#latin!reader

Then 

There’s an odd sense of calm once one officially accepts that they’re alone in the world. It’s easier in a way to accept that no one will ever truly look out for her, than it is to have to face the earth-shattering disappointment that is having believed for a moment that someone would. 

These are the thoughts going through her head as Jimi slowly folded her daily copy of the Excelsior. 

Most women would be violently mad after having read what she just did, but it was almost a relief to finally have an answer to why he has really been so absent in her life these last few months. It’s not like it should be surprising to her really, this town having shown her for years what it thinks about women like her: Seductive, temptress, exotic, temperamental, alluring… disposable.

It’s a story told time and time again in Los Angeles. Orson Welles and Dolores Huerta, Gary Cooper and Lupe Velez, and now Elvis Presely and Jimena Perez can be added to those ranks of doomed romances. 

I’d rather kiss three black women than a single Mexican woman, those are the words that ring within Jimenas head as she sits at her little breakfast table, though for what it’s worth it is nothing less than a deliberate action. As masochistic as it sounds she truly believes it’s for the better should she ever get to thinking this situation is in any way fixable. 

But even still as she stares unblinkingly at the plain wall of her just recently occupied home, she is a little confused as to why her vision gets cloudy. It takes her a moment to comprehend that she’s crying, something that she so rarely does these days anymore. 

And to think this is all over some musician.

She’ll never forget the first time she met him in person, all the standard camera and makeup testing that comes from early production. She’s far from the most experienced makeup assistant at Paramount, but in their words she’s the only makeup girl they trust to “behave” around him. Having grown up in the business, Jimena’s all but lost her ability to be starstruck by anybody really, so they’re not too far off in this notion. 

As they were explaining the whole purpose of this to the relatively green actor, she looked at him with a critical eye, examining his features, comparing it to other actors she had already worked on in the past, and trying to recall how best to highlight them on screen. 

He catches her looking at him and he shoots her a wicked smile, but where other girls would’ve gotten embarrassed at being caught staring she only redoubles her efforts now that she’s got a better look at his face, arguably staring even harder at him. In a funny turn of events he’s the one that looks away bashfully as though she were the one that caught him looking. 

While her official production title is as the resident makeup artist, she’s personally worked almost every job there is to have on a set save for actually sitting in the big chair and directing. Lights, costuming, talent wrangling, she’s seen and done just about all of it. She had been working behind the scenes since she was 14, where with a little bit of makeup trickery, she was not only able to convince everybody that she was an adult, but that she was the new hire. This would eventually give way to getting actually hired, as they simply trusted the fact given she was already on the lot. 

And somewhere between watching Dorothy Gale throw up in her own purse and seeing Rhett Butler remove his own teeth, did the whole concept of Hollywood movie magic well and truly die in her mind. 

Drugs, drinks, boys, girls, and every other vice to be had, Jimena’s seen even the most clean cut of stars fall into at least one category or another. So when she got the news she was gonna be on a project with him of all people, she had thought she had well and truly prepared for anything this man could throw her way. 

But when she actually gets a good up-close look at him, she starts to get that sinking feeling in her stomach. Not for anything he did or how he looked, but the way he acted. She heard his stuttering words and felt his soft cheeks in her hands, and there was only one thought in her head throughout the whole process. 

Pobrecito they’re gonna eat you alive.

All her years in this business, she’s got a pretty good grasp when people are being genuine or not. And he’s perhaps the most genuine person she had ever encountered. Wide-eyed bumpkin from down south was hardly new, but there was just something about Elvis Presley that made it a tinge more tragic than it would be normally. 

She barely spoke that first meeting, the higher ups weren’t that interested in her words these days, nor did he really try to initiate anymore conversation with the way his mouth was gaping at her. Hardly a new experience, but admittedly a little less unwelcome coming from him. 

So it took her by surprise the first day of shooting when he said “I didn’t get the pleasure of catchin’ your name last time,” he said with a grin as she set down her make-up kit. 

She’s quick to recover with a “Because I didn’t give it.” 

He gives a short huff at that before insisting once again since after all, she’s gonna be around him for the next ten or so weeks. 

“You can call me Jimi,” she says, barely sparing him a glance in favor of looking over the notes of what today’s scene will call for. 

“That really your name sweetheart?” which is not unfair to ask. It wasn’t her first choice, but it is the one that distanced her the most from her old stage name. 

“White people can’t pronounce it,” she justified as she tied her hair up with her favorite red bandana. “So I don’t bother with it here.” It’s sort of the truth, and that’s usually enough to get even the more obnoxiously “nice” ones off her back. 

“Well I’m willing to give it a shot,” he says amiably, apparently up for the challenge that she presents. 

She takes his chin in her hands and with a soft smile on her lips, and while he’s blushing up a storm she looks down at him and says a simple “No.”

He’s taken aback both by her words and the sudden spray of water from the bottle in her hand. She could’ve given a cursory warning to him but she has to remind herself that this entire situation works best when actors are indifferent towards her. 

It’s for the best, she tells herself. The less you say about yourself, the better, she wants nothing more than to keep her Mena and Nena days far in the past. 

Though it soon became clear that it wasn’t meant to be. 

“Y’know…” he starts off as he’s looking at her in the mirror. “Ya kinda look like that one girl, uhh what’s her name.” He says snapping his fingers trying to force him to remember even though you know for a fact who he’s talking about. “Elena Somethin’.” 

“Elena Leon?” she sighs, knowing already where this is going.

“That’s the one,” he would say, snapping his fingers in recognition. “Though, ‘tween the two of ya’, I think you’re the prettier one.”

“Hmm…” she answers, pursing her lips and practically shutting down as he quickly changes the subject to how excited he is to be working on another movie set. She didn’t engage much after that outside of the occasional hum of acknowledgement, until he eventually gave-up and would forlornly read his script. 

That wouldn’t stop him the next day from telling her about how his dumbass cousin made him late this morning and all the antics they get up to back in Memphis.

Or the next when he asked if Pink’s was actually any good or if it’s all just hype.

So on and so forth for the next few days as he would try to get her to talk to him again. 

She had been determined to just treat him like any other actor she had worked with, and just do her job, but then she saw him getting really cozy with a certain girl on set. Now on-set flings are par for the course on any production, and literally anyone else she wouldn’t have batted an eye, but she knows for a fact that that one is known to be dangerous. Well she’s not so dangerous, but her husband is. 

“Stay away from her,” she would whisper to him one day as she applied some eyeshadow trying to imitate a black eye.

“So you do speak,” he says, cracking an eye open, a triumphant smile on his face as though he’s won some great victory over her. 

“Yes, so listen to me,” she counters, her eyes boring into his to show him how serious she is. 

“Why do you care so much darlin’?” he asks, quirking an eyebrow, a small smile on his lips, still apparently not taking her seriously.

“My job is to keep you pretty for the cameras,” she states, in as matter of fact as she can manage. “You’re going to make that a lot harder if you don’t listen to me, and her husband beats the shit out of you.” 

“She’s married?” he asked, astonished that he could miss such a thing. “M-my manager said she could get me some good roles, that her Daddy is some big-time producer” he argues back. 

“Yes,” Jimena clarifies. “Her husband, who she calls daddy, can get you one very high paying role, and that’s only if you let him watch. If your manager didn’t know this, he’s a dumbass.” 

“Let him watch what?” he asks, confused. Her pursed lips, refusal to meet his eyes, and following silence speaks volumes, as his own cobalt eyes go comically wide as to what she was implying. “Her husband?” he says, and she gives him a small affirmative nod. “And he watches?” A raise of her brows as her eyes slide away from him just reaffirms this unorthodox situation. “So… Wait a second… does he or does he not like it when she’s with other men?” 

“Both,” she states, adding the finishing touches to her work. “He likes to watch and after that he beats the shit out of the boy in question.” And even though she’s pretty secure in the fact that no one is listening in, she still gets close to him to whisper this last part into his ear. “It’s apparently the only way he can get it up anymore.”

The fact that she sees his ears go bright red from just that little tidbit of information just really goes to show how green he still is in regards to how things work in this town. 

“How d’ya know all this?” he asks, more than a little disturbed now.

Not to brag but she regards herself as a wealth of information on the comings and goings of the Hollywood elite. Close enough to the action to overhear everything but low enough in the pecking order that most assume she’s incapable of doing anything about it. 

But this is basic information that even the lowliest of extras were privy to, so you can’t fathom how a man with a near meteoric rise to stardom wouldn’t know this. 

“Are you kidding?” she would in turn ask him. “Everybody knows.”

“Wait if everybody knows then why doesn’t anyone put a stop to it?” he asks, trying to find logic in a city not exactly known for it. 

“Because the only thing more powerful than secrets in this town is money, and he’s got a lot to keep everyone quiet.” 

Besides it’s only a matter of time before something gives in that tragedy waiting to happen. From all the whisperings Jimena’s been hearing, the girl in question has been keeping some rendezvous’ secret from her husband and more or less bragging that there’s no prenup in place. While he in turn has turned his eyes to some pretty little barely legal extra, he’s also very Catholic, doesn’t believe in divorce, and has rumored connections to the mob. 

Not even a week later did she hear whisperings that the very same producer had quickly sold all his stock in Paramount and decided to retire to the French Riviera with his wife seemingly overnight though there are conflicting reports as to whether or not she was seen at the airport. Coincidentally no one has seen hide nor hair from the last lowly actor she was seen running around with. 

Usually she kept her mouth shut about the dirtier details of an incident of this magnitude, but she couldn't help herself when she let him know the full extent as to the bullet he had dodged. 

“That's why you don’t get involved with fixers wives,” she says simply as she grabs the spray bottle for his hair, a little more secure in the knowledge that he isn’t so green anymore.

“Fixers?” he asks, and she laughs initially thinking he’s pretending to not know as is the custom when somebody on the outside asks about them. But then she sees he’s not laughing along with her, and his confusion is genuine.

“You are not kidding are you?” she asks incredulously, truly hoping that this man is not so naive. 

“Can’t say that I am,” he replies.  

Now she has two options, mind her own business and let this boy sink or swim on his own, or enlighten him to the dark underbelly of what it takes to make it in this town. Jimena had spent the last few years keeping her ear to the ground and gathering as much information as she could to one day be able to leverage it to help one person specifically… but that person hasn’t wanted much to do with her lately. 

Still she finds herself leaning more into the staying in her lane option, that is until his wide ocean blue eyes turn towards her, and she feels like a monster for the thought. 

“Well everybody around here has a job, and it’s to make movies that make money. Your job is to make the studio look good on and off screen so people spend money to see these movies,” she says as she runs a comb through his hair. “And when you fuck that up, it’s the fixers job to cover it up.” 

“When?” he repeated, clearly a little offended. 

“Yes, when,” she clarified. “Get caught with a boy, get caught holding something you’re not supposed to, get a mistress pregnant, get a ‘social’ disease, or hell, even find yourself with a dead body on your hands, you just gotta call the right producer and they make it all disappear.” She knows she’s being pretty blunt with the subject but she has been in the business pretty much right out of the womb, so she’s seen some of the worst shit this town has to offer. 

Over the next few weeks she does her best to let him in on the need to know knowledge that is necessary to survive not just in Paramount, but in Hollywood as a whole. 

“If you work with John, he’ll call you a communist for stirring your coffee the wrong way so I would avoid him. Canter’s is actually the place you want to go to for great food, Pink’s is just okay. Gable’s breath smells like death, but he will bury you if you ever mention it. Umm…” she says trying to recall any other helpful advice, though stops when she sees his overwhelmed expression. “Am I going too fast?”

He quickly schools his expression, back into one a more affable look, “Nothin’ you gotta worry ‘bout darlin’”

She is not buying it though.

“What’s wrong?” she asked, unwilling to believe his dismissal. He clammed up even more and looked straight into the mirror until she sat herself right in front of him, crossed your arms, raised an eyebrow, and gave him a look telling him she wasn't about to drop this. 

It’s a bit of a standoff until he eventually lets out a long breath and looks out the window to the awaiting set outside of his trailer, “I don’t know Jimi…” he sighs. “Guess I’m just feelin’ some type a way doin’ all this.”

“Why?” she asks, not really thinking. 

“I don’t think I’m cut out for acting.”

She simply gives a sympathetic shrug of her shoulders, and simply states, “You could be better.” 

He blinks, apparently caught off guard by her bluntness. “You just get right to the point, don'tcha darlin’,” he says with a smile. 

“Hey if you want someone to kiss your ass, you would’ve been better off asking literally anyone else.”

He gives a snort but the tight smile tells her she’s hit the nail on the head. “Alright then sweetheart, what’dya think I’m doin’ wrong?” he asks genuinely. 

Part of her wants to give a very pithy “everything,” but the other part of her is a little thrown for the fact that he is not only listening but actively asking for her advice on the matter. Granted she’s far from an expert considering she hasn’t done it in years, but she’s worked with some of the “greats’ to be confident enough in her ability to know good acting from bad. Besides she’s already going out of her way to let him in on the secrets of this town, so what’s an acting lesson or two. 

“Well for one thing, it’s called acting,” she emphasizes, “Not Wording.” 

“I-I don’t follow.” 

“Look… anybody can simply say the lines, but it’s an actor that can bring a character to life. You gotta be able to get comfortable with the fact that you’re not only being heard, but you’re being seen.” 

“Sweetheart everybody sees me.” 

“Yeah and you’re in charge of how you want to be seen,” she says. “Do you know why I wear the same red bandana everyday?”

“I was thinkin’ cuz you were tryin’ ta hide a bald spot,” he answers, which earns him a swift punch to the nipple.

“I wear it because my options are to be known as the mexican girl or as the bandana girl,” 

“So right now they’re seeing you Elvis, not Deke,” she sighs. “Say what you want about Brando and his annoying refusal to learn his goddamn lines, but he makes you believe every word that comes out of his mouth, because he believes what he’s saying at that moment…Speaking of Brando,” she pivots hard before she gets too passionate about the topic of acting and gives herself away. “Never get into a pissing contest with him. That’s how Anthony Quinn lost out on being a leading man… and I do mean a pissing contest in the most literal sense.”

“I’ll take ya word for it Jimi, but you sure do know alot ‘bout bein’ an actor,” he says giving her a once over that she can’t quite read. “You eva try bein’ one before?”

“You could say that,” she remarks, silently praying he doesn’t ask why she does have these skills. He’d already noticed over the past few weeks how she would be roped into fixing problems that were well beyond the paygrade of the average make-up girl like jumpstarting golf cars or fixing light fixtures. His attention is a bit infuriating, considering she feels she does her best work unnoticed. “When you've been in the business as long as I have, you learn a thing or two.”

“So how long you been in the business?”

Without missing a beat. “50 years.”

He gives a double take at that, and she’s pretty sure he’s trying to discern whether she’s lying or not. She’s not helping whatsoever with her usual neutral demeanor, until for the first time in years she does crack a bit of a smile at him, as she snipes with a, “I’m a very good make-up girl.”

He laughs at that “So you’ll tell me you’re real age but not your real name darlin’?

“Never.”

He gives an amused snort at that but the nice moment is interrupted when one of the PA’s pulls her away so she can help restart Gleason’s heart after his partner apparently got a little too enthusiastic about choking him mid-orgasm. 

After that the relationship between the two seemed to ease up a bit. He no longer felt the need to posture in front of her and they developed something of a -dare she say it- friendship with one another. For her, it’s a pretty novel experience to actually be heard on set for once, and the closer they got she got the sense that he may understand that feeling more than he would like to let on. 

“Any news?” he would ask, knowing full well that she always has the best stories on set. She doesn’t really talk to any of the other actors on set, and they in turn don’t really notice her, so they are a lot freer with their words when they speak with one another in front of her. 

“So… you didn’t hear it from me,” you say as you begin to wet his hair. “But apparently a certain Superman is on his way out and was seen with a younger girl in New York, and Toni is not taking it well.”

“And Toni’s husband?” 

“Taking it worse,” she says simply as she readies the eyeliner. “This was always going to happen, but I don’t think it’s the end of it.” she promises, which would be proven right a few years down the line when George “mysteriously” ended up with a bullet in his head. 

“You’re the reason I don't even bother with them papers no more,” he remarks. 

“They’re not all trash,” you defend. “There’s almost always a little bit of truth in them.” 

“Speakin’ a rumors,” he continues. “I think I finally figured out why you look like Elena Leon so much?” he says, oh-so casually trying to maintain his innocence. 

She stops combing through his hair, knowing that the jig was up. 

“Who told you?” she asks, trying to mentally prepare herself for the same three things everyone said when they did find out. It’s always an awkward subject to bring up especially as it brings up some painful memories of long hours and relationships that have yet to recover. 

“Y’know me and my mama used to watch your movies,” he says with an annoyingly charming smile.

1, 

“I’m glad,” she says in the most neutral tone. 

“Lord I never could’ve expected to meet you here, workin’ behind the scenes. You ever think about actin’ again?” 

2. 

“Oh my sister is the actress now,” she said affably. Something well-rehearsed and practically scorched into her brain since Jimena started working on sets when she was fifteen was to always talk up Elena to anybody who would listen. 

“Well thas a cryin’ shame sweetheart,” he says with a rakish grin on his face. “You were always my favorite.”

That’s new, she thought. Usually they ask her to do the old catchphrase. That or men tend to get weird around the idea of women who look almost exactly the same. 

But the idea of being the favorite is… different. Like every other relationship, she has a complicated one with the idea of being seen. But the idea of Elvis being the one to look at her is somewhere between exciting and terrifying, and it has her heart beating just a little bit faster. 

“Why didn’tcha go back?” he continues. She kind of understands where his curiosity comes from, as someone who so desperately wanted to break into the Hollywood scene it would probably be hard to comprehend someone who knew it and rejected it. 

The Leon Twins were the biggest little things since Shirley Temple. With their indistinguishable looks and charming, if slightly demeaning, premise of one sister only able to speak Spanish with the other, only English, MGM was able to pump out over thirty various movies and shorts starring the adorable little Mena and Nena and their hijinx. 

How is she supposed to explain how her mother made the unilateral decision that her sister was the “good” one and thus the one she decided would have the solo career after Jimena had the gall to go into puberty first and become slightly more distinguishable than her younger sister. Or how she hasn't talked to her sister in months despite the fact they both still live with their mother, and neither of them have acknowledged this. Or how the reason she took this job in the first place was to better lookout for said sister who isn’t talking to her.

How she sees fame as a beast of madness and obsession that will consume her given half a chance as it did with her mother and now her sister. But movies are all she’s ever known and the idea of leaving seems scarier than it is to stay. 

How the thought of having so many eyes on her once again makes her practically want to claw her skin off and she’d rather die than ever willingly step back into that arena. 

She doesn't say any of that, instead she simply says, “Got tired of it,” as she puts the finishing touches on his hair. “I had my time in front of the camera,” and hated every second of it, she thought. “And I think I’m better suited behind it,” and you give a dramatic turn of his chair so that he could face the mirror. “As you can see.”

“Yeah,” he says, taking the hand you placed on his shoulder and looking back up at you. “I don’t know what’d I do without ya sweetheart.”

Seeing his cobalt blue eyes bore into her own, Jimena feels her face heat up, though mercifully it’s hidden under her darker complexion. If Elvis notices her change, he doesn't acknowledge it, and mercifully that is when one of the PA’s calls him to the sound stage. 

Once he’s out she sprays her own face with a bottle to get herself under control. 

In spite of her typically neutral regard for actors there’s just simply something about Elvis Presley that just made her want to throw that all away. 

She had sworn to herself to never get involved with actors, she had seen this song and dance play out many a times before. It comes in different flavors, but the final scene is always the same at the end of the day: the famous white man never chooses the latin girl to be his wife. Arm-candy? Definitely. Date? Yes. Long-time Girlfriend? Sure. Fiance with a wedding date never set? Maybe. Mistress? Obviously. But never the wife. 

Besides, it was the tail-end of shooting and it’s unlikely she was ever gonna work with him again so she decided to just stamp these feelings down and hope they went away. She was afterall an actress once, she can act like he doesn’t have an affect on her now. 

Though this was blown out of the water on the last day of shooting and he would not only pull her next to him for the cast wrap-up picture, but he would also slip an invitation to the wrap-party in her purse. She had gone home hoping to take a nap and forget about Elvis Presley, only for the next curveball of her day to occur. 

“Should we match for the party?” Elena would ask, holding up said invitation. 

“...did… did you look through my purse to find that?”

“We better start getting ready,” her sister would say, completely bypassing the question. “After all it’s not everyday that Hollywood gets a Leon Twins reunion.”

“...yeah, I-I don’t think going would be…” 

“Meeeennnnnaaaa…” she whines, completely abusing the fact that she is the only one allowed to use that name and not catch a fist to the face. “We need to go together, because why else would they just invite a makeup girl to a wrap party?”

Why else indeed? She thinks and she actively has to scrub the way he looked at her out of her mind lest she get any other ideas. 

“Besides,” she says, giving Jimena a light shove on the shoulder. “You still owe me for never introducing me to James Dean.”

“I barely knew him,” she argues back, which is the truth. He only vaguely knew her as “Snake girl” when she was working as a PA for one of his movies. The closest she ever got to him was after she managed to save him, Rock, and Liz from a snake that had trapped them in his trailer and their subsequent thank-you’s being signed photos of each of them that they had their assistants bring to her. There’s a certain irony in the fact that of the few movies to depict the plight of Mexican-Americans in the US, they had no problem giving her, one of the few Mexican crew members, the most dangerous task because everybody else was too valuable to lose.

Looking at her sister, her reflection in many ways, she feels her resolve begin to waiver a bit. Nena was her first job in a sense, as being the older sister it was Jimena’s responsibility to look out for her first and foremost. She took it so seriously that she’s still doing it to this day. 

They have always been so intrinsically entwined as an act. Their tiny hand prints immortalized in front of Grauman’s and the child-sized oscar with both of their names somewhere around here prove that much. But Elena now struggles to find that same level of fame as before, and secretly Jimena doubts that this will ever be possible. 

She couldn’t understand it but Jimena could see the reason as clear as day. 

There’s an unspoken rule about being a latin or black actress in Hollywood when you’re not the star of the show: Never outshine the white leading ladies, because it has to be believable that the white leading man chooses the leading lady. 

Joan Crawford was bad enough with actresses who had the gall to be simply younger than her, but she was especially vicious toward the ones who had skin tone darker than ivory. Jimena remembers one harrowing set where this one little Cuban extra had made the awful mistake of approaching Joan and saying how she wanted to be as big a star as her one day. 

They never did find her ear, and Jimena had made it a point to stop wearing hoop earrings on set altogether. The whole incident was swept under the rug after “someone” accused the poor girl of being a communist, and they did who knows what with her. But that just confirmed her and other girls like her are unlikely to be protected on set no matter how valuable you make yourself.  

Jimena told her sister this story, warning her to dull herself down a bit during auditions, if only to get her foot in the door and get more consistent work as secondary characters. And it was working for a time, but she wasn’t seeing the kind of work she wanted and she largely blamed Jimena for it because of her warnings to play it safe. 

In fact the source of their recent falling out was when Jimena had tried to convince her to try out cinema in Italy or Mexico or literally anywhere else in the world and use that as a branching off point to get an in in Hollywood. She flat out refused saying how she “doesn’t want to die in obscurity like you.” They didn’t talk for a solid month after that and since then it was only the barest of communication between them.  

“Imagine if I was seen with Elvis Presley,” she said now, with stars in her eyes. “The roles would come pouring in after that.”

For all that it left a sour taste in her mouth, Jimena could understand the logic of wanting to latch on to someone who's already getting up there in terms of fame. Fuck the studios themselves sometimes set up these types of arrangements, all for the sake of promoting up and comers. 

And the fact he invited her in the first place, probably means he had something else on his mind for the evening. Besides he’s apparently been a fan of theirs for a long time, it probably wouldn’t matter too much to him to which sister he was handed at the end of the day. 

So really everybody wins with this arrangement; Elena gets a bump to her star power, Elvis gets to fuck one of the Leon twins, Jimena gets to stay in her lane. And it’s with a heavy heart that she agrees to go. 

The evening was apparently so special that their mother decided to make one of her rare appearances before sunset. 

Once after finding out that not only was she one of the famous Leon Twins, but that her mother was THE Gloria Leon-Sanchez from the silent film days, he of course asked what it was like to grow up with a famous mother.

“You ever seen Sunset Boulevard?”

“Yeah?”

“You’ve met my mother.” 

Harsh as it may sound, that was the most generous interpretation of her mother that she could afford these days. What with her practically living in nightgowns and sheer robes, to her constant bemoaning of actresses that apparently stole her career trajectory the likes of which included practically everyone from Rita Hayworth to even her own daughters, the comparison wasn’t too far off.  

Though her mother had largely checked out once the twins had turned eighteen. Elena alone hadn’t been able to reach the same level of fame that the two of them once managed together as the “Firecracker twins.” 

It was a simple gimmick really but had just enough gas to make over 30 movies and short movies about. Adorable twin girls who get up to mischief due to their near indistinguishable looks, Mena the spanish-speaking, spitfire twin that always had a skip in her step to dance with her little, english-speaking, soft-spoken and shyer twin, Nena, who could occasionally be emboldened enough to sing. 

The two of them were a lightning rod for box office draw, having been likened to Shirley Temple levels of fame, but due to their background that hardly granted them Shirley Temple levels of treatment or pay for that matter. 

Her and her sister weren’t seen as people, they were moving props that could sing and dance, and on occasion say their famous “Ayy, No Bueno!” catchphrase. Props that didn’t need to rest, props that didn’t need to eat, props that the less scrupulous producers would occasionally try to lure into an empty room with them. 

