Showing Restraint
MP's Tom Litterkit reports on the art show "Mapquest," which opened at Graeter Art Gallery in Portland, OR, on 2 February. Reviews constrained by aleatoricism.
Portland's Graeter Art Gallery promised artists "watching you like a speakeasy mirror at midnight." They did not disappoint. Jeff Betz breathes a rich amalgam of media into his figures, and the viewer is well rewarded by traversing the 360 degrees required to fully appreciate the skewed (and sometimes papal) dignity these characters emanate. His âBrotherhoodâ piece is a totem of leering faces, each distinct expression molded with a creatorâs attention to detail. âThe Prosecutorâ is all maw- itâs face a grotesque toothy yawn- while the âBaron,â this reviewerâs favorite, stands with the sleepy dignity of a Hussarâs ghost. With the poise of bantams standing in cockfighting wait, these pieces gave the impression of being on the verge of action.
Candid and humbly evoked characters stare from Roscoe Hall IIâs gallery of drawings and paintings. Hardly easing viewers through the backstairs passage, Hall instead brings them eye-to-eye with a young Ali, a hoodied youth (who reminds Hall of a monk), and several men straight from an urban landscape. In an especially fraught âGreed,â two giant figuresâ visages are a tangle of thick, black lines, while the scuffle of persons and blackbirds in âKuntry Tuffâ are rendered from a more vivid (but no less compelling) palette. An interesting bit of personal trivia: fans of Alabamaâs famous âDreamland Bar-B-Queâ may be interested to know that Hall is the grandson of founder âBig Daddyâ John Bishop!
Skull headed and dressed down in briefs, Joseph McVettyâs cultish crew is at times both striking ridiculous poses (âInitiation Into Nothingnessâ) and buoying figures on light beams shot from eye sockets (âApproach to the Sunâ). His agility with gouache adds a lushness to the simplicity of the pieces, and each is as peculiar as it is fun to contemplate. Something about these charactersâ duality- half-naked vulnerability and finely-etched musculature- would make their presence comforting if a crisis were imminent.
This installation of Azad Sadjadiâs work takes two Luchadors from the ring and imagines them in the banality of everyday life- eating fast food, plunging toilets, drinking 40âs, brushing teeth- however, his technique is anything but and this odd coupleâs boldly colorful humanity has one thinking they could very well live next door. Sadjadi also debuted three new works (so new that the paint was still drying) that portend intriguing pieces to come. âTune in & Tune Outâ has figures with eddying skin tone paying homage to television; â3 Women in Veilsâ emanates with daubs of color on a glucocorticoid; and âConflict Resolutionâ pits two faces (all stitches and teeth) against a backdrop of tidy color bars. This juxtaposition of the realistic and the bizarre remind that Sadjadiâs skills are as eclectic as his muses.









