years ago
it is pay what you want right now to celebrate nonagon infinity also being pwyw on bandcamp (along with the rest of king gizz's catalog) and i have a game jam going where you can write your own stuff for/based on/inspired by the game. check it out!
CAN WE ERASE OUR HISTORY is a two-player, diceless hack of Time To Drop about relitigating a toxic relationship (or situationship) while being tossed through alternate realities in which it might have gone differently. it is also about listening to The Beths' 2022 album Expert In A Dying Field.
iâve been in the playbook mines for this isekai/metafiction inspired interstitial 2e hack for like a year off and on and iâm about to be out the other end so have some moves iâve written that i really like
MetaFiction is an Interstitial 2e hack about finding out you're inside a work of fiction, on top of being forced to play a death game for the entertainment of mysterious Patrons. The playtest edition is now public on itch - please check it out and tell your friends!
This is a MONSTER document with 16 playbooks and many, many pages of additional rules (and even secrets), and I am very excited for people beyond my social sphere to get to see what I've been tinkering with for the past ~1.5 years :)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
sup is this the purple girl w the mask
nd the shitty dad
robin gave me ur #
the three unknown-number texts come in rapid succession; steph tosses her ap english homework aside and immediately dedicates more effort towards interpreting the eighteen words on her phoneâs screen than she was ever going to do for wuthering heights. she flicks her way into the floaty frog appâwhich, actually a pretty good game, all things consideredâand opens her dms with robin.
spoilerwarning
hey are you giving out my number to randos???? wtf
the three dots that indicate heâs typing appear, then disappear, then reappear again. steph watches raptly as robin evidently types and retypes the same sentence for about five minutes before sending the finished product.
robinofficial
Oh shit. I meant to tell you about that
Itâs been a week
Heâs one of the Phantasms, Iâm trying to get them on the app they didnât really know there were other teens out there doing what we ow hey hey come on man thatâs just rude Iâm clearly composing a text message here
Sorry on patrol
of course he is. honestly, sheâs impressed that he bothered to text instead of sending a voice memo. but robin always manages to say a lot in a few textsâstephâs been keeping loose tabs on the phantasm story, but had no idea they were a crew. let alone teenagers. maybe sheâs gotta get better about actually reading the hundreds of messages in robin chat she wakes up to every morning.
she tabs back into her texts, saves the unknown number as âphantasm?â with a ghost emoji, and types back:
yeah this is she
is this the grey guy with the mask and the killing mobsters?
the phantasm takes longer than robin to respond. so long, actually, that steph has drifted back to her reading for class by the time her phone buzzes onceâand then, insistently, again. and again. she realizes, with an equal mix of bafflement and social terror, that the phantasm is calling her, and jabs the accept button before she can talk herself out of it.
the music in her earbuds cuts off mid-lyric, replaced by crackling and shuffling on the other end of the line. someone walking? maybe he pocket dialed her by accident?
âhi?â steph says, uncertainty pitching the word up into a question. itâs hard to shake the feeling sheâs about to hear something she really shouldnât.
âhey, sorry,â the phantasm says. his phoneâs microphone is shit, but the wordsâand the thick accent, which is unexpectedâare still mostly audible. âi hate textinâ on this piece of junk when iâm out doinâ shit.â
doinâ shit might mean cape business. thereâs a muffled quality to his words that steph can easily envision coming from the full-face skull mask sheâs only seen in blurry 480p.
âare you killing people right now?â she asks, wry.
âwhat? no?â he says, at least having the decency to sound offended at the implication. âyou think iâd call you fromââ
âi mean, you posted you showing off a guyâs severed head to tiktok.â
his laugh crackles down the line. âokay, point, but nah. iâm just trespassing.â
âwhere?â steph asks, before she can help herself. itâs not like sheâs gonna publish anything about thisâbut still. sue her for being a little curious about what the mysterious phantasm gets up to when heâs not jumping mobsters on their home turf.
âguess,â the phantasm says; she can hear him grinning around the word.
âum,â she says, caught on the back foot, âwayne tower.â
ânope.â
âamusement mile.â
ânah.â
âarkham?â
she asks it as a joke. he doesnât answer.
