La Région Decentrale A projector quartet for Michael Snow's 1971 La Région Centrale. Prepared Projection by Sandra Gibson + Luis Recoder November 8th, 2016 Canyon Cinema Salon Series

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La Région Decentrale A projector quartet for Michael Snow's 1971 La Région Centrale. Prepared Projection by Sandra Gibson + Luis Recoder November 8th, 2016 Canyon Cinema Salon Series

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ONE NIGHT ONLY! Luis Recoder’s Linea (2002) will be presented in its installation version this Saturday. The looped, two-projector film installation creates an immersive experience of light and abstraction that builds upon the traditions of expanded cinema.
Luis Recoder (b. 1971), Linea, 2002. 16mm film double projection, black-and-white, silent, 18 min. Whitney Museum of American Art, New York; purchase, with funds from the Film and Video Committee 2005.23. Installation view: Devin Borden Hiram Butler Gallery, Houston, 2003 © Luis Recoder; courtesy Devin Borden Hiram Butler Gallery, Houston
"Tuesday, November 10, 2009 at 7:30pm Not a Futurist Film but a Film Without a Future"
By Sandra Gibson and Luis Recoder with Ben Owen, Performa 09 at Light Industry. http://lightindustry.org/gibsonrecoder
For their first public art commission, Brooklyn-based artists Sandra Gibson and Luis Recoder conceived Topsy-Turvy, a cylindrical camera obscura in Madison Square Park that projects on its interior walls an upside-down image of the Flatiron district. Genevieve Yue spoke with the artists in Chicago, where they had just performed an untitled projection piece with sound artist and composer Olivia Block at the Chicago Underground Film Festival.

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Topsy-Turvy: A Camera Obscura Installation
Walking by Madison Square Park the other day, I noticed a few people standing in line outside a large cylindrical structure. I made my way over and discovered it was a public art installation by Sandra Gibson and Luis Recoder. Visitors, usually 3 or 4 at a time, are invited to enter the structure, the door is closed and you wait for your eyes to adjust to the darkness. Within a few minutes, without the aid of a lens or mechanical projections, moving images of the outside world begin to appear upside down on the walls. If you can, I suggest you make your way over to the park while the installation is on view.
From the Park's Press Release: "Madison Square Park Conservancy’s Mad. Sq. Art announces a new installation to inaugurate the spring 2013 season: Topsy-Turvy: A Camera Obscura Installation (2013) by New York-based artists Sandra Gibson and Luis Recoder. On view from March 1 – April 5, 2013, Topsy-Turvy will reimagine one of the world’s oldest moving image devices into a life-sized 10-foot by 10-foot structure. Park visitors will be able to enter the interactive, large-scale installation, which will utilize the physical properties of light to capture images of the surrounding Flatiron District in real time. This centuries-old artistic medium will alter how visitors experience the park and engage with the various elements of New York City’s urban landscape through a new and exciting lens."
Topsy-Turvy view of the Flatiron Building and those passing by.