Not to pat their mother too hard on the back, but she at the very least helped them avoid the most obvious pitfalls that come from childhood stardom, but made them arguably worse. Like refusing to let the doctor give them “vitamin shots” but would ask if they could just IV Line coffee to their veins. Or never letting either of them out of her sight on sets, but couldn’t really be bothered with them outside of it leaving them with nannies so she could go “audition” for them. Or how she never left either of them alone with any of the men, but did teach them how to mix drinks at the age of nine so they could charm them with their “maturity.” So on and so forth. All of these bad, but after encountering other mothers who wanted to make their kids stars regardless of the cost, it really put things into perspective as to the type of person she could’ve been. 

What happened to her as a kid may have been more palatable to Jimena, if it were a case of that being the only way to keep them afloat. But it wasn’t and the older she gets, the better she understands as to what was stolen from her in their childhood. Their “father” Victor, had the decency to slip into a coma after marrying the formerly famous silent film-actress, and 10 Months later out popped Jimena and her sister, so as to properly claim her cut of his fortune. 

No, it was never about the money for her mother. It was always the fame that she was seeking, even if she had to begrudgingly share it with her daughters. 

Back in those days the Coogan act was more of a suggestion in the studios, especially when they had her mothers implicit permission for whatever they wanted. The long hours, the uncomfortable costumes and the mean men were all things she had done your very best in the last few years to forget about. 

One thing she undoubtedly won’t forget was her mother’s favorite threat when she was a kid and acting up. “¿Quieres que consiga los fijadores?” Gloria would say with a sickly sweet smile on her face, knowing full well no one but her daughter understood her words. Where other Mexican kids were scared of El Cucuy, she was scared of Los Fijadores or the fixers who would take away bad little girls that didn’t listen to the directors, so that their mothers could go back to acting and not have to care for those ungrateful little girls. That would always shut her up for the day, and she would listen until the next time she got fed up and the cycle would repeat all over again. Little did she realize at the time that her mother didn’t have much in the way of influence in the business, not anymore at least, but she took full advantage over the influence she had over her daughters. 

Ironically enough it was rare that Jimena would ever get to that point, but because her sister was the “good one” she would never dare to kick up a fuss, so most of the time the older sister would do it for her. She took her role as a big sister very seriously back then and didn’t mind being the difficult one who held up production if it meant that her little sister got a break.

It was always the two of them against the world. It’s why she even stayed in the business. She couldn’t imagine where she’d be if it was just her alone, as for all the shit her mother put her through, she could at least take comfort knowing that she wasn’t alone. Even when they were angry at each other, even when they wouldn’t speak to each other for weeks, even when she felt like she just wanted to choke her, she could take comfort knowing that they would always be there for one another. 

For the occasion, her sister would choose a bold red dress that wouldn’t have looked out of place on Marilyn or Jayne. It felt a little too much for just a simple wrap party, but it was clear her intent was to draw as much attention as possible.

By the time Jimena made her way downstairs it was clear that it was already working, with the way their mother was cooing over her. 

“So you’re going with Elena to the party,” her mother would remark as Jimena stepped down the stairs.

“Actually she’s going with me.” 

“And you’re going to wear that?”

“Yes.”

“Are you sure?” she says in the way only a mother intent on cutting down her daughters self-esteem could.

Jimena would self-consciously look down at her own understated blue dress, “What’s wrong with it?” 

“It’s just…” she would say, fingering the fabric on her shoulder. “This is Elena’s big night, and we need to do everything in our power to help her stand out.” 

A distraction goes unsaid, something she used to be called for wearing any slightly flattering clothing onset. Even when she did start dressing down, she could hardly say it helped anything but this is an argument she’s heard a lot over the years, and she’s too tired to fight it tonight. “Of course mama,” Jimena would say dejectedly before going back to her room to change into something a little less flattering. A simple black dress, something that is both complementary to Elena’s red dress, but will also hopefully help her fade into the background so that all focus will be given to her sister. 

“Ayy thank you Mija,” she would say, planting a kiss on her eldest’s cheek before they left. “You’ve always been so good at looking out for your sister.”

Jimena had long since accepted that between the two of them, she would always be the second choice. It happened with their mother, it happened with the studios, it happened with every single boy she had been interested in, hell she had even chosen her sister before herself most times. Why would Elvis be different?

That night when he did end up picking her, Jimena could hardly be blamed for indulging in the sensation of the first time in her life someone had chosen her over her sister. 

It was the worst mistake of her life that she would struggle to forgive herself for. Elvis would distract her almost the entire night, and as a result an awful man had sunken his claws into Elena when she hadn’t been looking. Those last few months of her sister's life would be fraught with anger, drugs, and heartache from one Tim Parsons. 

He had been claiming to be related to one of the studio big-wigs and could get her some higher profile auditions. What scared Jimi is that she could not find a goddamn thing about him in all of her little networks. Anywhere else this would mean that he’s a perfectly normal person with nothing so scandalous as to be worth talking about. In this town it meant that someone was just very good at hiding whatever the hell is wrong with them.  

Yet all the evidence that he was bad news came in the form of all the drastic changes she was seeing in her sister. Since puberty, Elena had always been slimmer than her (their mother made sure of that) as a result, she wasn’t quite as gifted in the chest and hips as Jimena. But it was impossible not to notice the fact that she dropped a few dress sizes in a matter of weeks. When Elena begged her sister to take in a few dresses for her, Jimena could practically see her ribcage. Not to mention the fact that she was unusually full of energy even late into the night when she would pace around the house only to make a call to him and then after a quick handoff from his car she would be dead asleep, until he would let himself in and the cycle would begin all over again.  

Jimena knows what these all mean. She’s seen the signs in hundreds of actors before, and she’s never bothered to intervene before. Now it feels like a karmic punishment for her previous inaction, as she can only watch helplessly as her sister goes down the same road. 

It all came to a head the day she finally heard the first thing about this man, and it was truly terrifying: that not only was he not a doctor, but that that wasn’t even his name. He had been forced to change it once his claim to fame in this town became how he was denied an apprenticeship under Dr. Feelgood because his concoctions were in the doctors words “unhinged.” The man who regularly shoots up his patients that have a blend of human placenta and ground up horse bones called another man’s “vitamin” mixture insane. 

She dropped everything the moment she heard that and begged Elena to stop seeing this man. But it was in one ear out the other, and it seems it was hard for her to believe Jimena when for a time she was actually getting her foot in the door for major roles she actually wanted all because of him. However these also came with a price as evidenced by the late nights and vacant looks in Elena’s eyes after coming back from these auditions. The more she did this the more she felt her sister slipping away.

Her mother is no help whatsoever seeing only the results of this shift, and not the consequences. 

“Mija,” she would say to her in one of her rare moments of lucidness. “This is what it really takes. I tried to protect you both from it when you were younger, but she understands now what has to be done to make it in this town.”

Jimena has to bite her tongue, when all she wants to do is scream at her mother and yell at her to look in a mirror and ask if that was the image of someone who made it.

It all came to a head when Elena would beg Jimena to help her “entertain” a casting producer who not only had a thing for latinas, but twins as well. She was practically on her knees pleading for her sister's help with this, promising her twin that this would be the break in her career that she needed. Jimena tried to reason with her that there is no role worth what they’re asking for her, especially since even sleeping with them wasn’t a guarantee for her roles.

Up until this point she’s tried to be gentle about this, but it becomes clear as day that that is no help.

“You watch!” She yelled. “He’s gonna suck you dry and spit you back out when there’s nothing left!”

“At least he’s getting me work! You’ve always done nothing but drag me down!” she sobs, angry tears streaming down her face. “The one time I ask you to do something for me-”

“The one time? Who’s the one that did all the stunts you were too afraid of? Who’s the one who dropped out of school so you wouldn’t be alone on sets? Who’s been talking you up to every producer she’s ever worked with?”

“The same bitch who ruined my life when she fucked Elvis Presley!” Her little sister would snapback. 

That has Jimena clamp her mouth shut, not wanting to own up to what she did that set her sister on this course. But that’s all the confirmation Elena needed before she turned her back on her. 

It was the ugliest fight they had ever had, and it resolved nothing, as they just stormed into their respective rooms. Those days were less Little Women and more Whatever Happened to Baby Jane? Jimi knew that if one didn’t get out soon there would be blood. So when she was offered a project that would be shooting mostly on location in New Orleans she practically jumped at the opportunity, hardly even registering the fact that Elvis was gonna be there as well.

It was only landing in Louisiana and seeing room assignments did she remember why exactly she hated On-location shoots, when “mysteriously” the other seven white women she was sharing a room with all unanimously decided that of all of them, Jimena would be the one that had to take the floor. 

But remembering who exactly was starring in this production, she decided to take a chance and made her way to his room. Though upon arriving at his door, she does hesitate for a moment remembering what her sister said and probably what he will expect if they do share a room. But then just thinking of her sister infuriates her and she finds herself finally knocking on his door. 

Being in New Orleans, all her problems back home would seem so far away, and she could focus on herself for a change. In an odd way it felt like he was the only one who understood her in those days. Of all the people on set, he is the only one who knows how to put on a brave face when it feels like everything you have is slipping through your fingers. 

Him also knowing who exactly she was came with the unexpected consequence of him constantly trying to finagle stories out of her. Really talking to him about her childhood did help put into perspective how wild her formative years were as not everybody can say they got in a fist fight with Wendy Darling or that Shirley Temple taught them how to roll a cigarette. 

He seemed to just understand what she needed in a way no one has ever. It was usually simple arguably unremarkable things really, like anticipating when she was hungry or tired, even before she would admit it to herself, or when she almost lost a finger or when he stepped so this would be the first time she wouldn’t be the one to have to chase rabid animals out after a small alligator somehow got onto the set. He took care of her in a way that nobody had ever done before. 

She wouldn’t define what they had as a full scale relationship, but whatever they had, it was nice just to have something private and out of the public eye. Only later would she realize he had his own reasons to keep everything as discreet as possible. 

They were together almost every night in New Orleans, as it was easy to fall into each other like that. They were both at an uncomfortable crossroad in their life and it felt like he understood her in a way nobody else had. 

She thought she understood him as well, but it was only when she read the article did she realize she never knew him at all. 

They were a week away from wrapping up production, when Jimena got the devastating news. In a newspaper somebody else had been reading on set that day of all things. 

That was the way she learned that her sister was dead. 

She remembers saying to no one in particular that she was gonna call it a day and simply wandered off set, into the unfamiliar city. She walked for hours just trying to wrap her head around the news.

It felt like the worst sort of betrayal to learn that her sister had been dead for days, and not only had no one contacted her, but that she didn’t automatically feel it. Aren’t other twins supposed to just know when the other is hurt? So why didn’t she? Elena came into this world with Jimena, why did she leave without her? 

As a kid her mother told her that she was not a pretty crier, so she’s done everything in her power to never cry, especially in front of other people. So walking around and being surrounded by strangers at the very least did prevent her from devolving into a blubbering mess. But as the day goes on she knows there is no outrunning the inevitable, and that as tempting as it may be to simply walk until she couldn't anymore, she would have to go home soon. 

She would eventually make her way back to the hotel room only to be met with Elvis worriedly pacing around his room. He would throw his arms around her the moment he saw her and start with the condolences, and even the tears. 

She didn’t really want any of that; she just wanted to lie down and sleep forever. But she lets him pull her close and she breaks for the first time in years in front of somebody else. True to her mothers words, it is not a pretty picture.

Full body wracking sobs, snot pouring out of her nose, her screaming and cursing until her voice goes hoarse, the works. Even still he holds her all the same. For all that she’s glad he was there she can’t help but feel so humiliated, but that’s simply one of the many emotions that run through her head along with guilt and anger and regret and just about every other awful feeling under the sun. 

But who else could she turn to that would know even a fraction of what she’s going through right now. Not just to lose a sister, but to lose a part of yourself. 

In a sick way she kind of blamed him. Maybe if she hadn’t been so wrapped up in him these last few weeks she would’ve known earlier, or maybe she wouldn’t have even taken this job, or hell, if she hadn’t even gone to that party, Elena wouldn’t have even met that man in the first place. 

“The same bitch who ruined my life when she fucked Elvis Presley!” Plays over and over again in her head. But it’s easier to be mad at him because he’s actually here to take that anger. 

Though she begins to feel no small amount of guilt for this when she wakes up the next morning to find that he’s cleared everything with the producers, and arranged for her trip back home all on his dime. 

He personally escorts her to the private train room he rented for her and leaves her with a kiss and a promise to see her in a few days. But by this point she’s numb to everything and she simply wants to close her eyes forever.

She barely registered coming home and only that was due to the fact that it’s now on her to arrange everything for the funeral, as it becomes apparent that her mother in her grief is off on another world.  The biggest clue being when her mother greets her at the front door with a hug and a kiss, and calls her Elena. 

“Mena’s still not back yet,” her mother would say with her arms still wrapped around her in the threshold of their home. “So it’s just gonna be us today.”

“Ama…” Jimena whispers, unwilling to believe what she’s hearing. 

“Let's get you to the kitchen,” she tugs at her now lone daughter's arm. “You look like a skeleton these days. They’re not going to hire you if you don’t have a little meat on your bones.” She’s quickly whisked away to the kitchen where she finds a veritable feast, and her mothers hired cook nowhere in sight. Her mother can’t cook, a fact known to both sisters, but between the two of them, Elena never had the heart to tell her. 

“You should listen to your sister more Nena,” she says brushing some hair out of her face after putting down a full plate of food in front of her. “I’ve put a lot of thought into this and I think she’s right on the money with the idea of trying to make it somewhere else and then coming back.” 

“Ama… please listen to me,” she pleads softly with the older woman, wanting to be gentle with her.

“You should really consider Italy,” she would say, not even acknowledging her daughter had said something. “Or France if you want to get a slightly better chance at 

It’s then she realizes that her mother is simply parroting back to her what she had been saying to her sister. All the rage and grief that’s been building up inside her bubbles over by that point. Now is when her mother decides to back her up, when it’s far too late to do anything about it?

“She’s gone!” she shouts. “She’s not here anymore, I’m Jimena!”

Her mother doesn’t look shocked, more resolved as she places her head in her hands. “Quiero estar con Elena,” she whispers through her tears. 

It occurred to Jimena that this was the first time she had heard her mother speak Spanish in years. Alot of her mother these days is very… performative. 

She’s seen it throughout the years how much her mother puts on a show, even simply for her daughters. It’s most apparent when she talks, as rather than using her natural voice, the one that made it impossible for her to break into the “talkies” as she still insists on calling them, she’s instead adopted the mid-atlantic, but the result sounds like if Katherine Hepburn was mocking someone with a Spanish accent. 

But hearing her now, Jimena realizes that this is the most honest her mother has been with her in years. The truth doesn’t make it sting any less. Her mother is gone, she just needs to resolve this one last piece of business to go in peace. 

Just like she played mother to her own sister for years, she could pretend to be the daughter that her mother needed at that moment. And so she unflinchingly took a bite out of ceviche that only tasted like raw non-marinated shrimp and talked about whether or not to go the Josephine Baker route and start off as a showgirl.

The rest of the day is spent trying to ease her mothers guilt, only to pile it onto Jimena. Her mother would not so subtly explain why Jimena has been right this whole time and why ELena should listen to her. She suspects this is some fucked up way for her mother to tell her it’s not her fault, but all Jimena can hear is how if she had pushed harder her sister would still be here.

At one point her mother would “subtly” hint that she called in a favor with an old friend to take “Tim” down to Mexico so that he can retire. Jimena can’t even find joy in the fact that he’s gone now, because what does that leave her with, if she can’t be the one to kill the man who killed a part of her? 

“One more thing Mija,” Gloria says as she runs her nails through Jimena’s hair while they were both laying down in her sister's bed. “Thank your sister for me.”

Jimena hesitates before she asks, that distinct sense of trouble churning her stomach, “For what?”

“For being the mother I could never be for you,” she says, planting a kiss on her forehead. “Mena’s the one I never had to worry about.” And with those final words, her mother settles in behind her and goes to sleep. 

The coroner would later say that the fact that she was able to sleep and not be disturbed by whatever took her, she at the very least went without pain. 

This is fundamentally untrue as she left all her pain to Jimena.

This event had taken the story from simply sad to a tragedy. A young, beautiful starlet dying of an accidental overdose, is one thing, but add in her bereaved former silent film star mother to the mix, and that’s front-page news worthy. And before Jimena knew it, her loss was now the hottest ticket in town, because all of the cameras were not gonna dare miss such an event, and no star was gonna dare miss the cameras. 

It felt that every relatively famous person who vaguely knew either her mother or sister came out of the woodwork to tell some sort of story about them at the funeral. Jimena doesn't really have much to say other than there were definitely some who pulled off the bereaved friend act better than others. 

When it finally comes time for her eulogy, she was not as prepared as she thought. In an odd way it would have been better to look out in a sea of strangers, because looking out and seeing a hoard of famous faces who don’t know a single goddamn thing about her, all blank as there is not a single camera trained on them at the moment is far worse than anything imaginable. 

She ends up bolting to a backroom before she could make a fool of herself and scream at them all for being here when they’re not. She gives a futile effort to calm herself down by looking at all the gifts from well-wishers.

It was almost funny as it seemed everyone's publicist went to the same gift basket guy as there were maybe a dozen of the same arrangements, and she briefly wondered if they were bought in bulk by the studio and sent in different stars names. But one name in particular gave her pause, and she ripped the card off of the basket, unwilling to believe her own eyes that he could be so callous. 

Sorry for your loss

It was hard to comprehend at that moment, and she stupidly turned the little card back and forth unwilling to believe that the man who claimed to care so much for her would only send her an assortment of fruits and cheeses and not even five words. 

It’s all too much at that point, her dress is too tight, she’s all alone, her head is spinning, she’s all alone, her tits hurt for some reason, she’s all alone, she wants to throw up, she’s all alone, she’s all alone, she’s all alone… 

Jimena’s next conscious thought is realizing she’s in a hospital bed, but not in a hospital. The sound stage she’s on does a good enough job of looking like an actual hospital, save for the fact that an entire wall is missing and what looks to be a couple dozen cameras trained on her prone form. She can’t move anything save for blinking but that simply seems to make her situation worse as the cameras proceed to multiply each and every time. 

What does eventually make her accept that this is in fact a dream is when her rotting and decaying mother and sister enter stage left and proceed to rip off the thin hospital blankets. Before she can make any move to protest, she’s quieted with a wave of pain in her lower belly as they both take one of her legs in hand and proceed to spread them wide open for the cameras, each flash searing into her skin like a brand.

She can feel the way her mother and sister dig their fingers into her limbs to keep her in place and helpless as wave after wave of agony seems to flow throughout her entire body. She’s begging for them to let her go, she’s begging the cameras to stop, most of all she’s begging for someone who's not there.

She came to, maybe a day later, this time in an actual hospital with a mild concussion, a baby in her belly, and a broken heart, though they can only officially diagnose the first two. 

She had options for this situation. Every woman, famous or not, in the business knew she had options, it was practically part of orientation that they got a list of ten approved doctors by the studio for this very sickness. It was almost treated as a rite of passage for the backstage girls to have to eventually visit a doctor, it’s simply that common.

Jimena’s never had any reason to utilize this option, having 1. Avoided anybody relatively important to necessitate this, and 2. She had always been careful when it came to something like this. And yet somehow Elvis proved to be an exception to these rules. She had admittedly gotten sloppy after the first time he spilled inside her in New Orleans, as after that first time she figured that if anything came from this she could always just visit one of the studio doctors when she got back to LA. 

But sitting in a hospital bed, that once hypothetical scenario now a reality, it no longer feels as simple as it once did. She’s near catatonic in her indecisiveness until one of the nurses idly asks if she would be open to visitors should anybody arrive. 

And just like that, the prospect of going through with any other option other than keeping the baby made her sick. Because if she did go through with it… then she would well and truly have no one.

It had always been her and Elena against their mother, against the studio, against the world even, but now… she’s gone and it feels like she took a part of Jimena with her. 

Jimena’s good at a lot of things, not great, simply good. Jack of all trades they would call her, able to make quick fixes to a golf cart in a pinch, mix the perfect hangover cure, fix a few busted stitches on a dress or person alike, and practically anything else the studio demanded of her. 

Maybe in another life her wide-ranging skill set would have made her the greatest actress of her generation, able to play whatever role thrown at her. But in this life it just made her feel hollow. As though she herself is empty and without a part to play save for caring for her sister. 

Perhaps it’s true and that’s why she latched onto Elvis for a time, desperately needing to care for someone if only to outrun those fears of inadequacy. But there’s no outrunning anything when half of her is gone. 

As for Elvis, she doesn’t exactly know what to do about him just yet. She knew that telling anyone but him first would result in it getting back to the studio and at best she would be “lightly” pressured to go see a doctor, at worst anybody who asks will be told she decided to “retire” in Mexico. So her best bet was to wait it out and hope he contacts her.

Then one fateful morning as she was contemplating how best to ask the studio for bereavement leave, did she get a copy of Excelsior and she read about an exclusive interview Federico de León got with the father of her child. 

I would rather kiss three black women than one Mexican. 

She thinks she stares at that sentence for a good ten minutes trying to convince herself that she’s somehow misinterpreting this. But the inner smartass has to creep in and force her to face her new reality.

Well… he did more than kiss, she thought spitefully looking down at her belly, now far more prominent than it had been at the funeral months ago. She burns with humiliation and shame as those words run over and over in her head. 

She knows personally that there is almost always a grain of truth to stories like these, having had the scoop on many of them months before they got to print. And the fact of the matter is that it’s hard to believe the studio would allow for these to stand if they weren’t true with the movie coming out soon. 

As far as she knows, the studio has no idea about the affair between her and Elvis, and she’s going to keep it that way. 

What burns her the most is how wrong she was about him, not just as a person but as an actor. That she could’ve ever believed all his sweet words about this grand connection they had and how they were destined to be together. He’s perhaps the best actor she’s ever encountered if he got her of all people to believe all of that shit.  

It’s better this way, she tries to tell herself. In a way it is, as this was always an inevitability because regardless of whether he said it or not, there is no world where they ended up together. That’s not how this town works.

Her job makes her the first one to see actors on a given day, and she’s been forced to think on her feet as to how best to make them not only look but be presentable in front of the camera. 

She’s had to quickly sober up hundreds of actors and she’s had to figure out just the right amount of drink for each of them that will make them functional but not incoherent. Had to cover up twice as many bruises on actresses' faces so no one will speculate what goes on behind closed doors of their producers husbands. She’s even been the one to diagnose more than a few “social” diseases on set and steer them to the right doctors, so as to prevent a veritable epidemic on set. As haughty as it may sound, productions would fall apart without her. 

Low-level she may be, she’s a fixer in this town. She’s not a problem that needs to be fixed. 

And she decides neither will her baby. 

She’s not gonna beg like a fucking dog to be acknowledged by him, nor will she allow for her child to be forced into the spotlight. It destroyed her sister, it ruined her mother, and it almost claimed her once more. 

Elvis may have taken her pride but he won’t have her and he sure as hell will never have her baby.

Now

Elvis will never be used to California weather with its ability to both be hot and dry in the tail end of winter. But he hopes it’ll do him some good of defrosting his bones from the near-year round cold of Germany. Once upon a time he never thought he would enjoy it as much as he does right now.

But he’s found a lot to love and miss about California since he’s been gone so long. 

Not to brag but he’s been with his fair share of women, between actual girlfriends, publicity girlfriends and all the girls he knew at best for only a few hours. None of them can claim to have instilled in him this sense of longing the way she did. 

Nor can any of them claim to have caused as much heartache as she did. 

Bittersweet as they may be, those days filming King Creole he missed the most. It was those days that kept him sane in the lead up to boot camp, and even then some. Though of all the things Hollywood had to offer him, there is only one thing he coveted these last few years.

“You see her over there Billy,” he said to his cousin one day on set as he took a breather from the lights while she fixed up Carolyn’s makeup. “That’s the girl that’s gonna be my wife.” No words have ever felt more right to him. 

It was all the more heartbreaking and humiliating when he had sent Billy to find her and figure out why none of the letters he’d been giving to the Colonel to give to her had been answered while he was in boot camp. Billy would return to Texas unable to meet his eyes as he sheepishly handed him a single note in her handwriting. 

Three black women huh?

That sinking feeling that settled in his stomach as he remembered those words are something he doesn’t think he’ll ever forget. He recognized those words, how could he not? Afterall those are supposedly the ones he said that got him and his movies banned from an entire goddamn country he ain’t ever been to. 

It would be one thing for her to be mad at him for something he did do, but it felt like the worst sort of injustice that Jimi may never want to see him again for words that he never said from a man he never met for some unforgivable slight he never committed. 

Worst of all was how he was surrounded by his entourage who gathered around and were now owlishly looking at him, expecting a certain reaction from him, and simply waiting for him so they could properly react. 

It’s near paralyzing in that moment that he recognizes that his closest friends aren’t expecting him to react, they’re expecting Elvis Presley to react. 

“Her loss,” he remembers saying, feeling every single eye on him in that moment, trying to literally shrug off that scratchy feeling in his throat. He’s supposed to be the biggest heartthrob of America, unfazed when a girl said no because there are no less than a hundred girls that would say yes. 

They all follow suit, and quickly take to promising him a night out and reassuring him that he’ll practically be drowning in pussy before midnight. Though with one look he does put an end to that little episode when their support for him turned into disparaging her. 

He knows that there is no use in even trying to reason with her over letters. Because what can he really say to her in writing if she’s not gonna even bother reading? 

If she already has it in his head that he’s the type of man to say something like that, then no amount of letters will make her believe otherwise. 

He would spend the next year trying unsuccessfully to fall out of love with her. Indulged -perhaps too much- in all that bachelorhood had to offer. All the girls he could pull, all the pills he could handle, but none of it could even match a fraction of the euphoric feeling of being complete when Jimena was around.