âyouâre shitting me,â steph hisses. sheâs home alone, but still feels a pathological need to lower her voice like sheâs been brought in on a conspiracy. âwhat are you doing breaking into arkham?â
âlong story,â the phantasm says, and she can almost hear the shrug in it.
she rolls her eyes. âfucking try me. you clearly wanna brag about being there.â
âiâm not in the actualâiâm not in the fuckinâ asylum,â the phantasm says. he hasnât lowered his own voice whatsoever; he must not be worried about getting caught. âjust on the, uh, the grounds.â
âwhy?â
âlook, this ainât exactly why i calledââ
âokay, well, too bad,â steph says, finding a ballpoint pen amidst the mess on her bed and toying with its clip. âsâwhat weâre talking about now. you got a name, by the way, or are we sticking with phantasm?â
heâs quiet againâand when he does speak, itâs weirdly serious. âyou canât tell.â
âohâhey, i wonât,â she says, thrown by the sudden sincerity. maybe she overstepped. itâs not like she knows robinâs real nameâor anyone else on the stupid frog app. âand you donât have to tell me, if itâs tooââ
âjason.â he says it fast and uncertain, like a grenade heâs afraid of throwing. stephâs not sure what itâs supposed to mean. she knows, like, three jasons at her school, and sheâs pretty sure none of them are this guy.
âokay, jason,â she says, making the snap decision to reciprocate. kind of the least she can do, really. âiâm steph. why are you trespassing at arkham?â
âi amââ he cuts himself off with a grunt and a thud, like he had to jump over something. âlookinâ for a body.â
steph can feel her eyebrows climbing up her face. âdead body?â
âonly kinda body worth lookinâ for.â
âanyone you know personally?â from the way heâs talking about it, sheâd guess not, but it canât hurt to ask. and the nosiness is kind of second nature at this point.
âtakeout place near me missed a protection payment to the triad,â jason says. he sounds vaguely breathless with exertion. âowner got taken to the woods out here anâ shot. i think theyâre payinâ off the guards so they can bury shit out where nobodyâll find it.â
âjesus,â steph says. sheâs still flicking the pen clip with her thumbnail, bending it back as far as it goes. âand you think you can find it, becauseââ
âbecause iâve got the dead guy tellinâ me where to look,â jason says, with such confidence that he must be telling the absolute truth.
âhuh,â steph says. sheâd add something else, but sheâs coming up short. not every day a guy tells you he can hear dead people.
then again, she accidentally participated in a ritual to open a gate to hell two months ago. maybe her definition of what counts as an everyday occurrence in gotham needs to take a walk off the trigate bridge.
she can hear jason crashing through underbrush on the other line, leaves crunching under his bootheels. thereâs a dull sound, some kind of sudden impact, and he swears somewhere distant from the receiver.
âshit, sorryâone sec. i dropped you.â the mutter is accompanied by a shuffling noise that steph assumes is him feeling around in the dirt. âknew i shoulda brought a flashlightââ
âyou donât have a flashlight!?â the question comes out of her louder than she means for it to; she feels her cheeks starting to burn with embarrassment in its wake.
âoh, there you are. thanks for yellinâ.â jasonâs voice is much closer againâand a lot wryer. âyeah, my eyes glow when i got a ghost with me. itâs like havinâ headlights. but the mask ainât got, like, a lot of peripheralââ
âyour phone doesnât have one?â she asks, cutting him off.
âthis piece of shit? i got it for like twelve dollars. it doesnât even have a keyboard.â
âokay,â steph says, evenly. âso how are you gonna get back out?â
he makes a soft, winded whuh noise, then chases it with, âsorry, what?â
âof the woods, genius. how are you gonna get back out in the dark? once you find the ghost, isnât that, like, unfinished business settled? ghostâs gonna leave. no more headlights.â
jason is silent for a long time. steph can only tell he hasnât hung up on her because she can still hear the sounds of his clothes rustling as he walks.
âi,â he says, finally, âdid not consider havinâ to leave.â
âyeah, i kinda got that,â steph says. sheâs already on her feet, one foot nudging the storage cube that holds her spoiler costume out from under the bed. with the moped, she can get to arkham inâwhat, twenty-five minutes, tops? and momâs working a shift until six in the morning, so nobodyâll know she even left the house.
âlook,â she says, cradling her phone between ear and shoulder as she starts to change. âiâll come get you.âÂ
âiâve got other people i can call,â jason protests. if the phantasm is a whole crew, he probably doesâbut thereâs a part of steph that hates to let him hang up and go back to his own little self-contained bubble of vigilantism. not when they could both make a new friend out of it.
âsure,â she says, âbut iâm offering. and you gotta buy me a burger after. transportation fee.â
âare you kidding?â jason asks. âiâll buy you three burgers.â
steph smiles to herself as she pulls her boots on. âburger, fries, and a milkshake, and weâre even.â
his laugh crackles down the line. âshit, yeah. deal.â
RE: RE: is a collection of 3 all new modules for my musical time loop heist game Time To Drop!
