Okay but Iâm absolutely living for âeliot teaching parker and Hardison fightingâ like
â
âDonât throw a punch like that, youâll break your thumb. Hold your hand like this.â
Eliot adjusts Parkerâs fingers, patting her hand when heâs done. âAnd donât lock your wrist.â
She nodded and threw another punch. Hardison ducked, slightly panicked. âThe punching bag! Hit the punching bag, babe!â
âOh, come on. Youâre fine,â Parker shrugged.
âThat was a good shot,â Eliot praised; Hardison shot him a look. âBut next time, go for the punch bag.â
âYou guys are no fun.â
âHardison, your turn.â He took Parkerâs place, standing in a fighters position. âNo- okay. Fix your foot and your hand. Stand like this.â
Hardison mirrored his position and Eliot stepped closer to adjust his hand and arm placement. He looked at Hardison with a soft look in his eyes that made him blush. Parker smiled and watched them exchange glances.
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A/N: I had,,, a MOMENT of inspiration and this is super short
The room was quiet, save for Parkerâs tools. She was sitting on the couch, opening locks, closing them, and opening them again. Everytime she closed it, the passcode changed (courtesy of Hardison). The boys didnât mind; Hardison was on his computer, leaning against her legs, which were pulled up toward her chest. Eliot sat on the other end of the couch reading, his free hand resting gently on Hardisonâs legs in his lap. It wasnât long after they started dating that Parker and Eliot learned that Hardison loved to sprawl on the couch, not that they minded. This was their usual arrangement, or it was Parker sleeping across their laps or Eliotâs head in one of their laps while they played with his hair.
Parker paused, looking like sheâd just had a revelation. Neither of them noticed and she smiled to herself, continuing to unlock the lock.
âHey, loves?â She said innocently.
âWhatâs up, babe?â Hardison asked, glancing at her over his shoulder. Eliot looked at her with an eyebrow raised. She grinned.
âI know that look,â Eliot said cautiously. âHow dangerous and is it going to put us in prison?â
She furrowed her brows. âNot if we do it right.â
Hardison turned to look at her, âWhat do you mean âif we do it rightâ?â She leaned forward and whispered something into his ear. He laughed and shook his head. âHe will kill us before we get that far.â
âOh, come on, please,â she begged. âCan we just ask him?â
Eliot looked between the two, feeling excluded. âWhat are you asking who?â
She smiled sweetly at him. âEliot, love, one of my favorite people.â
He narrowed his eyes suspiciously. âYeah, Parker?â
âCan we curl your hair?â
He shook his head immediately, lifting his book again. âNope.â
Parker frowned. She stood, moved around the couch and wrapped her arms around his neck. She placed a soft kiss on his shoulder.
âPlease,â she asked, kissing his cheek. âItâll be so cute, baby, please.â
He looked over at Hardison who shrugged helplessly. With a sigh, he leaned his head against her arm. âFine,â he mumbled.
âYay!â Parker giggled, taking his hand.
--
âHardison, if you take a single picture, I will break every computer you have,â he threatened. He was sitting on a chair in the bathroom while Parker worked; she was almost done. He could see Hardison in the mirror and he glared at him through it. Hardison smiled.
âYou look good,â he said, failing to hide a laugh.
Parker leaned down to kiss his temple. âItâs adorable.â
You had to know this was coming! :D Parker/Hardison 24) literally bumping into each other au. (Or Jily if you're really not feeling Pardison)
Worked at it, worked for it, still not sure it works, but here ya go!
In the Gray Light
They onlysent two guards and they both look a little stupid. Insulting.
She already has a decent lead onthem, so sheâs considering scaling a building along the way just to make thingsmore interesting, but as sheâs looking around for the tallest choice, she runsright into a guy whoâs coming toward the office sheâs just come out of.
âHey!â The guy- tall guy, longlimbs, not very aerodynamic- clutches at a computer bag with both arms beforelooking down at her. Then, âHey⊠Hey there. Hi.â
âHi,â she says back, probably. Sheâsa little distracted because they actually sent six guys after her and the newforce looks like they might have some brains between them. She looks back atthe tall man, speaking quickly. âListen, Iâm in the middle of committing a crimeand youâre blocking the way, so either youâre going to have to come with me or Iâmgoing to have to,â she makes a brief, violent gesture with her hands on herneck, accompanied by one of her favorite, most expressive sounds, âyou.â
His eyes widen. âNo problem here.None of that, now. Why donât you just lead the way?â
She grabs his hand and he holdstight, pressing his bag against his side. âKeep up,â she tells him, and startsdodging cars.
She takes him to her tertiaryhiding place in the city, which is in the basement of a nursing home. (Anelderly man saw her once as she was getting down the elevator shaft and thedoors closed a little late, but the nurse told him that it was just his medicationso it worked out fine.)
