âOf course I love you as my father too. We can fuck our way through Dagor-Dagorath and I probably still will. Itâs in my nature, yours, ours. We construct elaborate philosophies to justify our continued proximity to what should repel us. Because with migratory trajectories like ours, Atto, we know that exile from the place that houses and curates your pain may well mean exile from the only place that understands it,â Elrond shrugs, topping up Maedhrosâ glass for him. âWhat begins as temporary coexistence turns into structure, and structure eventually gets mistaken for inevitability. Love grew, we say, as little might be thought. It is much the same now. We tell ourselves we've transcended, that our presence here, now, together and redeemed, represents evolution rather than just a lack of alternatives. Aman offers me no exit from Middle-Earth, only a deeper room in the same house. With only squatterâs rights to boot.â
With his face drained except for two spots of color and his mouth a sneering, brutal curve, Elrond seems feral and hawk-eyed for a moment, poised for a perfect pounce. Under the bureaucratic civility he traded in to survive, he vibrates with suppressed violence, barely-contained disgust and unashamed lust. It unsettles and excites Maedhros at once.
There you are, he thinks. There you are, my son of slaughter.
Trying out yet another illustration style (Disney heroes vs my Disney villains?) and new set of character designs for my very weird 4th Age Elrond-in-Aman WIP, polished skulls round which the roses twine, in which Elrond tries to fuck his way out of immortality, a task Maedhros is all too happy to help out with. Speedpaint below the cut because this cartoony style has given me so much grief that I must share the pain. Happy holidays!