She loves him. Or at least she used to. She never said it but he certainly felt loved in a way he’s not used to anymore. It’s not the fanatical worship from his fans, nor the sycophantic adoration of his buddies. Her love is something purer, less selfish, something he doesn’t think he’s experienced outside of his mama since the fame started rolling in. 

He needs her in his life. Because nobody is going to look out for him or try to protect him the same way she would. 

He’s had nothing but time to figure out ways to get her to at the very least hear him out. From there he could start rebuilding the foundation of the relationship and work his way back to her good graces. 

His first obstacle to this plan comes in the form of finding out she is no longer doing makeup anymore, and is now in fact part of the wardrobe department. This is a wrench in his plans considering he attributes her fall for him due to the fact that she practically saw him everyday while shooting. But he tries to look at the bright side of this, knowing that it at least guarantees that Brando and Newman haven’t been getting the same treatment from her. 

The next obstacle to seeing her again is her initial refusal to be a part of the new production, as now with her new title as Costume designer she’s in a better position to pick and choose what she works on. But enough pressure on the director to push for her specifically does eventually have her signing on to the project. 

The final wrench in his plans came the day he had been anticipating for almost two years. 

He’s thought about her non-stop for the past two years, so he almost immediately notices the changes in her appearance. No less beautiful (arguably even more so with her bigger tits and rounder hips, and better fitting clothes), she’s different nonetheless, yet none of that prevents him from wanting to gather her in his arms and promise to never let go. 

But a single look from her his way, stops him in his tracks. And suddenly he’s brought back to the first time he ever met her, mistaking her for his would be co-star, and wondering how he’s gonna get through this shoot when he feels like he’s two inches tall under this gorgeous creature's gaze.

He was prepared for her hatred, he wasn’t prepared for her complete and utter indifference. She had that glazed over look in her eyes, like he wasn’t even there. It reminds him of one of the few times that he dared to question why she does that whenever he asked what it was like to grow up in Hollywood. 

In a rare instance of vulnerability, she would solemnly whisper “It makes it easier to pretend it happened to someone else.” Only minutes after that would she claim to urgently need to go back to her assigned room for the night, the only time she ever did so during production. Next day she would pretend as though nothing happened, and he would follow suit all too willing to indulge her so she wouldn't run off again.

He knows he’s hurt her beyond measure, but to be put in the same categories of things she would rather pretend never happened is gut-wrenching. 

If she hated him, he could’ve worked with that, because at the very least she still felt something when she looked at him. But as the whole session went on it became clear she at the very least wanted him to believe she felt nothing for him. 

He would’ve taken any sort of reaction by that point: an “accidental” pin prick from the needle, a passive-aggressive tightening of the measuring tape around his neck, hell he would’ve settled for so much as a hateful glare his way. But nothing, stone cold professional she is, she simply takes his measurements only to then give her only acknowledgment that he was even there by giving him a simple “all done.” She then moves on to his co-star with all the eagerness of someone about to brush their teeth, just so painfully indifferent to everything in this room.

Regret is a constant companion these days, always whispering in his ear about his shortcomings, but now it feels like it’s practically screaming in his ear what a failure he is to let a woman like this slip through his fingers. 

He’s practically kicking his younger and dumber self for being so cowardly as to miss the chance to tell her how he felt. Not a day has passed since they parted had he not thought about every touch he didn’t follow with I love you, every embrace he didn’t whisper how much she meant to him, every kiss he didn’t beg for her to always stay by his side. 

He had been gearing up to try to broach the subject of something more happening, ideally ending up with a courthouse wedding before he had to be sworn in, though he was willing to accept whatever form of a relationship she would offer him so long as she would still be in his life. 

But then just a week before wrap-up, when everything was as close to perfect as it could be, that is of course when things went to shit. 

Elena Perez, of the famous little firecracker twins, found dead, age 21

It hit him like a punch to the gut when he first saw that. Even though he had never met her, it was devastating all the same, knowing how affected Jimi was gonna be.  

The closest he ever did come to meeting her was when Jimi had brought her to the wrap party for Loving You. 

He was still pretty new to the art of schmoozing, so his night was almost entirely devoted to an ever present smirk that had begun to hurt his cheeks and laughing a little more than necessary at every joke the studio heads made. He was tired but he knew he would find no rest anywhere. But his tune quickly changed when he saw a familiar figure within the crowd. 

He felt his heart go all a flutter when he saw her from behind but then when she turned around there was just something about her that didn’t sit right with him. It was like looking at a funhouse mirror of Jimi, her posture almost ridiculously upright to further push her ample breasts out, her smile a little too tight, but most of all her eyes were a little too hungry, a little too eager to please. The features were nearly entirely the same but he was so used to the casual nature of his makeup girl, it felt so unnatural to see this. 

In another life he may have been all over her by this point, taken her home, maybe if he was feeling generous, been seen out in public with her a few times before ultimately moving on. There were beautiful and eager to please women everywhere he looked, there wasn’t really anything special about Elena Leon. 

But having met Jimi first, he can’t really fathom having much to do with her.

He spent the better part of two hours ducking and weaving her approach, practically sending out his boys as human shields, to keep her away, because he doesn’t exactly trust himself not to give in to her advances, if only for the consolation prize of getting to be with someone who looked liked the one he actually wanted. 

He eventually made his way upstairs after a while no longer wanting to be surrounded by people, as there was only one person he wanted to be with at the moment, and she had apparently decided not to come. 

It becomes apparent that he’s been rewarded for his self- restraint when he finds a backside he would know anywhere on the third floor balcony. Swathed in a pretty if non-descript black dress,  bottle of champagne in hand, she was looking down on the party like an ever-judging guardian angel. 

“Y’know I don’t think they wanted anyone up here,” he would say casually. 

He could see the way she practically lit up as she saw him, a soft smile on her gorgeous face and her eyes warm, probably the first person of the night that was genuinely glad to see him. It’s a novel experience for people to see him and not the star, and it’s something he never thought he would miss. 

“Well you better get outta here before they see you,” she snarked back. 

He laughs for the first time since he got there, and it feels so easy to just settle right next to her and look down on everyone else. He finds himself relaxing for the first time since he’s gotten there.

“So what’s a pretty girl like you doin’ up here all by your lonesome?”

Around a tight smile she says, “There’s already a pretty girl like me down at the party.” He can’t help that he flinches slightly as he thinks about her sister. “I see you met Elena,” she sighs, before plastering a tight-lipped sardonic grin on her face. “So what’d ya think?”

Elvis has the good sense to know a trap when he sees one with women, so rather than using words he just lets out a long breath. 

She gives a short mirthful huff. “Yeah that’s fair,” she taps the neck of the bottle trying to undoubtedly figure out a way to change the subject. “If you say some corny ass shit like ‘I think I’m seein’ double’,” she says in a piss poor impression of his own voice. “I will push you off this balcony.” 

“You sound like ya done it before sweetheart” he smirks, swiping the bottle from her hand, before taking a swig. 

“How else do you think I avoided becoming Charlie Chaplin’s 5th wife?” The simple statement catches him off guard that champagne threatens to come back up his nose. 

“... ya serious?” He closes his eyes in relief when she snorts.

“No,” she chuckles, with a hand wave. “I pushed him off because of something else.” Her eyes slide away from him and zero in on one of the partygoers below, before he could dare ask for any further elaboration. “Oh hey… Brody’s here and… uh-oh so is Frank.” 

He follows her eyeline to find that she’s wearily looking at ol’ blue eyes himself who has decided to make an appearance. “Ya’ got a story ‘bout Frank?”

“I got a story about everyone here.” With a slight smirk, she would hold two fingers up and ask, “Wanna know how I got these scars?” 

She regales him with not just that story but others of what she’s been asked to do on set. Some were funny like having to fish a toupee out of an oscar winner's mouth to more harrowing ones of being asked to check the pulse of particularly heavy drinking stars. Anybody else, he doubts he would have humored such tales, but it’s when he started hearing other people tell even wilder stories of her that ranged from snake-wrangling to resetting famous stars' bones after some sexual misadventure, did he learn early on never to doubt her stories. 

“So you come to these things often?” he asks after her giggles had settled down.  

“Never,” you answer. “But Elena convinced me we had to come to this one especially,” a bit more solemnly as she looked down at the familiar figure down below at the party. “You know when we were little, we used to climb up onto the roof and watch the parties from up there to tell funny stories and avoid the adults, saying how we were never gonna be like them.” There’s warmth in her voice, but sadness in her eyes as she gazed down at her mirror image at the party below. 

Being a twin is not something Elvis liked to dwell on. His Mama had always talked about Jesse watching over him since he was little, but rarely if ever did he really contemplate what it meant to have a brother who wasn’t there with him. 

It feels as though he was supposed to have someone that was meant to always be with him and look out for him, but now they’re not here and now he’s doomed to a life of loneliness. This thought is only further reinforced by the way you look at your sister, and something almost akin to jealousy shoots through his being, that she can have you and not value you. 

Not like he could, a voice whispers in his head. 

“What’s it like being a twin?” he would ask before he could lose his nerve. Though he does immediately clamp up at not just the suddenness of the question but the ease he was able to ask it. He’s tried to broach the subject of Jesse a few times throughout his life only to chicken out at the last minute in fear of upsetting someone, namely his mama. 

Though the regret is instant as he watches her mood drop immediately and face him with a disgusted expression, that he can’t quite understand until she says with no amount of venom missing, “No I’m not gonna ask her if she’d be interested in a threesome,” she says, far too quick to have him not believe that this isn’t the first time she’s heard this. 

He feels his face immediately go up in flames as to how grossly his words have been misinterpreted. “N-no I-I didn’t mean it like that,” he says quickly trying to salvage the situation and gets a hold of her before she can fully turn around. 

“Mmhmm,” she hums dismissively, looking down at the hand that holds her wrist and looking down on him as though he’s the scum of the Earth. 

“Darlin’ I-I swear it ain’t nothin’ like that, I just… I…” he stutters out wondering if there’s anyway he can truly explain his interest in her status as a twin without coming off as creepy, but one look at the full moon shining behind you is all the signal he needs to be honest. “Ain’t too many people know this,” he starts, taking a steadying breath trying to find that courage of two men he’s supposed to have. “But I-I had a brother, and…” he swallows hard at this one, always a sensitive subject in the Presley household. “And he-he didn’t make it…” 

She looks at him with a critical eye, undoubtedly searching for any sign of falsehoods on his face, only for the hard look to melt when she realizes he spoke nothing but the truth. 

“Oh, umm…” she says. “I-I’m sorry to hear that,” her voice dripping with guilt at the assumption. 

“It’s fine,” he reassured you. “He was gone ‘fore I even got here.”

It’s hard to talk about Jesse with anyone, because what more can anyone say about him other than he should be here but he isn’t. He has no memories to reflect sadly on, just wishful thinking about who Jesse could’ve been or even who he would’ve been if had him in his life. 

“I really don’t know how to describe it,” she says, putting down the bottle she had in her hand. “Because she’s always just… been there, and I’ve always been the one to look out for her.” 

“You’re the older one?” he asks with a bit of a laugh.

“Yeah,” she affirmed. “I’ve been doing it my whole life. Stayed up and held her hand when she was too scared to sleep. Did all the stunts she was too afraid to do and broke a couple bones. Threw tantrums when we were filming so she could get a break that she was too nervous to ask for. Dropped out of school so I could get a job on set, so she wasn’t alone. Hell, the only reason I’m here at this stupid party is because she thought she could get in touch with someone who could help her career.” Each admission is met with a more resentful tone, only for her to then try to chase away the taste the words are leaving in your mouth, by taking back the bottle.

“O-oh,” is all he really has to say to that. 

“She’s awful,” she admits, but a sardonic smile begins to creep up on her face. “I love her so much.” 

“Really?” 

“Yes,” she asserts. “There’s no one else in the whole world I would’ve done those things for. I guess that’s what it’s like to be a twin, take care of the person who's been here since you were born. It’s like… having to take care of any other part of your body, but this one is just constantly away from you and you can do nothing but worry.”

Elvis is stunned into silence for a moment as he looks at her, because she is able to finally put into words that anxiousness that has been eating at him his whole life. Even with all the love and reassurance he felt as a kid, there’s always just been that missing part of him that no one has ever been able to understand. 

But there’s one part that eats at him still.

“And does she take care of you?” he asks, more curious than anything at this point. 

That question catches her off-guard as she rips her eyes away from him and furiously looks down at the party, before she smiles and looks back at him to ask “Wanna hear who Clark Gable had a secret child with?”

Another time he would’ve been very interested in the topic, but seeing her obvious panic as she tried to avoid the very subject keeps him focus. “Don’t do that,” he pleads softly, brushing a few errant curls out of her face. “Don’t shut me out.”

She leans into his hand a little bit and he feels her jaw clench as she tries to get a handle on herself. “I must sound like a crazy person to you,” she says. Granted anyone else, he might’ve thought that, but this is Jimi, the girl who is never bothered by anything. He was witness to how she nonchalantly filed her nails before putting out a camera fire. Watched as she hardly broke her stride when some yahoo tried to scare her with a halloween mask. Hell he’s seen her put out a match with just her fingertips, and only to stare him down to get back onto set. 

She’s seen the worst this town has to offer, and yet it’s her seemingly one-sided relationship with her sister that has her on the verge of collapse. 

Not if Elvis had any say about that.

He takes it as a good sign when the normally touch-averse Jimi doesn’t immediately pull away from the hand on her shoulder, so he decides to take a chance and fully envelope her in his arms. She stiffens somewhat but otherwise accepts it, and he feels his heartbreak over the unspoken truth that she looks out for Elena, but no one looks out for her.  

“I think it sounds like…” he says, taking her chin in his hands, “ya care a lot darlin’, and it don’t sound like she appreciates it as much as she should.” 

The ever present indifferent shell she had built over the years cracks with that simple statement of understanding. She has such beautiful doe eyes hidden behind a hard stare, and for only having known her for a few weeks Elvis can appreciate even the chance to see behind the mask. 

But he wants to know more. He wants to know all of her.

It feels almost magnetic, the sudden pull he felt towards her in that moment. Nothing could stop him as he leaned down to kiss her full lips. Everything else in the world seems to fall by the wayside, the party, the people, even the city itself no longer existed to him as he held her in his arms. 

Their first time with her was nothing short of magic. It felt like the first breath of air after being held underwater for so long. 

They just seemed to fit together so well, a fact that couldn’t be denied even as their first time was a quick and dirty session on a balcony under the light of the moon. Like they had been so desperate for each other years even before they met, and now it all culminates to this. 

They don’t even really remove their clothes, he just unbuckled his pants on the deck chair while she sat astride him, moving her skirt up her waist and move her panties to the side. Her moans as she slowly impaled herself on his length sound like music to his ears and he can’t help the low groans as he tries to prevent himself from closing his eyes too much wanting to burn the image of her taking his cock while the full moon gives her a truly angelic look behind her. 

He wants so badly to hold her but even now she denies him that as she puts a hand over his chest and rides him like she’s trying to tame a bucking stallion. He’s just as enthusiastic for this as he grips her thighs in his hands and 

The whole encounter is over and done within a matter of minutes after that, but he’s just glad that she came to and now he didn’t have to feel the shame of finishing before her. She collapses on top of him trying to hold herself upright while he holds her close to his chest as he gives a few lazy thrusts to ride out the rest of his orgasm. He’s never felt more connected to anybody than her in this moment and he wants to truly seal this perfect night when he raises her chin to try to capture her lips.

But she pulls away slightly at the motion, “... I… I should go…” she whispers, and he’s not too sure if she’s saying that more to him or herself. 

“...I-if that’s wh-whatcha want baby…” he says, not having the heart to deny her anything, no matter how much every single other part of him is screaming at him to make her stay. The inner conflict practically paralyzes him where he layed and he could only watch as she quickly fixed herself up. It’s mesmerizing to watch, as with only a few quick adjustments, Jimi looks good as new, save for the kiss-swollen lips and the slight uneasiness in her stance, it’s as though nothing had ever happened. 

That hurts in a way he can’t explain with words. The idea that the relationship they’ve built in the last few weeks will amount to a one time thing that they go their separate ways from. 

But what can he do to stop her if she doesn’t want to be here anymore?

So with all the boldness he’s learned to fake over the last few years, he grabs a hold of her wrist, and tries to give some type of meaning to this whole thing. “Wait darlin’.” He makes a conscious effort not to grip too tight lest he scare her off, but just enough to let her know he’s serious. “What’s your real name?”

Bathed in light of the full moon right behind her, a soft smile on her face as she looks at him though not without that twinge of sadness in her eyes. “Jimena Gabriella Perez.” she said as though it were a good bye.

And with the way she walks away without even a glance back, it’s clear that it was. 

He sits there for he doesn’t even know how long just in his head and staring up at the moon. He knows realistically he should be making his way back downstairs, but all desire to mingle with other people seemed to dissipate as he stared up at the full moon. Besides there’s only one person he really wanted to be with at the moment and she apparently could hardly wait to get outta there. 

He stared up at the night sky for the longest time trying to gather his thoughts about the situation, trying to figure out why it felt like every nerve in his body was screaming at him not to let her leave. It was all kinds of backwards yet somehow still fitting that he learned her name only after sleeping together. 

But try as he might, he can't justify keeping her here when she clearly wants to go. 

It felt as though he had known her for years rather than months. In a way it was sort of the truth due to having seen her movies as a kid, but never in his worst nightmares could he imagine the near debilitating feeling that rests in his chest at the prospect of never seeing her again. So he closes his eyes and tries to make peace with the fact he’ll never see Jimena Perez again.

Jimena Perez… JP… Elena Perez… EP… 

His eyes shot open at that realization, and as he hurried to make himself somewhat presentable, he berated himself for missing something like that. He has never believed in coincidences and this was far too specific to be anything other than some sort of sign. 

But to his chagrin, it’s as though she had dropped off the face of the Earth. 

The next day, all anybody could talk about was the scene that the Leon girl made of herself standing on tables and practically flashing the studio head with an impromptu can-can dance, until her sister pulled her off and quickly escorted her out. 

It would be another year before he would see her in person again, and that was only because he specifically requested to have her on-set for what he thought would potentially be his last movie. But even then he’s able to find a modicum of peace with that, if only that he will have her in the end, and this whole ride has been worth something. 

He doesn’t know what’s more terrifying, the idea that he’ll never be able to communicate how he feels about her or the prospect that he will and she’ll reject him all the same. He even at one point resorted to trying to write them down in order to sort them out. 

But each time he tried to put pen to paper it felt like his mind went blank, because how can he explain that it feels like she’s the piece that’s been missing his whole life. That the only time he’s felt whole were the few weeks they spent together. That it can be no coincidence that their names and family names match so perfectly, and it’s gotta be a sign that something else is at play here. 

But he realizes that he’s gotta put in the legwork to make fate happen too.

Requesting to have her be In New Orleans, and he planned on working his way to slowly form a friendship into something more permanent. Of course she did throw a wrench into that plan almost immediately the first night when she showed up at his hotel room and declared the couch for herself because she refuses to stay where she was assigned. He wouldn’t have her anyother way. 

It’s easy to fall into each other once more, as though it hadn’t been almost a year since they last saw one another. He hopes that maybe this time around he would be able to show her even a fraction of what he feels. In an ideal world they would already be on their way to a courthouse to make it all official so that no one would bat an eye when he brought her to Germany, but even he realizes what a tall order that would be. He’s not one to plan ahead, but he figures it’s gonna be a longer process than he anticipated with her, but Jimi’s worth every moment.  

But just like that it all seemed to fall apart.

As sad as it makes him to wake up without her, he’s used to it by this point, but what does worry him is why she wasn’t  in his trailer when he arrived on set. It ate at him that seemingly no one cared beyond the grumblings from the other makeup girls who were now having to work more because she’s missing in action. He knows he’s gonna get an earful for this alone from her considering how much she wants to keep their involvement a secret, he does blatantly ask about her by name. 

It becomes clear what exactly happened when he notices a discarded newspaper on the director's chair. He immediately calls for a halt to the production so he could go out and look for her, fearing the worst. But due to the already tight schedule practically everyone refuses to do so, even after hearing why exactly she was gone.

At that point he just walks off set and swiftly dispatches every one of his boys to go search the city. He even gets in on it and drives around for a few hours all in an effort to find her, but he returns to his suite so he can pray and pace and worry and hope she comes back before sunset. 

When she does get back, the faraway look in her eyes tells him she hasn’t been crying, but the way she’s all clenched up like she’s actively fighting herself from doing so in front of him. He’s having none of it and he brings her into his arms.

It’s only then that she seems to collapse in her grief, and he holds her still knowing that there’s nothing else he could do right now. He’s never seen her like this and immediately he recognizes that he will only ever know a fraction of what she’s going through in that moment. 

Elena was a real person whom she’s known all her life, Jimi had confided in him how she’s put her through the absolute wringer with their mama favoring her and her inability to recognize what her sister has been doing for her sake. Jesse has always just been gone, and Elvis could imagine him in whatever way he liked as an older brother. Jimi knew her through all of the ugliest bits of their lives and loved her all the same, even as she slowly spiraled downwards. 

“Jimi…” he whispers at a loss for words. He knows that nothing he says could possibly fix this situation and it makes him feel all new sorts of helplessness to the situation. 

“Why didn’t I feel it when it happened?” she asked out loud though he gets the sense she isn’t asking looking for an answer from him. 

He could hold her tighter so that she wouldn’t feel so alone right now. The rest of the night, and well into the next day, is a blur as he as he waivers between trying to comfort her and arranging for her return to California. He wants to go with her but despite the already tight schedule for filming and the looming date of his induction he’s hoping to be able to at least see her one last time before boot camp. 

He remembers finding her red bandana as she was packing everything up, and contemplating telling her. But he selfishly wants a small piece to hold onto until the next time he sees her so he slyly slips it under his pillow, and he promises to himself he would give it back once he saw her again.

But of course the lord himself seemed to laugh in his face as his stunt apparently cost a few extra days of filming and between everything else going on in the lead up to his induction, he couldn’t be there for her. The Colonel had a few of his own men physically hold him to prevent him from getting on the next train to LA after he heard about her mama passing, the only thing swaying him was the Colonel’s promise that it would only be one more day of shooting. One day turned into three and before he knew it he was whisked back home to wait out until his induction, with the only acknowledgement from the Colonel being that he made sure to send condolences to the surviving Leon daughter. 

He can only imagine what she went through losing her sister and mother so close together, difficult relationship and all. He would lose his mama only a few months later, and it felt as though every breath threatened to be his last one. Knowing she went through all of this alone, it’s little wonder why all of the letters and invitations he sent at Fort Hood went unanswered.

Sitting in his mothers closet, not wanting to have his grief turned into a photo-op for the press. He now understands why Jimi left the business in the first place. It was as though he was trapped in a fish bowl, drowning and everybody was fighting to be the one to witness his last breath. It makes him feel all the worse for letting her go through that alone.

His biggest regret is that she had to go through all of this alone. He had tried his hardest to try to head back West to see her only to be thwarted each and every time. No amount of Love was gonna thwart Uncle Sam from getting his dues. And before he knew it he was on a ship headed to Europe.

He almost had to relegate himself to the fact that the relationship is unsalvageable after all of it. Truly after experiencing loss himself, he can’t imagine any scenario where she could forgive him, as he could hardly forgive himself. 

But for the sake of making tomorrow seem even the minimum amount of bearable he forces himself to dream that things can be fixed and they would eventually be happier than ever. 

Because if they don’t… then what’s the point?

After all they had gone through separately he knew in his heart that there would never be anyone who could understand him like she could. A twin without a twin, and a child without a mother, a lonely soul surrounded by others, and most of all a person in desperate need of love beyond simple admiration. 

There had always been an ever-present hollow feeling in his life, something he never even recognized until she was no longer present to relieve him from that emptiness. She understands him more than anyone ever will, and the idea of letting her go without a fight is something he simply can’t do.

The almighty himself has tied them together unlike anything he’s ever seen before and to choose another path would be blasphemous at this point. 

All his thoughts on who Jesse would’ve been have been answered when he pointed Elvis in her direction. He has to believe that he wouldn’t do him dirty by bringing him to his soulmate only for fate to snatch her away all the same. He has to believe that things will get better, otherwise what’s the point of continuing on?

But he has to grin and bear the hell that will be trying to live without her in Germany. But if his time in Hollywood taught him anything, it’s how to pretend to be someone he’s not.

It’s easy to pretend to be the good Sergeant Preseley in Germany, charm the pants off a couple girls, do whatever he’s assigned to do by the higher-ups, take whatever the doctors give him so that he can do both, abstain from playing music, act like it’s not killing him, etc,. Behind the scenes he becomes needier than ever, truly fearing being alone now of all times, because he doubts he could keep this up without an audience presence. 

Everybody has seemed to become the audience regardless of how close they previously were to him, it’s hard to think of them as anything else considering that he’s playing a part for them all so they could believe that he’s fine. 

This all adds to his longing for Jimi, knowing that she saw through him easily and he never had to worry about being anything less than himself around her. 

But playing his role helps ease the ache that stems from every thought that she brings to his heart, as then it can be somebody else experiencing that devastation. So he bides his time and plays his part in Germany. Trying to fill that sinking feeling he got in his chest every time he thought about Jimi with more partying, more drugs, more women, just more everything. Even with all that, that sinkhole in his chest seemingly grew bigger and bigger every morning he woke up and she wasn't with him. 

His heart has been broken since the day he was born, and it has been a mad scramble for the pieces for everyone ever since. His brother took a piece with him when he left, as did his mama, and everybody else who had a piece had been doing jackshit to appreciate it. 

He had only one piece of it left really, and he had spent his entire life trying to find someone who he could trust to take care of it. And like a goddamn miracle his brother was able to answer for him, and pointed him in her direction. And finally he found the person he could give that final piece of his heart to. 

