#konev

Separation...

We’ve seen Julian separated from Yang before, but only in the context of Yang going off to have adventures while Julian is left behind watching wistfully after him.

Left back at the house while Yang and Dusty fight the PKC... (From episode 3.)

...Left on Heinessen while Yang sets out to capture Iserlohn... (From episode 6.)

...And of course left alone in a back alley while Yang goes on a stroll with Jessica. (From episode 10.)

In this episode, for the first time, it’s Julian who’s thrown into the middle of the action on his own, when an unexpected battle breaks out during a training mission. This feels like a kind of test run of the whole concept of Julian actually enlisting and going to war: For Julian, that means facing real split-second life-or-death decisions on his own for the first time, rather than just listening to Yang (or Poplan or Schenkopp or any of his other mentors) pontificate about tactics; for Yang, it means facing more tangibly than ever before the very real possibility that this war he’s been trying (unsuccessfully) to end will actually result in Julian’s life being cut short.

Yang may have any number of philosophical or moral objections to the continuation of the war and the role of the military in society, but there’s also a very simple reason he doesn’t want Julian to become a soldier.

The moment right before Julian launches into battle gives us the second ever departure from strict realism in LoGH’s cinematography, a glimpse into Julian’s mind where we find a snippet of memory (or imagination?) devoid of context: just himself and Yang, in blackness, talking about premonitions of death. With an emphatic shake of his head, Julian seems to physically force both his fear of death and thoughts of Yang out of his mind. For right now, he’s on his own.

...Okay did Julian have an emo phase no one told me about?

Julian, Alone

Icebergs readers would be forgiven for getting the impression that Julian is a main focus (if not the main focus) of the season one Alliance story, since I pretty much talked constantly about him all season. But of course that’s not true: Julian’s story so far has taken place in the periphery of the action, mostly via small gestures, body language, glances, smiles. This is the first time the narrative actually centers him, seeing the battle from his perspective and through his emotions.

Julian’s reaction to killing someone for the first time is intense but narratively understated. He’s overwhelmed, shaking; but this is what he signed up for, and still in the heat of battle he can’t spare time or emotional energy to dwell on it.

This moment is a) adorable, and b) a deft bit of commentary, with Julian chastising himself for almost shooting at an ally that flew into his path. Of course that’s how battle works: Killing the other guys is good; killing your guys is bad. In context Julian’s reaction makes perfect sense—it’s how he’s supposed to think—but I find it chilling.

His flashiest accomplishment is taking out a whole cruiser, which he does by having the presence of mind to hover right against the side of the ship to hide from its scope, and then use its own weapons to take it down. This was clever of him, but also lucky—more a result of right place/right time than incredible heroism or brilliant planning.

In this gorgeously directed sequence, the Spartanian mothership that Julian was anchored at is critically hit, and Julian just barely manages to launch before it explodes.

Once again the emotional difference between the deaths of allies and enemies is highlighted here. In a rage of grief over the deaths of the people he knew on his mothership, Julian shoots down the first Valkyrie he sees…

...when just shortly before he was almost killed himself by a Valkyrie pilot in exactly the same position, whose mothership he himself had just destroyed. Karma’s a bitch.

Phew. It’s an intense nine hours for Julian: His life is directly at risk for the first time—in fact he’s only saved from being shot down when Poplan picks off all three Valkyries that are going after him. He kills, albeit in an anonymous, impersonal way. He sees many people he knows and works with not return from this (meaningless, unplanned) battle. It’s a hell of a lot for a fifteen-year-old, and he both handles it well and is clearly struggling against feeling overwhelmed. 

Aww. <3

Yang

Meanwhile back on Iserlohn, Yang confronts the possibility of Julian’s death in battle by—with the calm and composed air of an objective commander—promptly sending every available ship out as reinforcements. 

I find Frederica’s forced optimism here actually quite irritating. Julian’s an untrained kid who should not be thrown into battle yet. “Don’t worry, he’s lucky!” is a meaningless thing to say, as Yang clearly knows.

Yang often uses the method of placing trust in someone to earn their loyalty, and this move is similar, but also serves a couple of other purposes: It lets him learn more about Merkatz’s tactical philosophy, and it also conveniently gives added justification to his plan to immediately mobilize the entire fleet and charge into battle. When the suggestion initially comes from Merkatz, no one can accuse Yang of acting rashly because Julian happens to be in danger.

