#many problems

2. Either something bad came out of it, or someone has to put effort into it not happening. I'm not sure how to explain it better (see later about handling other people's bad choices)... Anyway this makes the story feel more satisfying, more interesting.

3. How much of 2 is needed is proportional to how bad the thing was. Also if the character couldn't be expected to know much better, point 2 is less intense, though it's often still more interesting to have it.

I wonder how close to canon is this rule. Anyway I like it. Also, I tend to assume at least 1 when interpreting the canon, which likely influences my opinion about the Feanorians and the whole Silmaril business.

I'm not saying this is a 100% rule in real life, or even a technically 100% rule in te Legendarium, because omniscience is tricky… but it is a good rule in writing, I think, and even more so it definitely is a good rule in approaching decisions. If something can't work in a moral way, it won't work anyway or is not worth it. Nothing really worthy can be permanently lost by making the right choice. And so on.

It seems like there would be a symmetrical rule of good deeds not resulting in bad events but then we have the Children of Hurin. And what did Hurin do wrong? I have no idea.

But then, the Men are generally... And you could also look at Maedhros, but then, the exiled Noldor, and SoF in particular are also, hmm, I think "marred" is the word I should use here.

Still, I really prefer if there is something good coming of from good deeds, even distant and not seen by the person doing the good deeds.

Also, there seems to be is another rule, it's outright said. Things always turn out into a good ending, and you can either go with it or fall under it.

Example: gollum. He could have cooperated and jumped with the Ring willingly. He chose to betray Frodo, fell with the Ring anyway.

You also can, obviously, do a creative mix of going along and falling under. (Must I say: the two oldest Feanorians, it is this obvious?)

And falling under makes things more difficult for everyone, not just the person doing it.

Darn, I made this sound ugly and tyrannical. It's not. But I remember when I would say it is, and I can't explain why it is not. It's kinda like when you do a weird thing with your eye muscles and start seeing double. It's just not. I just can't explain it in a way this deserves. My apologies.

Anyway, bad choices make things difficult for everyone. Because we are connected to each other. I've already made a post about it long time ago, but generally...

Maybe if Saruman wasn't such a jerk weed have a Sauron redemption. (Maybe, it's always a maybe)

Maybe if Maglor didn't take pity on the twins, Númenor would fall much earlier and Sauron would be more successful. And so on and do forth.

It's always a maybe, and nobody determines anybody else's choices, but still, we do impact each other. It's hard to think about, because it's over if the places where a) it's worth to try b) there's no guarantee of anything... (Which are most places, I guess). Both on the Silm and in life, people are interconnected. But also everyone is responsible for their decisions.

It's hard to not blame characters (or people) too much. It's hard... In general it's wonderful but difficult, the whole concept.

And another thing tired to this very closely, tied to the interconnectedness (is this a word?) is unearned suffering and Hurin and Nienor and Miriel (both tbh) and Feanor back before he was a jerk and many others.

Sometimes we get the outcome of someone else's bs without even consenting to it. Why? I suppose it's because the connectedness is now important than "not getting random bs thrown in your life". Maybe. Probably. I'm not wise, ok? I'm not sure it's my heart, but something's telling me it's something like this reason.

And what can we do

Argue. Rebel. Just take it. There are many things we can do. I'm not going to go on a rant about what Feanor (or Finwe) should have done and so on because I don't want dfw and others to have a bad time listening to me criticizing their guy, and also I wasn't in his position so I shouldn't be ranting. I should go rant at myself or something.

But the things aren't going to solve themselves or disappear. So yes, just taking it is a very noble and beautiful thing to do (and hard as... Idk what's hard. A Silmaril is hard, I guess)

Because it's so very infuriating when someone else's bs lands on your head.

Oh how I wish I could handle it better.

Back to the Legendarium. Someone handling it better generally yields results, see: the Long Peace. And probably many other situations.

And of course there are situations when the bs you have to handle is your own and if you don't handle it, it will fall of everyone else's heads. This doesn't necessarily make it easier to handle. :( Sometimes someone helps, and that's nice.

Yet another question is how realistic a book should be.

Should it portray lots of undeserved suffering, of badly handled undeserved suffering (CoH), because it's part of life? Should it portray hope triumphing against reason (B&L, and remember that Beren was just as much a Man as Turin was), to give people an escape?

I think (maybe it's rather obvious) that we need both, because depending on personality and circumstances, we need both validation and acknowledgement of our pain, and hope that things can be better. Both kinds of stories are necessary.

It may sound untrue, and sometimes I wish I was a kind of person who can live with only hopeful stories, because the day ones are what I need when I'm not doing well— but no. We do need both, at least in terms of "what most of the story consists of". We need ways to express pain without an immediate answer.

It's a sad song.

But we're gonna sing it anyway.

Until we finally get it right and the sad parts start making sense.