But she hurt him in a way that no one has ever been able to do so. She didn’t take advantage of his heart, or reject it, or even betray it. Worse yet, she couldn’t recognize what he was giving her. The life Jimi had been living had turned her cynical to his intentions for her. And every fear she may have ever had about him had been proven true with just that one little article. 

He can’t even blame her for being angry, as he doubts he would’ve been able to keep a lid on something like this in her shoes. But he can’t dwell on it, he can only move forward and try his best to fix this. 

It had truly felt like the world was conspiring against him in that year, as he had to watch as everything he loved slipped through his fingers, all for what. All for a dream that he wasn’t even sure was worth it anymore, nor something he could actually be a part of. 

Being enlisted and overseas already, there was always the lingering threat that if anything happens with the Reds, he’s already here to fight the good fight and all that. Be the good soldier, who would gladly lay down his life for his country. 

Really he just wants to lay down. 

Sometimes forever. 

In the worst days he was so sure he was gonna die there, whether by an enemy hand or by his own, he couldn’t decide. Really the only thing that kept him going was the slim chance that she would be willing to hear him out if he ever came back stateside. Those nights he would hold onto that small piece of her trying to convince himself of the illusion that she’s waiting for him, and dying here would only mean he would lose any chance of seeing her again. 

At one point it stopped smelling like her and he resorted to ordering a bottle of her perfume just to preserve the illusion that she was still waiting for him. He probably doused the cloth with a quarter of the bottle, and inhaled half of that all to maintain the illusion of her still willing to come back to him eventually. He’s sure if that hadn’t worked in easing his nerves he would’ve downed everything in his medicine cabinet and called it a night.

He’s put everything he is into this hope that he could possibly get a second chance, full well knowing he’s undeserving of one. 

So he’s not about to let her go so easily.

Jimi’s actually not that hard to find on the lot, especially now that she has a door with her name on it. She’s certainly made her way up, having turned her previous doodles in the margins of production notes and discarded scripts into a new position complete with a title and an office.  

He knocks at the door with her name on it, and waits a moment, what sounds like the dumbo soundtrack quickly being drowned out by the heart-pounding in his ears. She doesn’t keep him waiting long, as she opens up the door only to immediately close it just enough so that only her head is sticking out. “Fittings are next week,” she says neutrally before she then proceeds to try to close the door in his face. He is too fast though as he shoves his foot in the crack and pushes it open. 

“Jimi, please,” he pushes the door further, but stops once he sees the panicked look on her face. He holds his hands up in surrender but makes no move to remove the foot.

She closes her eyes and takes a deep breath in annoyance, before she opens her mouth again. “If I promise to talk, will you leave me alone after this?”

So sure of himself he nods, truly believing that he just needs to explain and then they can go back to the way they used to be. 

She puts a hand on his chest to motion him to step away from the door before she herself comes out. She does so in the oddest way possible, by sliding herself between the door and the frame, as though she was trying to prevent him from seeing inside her office. She looks back inside and tells who he presumes to be the others she shares the office with that she’s gonna get lunch, and to hold everything down. 

“So you want to talk? Talk then,” she states, breaking that line of thought as she leans against the bulletin board.

He figures she would have such a no nonsense reaction like this, and takes a steadying breath in order to deliver what 

“Jimi… I know why you’re mad,” he starts off slowly. “Believe me I would be hoppin’ mad if i read that…”

“I forgive you,” she cuts in. “We done here?”  

“Wh-what?”

“Are we done here?” She repeats slower this time to really emphasize her words. 

“N-no Jimi,” he begs. “The things the papers said are just lies. I ain’t ever said that”

She gives a short mirthful laugh when she hears that, “Elvis if I had a fucking dime everytime I heard that line,” she rolls her eyes. “But it’s fine. I don’t care anymore. I’m not in the business of telling the papers anything, so you don’t gotta worry about everyone figuring out you’re a hypocrite.” 

“But… I’m not…”

She pats his cheek and gives a thin smile as she pushes herself off the wall, and gives a dry, “Of course you’re not.”

“Jimi listen to me,” he begs, briefly wondering why Jesse had to pick the most stubborn woman alive for him. “I never said any of that.”

“Mhmm,” she hums, the thin line of her mouth and the way she’s checking her nails for dirt, telling him she has no faith in his words. 

“Jimi,” he pleads with her, taking her hand and placing it on his chest. “You gotta believe that I would never say somethin’ like that. I love you so goddamn much and I especially ain’t never wanted to hurt you.”

She may not be able to rely on her knowledge of him, but he knows her well enough to know that she recognizes good acting from bad acting. Watching as her eyes soften from their previous hard stare, he knows that she understands that this is far from an act. This is by far the most honest he’s been with anyone since his mama passed, and the doubt in her own assumptions of him shows all over her face.

He thinks he’s finally getting through to her, until she glances behind him and he watches as her dark eyes harden once more. “You don’t love me, and it doesn’t matter what I believe Elvis,” she snatches her hand out of his, and walks back towards her office before slamming the door.

He stands there for he doesn’t even know how long, trying to justify why he should even keep breathing at this point, his catatonic state only helping to prevent him from doing something stupid in the face of the worst rejection he’s ever had. This isn’t a girl laughing in his face over being asked to the school dance or a stuffy actress looking down her nose at his hillbilly ways, this is a part of his soul refusing to come back to him. 

This can’t be the end, a voice in his head whispers. He tries to repeat these words in his head if only to make the hope he has a little more real. He knew it wasn’t going to be as easy as him returning, and she would automatically throw herself into his arms. He already knew it was going to be an uphill battle for her love once again, but the flat-out rejections and refusal of his declaration just made everything so real in that moment.

When Jimi cares, she does so with all her being, and he knows at some point she cared enough about him to befriend him, and there’s no way that all disappeared in the last two years. To some extent she still cares about Elvis, and that’s why he refuses to give up on her so easily. 

But she’s not one to be swayed so easily. 

Gifts and letters and songs for her, are all met with the same stony indifference that has marked her status as near untouchable. Her schedule is next to unpredictable as it seems that everytime he does try to send someone over for her she’s conveniently out of the office. 

Each rejection further drove him closer and closer towards that edge he’d been resisting since he landed in Germany. He would toss and turn at night, not wanting to be alone but at the same time wanting no one but Jimi with him. It’s even worse than it was before considering the fact that she’s so close that he could almost touch her, but she’s like smoke, he can see her there but never truly grab a hold of her.

Something that only intensifies once shooting actually begins and he knows just how close she is day in and day out on the lot. It’s nothing short of torture to have all that he needs in life so close, yet just out of reach. 

Off camera and out of the studio he’s barely keeping it together, the years of pretending to be okay in front of people only barely enough to sustain the image he’s made for himself as well as doing the job he was tasked with. Everybody wants a piece of him now that he’s back, and he doesn’t know if he has any left to give anymore.

It all came to a head one day when he walks into the wardrobe building and sees one of the girls holding a small toddler girl. It strikes him how similar the little girl looked to Jimi back in her firecracker days, even down to the ribbon tying her hair back. He muses for half a second that that’s what their daughter would look like, and then it hits him like a ton of bricks that may never come to pass. 

He’s trying to make her not hate his guts, and with how little success he’s been having, he’ll be lucky if she even looks at him again before he’s Dodgers age. He’s closer to never having her love him again than he is to someday. 

He had come with the intention of showing her the bandana he had been holding onto all of these years, to show how devoted he’s been to her. Now holding it in his hands and remembering that initial promise to give it back to her, he realizes what a fool he’s been. He’s been selfishly holding onto something that’s not there anymore, because he was too much of a coward to actually do what he needed to get what he wanted. 

He didn’t want to believe it was too late for them, but seeing that little girl, he realized how much time he’s lost. Where he’s spent the last two years nurturing his love for her, she's been feeding her hatred for him. If he’s gonna be in love with her for the rest of his life, she’ll hate him for the rest of hers. 

She’s made it clear that she wants nothing to do with him anymore, and he can’t blame her for it. He should’ve been there for her, damn the consequences, but he wasn’t and now he has to live with what he did. 

Though once he gives it back, jury's out on how much longer he will live.

Resolved in his need to do right by her, he solemnly walks to the costume department with about the same enthusiasm as he would the gallows. Perhaps there is no coming back from this, and perhaps he wouldn’t deserve one either way. He was a coward who let what he wanted walk away time and time again, not having enough will to hold on to her. 

And he doesn’t have the strength to try to hold on any longer. 

Finally as he’s just about to turn the corner to where he knows her office is, only to stop in his tracks, and realize that once he gives it back… it’s all over. He’s strangely okay with that once he reconciles he won’t be feeling that way for much longer.

Turning the corner he sees a familiar figure looking at a bulletin board, and standing right beside her was a significantly smaller figure.

It takes him a moment to realize what he’s looking at, but the second he does it feels like all the air has been sucked out of his lungs. 

He’s tempted to look down at his own feet to reassure himself he's still on solid ground, and that the floor hadn’t been taken out from under him, but truly no force on Earth could make him look away from the little one at her feet. 

The boy is standing barely taller than her knee, wearing light green overalls with what looks to be a little yellow duck on the front pocket. His honey hair - a few shades darker than Elvis’ own natural locks- is slicked back on the sides allowing for some bronze curls to hang over his forehead but it’s really his face that comes like a punch to the gut to Elvis.

Vain as it may sound, Elvis knows his own face, even when it’s softened with baby fat and slightly darkened from the California sun, and that’s all he sees when he looks down at the brown-eyed little boy that’s clutching onto a woman’s skirt and idly sucking his thumb. 

It’s as he’s wondering what happened to his eye color when the eyes in question finally take notice of him, and the little boy rapidly tugs at the pencil skirt he’d had a tight grip on. In his head he’s still trying to justify any other way someone could have a little clone of himself that isn’t the most obvious answer, until he watches Jimi crouch down in her heels as she gently strokes the little boy's plump cheek. 

“¿Que paso Papi?” she asks, adoration in her voice as she brings him close to her face, before planting a kiss on his cheek. 

The boy, too shy or too young, to answer only points a chubby little finger his way, his dark eyes wide in wonder. As her eyes follow, Elvis sees her jaw clench and most of her previous warmth seemed to sap out of her at the very sight of him. It truly feels like the first time she’s actually looked at him in a long time without her eyes immediately sweeping over him dismissively, so he can’t help but welcome it. 

In one fluid motion, she competently scoops up the small boy up in her arms and begins to make her way towards him, her heels clacking ominously as though she were an oncoming vengeful mother goddess set to rain down fire upon him. 

Elvis is usually quicker on his feet but it feels as though they had been replaced by cement as he’s frozen in place with no sign of escape. But he doesn’t think he really wants that anymore as it now gives him a better look at the boy.

“Can I help you?” she asks, painfully neutral, as though she’s simply asking what he wants for lunch and not in fact holding a mini version of himself in her arms. 

“Wh-” he starts but has to swallow before he can get too choked up. “What the hell is this?” 

“It looks like,” she answers and he perks up at that both eager and fearful of what she has to say. “My old bandana,” she states, much to his confusion, until he follows her dark eyes to the fabric still within his grasp. 

Her flippancy just enrages him, “You know damn well what I mean!” pointing a finger in the direction of the small boy in her arms. Guilt quickly eats at his belly as the boy turns from him and buries his face in her neck out of fear, as she continues to look at him with the disdain in her eyes only growing.

“Oh…” she says dryly as though she only now remembers the boy in her arms, even though she had been consistently rubbing soothing circles on his tiny back since he got scared. “This is my son.” A simple no-nonsense answer, but he doesn’t miss the way she neglects to mention a name. “You can go ahead and throw it away, I don’t need it anymore.” 

He wants to say something about that. He wants to be mad at her for being so goddamn stubborn about this as though his whole world isn’t being rocked right now. But he can’t muster any of that as he just finds himself just wanting to look at the boy in her arms some more. The little one looks back and forth between the two of them, but he does seem to settle after gauging that his mama is not in the least bit shaken by the man before them, and adopts her bored looking expression, though the boy does keep a wary eye on him even as his mother turns them both away from him.

“Wait,” he says as he quickly grabs her elbow. Her hackles rise at just that little bit of contact, like a rattlesnake coiled up and ready to strike, but he won’t be stopped from knowing the truth. “Is… is he-”

“No,” she cuts him off, before looking over his shoulder and closing her eyes- seemingly in annoyance- only to then plaster a wide phony smile on her face as she looks at him. “Thank you for bringing it to my attention.” saccharine sweet, as though she had been in a completely different conversation before ripping her arm out of his grasp and walking past him. “I’ll be sure to add those notes into the costume.” Without even a goodbye she rushes past him.

He turns around to see the second most gut-wrenching thing of the day as a woman approaches Jimi and hands over to her another child,and he realizes it’s that same little girl from earlier. The love of his life expertly balances the additional toddler on her other hip as she plants a swift kiss to her cheek before exchanging a few words with the woman in front of her and walks back down the hall, not even bothering to look back at him.

That woman quickly approaches and stands in front of him, obviously trying to run interference between the two of them. Trying to keep the two of them apart like everybody else has seemingly made their mission. 

He honestly hears nothing of it as he starts to tail Jimi down the hall, his entire focus is on the little girl, heart-breakingly sweet with her little cherubic face, her dark curls held at bay with the red ribbon, as she opens and closes her tiny hand at him as though to once again say good-bye. Meanwhile the little boy, whose face is still firmly in his mama’s collar, risks a quick peek back at him before quickly burying himself back in place as the echo of yherour heels on the linoleum floors lessens as she gets further and further away. 

He’s able to catch her before she can get out of the building, quickly blocking her from the exiting door. She still has that infuriating cool expression on her face, looking at him as though he were a mere inconvenience on her way out the door. 

“Jimi…” he pleads, taking her shoulders in his hands forcing her to look at him. “Jimi, look me in the eye, and tell me they ain’t mine.”

She gives him such a cold stare that he can feel a shiver travel down his spine, the dread of her words tying his stomach in knots, as he anticipates her answer. Somehow she’s able to make it all the crueler, even as her (his?) son starts to suckle on the collar of her blouse, while her (their?) daughter has managed to dislodge a chunk of her thick dark locks from her braid and begin to play with it. 

“Why would I want them to be yours?” 

A punch to the gut, a kick to his face, a knife to his heart, those are all the things he would have preferred she had done over saying that. For a second, even she seems taken aback by the cruelty of her own words, until that hard look returns to her eyes as the little boy begins to pat her cheek for attention. 

She looks down at him with a soft smile on her face before giving them both a kiss to the forehead and sidestepping him in order to get out the door, not even bothering to acknowledge him.

He doesn’t know how long he stays in that spot but by the time Joe (or was it Charlie?) finds him and he’s practically stiff as a board, and just about as responsive. Nobody fights him on it when he just declares that he has to call it for the day, so it’s not too long before he’s kicking off his shoes and crawling underneath the covers still fully clothed. His mind raced, doing its best to put together what the hell he had seen today. Trying to comprehend how much of himself he had left behind with her. 

When he started making waves he had to have the most awkward talk of his life with the Colonel to always wrap it or at least become proficient in never finishing inside of a woman, because the last thing he needed was a baby. And he was for it completely, nowhere ready to settle down yet, and with everything looking so vibrant and new to him, he saw no end in sight. 

He can think of one night in particular back in New Orleans, after almost twenty hours on set, Jimi had excused herself from any of the usual get-togethers and headed straight to his room. After she had declared that her room situation is unmanageable she had set up shop initially on his hotel room couch, though lately they hadn’t even been bothering with that pretext. So it wasn’t too shocking to find her in his bed, spread out on her front like a starfish in nothing but a simple slip. 

What was shocking was the wave of contentment that washes over him seeing her there, just the utter feeling of rightness that the image brings. The powdery blue slip gorgeous on her dark skin tone, and he has to hold back a groan when he sees how high it’s ridden in her sleep giving him a tantalizing view of the back of her thighs, just effortlessly sensual, even in her sleep. He can’t imagine anything better to come home to. What he found even more tempting was her defenseless pert nose, and remembering the way it would scrunch up when she smiled. He knows he’s either going to get that reaction or swift punch to the chest for what he does next.

She still manages to keep him on his toes when she simply does both after he peppers her face in kisses. He reels a bit from the blow, playing up the injury just a little as he sees her shoulders bounce a little in poorly held in laughter.

“They gotchu workin’ to the bone sweetheart,” he remarks, as he rubs the spot between her shoulder blades that has her giving a euphoric groan. He is genuinely offended that the studio would make her have to work like a dog, all for a single line in the credits. 

“This whole production would fall apart without me,” she sighs, while he lets out a laugh in agreement. 

“You ever think about quittin’?” He asks a bit off the cuff, but he can’t help it seeing the woman he loves running herself ragged for people who sure as hell don’t care for her. 

“Maybe,” she answers through her drowsy state, turning to face him directly. “I don’t think I would leave, but maybe if I get married I would probably do something with less hours, like costumes.” 

He felt his heart speed up a little when she mentioned the word “married” but not in the way it used to do when other girls brought up the idea. No, rather than having that sour feeling in his belly, he’s practically giddy over the prospect with her. “So I guess ya just waitin’ for the right actor to sweep you off ya feet darlin’?” he brings her close, smiling into her hair and absentmindedly stoking the hand she lays on his chest. 

But this happiness is ripped away by a simple snort from her, only to then be further crushed into dust as she has a full-on laughing fit at the mere prospect.

“No,” she says, wiping the tears from her eyes, trying to get a hold of her laughter, unknowing of how soul-crushing her words are. “I’d never marry an actor.”

It feels like every ounce of hope for the future saps out of him at that moment. 

“O-oh wh-why’s that?” fighting to keep his face from showing the devastation he feels inside. A knife in his heart would have been preferable at that point, because then she would have at least acknowledged he had one to break. 

She gives a mere shrug, of her shoulders, “I don’t really know how to explain it other than it wouldn't work.”

If he were a braver man, he would have had the balls to ask her “If that’s true… then what’s all this been about?” But he's a goddamn coward and this question dies on the tip of his tongue, far too afraid of what she may answer. 

As these nights usually talking leads to kissing and while she is willing she offers first to use her mouth, and while he doesn’t hold back the groan when he hears this, he knows that that won’t be enough for him even if he can’t pinpoint why. 

“Okay,” she yawns, as she lifts her hips up, presenting her ass in the air while she wraps her arms around a pillow and sleepily buries her face in it. “But you gotta do all the work.” 

She’s done this before, tried to feign indifference toward the act, and tried to play it off that she didn’t absolutely enjoy it each and every time. This is a game that Elvis has yet to lose. 

He knows her well enough to know how to get her going even when she insists she’s not in the mood. How a light touch up her spine as her perk her ass up, while a nibble to her ear has her making the most adorable little noises. And still it feels like he learns something new about her everyday, with today’s new lesson that she loses all of her carefully crafted composure when he sits on his knees and raises her thighs over his shoulders.

She lets out a surprised gasp as she barely catches herself on her hands, only for it to turn into a low moan when he takes a long lick up her slit. Nothing tastes sweeter on his tongue than the evidence that she wasn’t as disinterested as she claims, and with her so nicely open for him now he plunges his tongue as deep as he could go. 

Any semblance of composure is gone the moment he had almost entirely upside down, her arms shaking with the effort to try to keep herself up. 

“You like that sweetheart?” he whispers, only slightly muffled by her flesh. 

“Yes,” she moans enthusiastically as he feels her small hand palm at his still clothed length, and he gives a little chaste kiss of appreciation on her clit that has her gasping for air. While any other night he would’ve gladly indulged her need to taste him, he did promise to do all of the work. So as he delves his tongue as deep as it could go he knows she’s good and ready as he feels her slick drip down to his wrist as he rubs that button of hers. 

She lets out a devastating sob as she comes, and before she’s had a chance to recover barely had time to recover before he’s flipping her over and pressing her knees to her chest as he thrusts inside all in one motion. Her back arches and her mouth opens and closes repeatedly, gasping for air as though she could feel him all the way in her throat. 

Entering her is always such an indescribable feeling, somewhere between euphoric and comforting. And there have even been days when the only thing on his mind on set was how best to get her alone so that he could get her like this once again. As he crams his cock at a steady rhythm, he imagines it’s the same way everyone else who goes to work on a regular job pictures being home at the end of the day. 

If he was a little rougher that night, it was only so that she could feel a fraction of his anguish that she caused. He both envies and resents her ability to be able to picture a life without him, when no future of his would be complete without her. 

He had spilled in her before that point, but it had always been an accident as something about her made him slower on the draw than he was with anybody else. But in that moment before he knew he was gonna cum, seeing her thrash and arch her back and push even further into him, time seemed to slow for a second and there was a moment where he saw quick as lightning just the image of her heavy and glowing with a baby.

His baby.

He can’t remember a time he came so hard, and with the way she collapsed back in the pillow he knew she was just as affected by it too. The way she’s quaking with every breath before peaking out at him through the curtain of her hair is something he doubts he’ll ever forget as places light kisses on her shoulders to add some tenderness to the rough act. 

With great reluctance and curiosity getting the better of him he pulls out his softened member, and he’s treated to the most erotic thing he’s ever seen in his life as he watches his seed slowly drip out of her folds. If he wasn’t absolutely sure that that last one had taken everything out of him he would be ready to go again from the sight of this alone. 

Something in the back of his head whispers to find something to plug her up to really make sure it takes this time. But before he can act on this he sees her get her bearings on her, and she reaches between her legs. She gives a soft curse as she sees his spend on her fingers, before making a move to roll out of bed towards the bathroom. But he was quick to snatch her back and tell her to just lay with him until he fell asleep. She would only give an annoyed little huff, and give sleepy demands for beignets for breakfast in return for this favor.

He slept easier that night with his hand on her belly, believing that he would be able to find a way to keep her with him. 

This would be far from the last time he would spill in her during production, but it would be the last time he could call it an accident. If he’s being honest with himself he thinks he fully intended to get her pregnant in some sort of convoluted plot to get her to settle down with him. That once she had a baby in her, she would have no choice but to marry him and leave it all behind. No more ungrateful sister or disparaging mother, Jimi could finally focus all of her attention on a family that would take care of her back. 

But then everything happened all at once, and suddenly she was beyond his reach, and soon she took with her all of his hopes of having a life worth living. 

Since his career had taken off, more than a few women had already accused him of fathering their babies. Of the few of them that weren’t talking outta their ass, he had seen a few of the kids, and while there were some that may have had a few features similar to him, none had come close to the little clone boy he had seen of himself in Jimi’s arms. 

Others woulda chalked it up to just him getting older and wanting to settle down and any baby with a passing resemblance woulda done this to him. But there was something even beyond longing, it was that sense of rightness that has been missing from his life for a long time, something he wouldn’t’ve gotten with just any baby. 

On the day they were shooting with the babies he tried to test this theory. But even holding a few of the kids, not a single one of them was able to stir anything close to that fatherly warmth that just looking or even thinking about the two little ones she held that day. 

It’s not like he felt nothing holding these babies, like he wished them any harm, but he more or less cared about them the same way he would care about a random puppy: fun to play with in the moment, but didn’t really mean he cared enough for the hard or messy parts of taking care of it. 

As he’s holding probably the biggest one of the lot, he realized this one is still smaller than either of his babies. Someone off-handedly asked how old this one was, he feels his throat close up at the answer. 

A Year, he thinks to himself as he hands the slobbering infant back to its mother. How much did I miss? Can they walk? Can they talk? 

Even as their mamas were packing them up to leave for the day, all of them would wave goodbye to him, but none of it compared to the heart-wrenching feeling remembering those two little ones she held in her arms. 

In his heart he knew they were his, he didn't care what she had to say about it. 

Two people, both from a set of twins, get together and create the two most beautiful and perfect babies he’s ever seen, and she thinks that means nothing? That she can just step away from him and deny him his rights as a father?

What did he miss all this time away? The boy was standing on his own, so did he already take his first shaky steps? The little girl was babbling nonsense to him, has she been able to actually make words?

Lord, he doesn't even know their names. He has so many questions and next to no answers.

But even for all the anguish it’s causing him, he can feel it in his chest how their existence has reinvigorated him beyond what he thought he was capable of anymore. He had been on the cusp of hopelessness, fully believing that without he wouldn’t be long for this world without Jimi. 

But seeing them was like seeing a light at the end of the tunnel, now knowing that Jimi couldn’t get rid of a piece of him, proves it’s not too late for them.

So he went about getting answers the same way she taught him to: ask the crew. To his luck everybody seemed to know something or another about what Jimi had been up to the last few years. Through the various tidbits here and there he was slowly able to piece together a story. 

How some asshole had taken advantage of her grief after losing her entire family with promises to take care of her in her time of need, and how he didn’t even wait till the ink was dry on the marriage certificate before scurrying his ass back to Mexico leaving her with less than half of her inheritance and a couple of babies in her belly. She came back to Paramount as a costume designer a couple months back after calling in a few favors with some of the higher-ups, and has been flagrantly breaking the rules by bringing the babies on to set. 

Jimi wasn’t lying when she said that make-up girls hear everything there is to know in this town. Unfortunately he finds out the hard way that that goes for all of them, even those that now work in the costume department. 

“I hear you’ve been asking about me,” a familiar voice would coldly say as she wrapped the cape around his neck. 

He doesn’t have to look up to know who it is, but he does look around to make sure the other make-up girl was gone. This at the very least confirms that she’s keeping her cards as close to her chest as possible, and trying to prevent anybody from figuring it out. 

“I had a right to know Jimi,” he answers, not looking directly at her face but through the mirror. A trick he learned when he first met her when he wanted to get her genuine reaction on something, he could only do so when she thought she wasn’t being looked at directly. It still proves to be true when he sees her jaw clench the slightest bit at his comment. 

 “I don’t know what you’re talking about,” she says apathetically but immediately contradicts herself when she gives a firm yank to his hair so that he’s looking right up at her. 

