NFSMW character arts 2
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NFSMW character arts 2

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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More maritime wrassle cheebs
Also the hardcore match from yesterday, which I admit I wish I recorded in horizontal view but I was too many pen hits and a vodka drink deep so 🤷‍♀️🤷‍♀️🤷‍♀️
Just a few days until more live wrestling for me!
Justin Newhook (c) vs. Jonathan Cross - ECPW Celtic Roots Championship Match
ECPW Coal Town Carnage 2026

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Justin Newhook (c) vs. Jonathan Cross - ECPW Celtic Roots Championship Match ECPW Coal Town Carnage 2026 Photos by Shane Wilkie
Scorch Marks, Accumulations of Ash and Fissures: The Work of Jonathan Cross Studio
Jonathan Cross is an artist and ceramicist based out of Southern California. Using sedimentary clay and atmospheric firing techniques, the artist creates sculptures and vessels that bear witness to the transformative qualities of the material itself.Â
The artist begins each piece by compressing the semi-wet clay into a solid, malleable mass and carving forms into it. The process, which he likens to excavation and discovery the way an archeologist might, derives from the artist's aesthetic judgment, his intuition guiding what may typically be seen as elements of design, such as surface and proportion.
Where other ceramic techniques require the application of glaze to the piece before it enters the furnace, atmospheric firings affect the atmospheric condition within the kiln and create unique types of patina on the clay bodies as they harden into stone. These chemical reactions and their associated glazings are determined by the different kinds of fuels used - fire, soda, or salt - and produce the final colours and textures that inform the pieces' characters. Cross uses salt and wood firings in particular, directing but never entirely controlling the heat applied to the pieces, resulting in inimitable patterns that recall the distinct parts of geological formations.
Some of the final textures and finishes left on Cross's work are scorch marks, accumulations of ash, and fissures on the pieces, complementing the rough and smooth dichotomies inherent to the hardened stone. The jagged edges are a testament of the sedimentary material into its new life as ceramic object, doubly-transformed by its time in the kiln. By balancing raw edges and fire-scorched surfaces with elegant lines and planes, the artist creates a tension in his work that makes the objects appear as though suspended in time.
Though the artist mentions architectural and geological influences are not at the forefront of his mind when creating his work, his work is largely influenced by the relationship he cultivates with the art and architecture he studies - naming the works of Richard Serra as an influence - and the natural landscapes he chooses to visit and absorb, such as the Mojave desert, where he maintains his studio and kiln.Â
  All images courtesy of Jonathan Cross Visit Jonathan Cross Studio
New book about Igor Stravinsky
New book about Igor Stravinsky
Igor Stravinsky (1882–1971) was perhaps the twentieth century’s most feted composer, a leading light of modernism and a restlessly creative artist. This booktraces the story of Stravinsky’s life and work, setting him in the context of the turbulent times in which he lived. Born in Russia, Stravinsky spent most of his life in exile – and while he swiftly became a cosmopolitan figure, the…
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