I said this battle is a test run, and that’s how I feel Yang treats it for himself. He obviously cares about Julian a ton and doesn’t want him involved in the war; but Julian isn’t actually his child, or his family at all. The show has been a bit coy about the details of their official relationship so far (we’ll learn more soon), but the technical legal situation is basically that the government has paid Yang to put a roof over Julian’s head for a few years, and maybe teach him a bit about the ways of war while he’s at it, before Julian inevitably joins the military to pay the government back for putting him through school.

With Yang’s deep belief in self-determination, the coercive nature of this system for dealing with war orphans is among the reasons he’s opposed to Julian’s path—he doesn’t see it as really Julian’s own choice. Back in episode 3 he offered to take on Julian’s debt himself, but that suggestion wounded Julian’s pride. (From episode 3.)

Their current arrangement, then, is fundamentally tenuous: The most probable outcome involves Julian eventually going to battle and being killed; and since that’s been true from the beginning, despite Yang’s grumblings, I think that Yang’s forced stoicism in this episode comes partly from feeling like it’s not quite his place to display too much parental protectiveness or emotional attachment.

Yang doesn’t ask after Julian’s safety even when they’ve scared the Imperial troops away and the battle is over, but he can’t quite hide either his bracing against bad news or his intense relief behind that cup of tea.

Yang in season one: “I hate soldiers.” “I don’t want Julian to go to war.” “I don’t want Julian to have to kill anyone.” Yang in season two: “Holy crap he blew up a ship? All by himself?? Badass!!” ...I mean I guess if Julian *has* to be a soldier, he might as well be a good one, huh Yang?

...And Reunion

This is my favorite moment of the episode. Julian may have appointed himself Yang’s physical protector, but this time it’s Yang who appears like a knight in shining armor to rescue him. There’s so much relief, gratitude, and total emotional exhaustion in his laughter here.

The battle that began with Julian physically forcing Yang out of his thoughts ends with Yang’s fleet appearing on his radar screen just when the tide of battle was turning in the enemy’s favor. As a battle, it’s pretty anticlimactic and pointless. The scene that’s framed narratively as the climax of the episode isn’t the end of the battle, but rather Julian and Yang’s reunion.

Even though Julian just conducted himself admirably in battle and notched several kills, he is very much still a kid, as this shot emphasizes.

The reason everyone bursts into laughter here is that this little awkward display of scolding is so out of character, as well as factually inaccurate—I doubt Yang has ever bothered to tell Julian not to do dangerous things.

This awkwardness from Yang’s side is new—throughout season one he treated Julian with an easy, paternal-ish affection, praising him freely and ruffling his hair (a bit condescendingly) when he offered his own insights or boasted of his skills.

(From episodes 17 and 19.)

But the events of this episode are nothing if not symbolic of the fact that Julian’s in the process of growing up; and as Julian does grow up, it’s unclear exactly how they’re supposed to relate to each other—as parent/child? As family? As commander/soldier? As friends? I’ve already diagnosed Julian’s attachment to Yang as the early stages of a crush; and while I think Yang’s oblivious to that angle at this point, it also threatens to complicate their relationship going forward. This scene highlights the fact that, despite how close they are, there’s a tension that didn’t used to exist in the air between them; and if there’s one thing I can promise you it’s that we will be keeping an eye on that throughout the season.

Poplan and Konev!

Speaking of things to keep an eye on as we begin a new season, we also get to see more of Poplan and Konev during this battle: mentoring the trainees as they head off to fight; grumbling about the government; saving Julian’s ass; competing as always for the most kills.

I love this for two reasons. One, Konev is adorable—his syntax is funnier in Japanese, where he answers Poplan’s “dou iu imi da?” with a parallel “sou iu imi sa,” even making use of the emphatic particle sa to rhyme with the copula verb in Poplan’s sentence. (Literally the exchange is “What sort of meaning?” / “*That* sort of meaning.”) And two, this isn’t just random goofiness: They’re about to send kids into an unplanned and likely deadly battle, and banter like this has the effect of both encouraging and relaxing them.

