#make you sin

Make You Sin (Angelspit) The song is about a musician who uses her music to make people do her bidding (Stroke the string / I seduce / Blocking ears / Has no use) (Shaking walls / You feel ill / Doing things / Against your will). The chorus implies that much like Annabelle in MAG69, the musician uses her powers of manipulation to force people to kill themselves (Music to ears / Bullet in cradle / Chaos to mind / Fingers on string / Disease to body / Lips on barrel / Bang! / Make you sin.) According to the lore on the old Angelspit website, "You [the musician] have learnt that music is a powerful tool for seduction, manipulation and pain. You have written works for tuba, contra bassoon and double bass which, due to their huge amounts of bass frequencies and sheer volume, have made audience members to fell physically ill, and in some extreme cases, driven them to momentary loss of reason. You are now working on a score that will 'Influence an audience to actually think in a fashion that is outside the accepted moralities'."

Redesign Your Logo (Lemon Demon) Redesign your logo, we know how to do it Make the calculations, put them into action We will find the angle, starting with convention On to innovation; everything's connected

New Invention (I DON'T KNOW HOW BUT THEY FOUND ME) You've been controlling me through fiction It's obvious, I've got to break you like a bad addiction Oh, I can't say no I'm losing control

Make You Sin (Angelspit) The song is about a musician who uses her music to make people do her bidding (Stroke the string / I seduce / Blocking ears / Has no use) (Shaking walls / You feel ill / Doing things / Against your will). The chorus implies that much like Annabelle in MAG69, the musician uses her powers of manipulation to force people to kill themselves (Music to ears / Bullet in cradle / Chaos to mind / Fingers on string / Disease to body / Lips on barrel / Bang! / Make you sin.) According to the lore on the old Angelspit website, "You [the musician] have learnt that music is a powerful tool for seduction, manipulation and pain. You have written works for tuba, contra bassoon and double bass which, due to their huge amounts of bass frequencies and sheer volume, have made audience members to fell physically ill, and in some extreme cases, driven them to momentary loss of reason. You are now working on a score that will 'Influence an audience to actually think in a fashion that is outside the accepted moralities'."