Sd Laika's Unknown Vectors

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Sd Laika's Unknown Vectors

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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LING — 44 Blue (Codes 03) by ⋅PAN⋅ http://ift.tt/1Sdpd7i
(Lost Codes)
"Kamixlo — Paleta (Codes 02)" by ⋅PAN⋅
⋅PAN⋅ - Kamixlo — Paleta (Codes 02)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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It’s Saga’s approach that makes his output so definitively grime, an approach defined by singular vision, antisocial personality traits and a rugged approach to sonics. There’s enough detriment left on a Saga track to round up and make a whole new track, maybe a result of listening to low bit rate versions of grime classics, but can also be attributed to a childhood full of death metal. In essence, its a trait and an approach that can’t necessarily be learnt. Rabit, one of the prime outside-of-London proponents of the genre grew up inundated in Texas screw rap, for example. It’s the quality that attracted Visionist and J-Cush who run Lost Codes and Lit City respectively, an inherent grimey-ness that pervades tracks like “Crescent” and “Grains”. It’s also what makes Saga’s Astral Plane mix one of our most thrilling yet, a down and dirty tail of detuned square waves floating through the void and all out sonic warfare. J-Cush called Saga’s work “modern grime”, which it certainly is, but its modernity doesn’t subvert its essential elements. And his 34 minute contribution is as essential as they come, a loose collection of industrial blasts on one hand and an intricately constructed modern grime centrifuge on the other. Essential listening either way whether you’re invested in grime’s living history or not.
Bloom - Cold Grip