He gives a small grunt, though he does smile a bit at finally being able to get a reaction out of her. “Well now, last time I saw you like this-”

“Elvis,” she cuts off sharply before she grits out, “Leave. It. Alone.”

Now it’s his turn to react as his jaw clenches in frustration at the audacity. “Why should I?”

“Elvis…” she says slowly like he’s a child. “What do you think is going to happen if you are the father?”

He opens his mouth to argue with her, only to come up short. He hadn’t really thought farther ahead other than being able to have them all in his life. But what would that mean for them?  How would people react to him not only having kids now, but having them this whole time and only now stepping up? 

“That’s what I thought,” she says, placing down the comb. “Don’t worry,” she pats his cheek, maybe a little harder than necessary, “Nobody’s gonna believe they’re yours after what you said.”

He explodes hearing this, “How many times do I gotta tell ya?! I didn’t say that shit!” He stands to his full height to tower over her.

“It doesn’t matter Elvis!” she says, raising her voice for the first time since he’s known her, not in the least bit intimidated by him. “Do you really think they’re gonna just accept that you had two kids out of wedlock, and especially with a Mexican woman? Especially now that they’re trying to sell you off as this wholesome family act, do you think the studio is gonna stand for that shit.” Her eyes begin to go a bit glassy as she says the next part. “Your career might be in danger, but my literal life is at stake if they even think I could be a threat to the comeback they’re trying so hard to make happen for you.” 

She squeezes her eyes shut at this point like she’s trying to will the tears back into her eyes, and her chest seems just a step away from being considered heaving, making it clear to Elvis she is trying so hard to keep the image she’s crafted for herself intact. Elvis can appreciate how yet again he’s the only one able to look past the curtain and see her for who she is. 

Finally after taking a deep breath her bloodshot eyes open and she gives a somber, “Do you know how my last movie ended?” Her voice severe and distant, her hands placed on the hinges of the trailer door. 

He’s a little stumped by the heel-turn of this conversation, but he plays along if only to convince himself he still has a chance to convince her otherwise. “You got your folks back together didn’tcha?

“No,” she says bitterly. “That last movie ended with the worst box office turnout of the year, because it was banned in most southern states -including yours- because the white man ended up with the mexican mother,” there the sardonic smirk on her face tells him she finds little humor in what she’s saying. “The studios forced us to tell that story and blamed us when nobody wanted to see it…” 

“Jimi,” he starts placing a hand on her shoulder before she rips it away. “Baby, it’s a different time now,” though even he realizes how hollow those words are. 

“Let me finish!” she shouts, tears trailing down her face as she looks back at him. “This isn’t a movie,” she declares. “There is no happy ending for anybody if you keep digging. Not for you, not for me, and especially not for my babies.” 

Our babies, is on the tip of his tongue, but he holds back.

“I’m not gonna have my babies a part of that life Elvis,” she glares at him. “They don’t need you. I don’t need you.” She turns her head and he can see the tears that threaten to fall in the corners of her eyes. “So just… leave it.”

And with seemingly the final word, she walks out of his trailer and he falls back heavy into his chair, utterly exhausted by the encounter. His chest feels tight, the shallow breathes he’s able to take doing little to remedy the feeling, his hands shaking out of fury and grief for the life that’s been stolen from him. On top of all of that his vision starts to blur with the tears clouding them, but that doesn’t stop him from noticing the movement in the mirror. 

He quickly gathers himself as best he could and turns to face whoever just entered his trailer, but he finds himself alone. That is until he looks at the mirror again.

He knows he must look a mess right now, but the mirror doesn’t reflect that whatsoever with the stony features he sees looking back at him. Elvis knows his face, and he knows when he’s not looking at his face. But Elvis knows who this is even before he opens his mouth with the only words he’ll speak to him.

“Go getcha girl,” Jesse whispers. 

And just like that he’s gone, and Elvis looks at his own reflection once again. With that little bit of brotherly guidance, Elvis comes to one startling realization: She’s right.

She’s right, this isn’t a movie.

So that means he doesn't gotta be nice about getting her back. 

He’s spent the last nearly two years planning how he was going to apologize to her over something he didn’t even do. Where is the justice in that? It’s as though she’s only capable of seeing him in the worst possible light. 

If she want’s a villain so goddamn bad then he’ll give her one. 

What a cruel power did God give to women. To take a piece of man, to mold and create something so wonderful and joyful, only to be able to deny him that if she felt so inclined. Usually the duplicitous ones will take from one man and claim it to be from another, all for gain, but Jimi is far more sadistic with this power, to hold two little mirrors in her arms and deny him his very own image. 

It’s enough to drive a lesser man insane.

No.

She’s not gonna deny him this. 

Jesse may have gotten him started on this path, but he can no longer just rely on fate to bring them together. He will take matters into his own hands, and they will be together. 

He remembers the first time he had seen one of her films as a kid. It was his 8th birthday and he had begged his Mama to let him go to the movies to see literally anything that day, and it so happened to be that one where the two sisters unintentionally thwarted some robbers in their house. 

He remembers laughing as Nena was sent into one room only for Mena to rip down the hallways as soon as the door was closed much to the confusion of the would-be criminals. He remembers the fear he felt when Mena seemingly fell out a window with the next shot being one of them lying on their stomach on the ground only for the next scene to reveal they had pulled the old switcheroo. He remembers the end when their parents finally came home and were glad that them burglars didn’t get their most precious treasures- their daughters. 

Most of all he remembers glancing over at the empty seat next to him and wondering if these were the sort of antics him and Jesse were meant to get up to. His mama never kept his brother a secret from him, always telling him how he’d have the strength of two, but he always knew on some level she would have preferred two regularly strong boys rather than just one really strong one. 

That feeling he got when looking at the vacant seat next to him is the same feeling he gets everytime he looks at his Hillcrest home now. The realization as to how fundamentally empty a home is without a family to fill it. 

Fate denied him his brother before he even entered the world. Death had snatched his mother out from under him. And that horrible Stanley woman was working double time to take his daddy away from him too. He’s not about to let Jimi keep him away from any more of his family, just because she wants to be stubborn.

Now, knowing of their existence he knows he needs them in his life. He needs her in his life. 

The PI didn’t disappoint, when you got enough money and notoriety in this town, they tend not to. He hardly batted an eye when Elvis had mentioned that there were kids out there that were potentially his, though he did give a funny look when Elvis told him he actually wanted him to dig up proof that he was the father, which is apparently rather novel in this town. 

Though what the PI brings back is painful in its own way. He mostly focused on what could be dug up through paper records both legally and illegally obtained: house deeds, birth certificates, medical records, wills etc.

That’s how he finally learns the names of his children.

Alejandro and Mireya.

Big names for babies that are so little, he thinks to himself. Only to realize that they will one day grow into them, and he’s wasting time not being with them. 

By all accounts, Jimi’s doing just fine: house is paid off, bills get paid on time, food is plenty, and she’s apparently in the market for a nanny. But a deeper look revealed that she’s pissing through her savings right now and with the way things are going she’ll be out of money in maybe another ten years, something she must have realized if she came back to work at all. Elvis finds himself exasperated that her stubbornness will cause her and the little ones to sink before she ever thinks to ask for help.

But it's the few and far between snapshots of the little family that threaten to do Elvis in. He has to fight the urge to frame them as they are all so wonderfully domestic. Strolls through the park, trips to ice cream shop, stops at the grocery store, and everything else that would paint the perfect family portrait of a young, beautiful mother and her two adorable babies. 

Everything except for a father. 

Though some of the most painful ones to look at were the ones from her day at the beach with them. He can almost pretend that he is the one behind the camera, that he took these pictures of her and the little ones on a family outing and not in fact a shameless voyeur of the life that should by all rights be his. In one of them, they were facing the camera as they looked out to the vast ocean before them, Jimi crouched down by the shore line as she held their little hands so they could properly get their feet wet. She wears a wrap around her one piece bathing suit in a facsimile of modesty and he already knows she turned a few heads that day. Little Alejandro is wearing a swim ring and practically wrapped around Jimi’s leg while Mireya’s wearing little floaties and pulling on her mama’s hand to try to go deeper.

So wholesome and idyllic, he can practically picture the entire day in his head. 

How he would come up behind her and swing them back and forth on the shore line as though he were about to toss them in while they squealed in delight.

How he would play with them in the sand until she insisted on them taking a nap under the umbrella while their parents could have a breather to have lunch. 

How she would lay beside them and from his position he could shamelessly leer at their mothers figure. 

How the day would knock them out on the car ride home and they would both quietly bring the little ones in the house and place them in their cribs and how she would wrap herself around his arm as they both gazed down at the two little miracles before them.

How he would bend her over right outside the hallway and fuck her raw so that they would never have a day at the beach without babies. 

If that wasn't what Norman Rockwell pictured for the ideal family life, he doesn’t know what is.

Those last few weeks of shooting, he could hardly function knowing they were all out there, the few who knew what he was going through were unsure how to approach him. Some learned quickly that he wasn’t about to be questioned on this, others had to learn the hard way. 

After the last day of shooting, Elvis would only idly register the fact that he had been sitting on a lounge chair staring vacantly at the pool. He hadn’t meant to, he just remembers after breakfast wondering how he’ll probably teach them how to swim there, and then all of a sudden the sun had already set for the day. 

His buddies had apparently gotten so worried, they had ended up calling in reinforcements. 

“Now my boy,” a familiar voice would say behind him. “I hear we been losin’ focus lately.”

As though on reflex Elvis feels his jaw clench in distaste. In a way the colonel was the best and worst choice to be the one to come talk to him. The worst because after learning what he knows, he wants little to do with the man anymore and the best because he needs someone to take out all this anger on before he can see the mother of his children again.

So Elvis really has to put all of his acting abilities to work at this moment, as he plasters on a phony grin and grits the teeth he’s liable to start gnashing at any moment. “I reckon I been more focused now than I been in a long time, Colonel.”

Bypassing what he just said, the man sits down on the lounge chair right next to him. “That’s not what I been hearin’ ‘from your buddies.” Elvis can see he has the clown head cane, which he adds to the list of things he’s finding infuriating about the man. 

“And what they been sayin’?” 

“How an old flame reared her head recently and has been getting in your head with some foolish notions of slowing down now of all times,” he says. “My boy, I warned you ‘bout women like this before. They can’t appreciate the hard work we been doin’ to make this life here, and simply will take from men ike us.”

As sour of a taste as that statement leaves in his mouth, that at the very least confirms that Parker doesn’t know dogshit about the sitation. He’s reminded of that time how she complained she never has time to take a cigarette break or something will catch on fire. Something that was proven true only moments after she put one in her mouth and then ten men were screaming fire. She would casually stroll up to it, extinguisher in hand, and use the inferno from the stagelight to light her cigarette before putting it out. 

“You don’t gotta worry no more, my boy,” he starts patting around his jacket, only to pull out two cigars and a set of matches. This and the story gives him an idea as to how to prove his own convictions.

“Why’s that Colonel?” Suspecting what he’s getting at, but willing to give him the benefit of the doubt. 

“I had a word with the young lady you were so fond of back in New Orleans,” he started, every word of his making Elvis want to scratch his own skin off. “And rest assured we came to an agreement after a few words from yours truly,” he says as though that will somehow placate him. “She wants nothing more than for us to leave her and her little ones alone, and of course we can accommodate that,” he lights up a celebratory cigar and hands his client one as well as though they were in some anti stork club.  

He once made the mistake of calling the Colonel something of a father figure to him, and he’s never been more disgusted with himself than right now. But he stays silent as he lets the “Colonel” before him dig his own grave. 

“Trust me son, I get the urge to want to settle down,” he reassures him. “But you’re young and it ain’t like you don’t got all the options in the world. Next time ‘round you can have some babies with a proper American girl”

The Colonel doesn’t know it yet, but this statement truly solidifies his fate. 

He doesn’t get it. None of these assholes get it. How can they? They ain’t ever lost someone like he did, like she did. They can’t see the value of family because they think that he can just make more of them with someone else? As though forces of a higher power hadn’t gone out of their way to bring them together. 

Elvis can do nothing more than kiss his teeth at the older man’s ignorance, as he slowly but deliberately grabs the cigar from his mouth and looks him dead in the eye as he slowly stamps out the cigar on the unvarnished wooden side table. 

Jimi was right. Words are nothing at the end of the day and it’ll be actions that will show them all how fucking serious he is about this.

“Those are my babies, and she’s my girl. And I ain’t gonna hear nothin’ more ‘bout it.” Elvis gets the pleasure of watching the Colonel gape like a fish only to then go red in the face as he goes back and forth between him and the small flames that are now beginning to dance on the table. He cuts him off before he can get another word in edgewise. “‘Sides I think marryin’ her would do wonders for my reputation down south.”

The portly man is surprised by his clients words and tries to quickly recover from the shock. “Son, I-I don’t think there’s notin’ down there we need to worry ‘bout,” he scolds as though Elvis were a child, trying desperately to reign him in.

“I used to think the same thing, ‘till I hired that PI to look into Jimi…” Elvis starts as he cuts the cigar, not even bothering to acknowledge the man’s concerns, “... and a few other things.”

“...what other things?”

“Funny you mention that Colonel. I had him look into where the hell those quotes came from. Y’know the ones that got me banned from Mexico. And boy did he have a story to tell,” his words are comically gleeful as he brings the cigar to his mouth. “One with high up there politicians, birthday parties, and blank checks. A story… my manager apparently knew all too well, but ain’t ever bothered to tell me.”

The only thing that could be heard in the moment was the light crackling from the flames between the two of them, and from it’s light Elvis can see the way that the sweat seems to pour off of the man in front of him. They both know that it has nothing to do with the fire.

“So-son, this is… it’s-it’s more complicated than you think,” Parker stutters, trying to desperately wrench back control of the situation. But Elvis already knows that the next chance he gets, he’s gonna cut ties with him… but Parker certainly doesn’t. And so for the time being he still has a role to play in this production. 

“Now there’s two ways to take this,” Elvis says leaning back on the wicker chair as the flames begin to get higher and higher, attracting the attention of his boys outside, and they rush to try to do something about it. One single hand gesture from him has them all frozen in place, awaiting his command. 

Good, these motherfuckers needed to be reminded who exactly is in charge here, even if he had to burn this whole place to the ground. 

“One, a simple mistake that my manager made and will now do anythin’ to fix if he wants even a chance at his contract bein’ renewed pretty soon… or two…” he brings the still unlit cigar to the now three foot flames on the table beside him, the closest thing he’s done to acknowledge them. He even briefly blows out the flame on his cigar, really trying to draw it out, enjoying the way it makes the older man squirm in his seat. It’s only right considering how much grief he caused trying to hide his secret so long. But if Jimi had taught him anything about Hollywood, is that shit like this don’t stay buried forever. “My manager for some reason can’t leave the country and didn’t want me leavin’ it neither.” 

It's an interesting experience to watch a man go from red in the face to completely white in horror. He opens and closes his mouth in disbelief more than a few times as though god himself will put the words in his mouth to smooth over this misstep. Any doubts Elvis had about the PI’s story melted away with each little tick the man before him made. 

Jimi had taught him what makes for a good and bad actor, and boy oh boy did Parker make for a shitty one: the shifty beady eyes, the nervous tapping on his cane, the constant swallowing and clearing of his throat. 

“So Colonel,” he states with a smoky breath, and no amount of venom missing from his voice for the man that- albeit unintentionally- cost him so much time with his family. “What’s it gonna be?”

The flames are by now as tall as a full grown man, and the fire has now fully engulfed the low table that was once there. All the boys are nervously shifting and shuffling about, wanting to put it out before it can get out of hand, but the hand that Elvis holds toward them keeps them in place, not a single one of them willing to go against him. 

The message is clear to everyone though: give him what he wants or he will burn them all, and not just metaphorically. 

“I-I,” the old man stutters looking down at his feet undoubtedly looking for help even from Hades himself, only to see as an ember finds a new home on his lone client’s pant leg. 

Elvis does not acknowledge this. 

Parker looks back up at him, only now comprehending who the hell he is dealing with. 

“I’ll see what I can do my boy,” he finally answers breathlessly.

“Now that’s what I like to hear, Parker,” he gives an amiable clap to his shoulder before gesturing to the rest to take care of the inferno before them. They’re all in a dead sprint to deal with the fire and Elvis gives his foot a cursory dip in the pool to extinguish the flames creeping up his ankle, before walking away without another word to any of them. 

With the Colonel and everyone else willing to do anything to get back in his good graces, things seem to run a lot smoother now. 

Finding a lawyer willing to handle paternity suits is easy enough in this town, finding one that is willing to fight to establish his status as their father however… practically every lawyer that was consulted said it was near impossible for them to do so without the mother’s consent. Without even knowing who exactly they were meant to be representing they said the whole thing would be a wash if at the end of the day the mother remains obstinate against it, and regardless of any blood tests, no judge would believe that a woman would willingly say no to the support a man like Elvis could offer if it wasn’t the absolute truth that he wasn’t the father. 

Needless to say that Elvis could only rely on the legal route so much. Though he did learn a few interesting things as to what would happen to children if the mother is deemed unfit.

And from there, he begins to cook up a truly awful and perhaps downright evil plan but he knows that the prize is worth the risk.

It’s gonna rely on all of his skills as an actor, and she’s been in the business too long to not know an act when she sees one. But he has one major advantage over Jimi in this department: She already expects the worst from him, so him doing this wouldn’t be a stretch in her eyes.  

Even threatening to dig a little deeper into whether or not they were his, made her pull back even more, she’s not gonna make this easy for him, and part of him doubts he would want it to be so. He knows he’s not without options, and that women would practically tear down the door to be the one to give him babies.

But how can he just let her go? 

Jesse couldn’t be here with him, that’s why he sent her his way. Elvis needed someone who would look out for him no matter what. And with Elena gone, Jimi needed someone to look out for. The two of them fit together like puzzle pieces really.

So he has to be smart about this. Nothing gradual because she will bolt the second she even gets a hint as to what he’s planning. So he takes a step back and allows the PI to learn all he can about her new schedule and what she’s got in the works. 

She’s still working for Paramount, though only barely, as she now apparently only comes in once a week to talk with directors and drop off designs. Though it’s clear this is not for much longer as she’s apparently been tapped by some production company down in Mexico to come work for their wardrobe department. 

It becomes apparent that he needs to work quickly if he wants to pull off his plan, when his request to have her work on his next movie is denied for the simple fact that she is apparently only sticking around Paramount long enough to finish off a few other productions. He’s honestly a little glad for this change, it just means he can put his plan to action a little earlier and they can be together sooner. 

So it’s not even a week after the end of production does he find himself standing in front of her small, new house in East LA. 

Elvis knows his influence on women, and despite what the papers say, he’s tried to use this for good. So when he walks up to Jimi’s door and knock, he does admittedly ham it up with the hand to lean on the door frame and the slightly unkempt hair falling over his forehead, a look he knows would make any woman weak in the knees. Especially a 13 year old babysitter.

The girl (Letty, he’s pretty sure the PI said), seems to be confused more than anything else, uncomprehending as to who stands before her. She’s far from the first or last to have this reaction but it shows that Jimi is playing her cards far too close to her chest that she wouldn’t know why he’s here.  

“This here’s Jimena’s place?” He asks though he already knows the answer from the PI that’s getting paid hourly. 

“Ye-yes,” she stutters, reaching a hand out only to quickly snatch it back as she confirmed he was really here. 

“Perfect,” he grins, and he sees her look down bashfully. “I’m here to pick up the babies.”

This confuses the poor girl even more. “She… didn’t mention that.” Elvis has to hold himself back from telling her she couldn’t keep a father away from his children, but honeys and flies and all that. 

“It’s a bit of a surprise for her.” He answers.

She’s still apparently unsure of herself, as she gives a weak point back inside the house as she says,“I-I think I sh-should ma-maybe call her.”

“How much you gettin’ paid by her?” he asks affably, though a little annoyed at the girl continuing to keep him from his babies.

“Five dollars a day and an autographed picture of Marlon Brando,” she answers, though she looks back down at her feet, as though embarrassed to be talking about another star she preferred in front of him. He doesn’t take it to heart, remembering Jimi complaining how she had more autographs than she knew what to do with.

“How ‘bout this,” he pulls out his wallet. “I’ll give you 50 and get you a personal meeting with Marlon, if you get the lil’ ones ready to come with me for the day and don’t say nothin’ to no one ‘bout whatcha saw today.” 

The teen gapes like a fish at the offer and though Elvis knows it’s good for his plan that she didn’t automatically refuse his proposition, it is nonetheless disheartening that this is the girl Jimi had entrusted his babies to. 

“I-I-I,” she looks at her feet, as though they’ll have the answers for the dilemma. “I don’t think I can let them g-go with a stranger.” she puts a bit more of her weight onto the door fully intending to close it. 

“That’s the best part kid,” he pressed a palm to the door. “I ain’t a stranger to her.” The girl has no idea what kind of danger she’s in, and Elvis attributes that almost solely to Jimi’s influence. What’s a few lies when he knows he would do far worse if she dares to keep him away from his children any longer. 

“Don’t let them papers know this,” he says in a conspiratorial whisper, full well-knowing that’s exactly who she’s gonna go straight to the moment she gets the chance to do so. “Y’see their mama and I… well we been seein’ each other for awhile, and now stubborn women she is, she don’t wanna go no further ‘til I can prove I’m ‘father material’ so I came down here to prove her wrong.” 

She furrows her brow in confusion until her eyes go wide. “Wait… go further? As in…” 

He takes a page out of Jimi’s book and gives a pursed grin while his eyes slide away from her, not even trying to deny her assumptions. Seeing her hold a hand to her mouth to cover her dramatic gasp, Elvis would like to think Jimi would be proud as to see how far his acting abilities have come. 

The girl is apparently all too eager to play cupid as she quickly invites him in with a big grin on her face and ushers him towards a sitting room. Despite how cool he’s playing it he’s a nervous wreck on the inside, feeling like he’s about to walk into a test he knew he didn’t study well enough for. 

But that all disappears the moment he lays eyes on them. 

They can already do so much, he thinks as he watches them play though they don’t notice him,  Mireya holding a whole baby conversation with her stuffed animals in between trying to feed them dry cheerios while Alejandro is making little humming noises around the pacifier in his mouth as he crawls to drive his little fire truck around. Eventually the tiny boy drove the toy straight into Elvis’ foot. 

The small boy looks up at the new figure, and with the way he looks at him, Elvis doubts he remembers him. So he tries not to take it too personally when the boy silently gets up and scrambles behind one of the couches, only to then peek over the corner, as though to make sure he’s still there. 

“Ale, Mimi, come say hi,” the young teen says in a soft voice before she turns around and leaves him alone with them. Those names feel much more fitting of the small babies he’s pictured in his head, and even more fitting as he leans against the door frame of the little sitting room.

Mimi almost immediately begins to toddle over to him with a little stuffed doggy tucked underneath her arm. She looks at him and again there is not an ounce of recognition in her eyes as she merely approaches him wraps her arms around one of his shins before immediately going back to her toys. 

So much for the instant connection he was hoping to have with them, but he tries not to get too discouraged with this as he approaches. He crouches down next to his daughter and picks up a stuffed monkey and uses it to tickle her neck a little, and that has her shrieking in delight.

This does seem to settle Ale somewhat as he slowly comes from behind the couch to watch the two of them. Though he plops down right between them with his engine in tow and gives a wary look toward Elvis as though he means to act as her protector. He didn’t know it was possible to have a skeptical look while sucking on a pacifier, but his son somehow manages to do just that.

Elvis notices something in the boy's front overall pocket and when he reaches a hand to investigate it, his son is quick to react with an overhead swat to the intruding hand. Elvis can’t help but laugh at how very Jimi that reaction is. 

Before he knows it the bags are all packed and it’s time to go. Ale looks more confused than scared as Elvis picks him up with his wide brown eyes, while Mimi on the other hand is in awe of being so high up and she immediately starts trying to reach for things that he thinks would usually be out of reach when held by her mama. 

In the last few days he’s had ample time to imagine what exactly it would feel like to hold them in his arms, but all of it pales in comparison to the phenomena of the experience. Elvis is a man that has dabbled in many pleasures over the years yet all of that pales in comparison to just the utter rightness of this moment. 

It’s an indescribable, euphoric feeling that makes him never want to let go of either of them, even if one is seeming indifferent to him while the other tries to squirm out of his grasp.

He had been prepared to sneak out the back with them or pass them out the window to Jerry before sneaking to the car, hell he contemplated that he would even have to simply grab them and run. He never in a million years would’ve imagined it was as easy as scooping them both up in his arms and taking a brisk walk out the front door to the car while the babysitter hands over a baby bag to him. 

The fact that it was so easy was just further proof that he needed to get them out of there. What if it had been some crazy man that came in today and not him that took them? 

“E.P. What the fuck?” Jerry asks, more tired than confused. 

“Let’s get goin’ already.” 

The car ride gives him some time to truly appreciate how beautiful his babies are.  

Mimi has Jimi’s thick dark hair and her pouty lips, and those coupled with the cornflower blue gaze that came from him, he can already hear the heart's (and the kneecaps, Elvis will personally see to it) breaking across the country. And where Ale seems almost his exact copy, he can see Jimena’s touches here and there with the way his hair curls or the slight upturn of his nose. Truly it would be a crime to deprive the world of more pretty children like these two. 

Mimi in turn seems to also be fascinated by his face, and he takes a few playful nibbles that has her squealing in delight. Though she does lose a bit of interest in him as the car starts and she gets to see the world around her rush past her. She makes sure to point out every animal she sees whether it be a dog, a cat, or even a squirrel, and Elvis finds himself enjoying every moment of it as it feels like he’s looking at this whole city through a new lens.

“Mida, mida,” she squeals in her tiny voice as she points to a bird. “pajado!”