Old Story is a module in which you play a close-knit crew with a long, messy history that keeps being twisted, revised, and rebooted. It introduces a Nemesis mechanic, in which you receive a permanent Complication in the form of a do-gooder trying to track the crew down.
 Weird Ending Explained is a module in which you play a group of teenagers with a shared secret, stuck in a time loop of the last big house party before graduation. It introduces The Incident, a shared Complication that affects how you interact with each other and clear other Complications.
Sideshow is a module in which you play as a secret government task force of criminals with bombs implanted in your heads. It introduces Severance, a unique, secret Complication every player receives and must complete without anyone else catching on.
They all assume you have read the base game (which is still pay-what-you-want), use different albums as their loop timer, and add additional character building questions on top of totally new game mechanics!
did you know there's a problem on mmolb dot com that keeps your fifth starting pitcher from actually pitching their games. anyway
----
twenty-six games as a starting pitcher and karina hasnât been on the mound once; still, she hauls herself out of the house to sit on a shitty aluminum park bench and watch hewitt try for a shutout against the love letters. she knows for a fact theyâre still sore about the way their last attempt wentâthey let in a single, errant home run in the bottom of the ninth, and were yanked humiliatingly out of the game for the last two at-bats. it was brutal. karina has thoughts about hewittâs fastballânot to mention their conservation of staminaâthat sheâs been keeping to herself ever since, notes jotted in the margin of her scorebook that sheâs sure no one wants to hear from the player who spends one hundred percent of her time warming the bench.
one of the love letters bats another home to whoops and cheers from the away benches. karina sucks her teeth, and fills in the diamond on her score sheet. she can see hewittâs eyebrow twitch from yards away; they throw two sloppy balls, and wyatt mercifully ends the inning by diving after a ground ball. this, too, karina notes down.
âbrutal,â arky says under his breath, on the other side of the bench. itâs the first real comment heâs made on the game, even after hewitt beaned a love letters batter. his scorebook is perched precariously on his knees, but heâs had the easier job so farâhe scores for the circles, and theyâve barely managed to put anyone on base.Â
karina always scores for the away team, a habit started out of both boredom and defiance. she has to show up to games, just in case the manager finally decides to start her, so she might as well take notes on everyone elseâs earned run averages. arky only just took up the hobby with her a week ago after his tommy john. he should really be exempt from coming to games, his arm still in a sling and all, but the managerâs already started him once to the chagrin of the rest of the pitching staff.
they sit in companionable silence as the inning changes over; only once travis is in the batterâs box does karina say, quietly, âthey keep throwing the same fastball, straight down the middle.â
âyou think nelson is giving them bad signs?â arky asks.
karina shakes her head, ponytail flapping. âi donât think they give a fuck about nelsonâs signs.â
sheâs not lying. nelson is too nice to get into it with hewittâor with anyone, for that matterâbut thereâs something wounded in his eyes when he looks at them, something asking are you pretending not to see me or are you doing this on purpose.
âtheyâre psyched out,â she adds. then, âi donât blame them. but they wonât get better if they keep playing like this.â
âsounds a little like you blame them,â arky says. itâs not a judgemental assessment at all, which makes it worse in some respects.
âokay, well.â karina stops herself, struggles to put the rest into words. because the animosity against hewitt is there, and sheâd be lying if she said it wasnât, but itâs not in the way arky seems to think. âsue me, or whatever. if they and cisco are gonna cover all my games, the least they can do is cover them well.â
itâs the most sheâs let herself say to a teammate about the strange and uneven state of the pitching rotation, though she knows all of them have noticed by now. she prefers to save that vitriol for the managersâwho continue reassuring her itâs a temporary hitch in the schedule, telling her to come to games just in case.
arky laughs deep in his chest, pen dancing over his scoresheet as the love letters scramble to handle a classic r. tang bunt. âiâm telling cisco you said that.â
âdonât you dare,â karina hisses. she could care less what hewitt thinks of her; earning the disappointment of even-keeled francisco quinn, even in hypothetical, makes her want to die.
âheâll think itâs funny,â arky says. when karina glares at him, he catches her eyes with his own. he has the beginning of crowâs feet around them, creasing gently when he smiles. âyouâll get your chance, ârina. hell, you can have my next game, if you want.â
âwhat,â karina says, âand save you from doing more one-armed innings?â