May 21
'Cause when she lied it meant she loved me
And when she lied it meant she cared
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'Cause when she lied it meant she loved me
And when she lied it meant she cared
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Something about not recognizing or caring when your getting groomed but being able to recognize it in others and intervening in a way that no one would ever do for you.
What if we both had unhealthy, toxic fixations with our shitty brothers because they were the only source of comfort we had growing up in a cold, uncaring home, but now they only want to use us as means to an end? What if we both yearned for the comfort and simplicity of our childhoods, but were looking through rose tinted glasses at a perfect past that never existed, and now only serves to burden us? What if we were both trying desperately to grab onto any semblance of power, by any means necessary, in a system rigged against us from the start? What if it wasn't enough. What if the only way to escape was to walk away from everything we've ever known? What if we chose something better? What if we chose freedom?
.
and we were both girls 😳😳🙈
Yurious old drawing
I decided to rewatch Episode 26 (Miki’s Nest Box (The Sunlit Garden - Arranged)) which was a bit of a horrible decision to watch at this hour but also made me realize something. This is the definition of dude trust me analysis. There is one scene in the entire show that features both Kozue and Nanami. Within that scene, there are only a few angles that show both of them
This wide shot places the camera at an angle and position in which Kozue and Nanami are both visible, but pillars are placed between them. While there is no physical blockade between them, the view visually separates them, creating an artificial barrier. While they are capable of coming together, the narrative as presented to us prevents it. Not to mention that their conversation after this point is focused on Akio, or “Daddy Long Legs” *retching noises* as Kozue refers to him.
In the second, while Nanami is approaching Kozue, Kozue is walking away and out of frame to Akio. There is no barrier separating them - real, imagined, only perceived at a certain angle - but it’s too late. They are on different paths now thanks to Akio’s influence. After a shot of Kozue and Akio in silhouette walking into the night, the scene ends. Their moment is taken from them. In conclusion Akio is clearly actively trying to separate Kozue and Nanami and I have never overanalyzed anything in my life
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Utenanthy get two because they’re very dear to me and because I could not think of a fourth ship
ID: A man in a black shirt, baggy red pants, checkered socks, and a baseball cap stands in a dimly lit stairwell with the words “you know my [gay ships] not my story” captioned in front of him, though gay ships was clearly edited in. Around him are four images
Top left: Utenanthy stabbing scene
Top right: Juriori official art
Bottom left: Kozue and Nanami talking with the queerplatonic flag between them
Bottom right: Official art of Utenanthy cuddling
here comes the sun in the form of a girl
she's the finest sweetest thing in the world
take you to heaven tonight
//
post-canon kozunami for the real truthers
I fell asleep down by the stream
And there I had the strangest dream
And down by Brennan's Glenn there grows
A briar and a rose
There's a tree in the forest
I don't know where
I built a nest out of your hair
And climbing up into the air
A briar and a rose
I picked the rose one early morn
I pricked my finger on a thorn
They'd grown so close
Their winding wove
the briar around the rose
commission for @glorianatenebrae