Delusional Boy by Malihini from the album Hopefully, Again - Director: Nick Middleton
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Delusional Boy by Malihini from the album Hopefully, Again - Director: Nick Middleton

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New Italian duo Malihini has been turning ears with their music since they broke out of the gates with debut single Waiting. Theyāve now shared a music video for their recent second single, Miss, which is a rhythmic entrancing minimalist pop and wistful enthralling art rock song. Malihini describe Miss asĀ āa love song, containing memories and hopes and fears.ā Itās a captivating experimental piece with a riveting trip hop groove. You can stream Malihiniās debut, Waiting, below. Itās also a very unique and captivating listen. Malihini will be playing their debut headline show at The Waiting Room in London on October 2nd.Ā
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MALIHINI DEBUT ALBUM 'HOPEFULLY, AGAIN' OUT NOW - HEAR IT HERE
PLAYING THE GREAT ESCAPE + EUROPEAN DATES WITH PIROSHKA IN APRIL
āA touching and uniquely conversational album" Loud and Quiet
āLo-fi pop with a shimmering, gauzy sense of styleā CLASH
"Malihini melt hearts on pulsing pop tune" The Line of Best Fit
"Malihini are about to become your new favourite double act" Wonderland
"Hypnotic" Neu Pick, DIY
Lo-fi pop duo Malihini, a.k.a. Rome-based Giampaolo Speziale and Federica Caiozzo, have released their debut album 'Hopefully, Again' through Memphis Industries.
Malihini have been confirmed for The Great Escape Festival, as well as for a string of European dates alongside Piroshka. More dates to be announced soon.
Thu 25 Apr - Backstage - Paris, FR w/Piroshka
Sat 27 Apr - Privatclub Ā - Berlin, DE w/Piroshka Ā
Sun 28 Apr - Vega - Copenhagen, DK w/Piroshka
Thu 9-11 May - The Great Escape - Brighton, UK
Malihini, which means ānewcomersā in Hawaiian, deal exclusively in the music of lived experience and time-honed emotional intelligence, their disarming musical universe never less than distinctive, yet resonating with a confessional, modern European pop sophistication of a kind elsewhere purveyed by the likes of Charlotte Gainsbourg, Jose Gonzalez and Our Broken Garden. Listening to the ten co-written songs that grace Malihiniās exquisite debut longplayer, 'Hopefully, Again', can sometimes feel like eavesdropping on a coupleās intimate emotional dialogues, such is the ingenuous honesty of the duoās writing. Yet combined with their minimal, yet opulently textured arrangements crammed with subtle melodic hooks and an embarrassment of earworm choruses, they transform the personal into the universal with a delightfully unforced eloquence.
The notion of art imitating life is mirrored by Malihiniās back story, which reads like the screenplay to a Wim Wenders road movie ā the coupleās first encounter occurring at 5am one morning in 2015, when Speziale, driving back to Rome, picked up a distraught, hitchhiking Caiozzo. āI took her home ā she was having a hard time with her ex-boyfriendā, he recalls, matter-of-factly. āI didnāt see her again for two or three months, but then we met by chance at a concert. We sort of avoided each other at first⦠eventually we spoke and later we went back to her house. Weāve been together ever sinceā. Caiozzo has described meeting Speziale as āa moment of surrenderā. The idea of working artistically together took time to germinate, however. āIāve always been drawn to male musicians and singersā, admits Caiozzo, frankly, ābut we decided not to play or sing together at all at first. Then we took this trip through Italy, Germany and Poland and eventually we thought, āWhy not? So we started writing ideas for songs and ended up playing shows together in small bars along the wayā.
'Hopefully, Again' track listing:
1. 'A House On A Boat' Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
2. 'Hopefully, Again' Ā
3. 'Delusional Boy' Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
4. 'Nefertiti Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
5. 'Giving Up On Me' Ā Ā Ā
6. āCanāt Stand Thatā
7. āIf U Callā
8. āThe Snowā
9. āThe Afterdaysā
10. 'Song #1'
The duoās individual, pre-Malihini career stories reinforce the romantic, cinematic theme. Caiozzo, born in Sicily to Italian and Polish parents, moved to Rome in 2009 to study music, hone her distinctively smoky singing voice and, ultimately, enjoy a successful solo career under the name Thony. This lead to an invitation from noted director Paolo VirzƬ to contribute to the soundtrack to his 2012 film 'Tutti i santi giorni' (Every Blessed Day). Obviously impressed, the director duly cast Caiozzo in the movieās lead role. Roman Speziale also has experience in film and TV, both as an actor and soundtrack composer, and, indeed, the coupleās meeting seems to have more than a dash of artistic kismet about it.