Poplan plays up his cocky, goofball side to make the trainees laugh, but he also takes this battle and his job as their teacher very seriously…

...and as soon as the trainees are gone so is his confidence, as he turns to complain to Konev about being forced to fight with inexperienced pilots who will be no match for Reinhard’s troops. Discussing/arguing about politics is one of the many facets of their relationship, as we’ll see more later on.

Three of those 22 kills of Poplan’s come right in a row, as he saves Julian’s life by cleanly picking off three Valkyries that are chasing him. Do not think for one second that Poplan is just a background comic relief character: Not only does he take his role as mentor to the younger soldiers seriously, but when he says he’s a genius at piloting, he’s absolutely correct.

...and Heteronormativity

I’ve mentioned that Poplan plays the role of one of the show’s mouthpieces of heteronormativity, specifically a version of masculinity that’s centered around (many, many) sexual relations with women, and in this episode we see that clearly for the first time.

This raised pinky gesture refers, in 20th century Japan at least, to a (man’s) girlfriend/wife/mistress; I assume the same meaning survived 1600 years into the future? Translation note: Poplan actually says “there are more interesting things than piloting that I have to teach you about”—highlighting not just the importance of Julian learning all about sleeping with women, but his own implied expertise in the matter. (The verb is 教えてやる, oshiete-yaru, to do the favor of teaching something to someone.)

This exchange comes right after Julian comments that he doesn’t want to die so young, and right before he flies back into battle. Poplan’s innuendo and picking a fight with Konev serve a similar purpose to his cocky boasting to the trainees before the battle began: lightening the mood away from a focus on possible impending death, in order to help Julian relax a bit before plunging back into the fight. The impulse is kind, but the content of Poplan’s teasing is miscalculated. Julian doesn’t react with laugher, but rather seems uncomfortable and unsure how to respond—turning away with raised eyebrows, and only smiling after Konev changes the subject back to the battle.

Note the easy intimacy of Konev pushing Poplan’s head away here; body language communicates a ton in this show, and Poplan and Konev routinely occupy each other’s personal space with a comfort that’s rare among all the friendships we see.

Whatever Poplan’s intention, the effect of his speech is still to present a view of masculinity tied to (hetero)sexual prowess, and Julian doesn’t seem to relate. But Poplan isn’t a solo act—and Konev’s role as the other half of the duo is key to the overall tone of the scene. Far from seeming to take any offense at Poplan’s insinuations about his preference for crossword puzzles over sleeping around, Konev nonchalantly ignores Poplan and changes the subject. By not defending himself or seeming at all self-conscious, he undermines whatever Poplan was about to say about the duties of men, treating it as irrelevant and not worth engaging with. Konev provides not only an alternative model of masculinity to what Poplan espouses, but also a good example of exactly how seriously to take Poplan’s bluster—namely not at all.

Unlike Poplan’s exaggerated machismo, Konev’s habit of standing in the background of scenes staring at someone with an unguarded, fond smile is something Julian definitely *can* relate to. Konev...people can see you, you know.

Stray Tidbits

Reinhard has been busy over in the empire, enacting an impressive list of reforms, including freedom of the press, democratic constitutions (for local governments, I guess?), and...credit unions for farmers? Okie doke. Score one for benevolent dictatorship. The skill of both the animators and the voice acting in showing Reinhard’s utter heartbreak is so impressive; how can a few frames of animation convey the ice in someone’s soul this well?

Speaking of the animators’ skill, I love this page from the production booklet that comes with the season two LaserDiscs showing the details of Julian’s Spartanian pilot uniform—which patches and decals go where, how everything connects, a closeup of the glove. The righthand page says “helmet markings for Julian” at the bottom and “for the main helmet design, see separate section” at the top, which I find adorable. 

Dear Dusty, I know you were also really badass in this episode, and I promise sometime soon I will give you more space in a post than a few screenshots down in the tidbits section. <3

Daaamn, Yang is all prepared for the 798 Iserlohn pin up calendar. (Is that even a comfortable way to nap, Yang...??)

I’m so happy that the analogy sex:Poplan :: tea:Yang :: revenge:Oberstein is official LoGH canon.

The casual LoGH viewer might believe that this is the first glimpse we get of any Imperial Valkyrie pilots, but we at Icebergs are here to disabuse the world of such shallow readings: In fact we saw a Valkyrie pilot way back in episode 2 (5:57, go watch it). We have dubbed him Heinrich. RIP Heinrich, we hardly knew ye.