Ale on the other hand is just looking up at him owl-eyed, too in shock as to what’s going on around to look at anything but at his father. He clutches on to his little firetruck like a shield still unsure of this whole thing but Elvis takes it as a small victory that he isn’t balling his eyes out. Elvis resorts to trying to make faces at him to get him to crack even a little though it becomes apparent that what this kid lacks in looks from his mother, he more than makes up for by having her personality, as he barely twitches at any face. Granted it is hard to tell around the pacifier he refuses to part with. 

Jerry remains blessedly quiet for the rest of the car trip though Elvis doesn’t miss the occasional stolen glance from his young friend. The man -boy, really- had initially been on the side of letting sleeping dogs lie, and now Elvis pushes down the petty urge to hold up his own son to his face and have him try to deny his own image. 

Elvis’ living room could honestly give Santa's workshop a run for his money with the sheer amount of toys and playthings that occupy it now. All his boys had apparently been working overtime trying to make Elvis forget how skeptical they had been in his beliefs, and trying to worm their way back into his good graces. 

His daughter practically dives headfirst into the large pile of stuffed animals to be had, meanwhile his son stands in the middle of a treasure trove of toys, his red engine hanging limply from his hand, practically overwhelmed by choice. He eventually does settle on a set of blocks that he takes to stacking up only to ram his truck into the makeshift tower. Elvis can’t help the chest swelling contentment he feels in that moment seeing his babies love their new home so much.

He hardly sees anybody else all day, and he’s glad for it. He didn’t want any of them sticking around too long, as this was his chance to bond with his babies properly, and he didn’t need any of them to distract them. Aside from the occasional maid coming in to bring snacks or to change a dirty diaper, he gets an entire uninterrupted afternoon with the two. 

Mimi was so eager to play with him and show him all of her little toys, with her favorites being the little stuffed dog she hadn’t let go of, it’s neck floppy as she clutched it in her tiny baby hand. 

Ale thinks he’s subtle as he eyeballs Elvis most of the afternoon. He is not. He all but gapes at him when he thinks he’s not looking, only to turn around and try his darndest to look very busy with his blocks or cars when Elvis looks over to him. 

He tries to approach the toddler, only for the boy to rebuff him each and every time by shuffling to the opposite end of the room, and setting up shop there. Elvis has to remind himself to be patient, knowing that his son is handling being in a new strange place with a man he only barely knows better than most kids would so he has to let the boy approach him first. 

He could tell just by the way he watched Mimi like a hawk, that he was the older of the two, the same way Jimi always said she was with her sister. His weary attitude towards him only began to thaw out when Mimi stumbled over a block, somewhat able to catch herself on her hands but that doesn’t prevent her from still hitting her little forehead on the carpeted floor. Immediately father and son are at her side to comfort the wailing girl, Elvis crouching down to pick her up and rubbing her back, trying to imitate the few times he’d seen mothers do this, while Ale not fully understanding what’s wrong with her, only to tries to climb his father to try to take the girl in his own little arms and rest his head on her back. 

After a few more tears and she had been allowed to thoroughly ruin his shirt, Mimi was able to calm down and go back to playing as usual. Ale seems to only then realize that he had gotten close to his father, and nothing bad had happened, so blessedly he doesn’t seem entirely too opposed to his presence anymore. 

The only major hiccup of the entire evening was when Ale had entrusted Elvis with his most treasured toy. Elvis almost burst into tears when his son had reached into the front pocket of his overalls to pull out a small matchbox car, one that appeared to have been red at one point but had since faded into a light pink. 

This coupled with Mimi’s favorite stuffed toy being a stuffed beagle… Elvis is not one to just name anything as signs from God, but those two together had to mean something.

And it’s frustrating to say the least that Jimi refuses to see this. 

The twins begin to wind down around the evening, with full bellies and comfy pajamas on it’s not too long before Mimi practically falls asleep where she was playing, her little bottom in the air as she drooled all over her little blue doggy that now acts as a pillow.

Ale is far more stubborn about the whole thing, refusing to sleep even as he jealously looks over to his sister before stubbornly rubbing at his dark eyes and continuing to play with his toy cars. 

“Don’t go down so easy now do ya’ son?” Elvis says as though he’s actually commiserating over his miserable sleep with a friend and not his toddler son. “You get that from me,” The boy at the very least now tolerates him being so close, but Elvis isn’t going to try to push it by picking him up. Instead he would gently pick up his daughter and hold her in one arm, while offering the other to his son, a clear invitation to the boy.

In spite of all his mulishness, Ale does eventually give in and makes little grabby hands signaling he wants to be picked up, and Elvis does admittedly melt a little at the sight. He’s quick to accept the invitation and picks the little boy up and takes them upstairs. 

The nursery room as of right now is pretty barebones, having had to rearrange many things in the house, so as to make it a home for his family. But he thinks his boys managed to at least get the essentials with a crib and a rocking chair, and he figures that they can build from there. 

The experience of not just holding his children at the same time but of actually getting to do the fatherly thing of singing them to sleep is incomparable to anything he’s ever had the chance to experience. Something so new, yet at the same time feeling like his whole life was leading up to this point. Mimi’s already asleep and he knows better than to wake a sleeping baby, so he sets her down in the crib first before sitting down in the rocking chair with his son in tow. Elvis admittedly doesn’t have a wide knowledge of lullabies, and he briefly panics for a moment until remembering the one he’s performed maybe a dozen times in the last few months.

They call your daddy Big Boots

And Big Boots is his name

It takes a big man to wear big boots

That's your daddy's claim to fame

It feels only appropriate to sing this to his own son, and in a way he’s glad that he performed this before meeting either of them. He doubted he would’ve been able to keep it together singing this to any other child now, knowing they were out there. Much to his relief, Ale eases up a little on his chest, resting his chin on his arms to better look at his father, not so defensive anymore. 

Gonna tell you a little secret

You won't believe it's true

Did you know your daddy, Big Boots

Once wore little boots like you

Ale for the first time today removes his pacifier from his mouth and presses his tiny hand to Elvis mouth, seemingly entranced by the music leaving it and unbelieving that this is coming from a man and not a radio. 

But where he was barely keeping it together while singing, Elvis can’t help his reaction when Ale lets out a soft little “daaa…” 

His throat seems to close up and he has to blink away a few tears, but that doesn’t lessen the grin on his face. “Th-that’s right son,” he breathes, through quivering lips, pressing a kiss to his forehead. “I’m your daddy.”

Something about that statement seems to settle something in the boy, as he finally puts his head on his chest and his breathing seems to even out. It’s as though he had been the ever vigilant man of the house. But now knowing that his daddy was home, he can finally lay his head down and rest. 

Eventually he has to put him down once he sees Mimi start to fuss in her sleep, waving an arm around and grasping for something, but she quickly relaxes once her brother is within her grasp. 

Elvis sits to watch them for a time, they’re simply so hypnotic to observe. The way they breathe in tandem and seem to gravitate toward each other, in a world of their own right now. It makes him wistful for the brother he never got to know. But wherever his brother may be right now, he feels joy that he can carry out his will and finally have a whole family once more.  

One look out at the sun setting and the clouds rolling outside his windows, he knows it won’t be too long before she arrives. He wants to be able to relax but he knows he won’t be able to until all of his family is under his roof. But he knows her well enough, to know she’ll be home soon. 

Finally he sees an unfamiliar pair of headlights shine behind the gates, before coming to a screeching halt and a familiar silhouette stands in front of the lights, to give a futile shake at the front gate. He can imagine she’s yelling to be let in, even muffled through the patter of the rain starting to really come down and the thunder rolling in the distance, he can just barely make out her voice. 

He sees Lamar unlock the gate for her, but the moment his guard is let down she takes off running towards the front, which is when Elvis takes this as his cue to start heading down to meet her. 

She was in no way prepared for this weather if her near see-through white blouse was anything to go by. Her makeup is running slightly, streaking down her cheeks making it impossible to figure out if it was rain or tears running down her face. All fury and passion, just like he loves her. 

She angrily stomps past him, still trying to ignore him only for him to block her with his full body.

“How many times?” she grits out. “How many times must I turn you away?”

“I don’t know darlin’,” he whispers in a just as low voice. “As many times as it takes ‘til you figure out I ain’t goin’ nowhere.”

“Cut the crap Elvis!” she shouts. “Where are they!?”

He responds with a single finger to his smirking lips. “If you wake ‘em, you gotta put ‘em down again.”

This immediately has her try to run past him towards the bedrooms, but he catches her in one arm over her waist and he sits her on the dining room table, sure to plant his hands on her knees so she doesn’t get any ideas. 

“That’s enough Elvis,” she tries to rip his hands away from her. The way she’s all clenched up, lets him know that she would scream at him if it were an option. “You’ve had your fun, now just let us go.” 

He just further smirks. “Y’know after all the things I learned ‘bout the last two years for you, I kept askin’ myself one thang,” he says pushing himself off the table to stalk towards her. “‘Why the hell is she still here?’”

Her jaw clenches tight at this, unwilling to meet his eyes. “I had to do what I had to do to support My babies.”

“Considerin’ what my guy dug up,” he starts making his way towards the table that has had her whole life laid out upon it. “You coulda worked anywhere else and left Hollywood behind a long time ago.” The heavy clench of her jaw and the daggers in her eyes tell him he’s getting close to the bullseye. “No,” he says, holding her chin between his fingers. “You stayed cuz you was waitin’ for me to get back.”

This infuriates her and she gives him a good shove, but he’s no longer in the mood to indulge her little tantrum so he stays put. 

“Is that what you wanna fucking hear Elvis, then fine! They’re yours!” she shouts, a bit of a tremble in her voice. “Are you happy now? Will it help you sleep better at night knowing they’re yours? ”

“I’ll sleep better knowin’ they’re under my roof.”

She freezes at this admission. “What the hell are you talking about?”

“I’m talkin’ ‘bout the fact that you and the little ones are gonna be movin’ in with me.”

The silence that passes is near deafening and he gets the pleasure of seeing the reality of the situation set in in her face. She gives a short mirthless but undoubtedly forced laugh but there’s no denying the fear in her eyes. 

Good.

After all, she was the one that wanted this when she wanted so badly to make him a villain in this. He’s not, he’s a father. 

“All this time, I thought you were stupid,” she says, that sardonic, slightly scared, laugh still laced in her tone. “Turns out you’re just fucking crazy.” Anybody else he would’ve been offended, but he lets her barbs slide right off his back, because truly words are all that she has left anymore. He’ll let her have them. “In what world do you think this is gonna play out like you want it?”

He gives a soft smile and raises a hand to take her chin, only for her to quickly smack it away. 

“The world the studio pays for.” 

She gives a derisive snort, “And you think they’re gonna pay for you to ruin your image.”

He simply smirks at her, finding her ignorance cute. For all that she knows how to work the system, he understands how the system works. More importantly he understands that the system works for him. His only direct response is to slide her the papers his people drafted up for him.

“What the fuck are these?” she asks, her voice lower, trying to mask her genuine confusion.

“That there is the copy of the marriage license ‘you’” he uses air quotes, “signed six hours ago, and an officiant from the studio officially signed off on these.”

“I-I don’t understand,” she says, her voice smaller than he’s ever heard from her.

“Now Jimi let me tell you two stories, only one of ‘em’s gonna be in tomorrow’s paper,” he says, gently rubbing her cheek that she quickly slaps away. He retaliates just as swiftly with his hand splayed across her collarbone to lay her back on to the large dining table, just below the neck, not enough to choke her, but just enough to remind her who the fucking man of this house is. “One is how I went and got married to a single-mother of twins and I adopted them as my own.”

“I would neve-”

“Or…” he cuts in as he puts a little more pressure on her neck. “And this one is the one the studio prefers… I marry some random girl they pick out for me and we end up adopting two poor little orphans, ‘cause their mama decided to run off to Mexico in the middle of the night.”

Almost like he planned it, he can hear the thunder roll in the distance as the threat hangs in the air. In his heart he knows he would never go through with this, but Jimi doesn’t have to know. 

All the anger drops from her face at that moment, in its place he sees something he’s never seen in her eyes: bold-faced fear. She showed her hand the other day when she told him why she wanted to keep the secret. He didn’t want to have to do this to her, but if it’s between having her fear him and staying with him vs not and her walking away, he will pick fear every single time. 

He needs them in his life.

He needs her in his life. 

“So you choose darlin’, which ones it gonna be,” he takes her chin between his fingers. She flinches slightly but knows she’s in no position to turn away from him now. “Either way… they’re comin’ with me.” 

Elvis is not a gambling man, and he wouldn’t do this unless he knew what her answer was gonna be. She’s just as crazy for family as he is, she wouldn’t be able to handle not being able to have them. She’s probably the only one who is capable of understanding what he would do for those two as he has no doubt that she wouldn’t do the same in his shoes. 

But between the two of them, only one of them had an entire studio willing to do whatever it takes to protect his image, no matter the expense. 

And for all her worldliness and experience, she knows full well what happens when you get on the wrong side of the studios. She spent the better part of two years trying to prevent them from learning this, because making her disappear and having her babies get lost in the system would have been nothing to them. 

He’s proud of her ability to successfully keep her and their babies alive in his absence, but he’s over her needlessly defiant nature to insist that they’ll never need him again.

He wouldn’t say he’s proud to see that defeated look in her eyes, but he does get the sense of relief knowing that he’s not going to lose anymore family today. 

“Let me see them,” she whispers, barely audible over the rainfall just outside the window. He wraps an arm around her shoulders and he’s practically giddy that she didn’t try to stop him. 

He finds them just where he left them, sleeping soundly knowing that their father is here to protect them, even from their mothers stubbornness. Ale is spread out like a starfish, one foot continually nudging his sister, while one hand is tightly balled up and a thumb in his mouth. Mimi on the other hand is squirming a bit, her little sock covered feet restlessly kicking at the blanket and her brow furrowed in her sleep. On pure instinct alone Elvis rubs a soothing hand on her belly until she’s calmed down enough and he quickly tucks her back in. 

The look of surprise on her face wasn’t part of the plan but is welcome nonetheless. “Y’see how important a daddy is sweetheart?” he whispers into her ear. 

He doesn’t exactly love the tears now freely falling out of her eyes, but he 

“I’ll stay,” she whispers, through her tears. “I’m staying for them.” She asserts but the words feel so hollow now. Even still he rewards her acquiescence with a kiss, more for himself and having been so patient for her. 

Even with her promises to stay now he knows that this is far from over. He knows that the next time she has them both in her arms is gonna be the next time she makes a break for it. He’s already let everybody know to never leave her alone with them, and he’s got some things in the works to make sure to make her face as recognizable as his own so she doesn’t get any ideas of trying to disappear. He’s even got a hail mary plan in his back pocket to deal with that doctor just in case he ever needs something big to keep her at his side.

But one thing he can absolutely do right now is work to get another baby in her so running won’t be so easy next time. A message she gets loud and clear the moment he works the zipper of her skirt down the mouth-watering curve of her ass. 

“Elvis please,” she half-heartedly bats away his hands. “Not tonight…” 

He’s been on a winning streak of getting exactly what he wants lately, and he’s not about to let her break that. He backs her against the wall of the hallway only to then nestle himself between her legs.

“C’mon baby,” he whispers in her ear, and he’s glad he can still get that same shuddering reaction from her, he remembers all too well. “It’s our weddin’ night and we gotta get to work makin’ it all official. ‘Sides you owe me more babies for keepin’ ‘em away so long.” 

He can’t help but be reminded of that beach fantasy he had not too long ago and while he would love to make that into a reality, he figures that he at the very least owes her more than a dirty quickie in the hallway for their wedding night. 

Besides, they'll have all the time for that in Hawaii.

So instead he opts for the classic groom move of lifting her up in his arms and carrying her into his -now their- bedroom. He doesn’t care none to be gentle with her clothes, she’ll be lucky if he cares to be gentle with her tonight after all the shit she’s put him through. 

Ever the contrarian, she obstinately looks out the window and looks as though she wishes to be anywhere else right now as he peels the wet clothes off of her body. He’s been half-hard since she walked through his door, but little Elvis stands at full attention now that he can behold his wife fully. He finds the cosmetic differences that having his children has caused her body, with the near invisible stripes he feels on her belly and her temptingly darker nipples, but what he sees first and foremost in her body is his future. 

That world-shattering knowledge that she will be where all of his seed is planted and he will never have to suffer being alone again. He has to push these thoughts aside lest he spill all over her belly like a green boy, and he has to remind himself that there’s no need to rush anymore now that he has her beneath him. 

He has to temper himself before he gets ahead of himself so he spreads her legs to dive head first for her pussy. 

He knows he has her when a simple kiss to her clit has her clenching her thighs over his ears. While it’s with reluctant acceptance does he acknowledge he wasn’t her first, he takes great pleasure knowing that he’ll be her last. It was frankly insane to believe that no one had ever done this to her before, as after he had gotten his first taste of her there was little else he wanted to do more than this. 

He remembers joking with her that he now understood where her womanly sweetness went given the lack of it in her personality. It’s true nonetheless, arguably she tastes even better than he remembers. Though he imagines it’s the same way a man dying of thirst calling his first sip of water the sweetest taste, considering how much he’s pined for her. 

Now that he’s been able to ensure she’s sufficiently wet enough he lets her hips fall back on to the bed, as he unbuckles himself, unwilling to waste another moment to undress himself, so that he can once more feel that connection he almost lost.  

Finally being able to slip into her feels like finally coming home, there’s truly no other way to describe it. He didn’t even get this feeling when he walked through the threshold of Graceland. 

“Elvis,” she sobs into his shoulder. For all the love she claims to have lost for him, her body has certainly not forgotten as he feels her thighs clench tightly around his hips, trying to keep him as close as possible. 

He quickly grabs a hold of the back of her knees and he forces them all the way back practically to her ribs. Her pleasured and shocked cries ring out though the room as her new position gives him a new angle to work with. He’s a man on a mission to ensure that he leaves a mark so deep that she’ll never be able to leave again. 

Forever, and just that thought alone has him frantically bucking into her over and over ripping her away from one orgasm to yet another as he chases his peak. One of the many he would have in that night alone, to try to make up for all the lost time. 

Once it’s all said and done and he’s sufficiently satisfied that her sleepiness isn’t being feigned, he carries her back to the bed properly so that she can rest and be ready to be the perfect mother for their two (hopefully more) little ones tomorrow. He wraps an arm around her, knowing how slippery she can be, and he rests easy knowing she’ll be there come morning.

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Honestly? They would find it fun at first, not in a mocking way. It's (i hate this word, but it is what it is) exotic somehow. You’d be adorable. “You look so cute, Baby,”

Also, when the occasion comes, they find it hot. Since Telepatia or any other Latin sexual song of that kind has this distinct rhythmic and Y/N starts dancing... They get hard. Like no joke full flagged pants tightening boner. BAM

You love Elvis Presley. And you were lucky enough to be the woman that he loves back.

There was no doubt in your mind. 

It almost plays out like a fairy tale. The King that fell for the maid. 

When you were just a maid that cleaned up after him and his friends in Beverly Hills, you didn’t expect this house to be much different from the other houses you’d worked at. You’d been working working as a maid for a few years now, so you knew the deal. Rich people liked their big houses to be clean, but didn’t want to actually think about it being clean, so you were to be seen not heard. They rarely ever spoke to you, mostly they handed a list to one of the girls, and left the house for the day, and you would leave before they returned. When you did on occasion actually see them it would mostly be them calling for you, usually by the wrong name, and pointing to a mess, before leaving the room, truly thinking you were stupid and could only take the simplest of commands (you would on occasion meet these people again after you and Elvis became official, and they never remembered you).

Elvis at the very beginning proved to be no different. You were in his house constantly and yet you didn’t even see him in person until maybe a month or two after you started. As you understood it he was a busy man, especially as he was trying to make a movie career happen, after being gone for so long. 

You wouldn’t exactly call the first time you met him magical, or even anything really special for you. You and a few other girls had entered the house and immediately you saw evidence of a party from last night and you could also hear some pretty explicit sounds coming from where you knew the master bedroom to be, one voice pretty distinct even if you had never heard it in person, the other a mystery to you. You and some of the girls got a little giggly, while the others seemed pretty annoyed by this whole thing.

Your tía was on the annoyed side of this situation, which grew even more when one of the tasks was cleaning the stairs and polishing the railing. You're the one that ends up volunteering to do it seeing everyone else was too embarrassed to even try to get near there. 

“Suena como si estuviera puliendo la baranda también,” your friend Linda would snicker.

You smacked her arm, and said “pinche puta,” between laughs. Though you can’t say you were any better because you couldn’t help but be very curious as to whether or not the girl upstairs is someone famous or not. Not because you plan on sharing that information with the others, you’re just very curious by nature and always have been. It’s gotten you in trouble in a few places, but you’ve been able to pull the “no hablo ingles” card and it’s usually enough. 

And that’s how you met your future husband, crouched down to get to a hard to reach place on the bannister pretending you’re not interested in what’s going on in the other room, as he walked out of his bedroom in only his boxers, hair a mess, scratching his ass while yawning. It throws you a little how handsome you still think he is in person, even in this less than glamorous situation you find yourself in.

“Hola señor,” you said, trying to hide your embarrassment as you got right back to work to get a particularly stubborn spot. You’re also praying he’s not so uptight as to have you fired for seeing him like this, and your hope is that if you act like nothing's wrong he’ll barely even notice you.

“Um… uh… I-I,” you hear him stutter out. You turn around, prepared to either be given a task or be fired on the spot, but to your surprise you find one of the most desired men in the world stuttering over his words while his ears turn a bright red. That color transfers almost entirely to his whole face when you both hear a feminine yawn coming from his room. That manages to shake him out of his stupor as he scrambles back toward his bedroom and closes the door.

Well… I’m fired, which you’re actually sad about, because of all the houses you work he definitely gives the best tips. You know that girls have been let go at other houses for less than this, so you quietly make your way closer to the door, still near the bannister, hoping at the least your curiosity won’t be in vain and you’ll be able to see if it's someone famous.

“...you said I could stay awhile longer,” the girl says. Her voice isn’t so breathy, so you doubt it’s Marilyn or Jayne, but not so posh sounding that you think it’s a Debbie or Audrey. 

“I-I know darlin’, but somethin’ came up,” you hear him say. He sounds guilty, as though he was just caught doing something he wasn't supposed to be doing. 

“Are we still going to that place you were telling me about later?”

“Mmm…” is all you hear from him in response. English may have been your second language, but even you recognize a non-answer when you hear one. You can’t help but cringe at that and for her sake, you hope, for her sake, she drove herself here. 

Down below you hear Linda calling and asking you to bring down the duster, but as you grab it intending to make a quick exit from the situation, you realize you neglected to finish the job you were sent to do and you lose your balance at the very top of the stairs when your grip fails you from all of the polish. 

There isn’t really anytime for your life to flash before your eyes as someone snatches your wrist and brings you upright again. “You alright there darlin’?” Elvis would ask as he guides you away from the stairs sounding genuinely worried for you while you try to catch your breath. Your heart skips a beat when you see how blue his eyes are, and you quickly try to gather yourself.

“Thank you,” you say. You notice he’s wearing a robe now and also how he’s gazing at you, not saying anything. “You want me to clean in there?” you say to break the tension a bit, which works as you see his cheeks redden a bit as he looks back at his bedroom.

“No, no, I-I uh…” he stutters, before clearing his throat. “If you don’t mind, my uh gir-lady… friend, needs to leave and she uhh…” 

“You want me to distract the others while she leaves?” 

“Y-you don’t mind?” 

“Well you just saved my life so I think I owe you.” you say to him as you lean over the bannister and confirm that they were all in the living room. You go to grab the railing, but quickly snatch your hand back. “Not falling for that one again.” you say looking back at him, and you see that gets a half smile out of him.

“Wait,” he says as you’re halfway down the stairs. “What’s your name sweetheart?”

It’s rare that you’re ever asked that on the job, so for perhaps the first time on the job, your smile is genuine as you tell him.

“Y/N” he repeats, apparently liking the way it rolls off his tongue. And surprisingly enough so do you.

So you make your way down to the room you know they’re cleaning and let them know that the boss wants all of you to clean the kitchen right now. They’re annoyed but nonetheless comply and once you make sure they’re all out you look back up the stairs and give him the thumbs up. He gives you a dopey smile as he gives one back.

Rather than being fired over the incident, he surprises you by actually giving you and the others even more hours. And the hours you worked for him, he so happens to be home. Your tía warns you to be on your best behavior, because typically this means that they think that one of you stole something so they’re keeping an eye on you. With the way one of his friends kept looking at you when you were in the same room as him you figured she was right. But the way Elvis was acting around you, was what threw away this notion.

He was always going out of his way to talk to you, always finding excuses to be in the same room as you, even offering little gifts in the form of sweets. Mix in the fact that you also became the only one who was allowed within places that not even his friends could go into like his bedroom, this all told you that he liked you, but you didn’t want to jump to conclusions as to what way.

After he finished shooting his movie he would ask you to house sit for him while he was back in Memphis, stating he felt he could trust you to keep the house clean and to be responsible with it unlike his other friends. Even after you saw what he was willing to pay you for essentially living alone in his mansion for a month, you hesitated because who just offers that to someone they just met and your tía’s warnings about men like him didn’t help either. You eventually caved when he promised to consider you for a full-time/live-in maid if you did a good job. 

Then two days after he left, you got a late night call from him. You were honestly happy for it, because the house felt too big and too empty with just you there. It didn’t help that the room he left for you was far too nice, and you missed sharing your bed with your little sisters. Suffice to say, being all alone was unsettling for you

“Sorry if I woke ya’ Y/N, I-I just…” he said, nervousness clear in his voice. “I-I just been lookin’ for somethin’ and I think I forgot to pack it.”

“You want me to look for it?”