The couple began to steer destiny more assiduously in 2016, putting their previous musical aliases to bed, launching Malihini and signing to esteemed London imprint Memphis Industries. They debuted with a hypnotic single, āMissā, towards the end of that year, with another, āWaitingā, following in early summer 2017, helping arouse considerable blogosphere interest. An EP, 'Lose Everything', was released in September. Designed, according to Speziale, to ācapture that moment when you first start writing together, when you make yourself vulnerable to someone elseā, tracks were recorded in the south London house of an Egyptologist, no less, with oversight and synths from Wild Beasts/Darkstar/Ghostpoets producer Richard Formby. After debuting on Loud and Quiet, the EP was soon championed by the likes of Stereogum and The Line of Best Fit, all of which, alongside headline shows in London and an opening slot for Warpaint, helped usher Malihini toward a bigger spotlight.
That inexorable process continues apace with the release of 'Hopefully, Again'. Swapping Camberwell for Mid Wales, specifically the remote Giant Wafer studio in Powys (āit was just us and a few sheep and chickensā, recalls Speziale), the album was recorded quickly, with the duo playing most of the instruments live, abetted once again by producer Richard Formby and long-term drumming amico Alberto Paone. Writing had begun earlier in the year during an extended retreat on the Aeolian island of Vulcano, off the coast of Sicily. Images and atmospheres of the sea and ābluenessā duly permeate the albumās leanly arranged songs. āWe always wanted to have just a few instruments,ā says Speziale, explaining 'Hopefully, Again's pared-back palette. āWe write using only a guitar, a Casiotone keyboard, a toy synth and a drum machine. Weād start with loops and then just improvise melodies over the top, not listening back for three or four hoursā. The lyrics would come later. āSome of the songs definitely take inspiration from personal events in our life, but sometimes I imagine things from someone elseās perspectiveā, says Speziale, reflecting on Malihiniās apparently candid, close-up-and-personal narratives. āWe recorded a lot of the vocals alone together in our room at the studio, and I think that adds another layer of intimacy. "We sometimes go to separate rooms to actually write the wordsā, elaborates Caiozzo. āThen we come together and see how we really feel about each other! Itās a good way to talk about problems as a couple without needing to go to a psychiatrist!ā
Whether the songs work as de facto relationship counselling or not, they remain consistently intriguing and irrefutably alluring, always navigating deftly between emotional light and shade. The soulful, superficially pretty title track is a case in point: its languid drums and woozy electric guitar hook-line ushering in a sort of conversation between circling lovers ā Caiozzo taking the first verse, Speziale the second, the two combining for the redemptive and addictive āLove is coming backā chorus line. āItās about when youāre first really into one anotherā, explains Speziale. āWhen you try to be someone, as seen through the eyes of the otherā. Likewise, the ensuing āDelusional Boy', with its sunlit, glass-half-full fantasy optimism (capturing a āmind-escaping feelingā, according to Caiozzo), upbeat drums and almost African guitar figure, is neatly undercut by its recurring vocal refrain, āDelusional Boy/Delusional Girlā ā the downbeat rejoinder conveyed with a typically euphonious duo vocal melody.
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Malihini - Debut album 'Hopefully, Again' out now - Stream it in full
āLo-fi pop with a shimmering, gauzy sense of styleā CLASH "Malihini melt hearts on pulsing pop tune" The Line of Best Fit "Malihini are about to become your new favourite double act" Wonderland "Hypnotic" Neu Pick, DIY Lo-fi pop duo Malihini, a.k.a. Rome-based Giampaolo Speziale and Federica Caiozzo, have released their debut album 'Hopefully, Again' through Memphis Industries. Malihini have been confirmed for The Great Escape Festival, as well as for a string of European dates alongside Piroshka. More dates to be announced soon. Thu 25 Apr - Backstage - Paris, FR w/Piroshka Sat 27 Apr - Privatclub - Berlin, DE w/Piroshka Sun 28 Apr - Vega - Copenhagen, DK w/Piroshka Thu 9-11 May - The Great Escape - Brighton, UK https://www.youtube.com/watch?v=z9NVjp_kr6U&feature=youtu.be Malihini, which means ānewcomersā in Hawaiian, deal exclusively in the music of lived experience and time-honed emotional intelligence, their disarming musical universe never less than distinctive, yet resonating with a confessional, modern European pop sophistication of a kind elsewhere purveyed by the likes of Charlotte Gainsbourg, Jose Gonzalez and Our Broken Garden. Listening to the ten co-written songs that grace Malihiniās exquisite debut longplayer, 'Hopefully, Again', can sometimes feel like eavesdropping on a coupleās intimate emotional dialogues, such is the ingenuous honesty of the duoās writing. Yet combined with their minimal, yet opulently textured arrangements crammed with subtle melodic hooks and an embarrassment of earworm choruses, they transform the personal into the universal with a delightfully unforced eloquence. The notion of art imitating life is mirrored by Malihiniās back story, which reads like the screenplay to a Wim Wenders road movie ā the coupleās first encounter occurring at 5am one morning