I can’t believe we’re already starting season two!! Thank you for journeying through a whole season with us, and buckle up—this show just gets better and better.

The Yang Fleet

“I can’t imagine the Yang fleet without Lt Greenhill. Just like I can’t imagine the Yang fleet without Rear Admiral Cazellnu or Commodore Schenkopp. Lt Cdr Poplan. Admiral Attenborough. Lt Cdr Konev. Rear Admiral Murai. And so on, many many people. If anyone were missing, it wouldn’t work. Admiral Yang must understand that as well as I do. I know this could be called sentimental, but for me the Yang fleet isn’t simply an organization. Iserlohn is home, and I think a home should hold a family.” —Julian’s Iserlohn Diary, p. 284

In the animation of the season one ED (which incidentally is one of my personal absolute favorite things in the show) we see Yang and Julian moving through the stars as though on some cosmic conveyor belt while other members of the fleet pass by and greet them. We’ve watched this scene over a dozen times by now, playing out behind the closing credits of almost every episode, a whimsical vision of the group that would come to live together on Iserlohn.

...Or is it so whimsical?

Near the beginning of this episode, set to an instrumental arrangement of the opening theme (the ED itself would have been too on-the-nose, I guess?), the ED animation comes to life on the walkways of Iserlohn: Julian and Yang moving not through the stars but through the fortress, as first Dusty and then Poplan and Konev chat with Julian, under the smile of Frederica and the disapproving glare of Murai. The sequence culminates with the arrival of the Cazellnus, and we have all the clues to know why this is so important: Finally, for the first time, the entire cast of the ED is united on Iserlohn. The family of the Yang fleet is complete.

The Cazellnus

As heralded by this walkway sequence, the focus of this episode is the personalities and relationships that make up the fleet on Iserlohn. So let’s delve a bit into this ragtag cast of characters that Yang’s chosen to assemble, starting with the Cazellnu family. 

Total screentime for Hortence ticks up from one second to two! This is for our own protection: If you stare at Hortence Cazellnu for more than an instant at a time, you fall under her thrall and your mental faculties are forever compromised. That’s canon* and explains a lot about Cazellnu. *See diary quote below...

Aww so cute, Julian playing with Charlotte and her little sister the unfathomable hell-demon whose quest to enslave humanity can only be thwarted by discovering and uttering her true name.....

“Yang kindly calls me a ‘master of cleaning and tidying.’ From his level it might seem that way, but from my point of view Mrs. Cazellnu seems like a ‘white witch.’ [...] When I said this in the morning, Yang nodded emphatically. ‘That must be true. She’s a white witch, and her husband is a dark wizard. After he lost a magical duel, he became her servant forever.’” —Julian’s Iserlohn Diary, p. 107

I’ll talk more about Hortence and the dynamics of the Cazellnu family when we do finally get to see her for more than one second at a time; for now let’s focus on Alex Cazellnu himself, whose only real role in this episode is to insult Yang at every opportunity. Ahh the bonds of friendship.

Yang claims to be excited that Cazellnu’s there mainly because he can push mountains of paperwork off onto him—Cazellnu’s official post is as some sort of manager of supplies and personnel; but I imagine that for Yang, who’s been thrust into this position of authority that he never really sought, there’s something comforting about filling his inner circle with people who don’t treat him with reverence. Cazellnu is an old friend who, in some ways, sees Yang more clearly than most people do.

Isn’t there a proverb, “children and fools tell the truth”...?

Schenkopp

Hey, isn’t that what I said about Yang when I first introduced him? Schenkopp must be reading Icebergs!

Like Cazellnu, Schenkopp has no qualms speaking his mind to Yang; unlike Cazellnu, who sees Yang as more or less an open book, Schenkopp sees him as a puzzle to be solved. He’s appointed himself Yang’s amateur psychoanalyst, and prods him on issues ranging from Frederica’s feelings to his political aspirations (or lack thereof) to his wishes for Julian’s future. 

True to form, Yang responds to this implication that Frederica has feelings for him beyond her role as his adjutant by completely ignoring it and deflecting the conversation to how Schenkopp sees him.

While later on it will be mainly Cazellnu's role to question Yang's decisions about his personal life, it's Schenkopp who questions his political and strategic decisions. Yang's discomfort with the direction of the conversation is very clear on his face.