“If you could be a doll,” he says, relieved. “Ju-just take a look in my room, and see if you can find it there. It’s a black cowboy hat, and I think it was in a white box in the closet.”

You set the phone aside and made your way up there. When you do find it you let him know as much, but decide to have a little fun with it now that you’re up. “I found it Mr. Presley. But there is a problem.”

“What’s wrong?”

“It looks better on me,” you say as you look at yourself wearing it in the mirror. 

“I bet it does,'' he says between laughs. This does create a bit of a pause between you two as you recognize that you’re essentially flirting with your boss, and to your horror he’s flirting right back. 

“So is this for a movie or are you just going to run away to become a cowboy?” You say in an effort to change the subject. 

You hear the smile in his voice as he says, “Much as I wish it was the last one, it’s for my next movie. Dolores del Rio’s gon’ be in it.” 

You’re floored at that. “¡No manches! She’s my favorite actress. I thought she wasn’t ever coming back to Hollywood.”

That gets the two of you talking about movies for hours. It was easy to forget that you’re talking to one of the most sought after stars in Hollywood right now as he gushes about his favorite actors the same way you do. What surprises you most is when he asks you who you’ve met while working in LA. 

“I’ll never tell,” you tease. 

“What, you hate ‘em that much Darlin”?” he laughs.

“Yes,” you jokingly agree, ignoring the way your heart skipped at that nickname.

“I ain’t surprised though,” he says. “There’s some crazies livin’ out there. Ones that’ll ya’ call in the middle of the night ‘bout a cowboy hat, and have you on the phone ‘til… wow 3 in the morning.”

“And some maids are crazy enough to lay in their bed and let them,” you counter, only to clamp up and realize how bad that sounded from the strangled noise he makes on the other side of the phone. You quickly try to backtrack and promise you didn’t mean it that way. 

He reassures you that he takes no offense from that, but he does sound like he’s breathing heavier now, and you worry that you accidentally took the harmless flirting with him too far. You quickly give an excuse to leave, “I have a busy day of sitting on your house tomorrow.” You're glad he laughs at that but it does sound a little stiffer than the other one he’s so freely given. After you hang up you tidy up what you can, and make your way back to your room, hoping to pray some dangerous thoughts away.

The next day you try to act like nothing happened, but that’s all thrown out the window that night as Elvis calls again with a similar request to find a pair of his boots that he couldn’t find, and it proceeds much like the previous call. Eventually after the second week of nightly calls he drops the act entirely and calls just so he can talk to you. And you welcome them, because it made the house feel less empty when he did.

When he got back to LA you didn’t know what to expect from him anymore as the late night calls turned into late night talks in the kitchen. That turned into daylight jokes and conversations between the two of you. And honestly even more open flirting between the two of you, but it all came to a head one day as the two of you were walking down the stairs. 

“So wait? Your character hears a song on the radio that you, Elvis, sang, and he doesn’t talk about the fact that you look exactly like him.” 

“It ain’t Shakespeare, but it’s gettin’ me back out there,” he says sheepishly rubbing the back of his neck. 

“That’s too bad,” you say as you reach the bottom of the stairs. “I think you would make a great Romeo.”

“Oh…” he says, his voice going low for a moment, as in the next moment you find yourself trapped between him and the railing. “Tell me Satnin, what ‘bout me reminds you a Romeo.” 

Your heart is pounding in your chest and your breathing is a little heavier than it was before. The smirk on his stupidly plush lips tell you he no doubt wanted this reaction, so you decide to show him what it was that reminded you of Romeo, and kiss him fully on the mouth. It was a quick peck on the lips but you could still see the faint traces of your lipstick on him. “Those are what remind me of Romeo.” 

He’s stunned at your boldness but no less welcoming as he brings a hand to your face to bring you back, but you use that opportunity to step on to the bottom step and away from him. You leave him on that staircase, your face warm at what you just did, biting your lip to keep from fully laughing at Elvis’ frozen state on the steps. 

Later that same day, he would tell you how his upcoming movie was going to be shot in Hawaii, and how coincidentally, he felt that you were in desperate need of a vacation. The rest was history for the two of you. 

You love Elvis Presley.

You love everything about Elvis Presley, save for one thing. 

His friends.

You will admit you like a few of them. Most of the others are fine, but indifferent towards you. Some of them get on your nerves but otherwise you can live with them, like when they tease you over your accent or snicker under their breath when you forget words. You don’t like it, but you put up with it. 

One of them you absolutely hated, with all of your being: Eric. 

He’s the one that has been around the longest with Elvis. He went on tour with him in the early days, went to Germany with him, and now he’s here in Hollywood with him. He even brags he was the one to give Elvis the final push he needed to get on stage. Yes he was more partial to the party lifestyle than the others, and had a tendency to speak without much thought, but Elvis reassured you that he was deep down a good guy.

You find that hard to believe, because you don’t know what it is about you that Eric finds so offensive, but whatever it is, it’s apparently unforgivable in his mind. 

Even though you spoke it just as well as Spanish, most people assumed you didn’t speak English at all. You let this slide mostly because you’re nosy and people are a lot freer with their words around you when they think you can’t understand them. You begin to regret that decision when Eric got comfortable enough to tell you how badly he wanted to fuck you and what he would do when he did. Usually your go to tactic was to start speaking rapid Spanish, which like most white people, made him confused and very uncomfortable, pick up a cleaning tool and walk into a different room, usually one where you knew Elvis was.

“You’re a lil’ fuckin’ whore you know that?” he would seethe while you cleaned the kitchen the night you were all set to leave for Hawaii. “Just like the rest of ‘em. He’s only taking you because he wants to fuck you.” The foul smell coming from him tells you that he’s been drinking, so you’re on edge right now. Everything about this is setting you off right now, and you know you have to get out of here right now. 

…But not before you got the last word in.

You look him right in the eyes, and as he sees the understanding in your eyes, you can also see him realize before you speak your first word to him, that you knew this whole time what he had been saying to you.

“Probably,” you say, and then you turn right around and make you way to Elvis that night.

You don’t if it’s embarrassment for what you heard him say to you, shame that you heard what he said or fear that you could and would tell Elvis at any moment what he’s like to you when no one was around. Whatever the case may be he would spend the next few years making comments under his breath about you, passive aggressively handing you plates to and glasses to clean, so on and so forth.

As did a lot of his friends, as they didn’t take you seriously at first, thinking you were going to eventually be replaced, that was until the argument that had his former manager walk away. When the press had learned about you, they had called you Elvis’ “Hot Tamale,” which you didn’t love, but what you loved even less was the threat that this story posed to his career.

But that’s also when you know you fell for him completely. Even you had fully expected him to drop you the moment the press got wind of you, because celebrities as big as him simply don’t end up with the maid, let alone a maid that looks and sounds like you. But he didn’t. He didn’t flinch at any of the things they threw at him: Not when his manager walked, not when the studio threatened to pull his contract, not even when a veritable mob stood outside the gates of his home demanding he be arrested for “indecency.” He took all of it, all so that you two could be together. 

Colonel Tom Parker wanted you gone, and forgotten. The last time you ever saw him he was saying shit like how he didn’t want Elvis to be so “controversial,” and how he would ruin his image as a “good American boy,” over quote “some little wetback.” You got the pleasure of seeing his face turn from angry to murderous as those words left that man's vile mouth, and the way every other face in that room drained of color as he went off on him had you breathing a little heavier by the end of it.

Though it all worked out for the better in the end as Elvis had ten new offers from people who worked with Brando and Dean before he was even out of the gate (all asking for a lot less than what he was paying the Colonel). None of them were afraid to take such a “scandalous” client, and were even able to work it in his favor to get more serious roles he had always been after.

Eventually most people seemed to get over it, and you became the new “it” girl, as magazines went from criticizing you for every little thing that was “unamerican” about you to praising how “exotic” and “spicy” you were. It doesn’t matter what they think, so long as you were with Elvis, you were untouchable, you believed. 

That is why you put up with his friends, it felt like after all that he does for you, the least you could do was fight your own battles. 

You had woken up today well-rested and your baby moving beneath your heart. You would have labeled it a perfect morning if it weren’t for the fact that your husband was absent, as he was currently doing reshoots for his movie half a world away right now. 

He had been furious at the studio for this, and tried everything he could to delay shooting because he wanted to be with you as much as he could right now. He had made it no secret how he wanted a big family, and having grown up in one you couldn’t help but agree eagerly. You were engaged for about a month in total, he was so impatient to start trying for a baby, but you were no better in all honesty.

It eventually took when you were with him in Hawaii for the original shoot of the movie. As appealing as being with him there right before your baby is due sounds, you can’t think of anything worse than a more than ten hour flight. You barely survived the flight back home when you were just barely into your pregnancy, you doubt you would be able to make it this late. Besides, you're saving your patience for flying for your upcoming stay in LA, as you had made plans to have your baby there. 

Graceland has become home to you, but Memphis has not. You’ve known since the moment that Elvis decided you were it, that the two of you would be toeing the line. Because being latin, the law here didn’t technically make it illegal for you two to be married, but certain people here made it very clear that they take your marriage as some cardinal sin. As a result, when you are here, you never leave Graceland without him. 

Usually you loved being here. When the house is filled with friends and family it actually does feel like a home, and even when it’s just the two of you, neither of you ever feel lonely. But without him, you now feel the way you did when you were just house sitting for him.

This is why, when you learned about the reshoots, you insisted on being in LA, so you at least wouldn’t be as cooped up there as you were in Graceland and you would have your family nearby. That was one of the biggest fights you’ve had in all the years you’ve been together, as you hated the idea of being in Graceland without him, and he hated the idea of you being in LA without him.

You didn’t relent until you found out why he was so reluctant to have you there. He didn’t want to scare you, but he had learned a while ago that someone had broken into the Hillcrest house. Nothing was taken, but it scared him nonetheless, and he wanted you to stay in Graceland just so he could have the peace of mind. And for all that it made you feel restrained, you can’t help but agree that Graceland is safe so long as you stay within. Red and Pat as Elvis didn’t want you without protection and Pat was pregnant too, so you didn’t have to feel so alone in the house. But Pat, unlike you, was free to leave at any time she pleased and you can’t begrudge her for doing so.

Of course Elvis has been trying to make your confinement easier by calling you every night. He missed you just as much as you did, and didn’t want to go a day without at least hearing your voice. Some calls are sweet, where he asks you to hold the phone to your belly so that he can talk to the baby, and funnily enough you notice that when he does the baby kicks like crazy. There are of course less than sweet calls, the ones that have you be as vocal as possible as you grind down onto his pillow.

Last night's call was different though, just from how much of a mood he had been in already. He had called to tell you that Eric and Joe were on their way back early, and with the venom dripping from his voice, you knew it had to be bad. He didn’t go into detail, but from what you understood is that Eric had been “fucking around” and now Elvis wants nothing to do with him. So much so that he was sent back to Memphis a week earlier than the rest of them, all so that he can get all of his things from Graceland before Elvis’ return. Joe’s only coming to keep an eye on him and make sure he doesn’t do anything stupid. With Red already here you figure that the two of them should be able to take him, but you doubt he’ll try anything now of all times when Elvis is so mad at him already. 

Eric had been like a looming black cloud over this whole experience, making jabs that he now understood the rush to get married so quickly and how Elvis is now trapped. Elvis was able to deflect these comments by joking how if anything he trapped you. Though in the few times he’s gotten you alone, the comments turned into how Elvis should best make sure you’re having a baby, to how he better make sure it’s his baby. You didn’t like what he was implying but you also knew that he was just saying shit to see what stuck, and you didn’t want to give him the satisfaction of a response.

Most of the other men had taken the hint when you and Elvis were gushing about how big of a family you wanted and had quietly moved their things out of their designated rooms, and into their own houses, while Eric seemed to dig himself in like a tick. You know Elvis is never about to ask someone to leave, and much as you would like to see this man off for the last time you decided it would be best not to counter him and to just stay upstairs for the time being.

The uppermost floor was your and Elvis’ own little world, where you two were just a young married couple awaiting the arrival of the first addition to your family. This is where the two of you could retreat away from everyone and just be. But with one of you gone it felt wrong, and you find yourself restlessly cleaning and organizing the floor above trying to make everything absolutely perfect for his return.

Though being roughly a little over seven months, you’re almost immediately exhausted and you find yourself resting your feet in what will become the baby’s room. It’s quickly become your favorite room in all of Graceland, with the little stuffed animals everywhere and the music notes painting the wall. You have no idea if the baby is going to be a boy or girl, but Elvis swears that he’s ready to pull the trigger on a theme the moment you figure it out. 

“¿Qué piensas?” you say to your bump, enjoying the breeze from the open balcony door. “Una patada para los vaqueros o dos para las princesas.” The baby kicks three times, and you laugh while rubbing your belly. Later on you would recognize this to truly be your last moment of peace. 

“How precious,” a vile voice sneers at you. 

Your smile instantly drops and rather than acknowledge him, you look out the window with your hand protectively over your baby. They're kicking up a storm, almost beat for beat matching your heart rate. “Elvis says, you’re not allowed to be up here,” you say curtly.

"He also says to keep the dogs outside, but I see a little bitch right in front a me." 

"I think big bitch would be more appropriate," you say, all the while rubbing your belly. He's always hated not being able to get a reaction out of you, or how you've never gone to Elvis about what he does as though he's not worth the air it would take to do so. Counter to what people believe about people like you, you’re very capable of keeping your cool and you save your passion for your love not your hatred. And you have no love for Eric.

“You must be so goddamn proud a yourself, being able to get your claws in him like you did,” he spits out. “Struttin’ around here with that little bastard in your belly like the cat that ate the canary.”

“Wait, I thought I was a dog?”

“...What?” 

“I’m confused because you said I was a dog and now you’re saying I’m a cat.” you say coyle while sarcastically throwing your hands in the air. “Tell me Eric, what am I?”

“You’re a little fuckin’ whore is what you are!” he shouts. “You know damn well that there wasn’t no break-in at Hillcrest. He just doesn’t want you in LA because he don’t want you fuckin’ around behind his back! I tried tellin’ him as much, but he didn’t want to hear none of it.”

You stand up and walk out of the room, not willing to hear anymore lies of a sad miserable man that has been digging his own grave for years. You weren’t even there, so he cannot seriously blame you for whatever he did to get himself fired. You know better than most how hot Elvis can run, but you also know how quick he is to forgive, so whatever he said or did to get Elvis this way, must have truly been something. 

You make your way to the office, hoping to lock yourself in there and that his outburst caused enough of a commotion to get the other men’s attention. He’s still spewing vile at you, but you’re simply blocking it out until you feel a hand yank your head back hard. 

Everything happens quick after that, as you feel the back of your being yanked away from your intended destination and being led to a different direction. You try your best to scratch at the hand that holds your hair, but his grip is too tight and suddenly you’re flying. 

And then you’re not.

You’re frozen at the landing, not wanting to believe what had just happened. Your heart is pounding in your ears, you feel your face get wet, and most horrifyingly, your baby is not moving. The carpet on the floor begins to be dotted with red but you don’t understand where it’s coming from until a little blood makes its way into your eye. As you hear the heavy footfalls coming down the stairs you start hyperventilating, trying to get a hold of the bannister and praying that he’ll stop. 

Getting to the railing you hear someone shouting what was that!?!? And someone else shouting where’d he go!?!? You see the others finally at the bottom of the stairs and for a moment the nightmare is over and you think he wouldn’t be so stupid as to continue now, but then you feel a foot firmly place itself on your back. You’re thrown off balance and you’re plummeting down once again. You’re abruptly put to a stop as Red and Joe meet you halfway up the stairs, and they share a worried look at you. You feel fine now, but you will admit that the slick feeling coming from between your legs is uncomfortable. 

You’re confused as to what’s going on, Red rushes his way up the stairs to your tormentor who only gives you a cold look as he’s being restrained. Joe is helping you to your feet and rushing you out the front door while Pat grabs your purse and yells at Mary to call Elvis. 

They’re taking you to the cars and you’re not sure why, you just need to clean the blood off of yourself and you’ll be fine. It isn’t until you look down and see the dark red that stains your blue dress do you realize what’s happening. 

Joe was able to get you to the hospital without issue, but your journey didn’t get any easier from there. The whole experience was nothing but a nightmare for you. Your accented English and skin tone has the nurses trying to direct you to, quote, a more “appropriate,” hospital for you. Even the blood staining the front of your dress and the clear pain you’re in doesn’t seem to sway them. You’re ignored by the staff, as you beg to be seen by a doctor and it’s not until you slap your driver's license on the counter and they see your married name do they suddenly care very much about you and your baby. Or at the least they don’t want to be known as the hospital that turned away Elvis Presley’s wife.

They get you in a wheelchair, and as they take you to the maternity ward, they repeatedly ask you questions and you’re positive you’re speaking English, but none of them seem to understand you. Not even three hours ago you were complaining to Mary how the baby was giving you heartburn, and now you’re in a hospital, with not a single familiar face in sight, begging incoherently for someone to save your baby. 

This is why you had wanted to be in California, where you would have a better chance of having a doctor that spoke Spanish with you. But now here in Memphis, you’re more likely to get a unicorn to deliver your baby, than a doctor that can speak your first language. 

Your legs are held apart by nurses, who don’t care to be gentle with you, as you desperately cling to the rails of your hospital bed, feeling like you’re going to crack your teeth as you desperately push the baby out of you. The pain you feel from the rest of your injuries is nothing compared to this, but you feel like you're seconds away from passing out after each push. But you know you have to keep going because every second that the baby is still in there, the less likely they are to make it. 

And with one final push it’s all over. Amá told you how long the whole thing could be, but your baby came into the world quick and so quiet. You can feel yourself bleeding out more and more, but you still want to see your baby and you ask as much before you pass out. 

When you come to, you don’t know where you are, you don’t know how long you’ve been there, and all the staff is willing to tell you is that you're restricted to bed rest due to the fact that you nearly died from a hemorrhage, and that your baby girl is alive. That’s how you find out you have a daughter, and all you know about her is that she’s alive and you can’t see her. 

You allow for visitors, and the only ones who do come to see you are Pat and Joan, Joe’s wife. Despite your wish to not be alone, seeing Pat’s baby bump only gave you an empty feeling. They let you know that you had been given birth two days ago, that Red and Joe are holding down Graceland, and most importantly Elvis is going to be here soon. 

You don’t ask about Eric. 

You’re glad they’re here even if all you can do at the moment is cry, and feel hollow on the inside.

He looks awful, is your first thought when you see your husband for the first time in almost a month. His eyes are bloodshot, his outfit is wrinkled, and you can see a hint of stubble even from where you're sitting. The girls quickly make their way out as Elvis makes his way over to your side, his chest heaving and his breathing ragged. 

Elvis is not one for tears, but you can only watch helplessly as the love of your life falls apart in your arms. You thought you'd cried yourself dry at this point, but even now you find yourself holding back even more tears as you try to wipe his tears away. 

“I’m sorry. I’m so sorry, Y/N,” he whimpers against your palm. Your heart is  in your throat at this point, knowing he only ever calls you by your name when it’s serious. “I shoulda been here for ya’, this is all my fault.”

“Amor… Amor, please look at me,” you beg. “This isn’t your fault.”

“Y/N, please tell me what happened,” he pleads. 

“They didn’t tell you?” 

“They did… I-I just,” he takes a deep breath to steady himself. “I need to hear it from you.”

You’re trying to get your breathing under control, but finally you whisper to him what happened. You’re saddened and humiliated as you tell him how your own pride got you into this mess. The pride that liked to frustrate and rile up Eric, because you thought it was funny. The pride that prevented you from telling Elvis, because you wanted to feel like you were the one handling it. The pride that made you turn your back on a man you knew to be dangerous, because you thought he would never do anything to you. And now people are suffering because of you.

You beg him for forgiveness in the part you played in this, and you’re honestly surprised when he sticks by you and you bury your face in his chest. He tells you there is nothing to forgive, but you can see the dangerous gleam in his eyes as he asks if you want to press charges against him, and you shoot that down just as quickly. 

You don’t trust the police, something that has been with you since your earliest memory, Apá telling you about his scars that he got for having the audacity to wear a Zoot Suit as a young man. Navy men had beaten and stripped him in the streets and then afterwards policemen who saw the whole thing arrested him as though he were the problem. It was a scary thing to tell a little girl, but the older you got the clearer the story became: the police aren’t there to help people like you. 

That’s why you told Elvis not to take it to the police, just to have Eric leave Graceland and never come back. It’s going to be a hassle getting the state to acknowledge your daughter as his, let alone getting them to recognize that anything bad happened to you. You just want to put this whole thing behind you and never have to think about this again. Elvis frowns at that, but you doubt after everything you went through he’s gonna deny you this. 

After things have settled, the doctors make their way to your room, now that Elvis is here, they’ve decided now is a good time to tell you what’s happened. They tell you that the fall caused something called placental abruption and as a result you went into labor prematurely. It also caused internal hemorrhaging that caused you to pass out. None of that mattered to you really, you simply wanted your baby with you, and you let them know as much.

The doctors share a look, but they allow you to leave the bed and Elvis wheels you to where they’re keeping your baby. There is a whole team of doctors and nurses to greet you and tell you how you can see her, and what to prepare for. They escort the two of you to a private room farther away and with private security guarding it.

And then you see her… Your baby girl. 

You never thought babies could be so small.

She lies there, wires attached to her and tubes up her nose. She’s too small to even know how to eat and they have to use a tube in her mouth and a needle in her hand. Her little feet kick at the air, her tiny fists are clenched, and her eyes are shut tight, but you're glad to see it all, to know that your baby is still fighting, still daring to live. 

You want to be able to hold her, to let her know her mamá is there with her, but they tell you she’s not ready to be outside of her box yet, and they warn you of how delicate she is right now, and that the slightest change in her environment could be devastating, so touch is to be limited. The doctors told you that they had almost lost her in the beginning, but she’s a fighter and things are looking up. 

They leave the two of you alone with her, when one of the nurses playfully suggests Erica as a first name on her way out. All at once it hits you like a freight train, why your baby is the way she is now and who is to blame. You weep silently, so she can’t hear your grief over the situation: your baby is weak, so you have to be strong for her now. 

“I hate him. I hate him so much.” You sob, your hand pressing on to the warm glass that separated you and your child. Elvis wraps his arms around you, he doesn’t need to ask who you’re talking about. 

All this time Elvis has been so quiet, and he swiftly wraps you in his arms as he promises to take care of everything, and as he wipes the tears from your face he swears that he will make everything better again. 

You know, in spite of the horror that it was to get her here, you’re both overjoyed to finally be able to meet her. But all too soon the both of you are escorted out and away from her. They explain that once you’re discharged, you and only you will be able to stay with her on a long-term basis, but policy prevents Elvis from being able to do so as well. No amount of money or argument will change that. 

The next few days you vaguely register the visitors Elvis brings to see you, but you can’t bring yourself to care about any of it. They all come with well wishes and promises to do anything the two of you need during this time. The men look haunted to see you in such a state and they promise you that they’ll personally make sure Eric never does anything like this again. It’s little consolation to you considering it already happened once.

Finally you’re discharged and you walk yourself straight to the NICU. You visited her as often as you could, as did Elvis, and getting to be with her throughout the day is a step in the right direction. Being there with him makes it easier, but soon Elvis has to leave and your heart breaks all over again. You part with a long sorrowful kiss and you save your tears, knowing that of all times, this is the moment you need to be strong, for both him and your daughter. It was a hard, sleepless night for you and one look at the bags under his eyes and the bruises on his knuckles when you see him the next morning, tells you that Elvis had a similar night to you. 

He smoothes out your brow, as he softly pleads with you not to worry about him and instead to focus on your daughter, as she’s the one who needs you the most. And as he gives you a kiss on your forehead and you wonder what you did to deserve such a loving husband. 

You begged Amá to stay home, not wanting to have to worry about her being this down south without you. She’s apparently been praying everyday for you and the baby, and she’s begging you for the name. You want to tell her so badly, but you can’t risk telling her fearing it will somehow get back to the world at large.

You and Elvis had thought long and hard about the perfect name for your first-born and with everyone seemingly wanting to have a say in it, it was a little overwhelming (with how easy your pregnancy was going you stupidly thought that this was going to be your biggest hurdle to overcome. You wish you could go back to those days).

Eventually though you were able to come to some agreement born from your mutual love of I Love Lucy, though the names mostly stemmed from a joke when some of the magazines started calling you two the new Lucy and Desi. Neither of you could figure out who was supposed to be Lucy and who was supposed to be Desi. And as a play on that, the two of you ultimately decided on Lucía for a girl and Richard for a boy, as a fun little reversal. 

You had been so eager to tell the world about your beautiful baby not even a week ago and now it feels like the last piece of this whole ordeal that you can control. Even the hospital staff only know her as “Baby Presley,” promising that you would only name her once she was discharged. Someone had snuck into the hospital and was able to get a picture of your baby in a box attached to wires and fighting for her life, while the newspapers excitedly announced “It’s Girl!” to all of America. Your husband saw his own daughter for the first time on the front of a newspaper walking into the hospital before he could see her in person or even know if you were dead or alive. It felt like the whole world saw your baby before you did and that hurts you in a way that you fail to find words for in either language you speak. 

That entire stay, you didn’t leave the hospital once, and you rarely ever left her side, and even then it was only when Elvis could be in there with her in your stead. The days all seemed to blend together for you, you would eat so she could eat, you would sleep when she slept, singing and telling her stories everywhere in between, and touching her as frequently as you’re allowed to do so. 

Early when you tried to speak Spanish to her in front of the doctors, they immediately shut you down, “warning” you that doing so has the potential to hold her back if she has to learn another language in the long run. You internally roll your eyes at that, having grown up speaking both, but nonetheless you comply, but save it for when you’re alone with her. On the list of things you absolutely do not need right now is the media turning on you for being a bad mother by not complying with doctors orders. They already make comments on how you should have been more careful in the situation, because as far as anyone outside of Graceland knows, you simply fell down the stairs.