in 2015, when Speziale, driving back to Rome, picked up a distraught, hitchhiking Caiozzo. āI took her home ā she was having a hard time with her ex-boyfriendā, he recalls, matter-of-factly. āI didnāt see her again for two or three months, but then we met by chance at a concert. We sort of avoided each other at first⦠eventually we spoke and later we went back to her house. Weāve been together ever sinceā. Caiozzo has described meeting Speziale as āa moment of surrenderā. The idea of working artistically together took time to germinate, however. āIāve always been drawn to male musicians and singersā, admits Caiozzo, frankly, ābut we decided not to play or sing together at all at first. Then we took this trip through Italy, Germany and Poland and eventually we thought, āWhy not? So we started writing ideas for songs and ended up playing shows together in small bars along the wayā. 'Hopefully, Again' track listing: 1. 'A House On A Boat' 6. 'Can't Stand That' 2. 'Hopefully, Again' 7. 'If U Call' 3. 'Delusional Boy' 8. 'The Snow' 4. 'Nefertiti 9. 'The Afterdays' 5. 'Giving Up On Me' 10. 'Song #1' The duoās individual, pre-Malihini career stories reinforce the romantic, cinematic theme. Caiozzo, born in Sicily to Italian and Polish parents, moved to Rome in 2009 to study music, hone her distinctively smoky singing voice and, ultimately, enjoy a successful solo career under the name Thony. This lead to an invitation from noted director Paolo VirzƬ to contribute to the soundtrack to his 2012 film 'Tutti i santi giorni' (Every Blessed Day). Obviously impressed, the director duly cast Caiozzo in the movieās lead role. Roman Speziale also has experience in film and TV, both as an actor and soundtrack composer, and, indeed, the coupleās meeting seems to have more than a dash of artistic kismet about it. The couple began to steer destiny more assiduously in 2016, putting their previous musical aliases to bed, launching Malihini and signing to esteemed London imprint Memphis Industries. They debuted with a hypnotic single, āMissā, towards the end of that year, with another, āWaitingā, following in early summer 2017, helping arouse considerable blogosphere interest. An EP, 'Lose Everything', was released in September. Designed, according to Speziale, to ācapture that moment when you first start writing together, when you make yourself vulnerable to someone elseā, tracks were recorded in the south London house of an Egyptologist, no less, with oversight and synths from Wild Beasts/Darkstar/Ghostpoets producer Richard Formby. After debuting on Loud and Quiet, the EP was soon championed by the likes of Stereogum and The Line of Best Fit, all of which, alongside headline shows in London and an opening slot for Warpaint, helped usher Malihini toward a bigger spotlight. That inexorable process continues apace with the release of 'Hopefully, Again'. Swapping Camberwell for Mid Wales, specifically the remote Giant Wafer studio in Powys (āit was just us and a few sheep and chickensā, recalls Speziale), the album was recorded quickly, with the duo playing most of the instruments live, abetted once again by producer Richard Formby and long-term drumming amico Alberto Paone. Writing had begun earlier in the year during an extended retreat on the Aeolian island of Vulcano, off the coast of Sicily. Images and atmospheres of the sea and ābluenessā duly permeate the albumās leanly arranged songs. āWe always wanted to have just a few instruments,ā says Speziale, explaining 'Hopefully, Again's pared-back palette. āWe write using only a guitar, a Casiotone keyboard, a toy synth and a drum machine. Weād start with loops and then just improvise melodies over the top, not listening back for three or four hoursā. The lyrics would come later. āSome of the songs definitely take inspiration from personal events in our life, but sometimes I imagine things from someone elseās perspectiveā, says Speziale, reflecting on Malihiniās apparently candid, close-up-and-personal narratives. āWe recorded a lot of the vocals alone together in our room at the studio, and I think that adds another layer of intimacy. "We sometimes go to separate rooms to actually write the wordsā, elaborates Caiozzo. āThen we come together and see how we really feel about each other! Itās a good way to talk about problems as a couple without needing to go to a psychiatrist!ā Whether the songs work as de facto relationship counselling or not, they remain consistently intriguing and irrefutably alluring, always navigating deftly between emotional light and shade. The soulful, superficially pretty title track is a case in point: its languid drums and woozy electric guitar hook-line ushering in a sort of conversation between circling lovers ā Caiozzo taking the first verse, Speziale the second, the two combining for the redemptive and addictive āLove is coming backā chorus line. āItās about when youāre first really into one anotherā, explains Speziale. āWhen you try to be someone, as seen through the eyes of the otherā. Likewise, the ensuing āDelusional Boy', with its sunlit, glass-half-full fantasy optimism (capturing a āmind-escaping feelingā, according to Caiozzo), upbeat drums and almost African guitar figure, is neatly undercut by its recurring vocal refrain, āDelusional Boy/Delusional Girlā ā the downbeat rejoinder conveyed with a typically euphonious duo vocal melody. www.facebook.com/wearemalihini/ www.twitter.com/wearemalihini www.instagram.com/wearemalihini BigMouth Read the full article