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At the East end of the long boulevard of Shijô-dôri in Kyôto, stands the unmissable, majestic gate of Yasaka-jinja. Founded nearly 1400 years ago and mainly dedicated to Susanoo no Mikoto, younger brother of the Sun goddess Amaterasu in Shinto mythology, it is the main focus of Kyôto's biggest summer festival, which we'll talk about at length in the coming weeks.
Yasaka-jinja appears to be the first shrine I ever visited, 10 years ago almost to the day. For a starting point, it was rather impressive! Beyond the main gate, it was the maidono, or kagura dance stage, which stood out to me, anchored in the centre of a square, decorated with lanterns.
One finds a multitude of smaller shrines on the grounds, away from the main halls, along charming alleys. It seems so obvious now, expected almost, but there's a bit of emotion to reflect on the fact that this was once new, a basic notion but one that I was discovering.
Heading back West along Shijô-dôri to the hotel, I pass a statue - Izumo no Okuni, the lady credited with inventing kabuki theatre. At the time, I would have had no idea who this was. In fact, I've only just looked it up for this post. I didn't know much about Japan before my first trip. It was a work opportunity, a brief research collab - but it started something else. It started in Kyôto, maybe it started at Yasaka-jinja.