This lead tablet, excavated in downtown London in 1934, was cut from a plate that originally protected part of a building structure; as lead was a favored material (probably for its ease of inscription, dark color, and durability), pieces of pipe and scrap metal were often the curse-maker's quarry. The author of the curse hammered the plate into a thin, roughly rectangular sheet (7" x 4 3/4") and scratched it with a sharp instrument (stylus) in cursive script . Then s/he (gender unknown) pierced the plate with seven nail holes (seven being a magic number), driven in from the blank side (magic nails).
The text, as a result of the minimal literacy of the inscriber and its treatment for magical potency, is defective but its intent is clear. The reason for the punishment invoked is often not stated, as here, the assumption being that the deity well knows the cause. The accursed, Tretia Maria, is threatened in detail with total inability to function, in particular her ability to reveal secrets. Damaged letters and careless script make the conclusion of the curse unintelligible. A larger tablet containing a powerful curse of this type was found in South Latium in a deposit together with items of black magic.
Tretia[m] Maria[m] defico et
illeus vita[m] et me[n]tem
et memoriam [e]t iocine|ra
pulmones interm<x>ix<i>|ta
fata cogitata memor|iam
sci [=sic] no[n] possit<t> loqui
[quae] sicreta si[n]t neque . . .
. . . possit neque . . .
. . . .
Inscription reads: "I curse Tretia Maria and her life and mind and memory and liver and lungs mixed up together, and her words, thoughts and memory; thus may she be unable to speak what things are concealed, nor be able." (translation: British Museum)
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A brief overview of defixiones, or curse tablets, in the Greco-Roman world.
What were they used for?
Defixiones expressed a formalized wish to bring other persons or animals under the client’s power, typically against their will and without their knowledge. Most often (but not exclusively) for:
Inflicting death or harm such as illness (ex: fever, consumption, blindness, idiocy, lameness, broken limbs, loss of memory, insomnia)
Loss of consort, family, or property
Defeat in war or athletic competition
Public humiliation
Failure in business
Loss in a legal case or conviction
Denial of afterlife
Injury to race horses
Breakdown of public baths (really!)
To revenge upon an unfaithful lover or to inspire lust in a new or former lover
When (and where) were they used?
The earliest caches of defixiones where found in Attica and date from C5th to C4th BCE – though it should be noted the Egyptian Execration texts testified to an extremely similar practice from as early as C24th to C22nd BCE! The latest example yet found may have been from Cyprus from C7th CE. In between, defixiones have been found in Rome and Sicily, Egypt, Jerusalem, and several sites in Britain.
Who made them?
The individual, certainly, especially with the spread of literacy - but largely defixiones were crafted by professionals. There seems to have been something of a cottage industry for them.
Plato notes in his Laws XI (933A) that there were scribes that could be hired to prepare a katadesmos (κατάδεσμος) for a fee
The development and inheritance of formularies such as the PGM resulting in standardized tablet conventions
Caches of tablets found in places otherwise not visited or easily accessible to multiple people - such as a single grave containing multiple tablets commissioned by different clients against different targets
Some Roman tablets were even prepared with spaces left for later inscription of a target’s name, as evidenced by notably different handwriting and noticeable gap between words (Gager, p.14)
What did they contain?
Most of the Attic defixiones contained simply a target’s name. Over time verbs (intended action against the target) and the name of an assisting god or daemon were included. In some cases the text of the spell or just the target’s name were written from right to left (ex. JOHN to NHOJ).
Voces mysticae, or unintelligible words exclusively used in magic, became increasingly present, sometimes taking up to 80-90% of the tablet in later (C4th to C5th CE) Roman samples. Roman tablets in general were much more complex, often including:
Palindromes
Charaktêres - one might describe these as sigils or astrological/celestial symbols
Vowel or consonant series
Geometric shapes formed of letters
Egyptian elements
Names ending in -êl and -ôth built on Jewish conventions
What were they made of?
In general, the medium appears largely driven by availability and economy:
Ostraca (broken shards of pottery)
Wax
Papyrus
Limestone
Gemstones, particularly when fashioned as an amulet
Most often thin sheets of metal; in particular lead or a lead alloy such as pewter
Why lead?
Cheap
Widely available (PGM VII 397 even recommends “borrowing” lead from public plumbing pipes)
Easy to make in sheet form
Was already in use as a writing medium
Over time the properties of lead became viewed as appropriate for the use. For example, “just as this lead is cold and useless, so let them (my enemies) be cold and useless.” (DTA nos 105-7)
What tools were used?
Preferably a bronze stylus (according to PGM VII lines 396ff) but ostensibly any tool used for scratching the inscription was sufficient.
Separate items were often attached, in particular dolls, hair, and nails.
Dolls
Often made of lead, mud, or wax
Depicted with hands bound behind their backs and/or deliberately disfigured
Often inscribed with the target’s name
Used in love/sex magic, to assault enemies, or in one instance, to hinder a charioteer and his horses who were specifically named.
Hair (and/or Clothing)
Sometimes referred to as ousia (“stuff”) in several surviving love spells.
Nails
Nearly all defixiones were rolled or folded but several were also pierced with one or more nails. The purpose of this is somewhat debated. It may have been used as a method of sealing the spell like one seals an envelope. To follow this analogy, some defixiones even bore a sort of “supernatural address” on an exposed outer sheet.
Given that the tablets were deposited where no human would have access to them it seems privacy would not be the primary concern. It’s more likely the nails were used in a supernatural compliment to their literal function: to fasten, “tie” down, to bind.
Where were they deposited?
Thrown into rivers, sea, wells, bath houses, or streams
Buried in coffins or graves, particularly belonging to the prematurely dead
In the home of the intended target, usually under the floor
Under stadium floors or at the gates of race courses
Sanctuaries of cthonic dieties, including crossroads
Final Note
Please let me know if there is a particular aspect you would like to read more about. I’m contemplating 102 & 201 posts in the near future to address the motivations, counter binding and protection, and practical application - please let me know if this interests you.
In the meantime I’ll leave this clip from HBO’s ROME. While not terribly historically accurate (there’s only so much you can do in two seasons), the show was marvelously authentic in their world building.
Resources
Dufault, O. (2017). Who Wrote Greek Curse Tablets? Prophets and Profits, Ed. Richard Evans (London: Routledge).
Gager, John G, ed. (1992), Curse tablets and binding spells from the ancient world, New York: Oxford University Press.
Ogden, Daniel (2002), Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds: a Source Book, New York: Oxford University Press.
Tomlin, Roger (2005), Curse Tablets of Roman Britain, et al, Oxford, ENG, UK: Oxford University.
Society, H. (2015, September 19). Roman Curse Tablets. Ancient History Encyclopedia. Retrieved from https://www.ancient.eu/video/642/
www.abc.net.au, 2008. Sex curse found at ancient Cyprus site. [Online]
Available at: http://www.abc.net.au/news/2008-07-12/sex-curse-found-at-ancient-cyprus-site/438076
So I've been debating on whether or not to share my research into Greek Curse Tablets (katadesmoi) due to the risks involved but then I realized this is an Open Journal and I've made a Katadesmos therefore I should share it along with all the risks. Knowledge is power. Stay tuned and I'll post it soon.
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