You wouldn’t say it was all bad, you love the moments you’re all together. Moments where you both hold her hands at the same time and feel her delicate skin, where you hear her gurgle as she’s being tickled, and especially the way she wiggles her arms and feet as Elvis sings to her, are ll moments you would never trade trade regardless of the fact that you’re in a cold sterile room and not in your warm home. Elvis even brought a record player and the nights became a little more bearable as now you’re both able to hear him when he’s not there. 

Finally you’re able to get the all clear from the doctor and Lucía finally gets to experience the world outside of her little clear box for the first time in short bursts. You’ll be able to hold your baby fully and not be limited to just holding her hand. In many ways you were not ready to lose being so close to her so fast, and this was only made worse by the fact of how limited you were in touching your own baby during this whole time. And still you worry that maybe she’s still not ready, as you’re still roughly a month away from your original due date.

But as you’re finally able to hold her and you feel her latch on and nurse from you, these doubts and fears all fall silent. Your baby was almost completely ripped away from you, by someone who only had cruelty and spite in their heart for you. But now as she rests in your arms and feeds from you getting stronger, and your husband holds the two of you close to him everything feels as it should be now. 

Not too long after that, Lucía is finally able to be discharged and you can finally take her home. Elvis was nervous no doubt, from all the times he questioned the doctor if he was sure that she was ready and if she couldn’t stay a little longer just to be sure. You have similar thoughts but you’re trying to think on the brighter side of the situation, for the both of you.

Of course you and Elvis still have to do that photoshoot for the press. You hate this, but also recognize that getting this out of the way now will sate their curiosity about your baby and get them to leave you alone, at least for now. You and Elvis recognized this would be the case when you saw them go into a near frenzy the moment you stepped off that plane from Hawaii with an obvious baby bump months ago. 

Ironically enough the only thing that has gone according to plan was this aspect, as you were able to get photographers you’re familiar with and Elvis brought the outfits you picked out months ago. His fans were also willing to give the two of you a wide berth so that you could leave the hospital. You are far too enamored with Lucía to really take notice of any of it, until the two of you are already in front of home. 

Your mood drops once you see where you are, and Elvis takes notice of that. He squeezes your hand and reassures you that everything's been cleaned and that the trash’s been taken out. Still, walking through the front door, you held onto his arm for dear life and your hands were shaking so bad you had him hold Lucía, as you were afraid you would drop her. You're greeted inside by a few friends and his family, but your eyes immediately narrow in on the stairs and you're relieved to see that it’s completely clean. Without the bloodstains, it’s easier to forget that anything terrible happened here. 

Everyone wants to get to see her and the two of you are immediately, but a squeeze to his arm from you and the subsequent single look he gives them has them back up a little. You’re able to sit down in the living room, and hold your baby in your home for the first time, but not all is right in the world. No one has said anything about the big Eric shaped elephant in the room, as they all no doubt know why you went into labor so early.

The women do their best to distract you from it, talking about their own experiences being a new mother, and how this has been a stressful time for everyone, especially the men who’ve been jumpy for weeks now. But no matter what your attention keeps being drawn back to the stairs, as though any minute Eric’s going to be trotting down to finish the job any moment now. You try to distract yourself with anything else in the room, and that’s when you notice something off about the carpet. You figured that the carpet would have been replaced but what’s odd is the fact that you remember going straight from the staircase to the car as you were bleeding, so you don’t understand why the carpet in the den had to have been replaced too. 

You shake these concerns from your head and begin to make your way outside to get some air, because the walls are making you feel like you’re going to suffocate. That’s where you find the men, as all smoking within Graceland had been banned for the foreseeable future, and Elvis still insisted on finally using those cigars he got for the occasion. What’s weird is that they don’t surround the patio or even the pool area. No, you find them more out towards the field, surrounding a large unsightly hole in the ground.

“Amor, what did you do to the backyard?” You question your husband when he makes his way back to where you’re sitting.

Some of the men tense up at your question, but seeing Elvis not really react to the question other than a slightly nervous laugh, makes you disregard anything’s amiss.

“Well…” he says rubbing the back of his neck, “after I got done with the nursery. I-I wanted to add something to the backyard so it wasn’t so empty to look at.”

“... and you decided the best way to make it less empty was to dig a hole?”

“It ain’t gon’ stay a hole, Darlin’,” he laughs, wrapping an arm around you. “I was plannin’ on puttin’ in one a them Gazebos in the back for our little princess here. It… It kept me busy the nights I couldn't sleep.”

You soften at that answer, knowing that with his sleep issues, the nights must have been torture for him. He was always the first visitor to arrive at the ward and the last one to leave, and only once did you ever dare ask what he did when he went home at night. You worried about him, how could you not? And so one day you gathered the courage to ask him how he was handling the nights?

All he said was that he “keeps busy.” At the time you didn’t want to know what he meant, as it was a stressful time for the both of you, so digging holes in the backyard is far from the worst thing he could have been doing.

You give an amused sigh saying, “Next time, get professionals to do it.”

He grins at that, “Don’t worry baby, we got a crew comin’ in to fill the hole in a few days. I wanted to have it done before you and the lil’ one got back home.” You shake your head at him and kiss him on the cheek. You don’t really notice the way most of the men take a simultaneous sigh of relief at your acceptance of Elvis’ answer. 

Later on you’re putting Lucía down in a little bassinet Elvis had set by your bed (you’re both reluctant to be away from her), and you feel him make his way behind you. The both of you lay beside each other and watch her sleep, and now, not having to be obscured by tubes or glass, you get to really see your beautiful baby girl. She’s sleeping with her arms straight up, her little chest rising and falling on its own, and the two of you nearly melt as she yawns and rubs her little mitten covered hands over her face. 

“You ready to sleep yet?” he whispers to you. 

“No, I just want to look at her some more.”

“Me too,” he hums. 

You sit with your husband and bask in this perfect moment.

You didn’t really notice the off-atmosphere that surrounded Graceland in those days, until you noticed that a trunk of yours was missing. You think you had packed some old baby things your mother had given you the last time you had been in LA. It had been with you in Graceland before you left the hospital, and it had also been where you were storing the outfit you wore when you left the hospital, so the fact that it’s gone is odd to say the least. Considering Elvis was the one that brought the outfit to you, he’s the one you end up asking. 

“What trunk?” he asks. 

“The big white one,” you say to him as you change Lucía into her pajamas. She’s trying to eat her fist and you’re trying to get her to smile by nibbling on her fingers a little. “The one you got me the first time in Hawaii.” 

“Oh that one,” he responds. “Didn’t you leave it at Hillcrest?”

“No, I know I brought it here.” you say confused. “I asked you to look in it to find the pink outfit I wore at the hospital. It’s gotta be here somewhere.”

He furrows his brow at that and he looks deep in thought, “Didn’tcha say that you didn’t want to pack clothes that don’t fit no more?” He says as he brings Lucía to rest on his bare chest. 

You do vaguely remember saying something along those lines when you were packing, but still you remember having it here with you. “Maybe… but I did bring it here,” you say, though not as sure as you once were.

“Y/N, why you wanna know so bad?” he says, as he gently pats Lucia on the back trying to get her to fall asleep. This question throws you a bit, not for the words themselves, but the way he said it, as there was a severe lack of humor or warmth in his tone as he said that, that you weren’t used to. 

“I-I was looking for a few baby things that Amá gave me last time I saw her.” you say, suddenly feeling guilty for pushing the topic. 

His eyes soften at your answer, realizing he scared you. He holds up your chin and gives a quick kiss to your forehead. 

“I-I think, I saw ‘em when I I was lookin’ for the little pink get up a yours,” you see him jump a little. “Though you might wanna save the lookin’ for tomorrow,” he says, a slight grimace on his face, as he looks down at your baby girl. “‘Cuz lil’ one here is trying to tap a dry well.” You burst out laughing as you see that Lucía has a good grip on one of his nipples and is trying desperately to bring it to her mouth. 

“Esos son para mamá, chula,” you jokingly scold her, as you bring her close to you so she can latch onto you, and Elvis tickles your side in reprimand. Still even with that moment of levity, you still can’t let go of what just happened. If it were anything else you would have written it off but that trunk was special to you because of the fact that Elvis had given it to you on that fateful trip to Hawaii. He had insisted you pack light, which confused you until about a week later when by that point he had already gifted you twice as many dresses as you had come with. By the end of the trip he gave you this trunk just to pack everything he had given you. (Smooth operator that he was, when the trunk found its way into his room when you got back home, he insisted it would be easier for you to move into his room, rather than moving the trunk into yours).

It has been a pretty constant presence in your relationship with him, as it went where you went, and you went where he went. But… you didn't go with him to Hawaii, and you did leave a lot of old clothes back in LA… maybe it is just baby brain, and you’re overthinking this.

Things only really seem to click that something is off a few days later when you caught Charlie staring out into the backyard. If it were anybody else from the group you wouldn’t have noticed or cared too much, but you liked Charlie. He seemed to be one of the more genuine ones of them all, and he’s also one of the few of them who's at least picked up on some of the more common Spanish phrases in all the years you’ve known him.

But now Charlie seems distant, as though he’s somewhere else in his head. He’s staring off into the same direction as where that pit is now. 

“Charlie, ¿qué pasa?” you ask, and he seems to jump ten feet in the air. 

“Y/N, hi-hello… um…I-I, d-do ya’ need something?” he manages to stutter out. 

“Yes umm…” you say slightly embarrassed about what you’re about to ask. “I want to put Lucía down for a nap, but I need someone else to help carry her up there with me.” You would have asked Elvis, but he’s upstairs already and you’re not about to leave her alone to go get him.

“Sure, but… why do you need help,” he asks, genuinely confused over the request. 

“I… well, since the fall, I… I don’t trust myself to hold her on the stairs,” you say, your eyes going a bit glassy. You shake your head to gather yourself, “I ju-just need someone else to carry her on the stairs. I’m fine on my own.” If by fine you meant having to have both feet on each step going up and down, and never letting go of the railing, then yes very fine. Elvis was heartbroken when he saw this the first time, but didn’t say anything about it, just offered you his arm and let you take your time. 

Charlie has the same reaction and wordlessly helps you with her. Though you do trail behind him you eventually are able to make it up to the landing, where you see Elvis whispering something to him. You think he says something to the effect, you understand now? Charlie would give a small nod in response as he hands Lucía to him and makes his way down the stairs after giving you a quick hug. 

You’re about to ask what that was about, when you see something on one of the steps that knocks the wind out of your lungs. You see a familiar looking rust colored spot on one step, and you force yourself to sit down, feeling unsteady on your feet and your eyes welling up all of a sudden. 

“Baby what's wrong?” Elvis says trotting down the steps, Lucía still in his arms. Your hands are shaking and your breathing quicker than you should, and you're filled with the same dread that you felt as Eric walked down those same steps. “Goddamnit, I thought they got all of it” he whispers when he sees where your eyes are fixated. He crouches down beside you and takes you in his arms as he whispers in your “You’re okay sweetheart,” he says, “You and Lucía are okay.” 

Gradually you feel yourself steady as you breathe in the scent of his cologne, and feel the way Lucía clutches around your finger. That brings you back down and you’re able to stop your weeping as you focus solely on the two most important people in your life.

You wouldn’t know this, but at the bottom of the steps, just beyond your view several men would come to the same understanding as Charlie did in that moment.

What did he mean about understanding? You would ask yourself later after Lucia had been fed and put down for a nap. You’re laying down in his arms, having tired yourself out from that episode, and just wanting to rest, but this question that rings in your ear, still eats at you making you unable to do so. 

These thoughts are halted as you feel him run a finger down your spine and you on reflex push your chest into his. You also feel as he brings his hips closer to yours, and he hooks your leg around his waist, lightly trailing his hand back up your skirt to rest comfortably on your ass, as you let out a shuddering breath against him, making as little noise as possible, as not to wake your baby.

He’s gentle with you, you just had his baby after all. There was no tearing so you’re healed physically, but you're glad nonetheless as you become reacquainted with his touch again. His fingers lightly trace the edge of your panties, as he nibbles on your bottom lip the way you like. 

You’re reminded of your first time with him. He had been having trouble with one particular scene in Blue Hawaii, and he asked you to come on to the set that night. He had you sit as an extra behind Joan Blackman and he kept stealing glances at you as he sang. As the scene cut there was not a dry eye on set and Elvis was heaped with praise for his best take yet, but what he was more interested in was your reaction to his song. 

He was gentle with you then as well. You confided in him before that you were untouched, and he made sure to make it as tender as possible. Careful, as he learned (as did you) what made you whimper, what made you moan, what made you scream. 

Knowing he’s gone just as long without it as you have, you want to. God, do you want to, but as you grind yourself onto his still clothed length, he makes the mistake of tugging your hair back and suddenly you're paralyzed with an overwhelming sense of dread as he kisses your neck. It takes him a second to realize that this is bad heavy breathing, but he stops the moment he realizes it. 

“Y/N, what’s wrong?” His worried look only makes you feel more guilty, while you try to even out your breathing. This feeling only made worse as you watch his heartbreak all over again when you tell him why you freaked out when he tugged at your hair like he did.

“I’m always gon’ protect ya’ Satnin,” he whispers to you, mindful of your baby sleeping a few feet away. “Nothin’s ever gon’ hurthcha again.”

You want to believe him. You really do.

It all comes to a head when the day before they’re set to fill the hole in the backyard, you finally find your trunk. Embarrassed at your reaction to being on some stairs, you decided to try to break this habit by confronting your fears. So one day as Lucía slept, you made your way to the attic stairs, but your fears were quickly forgotten as you stared at the previously missing trunk. It’s hard to comprehend its presence as it’s supposed to be on the other side of the country right now. Or… at least that’s what Elvis had told you. 

Whatever the case may be you can’t exactly leave it alone, and you go to inspect it a little closer. It won’t open and a brief brush on the keyhole tells you that it had been locked and the key lodged inside. You also see some dents and dings here and there, but the most noticeable change were some rust colored stains dotting the outside of it. You don’t immediately recognize what they could be, but even as your mind conjures up similar looking stains that are still on the stairs, you can’t really accept what it is.

“Whatcha doin’ up here baby?” a familiar voice behind you says, startling you for a moment. You turn to see your husband, but something is … off. His smile is a little too big, his eyes a little too wide, and if his jaw was clenched any tighter he would have cracked his teeth. It’s all far too unsettling

“I-I was practicing with the stairs, and I found this,” you say, pointing to the trunk.

Somehow he’s able to clench his teeth even tighter as he sees what you found, “I didn’t want you to find out like this, sweetheart. But I,”  he says , pausing to think on his next words. “I-I… Forget it you caught me. I broke the lock on it.” he says with a guilty look on his face. 

“...That’s it?”

“That’s all, baby. I wanted to try to fix it, but I just made it worse and now it won’t open.”

Maybe… maybe he is telling the truth and he just broke the lock… but that wouldn't explain why everything kept in there was taken out or why it was up in the attic, or why it’s covered in blood. Why is he hiding this from you?

“C’mon Satnin, it ain’t nothin’ to get so worked up about? I’ll getcha another one soon,” he says as he wraps an arm around you.

You don’t have time to really question what is going on as you hear Lucía below and you're able to stamp down that curious part of yourself. You make your way back, your feet feeling so unsteady that you clutch onto him with both hands. 

But it still eats at you, the fact that he was able to lie so easily to you, and convince you of that lie when he knew full well it was up here. And why hide it from you? These are all questions you ask yourself as you lay in bed with him, you wonder who exactly you are sharing it with. 

Your blood goes cold as you feel the bed shift right next to you, and you slam your eyes shut, genuinely fearing your husband for the first time. But these feelings of fear dissipate as feel the  quick kiss he gives your forehead before whispering to you, so low you barely hear it, “No one’s ever gon’ hurtcha and get away with it.” You’re paralyzed with fear, and have to remind yourself to breathe lest you give away that you're not actually asleep as he makes his way to the bathroom. 

You open your eyes and stare at the door and the longer you listen the clearer it becomes that he’s not using the bathroom. You also hear as several feet try to quietly make their way up the stairs and then you hear the tell-tale creak of the attic door. You silently make your way to the door and listen against it as you hear them 

You stare off into darkness as the noise gradually lessens until you’re left hearing nothing but the crickets outside and your baby’s steady breathing. You stay there frozen in place, debating internally whether you should follow them. You know in your heart that something is wrong, but you don’t want to confront it. Still after some time you find yourself in the kitchen making your way outside.

As you round the corner, you're hit with the pungent scent of cigar smoke in the air mixed with the unmistakable smell of a campfire, and you see him and all the other men stripped down to their underwear. You crouch down out of sight and you see they are all surrounding the fire pit in the backyard, piles of clothes sit next to each of them, and on occasion one of them will throw something into the fire. All of them seem to be shaking from the cold or from nervousness you can’t quite tell. All of them… except for Elvis. You know he’s prone to getting jittery when he’s nervous, but here, you’ve never seen him so collected. 

“Eric was one a my oldest buddies, and he threw that all away ‘cause he had to be a shithead to the most important person in the world to me.” Those words, cold as a grave, mixed with that vacant look in his eyes, sent shivers down your spine. “There’s a lotta things I can forgive, but what he did sure as hell ain’t one a them.” 

“EP…” Jerry says. “You don’t gotta explain yourself, we-we all woulda done the same thing.”

“I’m goin’ ta hell because that sack a shit, and I look forward to seein’ him again, just so I can beat the crap outta him again.” You can hear the smile in his voice as he says these words, as he seems to rub his knuckle, the ones you remember seeing so badly bruised when you were in the hospital.

It’s unsettling how similar this is to when you met Elvis for the first time, you crouched down, being nosy, him in his boxers trying to hide someone from you. It would be funny if you weren’t one hundred percent sure that your husband wasn’t admitting to murder right now. You don’t stick around for much longer, your curiosity is sated, but you don’t feel any better knowing. 

You don’t know when or how you end up there, but you find yourself on the stairway landing. Once upon a time you thought of Graceland as a safe haven surrounded by shark infested waters, but now you realize that that couldn’t be further from the truth. You’re swimming in it, but the biggest shark had decided that you were never to be harmed. 

You want to say that there was some internal debate on that landing, where you contemplated leaving and never looking back. How you wanted to do the morally right thing and report them for all the good it would do. How there was a part of you that stared longingly at the door feeling the desire to leave from the love that has driven him to do this for you.

You would say that… but you would be lying. 

No. You sit there taking in the new reality that the man who has repeatedly physically and emotionally hurt you is gone and it was at the hands of the man you loved the most. You feel something at this moment. A feeling that has eluded you for a while now. You feel… safe. 

It’s an odd feeling to have again. It was something you had always felt with Elvis, but not something you were ever able to verbalize. But now looking back you were always safe with him, when people got too close, when their words hurt, when their stares burned, you could always retreat into him and feel protected from the world. 

There’s a lot of conflicting emotions running through you all at once, pain and sadness at what Eric had done and all the subsequent heartache his actions brought clashing with the almost euphoric relief that is knowing he’s gone for good and it’s all due to how loved you are by a single man. If anybody were to see you right now, they would see a woman with tears streaming down her face while simultaneously giggling like a maniac. You’re only broken from this manic episode when you hear the shrill cry of your baby girl.

You feel lighter as you make your way up the stairs, so light you don’t bother to hold the railing as you usually do and you find your baby right where you left her. Your husband would return later while she’s still suckling at you, and he would make his way to sit behind you, his chin resting on your shoulder, neither of you acknowledge how long he’s been gone. No, in the soft light of the room you both bask in each other watching the little wonder you both made get a little bigger and a little stronger by the moment resting in the bassinet by your bed.

“I just realized something,” you say. You feel him go rigid behind you, but you quickly break the tension by lightly running a finger along the ridge of his nose. “She got this from you.” 

“No, she didn’t,” he says with an amused huff. 

“No, it’s the same shape, just smaller. Look,” you insist. You take one of his hands to show him, careful not to wake her. 

He concedes to your point with a soft, tender kiss to your lips, while his other hand rubs circles on your hip bone. 

You should be disturbed at where his mind is at right now, and you would be if you weren’t just as hungry for him as he was for you. It’s been too long without him, and as he runs a finger along your jaw bringing your faces closer together, you welcome him back home. 

With the straps already falling off of your shoulders, you shiver as he uses a single finger to drag the silky material over your nipples, already begging for his attention that he’s all too willing to give. He languidly laves at them, using the occasional scrape of his teeth to get you to jump, all the while pressing down on your clit through your panties, before removing them.

You're laid on your back and you feel as he spreads the delicate petals of your pussy and even you’re taken aback as to how wet you are right now. You hiss slightly as you feel him probe lightly at your entrance, and he rips his hands back afraid he had hurt you. 

You take his hand in yours and bring his fingers to your mouth, tasting yourself on him, only to bring him closer to you as you whisper against his mouth “not bad, just slower papi.” You think, in a way, you both need this: to be reminded that his hands can do more than hurt. You’re not scared of him or what he’s capable of. 

He rolls so that you're on top of him and you bite your lip at his straining cock within his boxers. You run a single finger up his length and he bites down on his knuckle as you circle around the damp spot already forming. As you spread kisses along his length, he quietly pleads to be inside you, and after all he’s done for you, you won’t deny him.

Finally you sink down on him, and a long, satisfied moan escapes from your mouth and you chance a look at your baby relieved that she’s still asleep. He gives a cheeky grin, biting down on his bottom lip to keep quiet, and you grind down on him in retaliation, though that quickly backfires on you as it feels way too good and you have to concentrate on not doing that again, as you don’t want this to end so soon.

Neither of you are in a hurry at the moment, just choosing to indulge in the connection that circumstances had denied the two of you for so long, sharing lazy kisses and secret jokes in equal measure until you can’t take it anymore. You set the pace for yourself and he is all too willing to oblige and let you chase your peak, as he’s not too far behind. You may very well be in bed with a monster, and yet you’ve never felt safer.

The next day you watch from the Balcony as the men fill the platform with concrete and you get one last look at that trunk, and hope to never see it again. Elvis joins you there, watching and holding you and your daughter, both secure in the knowledge that he’ll always be able to protect you.

You don’t end up thinking about him as much as you thought you would have. In those early days after construction had finished you had feared that the slightest slip up and everybody would know. You felt you could hardly breathe when you looked at it those months, and you were surprised and more than a little disturbed that Elvis had no such reaction to it. 

Though eventually a good memory would come to almost completely scrub out the sour taste that the Gazebo leaves you in the form of Lucía’s baptism. Even over a year later she was still so small compared to other babies her age and the doctors warned you to expect some developmental delays, but you still worried over the fact she still has yet to crawl. Most times she seems content enough to sit where she’s put and play with the toys within her reach and getting someone’s attention to get her what she wants. It’s almost as though she’s aware that Elvis is called The King, making her a princess and so she expects to be treated like one. 

Recently she’s taken to standing up using whatever’s closest, bouncing up and down on her little legs for a bit then sitting back down. You sat there letting Lucía hold your hands and do her thing, while you talked to some of the other women. Your husband on the other side of the platform, surrounded by Lucía’s godfathers (they helped him hide a body after all, this felt like the least the two of you could do to honor them), talking business.

When you felt her let go your immediate instinct was to grab her, but you stop yourself when you see that she’s not only standing on her own but shakily taking her first steps forward. You and the other women go dead silent as you watch her make a slow but sure beeline, her eyes set on her Daddy. You hold your breath so afraid that she’ll fall, but all of your muscles are tensed ready to dive in and catch her if she so much as stumbled.

Elvis was looking away, not noticing what was happening until she finally got to him and wrapped herself around his leg. Seeing her next to him throws you for a loop, as over a year ago, she was so tiny that she fit almost entirely in one of his hands, and now she stands on her own at his knee, and you really do see how much she has grown. Elvis finally turns around and sees her looking up at him, but with no one around to have helped her he doesn’t put it together until he sees your mile wide grin, and it finally dawns on him what just happened. 

You and Elvis would later joke that she, just like him, wouldn’t do something so big without an audience. And for that entire day you didn’t think once about Eric. Your little girl's first steps were over a grave, and you couldn’t be happier about it. 

When she was four, you had explained to Lucía that her father had had it built after she was brought home in celebration that the two of you had pulled through. After that she started calling it hers, and it just stuck, even when your other children were born it was always Lucía’s Gazebo. Birthday’s, barbeques, family dinners, many of them were held underneath that gazebo, and only occasionally would you even spare a thought toward Eric. 

And now as you watch your daughter dance with your husband underneath the gazebo, celebrating her quinceañera you’re glad Elvis did what he did. If that man had had his way you wouldn’t have any of this, and you refuse to feel anything close to guilt or sympathy for him.

Eventually Elvis breaks away from her to stand next to you as she now embarks on the arduous journey of dancing with her many, many padrinos. You welcome him with a tender kiss, and he holds you from behind as the two of you watch your little girl who is now becoming a woman.

“I swear she was this small yesterday,” he says while rubbing your two-year old son’s back as he rests on your shoulder right now. Elvis had been close to tears all day, with the doll ceremony nearly doing it for him as he always loved spoiling her with toys, so the idea that this would be the last one was very bittersweet for him.

For you it was the shoe ceremony that did bring you to tears, as you held her hand as she took a few shaky steps in her new heels, not so much for the first steps she took as a baby, but the painful reminder of all the things you thought you wouldn’t get to have with your little baby that couldn’t leave her box. You refuse to let that man ruin anything special for you again, and over his grave you whisper in the love of your life’s ear how it’s not too late to have another one. His eyes widen at that for a moment before he gives that devastating grin of his that won you over years ago and agrees to later.

You love Elvis Presley. And you were lucky enough to be the woman that he loves back.