(She doesnât take the elevatorshaft this time, but only because the guy crosses his arms and says no underhis breath continuously for six and a half minutes.)
The first thing she does is send amessage to her client that the item she requested is there. Parker doesnât reallyunderstand the appeal of art, but the client seems to like it enough to payhighly for it, and Parker really understands the appeal of money. Thenshe sends the location to her getaway driver. Usually she works alone, but thecar thing is convenient, and this was just supposed to be a daytrip, an odd job on her day off.
When she turns around, the guy isturning in a circle, looking around the cavernous cement basement. He wrinkleshis nose. âCan still smell the old folks down here.â
She nods in agreement; itâs one ofthe reasons she has two places sheâd rather go. He sits down in one of the oldoffice chairs they store down here. âSo, uh, whatâs your name?â
âWhy?â She eyes him piercingly. Itoccurs to her for the first time that he might have been a plant, meant to leadthe security team here. From what she overheard while in the ductwork, the headof security is actually pretty smart.
âSo I know what to call you?â
âWhy?â
âGotta know what to yell if a birdcomes in here and goes to fly at you.â
She blinks. âBirds canât get downhere. I could barely get you down here and youâre probably smarter.â
In her experience, itâs the kind ofremark that makes people glare or look at her strangely, but he just grins. âThanks.Thanks for that. I think I probably am too.â He sits back in the chair,squiggling it a little from side to side. âIâm Hardison. Or Alec. But,â heclears his throat and his voice drops as he says, âmost people call meHardison.â She isnât sure why his voice changed. Maybe he has a cold.
She looks around for a minutebefore offering quickly, âParker.â She peers at him, trying to see if the nameis familiar, but it doesnât seem to be.
âParker. Cool.â He watches her asshe hoists herself onto the ledge of the basement window. âSo, why the wholecrime business?â His fingers jolt in a little flashing motion to underline thewords. She kind of likes it.
âWell, Iâm the best at it.â
âThe best.â
She nods. âIn the world.â Shethinks about stopping there, but heâs been really cooperative so far, and sincethis is the first time sheâs ever done something like this, thatâs been nice,so she adds, âFor a while it was probably Archie, the guy who taught me when I wasa kid, and he does have some nifty canes, but he canât do a backflip. Canât do abackbend. Canât do a back walkover.â She holds up a finger as punctuation,giving him a significant look. âNot even one.â
âHey, man, respect the skills ofothers. Maybe I canât do any of that either, but I laugh in the face of theblue screen of death.â He is still holding his computer case securely in hislap. âI was actually going to do that whole dark side bit. Had a hacker nameand everything. But then my nana found out and she said she wanted my collegediploma hanging in her living room and that she didnât let thieves have Sundaydinner at her place, and since Iâm all about the pot roast, now I do the whitehat kind- you know, testing to make sure Iâm the only one who can get into mysystems.â
Thereâs an almost-smile on his facethat Parker recognizes from trying to play normal, but she doesnât have time toask about it because her phone buzzes and she opens to window behind her,signaling Hardison to follow.
Ten minutes later, after theyâvegotten him out through the tiny casement using a combination of threats (hers),wriggling, and muffled moans (his), they head toward the alley where sheâsmeeting her getaway driver. The car is waiting, but even the engine soundscrabby, and as soon as she opens the door, the driver growls out, âYou got me atail, Parker,â and the sirens in the distance take on more significance.
She has the driving skills, and sheâsseen him fight his way past worse than the Witchita PD, but itâs still not a greatsituation.
âIâll throw them off,â saysHardison from behind her.
âWhat?â
âYou get out of here. Iâll stay.âHe throws her a smile. âTall, dark, and distraction.â
âWhy?â
âWhatever it is you stole, you hurtanyone in there?â
She doesnât even answer; her face tellshim clearly enough how very amateur that would be. He nods and shrugs. âCouldhave hurt me and you didnât. Or maybe that Stockholmâs kicking in.â
Parker looks at him for another tenseconds, and is already moving toward the car as the driver says, âLetâs go,Parker.â
He guns it before sheâs sitting,which makes her smile. She sticks her head out the window, hollering âThanks,Hardison!â over the engine as they speed away. She can barely see him in thealley.
Alec looks for her for the next sixmonths. He thinks heâs caught a glimpse of her once, at the edge of some 3 AMsecurity camera footage from a gallery in Brussels, but even when he slows itdown frame by frame, he canât be sure whether itâs wishful thinking or actuallythe woman who gave him the weirdest, wildest day of his life.
Two hours before he has to be upfor work on a Wednesday, thereâs a knock on his door.
âI heard you were looking for me,âParker says, a set of lockpicks unused in her hand. He smiles at thatpoliteness. âSo I was just thinkingâŠhow strict is your nana about her Sundaydinner rule?â
Hardisonâs smile grows bigger as heholds open the door. âI think we can get around it,â he says. âIâm herfavorite.â