I've touched briefly before on the fact that Yang is projecting his own feeling of being trapped into the military onto Julian, and that's what Schenkopp is accusing him of here.

Poplan and Konev

“Their personalities seem to be really different, but every time I catch sight of them they’re together, so I guess they’re close.” —Julian’s Iserlohn Diary, p. 20

We only get a brief glimpse of Poplan and Konev in this episode, but there’s a ton of character in this short exchange: from their synchronized body language, to Konev’s affectionate smirk as he watches Poplan talk to Julian, to Konev’s roasting Poplan using syntactical terms that Poplan doesn’t seem to totally understand. (Konev’s wordplay and love of language is a recurring theme of his character and I totally love it.) We’ve observed their closeness already when Konev calms Poplan down during a stressful battle; here we learn that Konev also does not hesitate to teasingly call Poplan out on his bullshit—in this case, attributing to Julian his own desire for action.

Julian

I agree Julian, that is a really great assessment of the strategic situation.

We’ve seen Julian in the role of caretaker, shadow, and aspiring protector; but this is the first time we really see him in the role of protégé. When Julian points out how difficult it will be to quell four rebellions on different planets at once, Yang responds by asking him for his ideas, then taking his suggestion and filling in the holes.

While Yang is obviously acting as the teacher here (and equally obviously enjoying it), he talks to Julian without condescension; even pointing out the flaws of his original suggestion feels like a sign of respect for him as a serious student of tactics.

The transition from wide-eyed adulation to a much more serious “why yes indeed that does appear strategically sound” face is amazing.

Of course, despite including Julian as a real participant in a conversation about the upcoming campaign, Yang simultaneously still treats him like a kid, ruffling his hair at the end of this conversation just like he did when Julian promised to protect him two episodes ago.

Like a kid or possibly like a puppy, one or the other.

Also mental note: Do not suggest to Julian that Yang might not actually win an impending battle…

“It pisses me off. Despite flattering him with names like ‘Miracle Yang’ and ‘Yang the Magician,’ when push comes to shove they don’t show faith in him. I was so angry, I almost forgot my crucial errand of buying teabags.” —Julian’s Iserlohn Diary, p. 289

Frederica

TFW you’ve just learned your dad has forcibly overthrown a democratic government.

It’s a rough episode for Frederica. From what we know she seems pretty close to her dad, and perhaps partly because of that she assumes that his role as leader of the coup will throw suspicion on her loyalty.

Lost in translation is the fact that she changes her first-person pronoun, correcting her initial watashi to the more formal/humble shoukan (小官), which emphasizes her formal role here as a military subordinate.

Of course, Yang is way too practical to punish someone for something her father is doing (especially someone whose job saves him a hell of a lot of work), and as both Julian and Schenkopp predict he has no intention of firing her.

We don’t get to see much inside Frederica’s mind about her reaction to her father’s role in the coup, beyond her initial shock; what we do see is overwhelming relief and happiness when she isn’t fired. Between her father and Yang, it’s clear where her current loyalties lie.

Interestingly, Admiral Greenhill himself gets this wrong: He assumes that Yang will have fired Frederica and confined her on Iserlohn, which is part of his rationalization to himself for sending the 11th fleet to fight Yang—they won’t be attacking Frederica because she won’t be there.

...Whoops.

It seems like a minor detail, but Admiral Greenhill failing to predict Yang’s reaction is actually a really nice touch to emphasize the theme—as expressed by Julian’s diary passage that I opened this post with—that there’s something a bit different and more personal about how Yang runs his fleet. 

Stray Tidbits

I hope you’ve enjoyed the exclusive Icebergs sneak peek at Julian’s Iserlohn Diary! As I mentioned, the diary, like the novels, is not officially relevant to our analysis, but I really love that the anime team used it to flesh out the dialogue and characterizations in both episode 17 and this episode—it’s more evidence of just how well they did their homework. (And hey, if you want to read the whole diary in English, write to Haikasoru and tell them you know someone who’d love to translate it for them.....)

I never found Admiral Greenhill especially interesting through the whole season so far, but I really love the closing scene of this episode—somehow it gives me chills every time. Acting to minimize harm in a situation with no good options is a pervasive theme of the show; and as Greenhill tries to explain to his wife’s grave, he believes that if someone more hotheaded and extremist were leading this coup, even more damage would be done. It’s an interesting parallel with Yang’s own motives for staying in the military despite opposing the war.

I love how totally useless Bucock was. LoGH is often quite subversive in its plotting, as we’ve discussed, and the anticlimax of Yang going to great lengths to warn Bucock about the coup in advance only to have that be irrelevant is both hilarious and realistic.

This guy makes a valid point.

Might that “someone” be...an octopus?? Come on Hidive subbers, why the censoring?

Next time you shake hands in farewell with someone, try just not letting go for exactly seven seconds. And also look at them with exactly Reinhard’s expression here. Do it. Report back.

You have been blessed with Beautiful Smirking Schenkopp. He will bring you luck in all of your endeavors today.

Poplan!

Olivier Poplan showed up way back in “My Conquest” in the role of a rather dopey comic relief character, one of the tools the movie used to show us a variety of perspectives on the ongoing battles. We’ve glimpsed him once or twice since, but in this episode for the first time we get to focus on him a bit more; and the first thing that the OVA wants us to know about Poplan is that he’ll take any opportunity, even the twenty seconds before his Spartanian fighter is about to launch into battle, to flirt with a cute girl:

To be fair, she is indeed really cute…

There is a lot to say about this incredibly brief interaction. What Poplan actually says is “na, ii darou?” which translates most literally to “hey, isn’t it okay/good?” There are a couple factors that make this incredibly vague phrase feel like a flirtation or come-on: the way he leans toward her with a slight smile; the lowered voice. Her response reinforces this read by treating his actions as inappropriate to the current situation. (What she says is “komarimasu, tai-i, konna toki ni”—”that would be troublesome at a time like this, Lt.”) Is she reading him correctly? Could his question have actually just been about the progress of the repairs on his ship?

Well, yes, it could have been, but the accompanying body language and tone are flirty enough that at the very least there’s innuendo built into his words. Of course as she points out, this is a ridiculous time for him to be propositioning anyone; their interaction is immediately interrupted by an officer berating him for being the last plane out, Poplan takes off, and (spoiler!) we never see this woman again. What on earth, then, was the point of that twenty-second scene?

I’ve mentioned that Cazellnu plays an important role in the show by embodying some of the heteronormative structures of Alliance society: Not only does he himself have a picture-perfect wife and kids (we’ll see them soon I promise!), but we’ll also hear him explicitly voice views about the righteousness of marriage and procreation. Poplan plays a similar and complementary role, giving voice to another side of heteronormativity: the pressure for men to constantly pursue women as sexual conquests. His introduction in this scene emphasizes that sex is so constantly on his mind that he can’t resist flirting even as he flies into battle—and of course that very idea, of men as sex-obsessed and unable to control themselves around women in any situation, is another widespread norm. True to this introduction, Poplan discusses sex constantly: bragging about women he’s slept with in the past; teasing other characters about not sleeping with enough women; pontificating about the virtues of sleeping around (with women). This potentially puts characters who don’t relate to this sort of hypersexualized straight masculinity in somewhat uncomfortable situations.

There’s another angle to Poplan’s strange timing here: The fact that his ambiguous proposition is guaranteed not to go anywhere at the moment makes it entirely performative. In fact if you pay close attention to Poplan (and we will!), something around 95% of what we see involves performing or projecting heterosexuality rather than, well, actually enacting it. Obviously that doesn’t mean that the stuff he says is insincere or false, but ambiguity is always worth keeping an eye on in this show.

...and Konev!

No discussion of Poplan is complete without talking about Ivan Konev, the other star Spartanian pilot of Yang’s fleet and Poplan’s constant companion. When Poplan discovers that the firing sights on his Spartanian are misaligned, Konev covers for him to help get him back to the relative safety of the ship, leading to in my opinion the most intense scene of the whole episode.

We’ve seen Poplan and Konev deal with the stress of battle by treating it like a game: betting on the outcome back in “My Conquest,” and generally keeping up a running tally of their respective kills for bragging rights. But these are in fact life and death battles, not some video game; and faced with malfunctioning equipment that put his life and the lives of the rest of his squadron in heightened danger, Poplan’s fear and frustration come out as anger against the officer in charge of maintenance. It’s Konev who intervenes. 

Poplan’s expression and posture soften the moment Konev puts a hand on his shoulder. Just that one instant establishes Konev as a grounding presence and someone Poplan has a deep connection with.

The unguarded fear that flashes in Poplan’s eyes for just a second here gives me chills.

Shit has gotten serious, and Konev’s words don’t soften that reality; but his steady expression and touch quell Poplan’s rage and help him channel his emotions into renewed focus on the battle.

Interestingly, this exchange comes to us entirely courtesy of the anime team. In the novels it’s Schenkopp who pulls Poplan off of the other officer, in a much more abbreviated version of the same scene. (Poplan actually holds a grudge against Schenkopp for stopping him before he could more thoroughly teach the guy a lesson.) The anime writers made a specific choice to change and expand this scene to show us this different side of Poplan and Konev’s dynamic. Of course we’re not here to catalogue all of the slight deviations from the novels; but a change like this suggests to me that Poplan and Konev’s relationship is one they’re particularly interested in developing, so we should be paying attention.

War

This sentiment echoes Yang’s tea speech from episode 6; finding themselves in this battle, his main goal is to find a way for as many people to survive as possible.

Zooming out from Poplan and Konev’s struggles in their little corner of the fight, the overall battle seems to go exactly how Reinhard drew it up and exactly how Yang and some of the other Alliance commanders feared. Yang places himself on damage control duty as much as possible, knowing from the beginning that their whole fleet is at a huge disadvantage especially after Reinhard’s successful strategy to tax their supplies.

During the various scattered battles we get some fun peeks at the different fighting styles of Reinhard’s admirals, for example when Mittermeyer swoops so swiftly into the midst of an Alliance fleet that he actually has to back up a bit before they can effectively fire at the enemy ships...

...While meanwhile Kircheis just stands on the bridge of his extremely red flagship like the badass he is and calmly encourages any Alliance forces that come near to surrender.

After retreating to minimize losses against Kempf’s fleet, Yang finds himself facing Kircheis and outnumbered four to one; avoiding the temptation to surrender, he concocts some sort of plan involving a U-formation and trying to attack Kircheis’s forces from three sides at once, but since he’s ordered away to Amlitzer in the middle of that fight we’ll never know what the outcome of this tactic would have been. 

This gif is interesting for two reasons: one, everyone’s utter shock at Yang admitting out loud that if it weren’t for concern for the other remaining fleets he’d be tempted to surrender; and two, the ridiculous redraws that keep switching back and forth—Yang’s character design, as well as the entire background, change repeatedly in the course of these few seconds. What the hell.

The main point I want to make about this battle is, well, actually how uneventful it is. LoGH is about understanding cause and effect, inevitability, ways of thinking that lead to different outcomes. We’ve known for several episodes that the Alliance went into this invasion underprepared and for the wrong reasons, while Reinhard has carefully taken steps to weaken the Alliance forces and give himself even more of an upper hand. There are no shocking twists here: The invasion is a disaster, as it should have been, and Reinhard’s (and Oberstein’s) strategy is rewarded with a convincing victory.

Right, Bittenfeld, that's...pretty much what I said.

Stray Tidbits

This brief interaction between Reinhard and Oberstein near the end of the episode is a nice microcosm of the dynamic we’ve seen develop in previous episodes: Oberstein being kind of baffled by the concept of Reinhard fretting about one of his admirals more than the others. Hang in there Oberstein, maybe someday you’ll underst—nah, actually, probably not. Reinhard’s “damn you caught me” expression as he tries to claim he was “just checking” is too cute. 

Don’t worry Reinhard! Kircheis just has to gaze at Alliance commanders with those calm blue eyes and they surrender to his every whim, you know that.

If you’re watching on Hidive, I hate to say it but for once I’ve got to score one for the fansubs: As far as I can tell what Yang says here (after Frederica reminds him that Julian has told him to cut down on drinking) is just “so you two have joined forces?” (The verb is 連帯する, rentai suru, “to have solidarity/share responsibility.”) Cute (if a bit weird) as the Hidive version is, it's a definite stretch.

And while we're at it, here's the original laserdisc version, complete with random blue tube in the background.

Hidive subbers, I would read your fanfic but for the official translations let's stick to what they actually say...

Am I a terrible person if this gif just makes me laugh?