Oct 29, 2020
My Dreams by Jay Watts
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My Dreams by Jay Watts
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A high proportion of psychiatric patients have experienced sexual abuse or violence. Yet very few patients are even asked if this has occurred, let alone treated appropriately â as survivors tweeting using the new hashtag #AbusedByServices made clear this week. A recent systematic review of 21 studies â four from the UK â showed that between 0 and 22 per cent of psychiatric patients are asked about experiences of abuse and violence. This is despite the fact that the Department of Health have required staff to ask about these experiences since 2003. Survivors are unlikely to disclose spontaneously, so not asking maintains a culture of silence. This is important given the early experiences of psychiatric patients with serious mental health problems. Between 13 to 64 per cent have experienced childhood sexual abuse, and between 22 to 66 per cent childhood physical abuse. Traumatic early experiences have clear, demonstrable, long-term effects on the psyche, body and soul. For example, being abused can shatter a basic sense of safety, locking the body into a state of hyper-vigilance, and provoking a number of later symptoms such as hearing voices, feeling alienated or experiencing disturbances in oneâs basic sense of self. If only one traumatic event has occurred, it can be easier to speak about, especially if people in the immediate environment recognise that something bad has happened. If violence and abuse have been recurrent in oneâs childhood, it can be more difficult to articulate. The current focus on labelling and medication, which patients are socialised into from their first contacts with mental health services, can mask the fact that many symptoms that appear problematic to the distanced observer are actually desperate attempts to cope and survive. Rage, for example, is often an attempt to keep the other at a safe distance: to mobilise some feeling as a defence against a hopelessness which would alternatively lead to suicide. Self-harm can serve to give a sense of control and agency which would not otherwise be present. Attempting to get rid of these types of feelings and behaviours, without attending to why and how they developed, is always silencing and can provoke a suicide attempt. Mental health services can end up re-traumatising people who have experienced abuse and violence. For example, women who have been abused are often restrained by a team of men, or are punished for their attempts to cope by being stitched up after self-harm without anaesthetic. Many report that when they try to talk about experiences of abuse or violence, it is not taken seriously, being told that it is a delusion, or that they are âmaking it up to seek attentionâ. It is as if society can only bear its victims to look and present in a certain way â to be able to proffer a clear narrative and demonstrate a trust that authority figures can help. This belies the legacy of early abuse and violence. When people present in a more messy way â for example by oscillating between desperate attachment to staff and then pushing them away â they are likely to receive a diagnosis such as âborderline personality disorderâ which makes survivors feel like there is something fundamentally wrong with their character. These kind of labels are deeply damaging: an ideological violence which serves to allow staff to distance themselves from the root causes of pain at the expense of the understanding and compassion so desperately needed.
Jay Watts, Child abuse and violence survivors are being misdiagnosed and re-traumatised "Women who have been abused are often restrained by a team of men, or are punished for their attempts to cope by being stitched up after self-harm without anaesthetic. Many report that when they try to talk about experiences of abuse or violence, it is not taken seriously, being told that it is a delusion, or that they are âmaking it up to seek attentionâ. It is as if society can only bear its victims to look and present in a certain way â to be able to proffer a clear narrative and demonstrate a trust that authority figures can help. This belies the legacy of early abuse and violence. "
Platinum (acoustic version) by Jay Watts
New Rules by Jay Watts from Talk - Action = Zero, a compilation benefitting Black Lives Matter [Name Your Price on Bandcamp]
Fresh Artist Fridays: Jay Watts
"NUMB" is one of those songs that the moment I heard the beat, I knew I had to record this. I really wanted to have a conversation with myself on this song," mentions Jay Watts. "This is like having your own therapy session," he adds with a chuckle. "NUMB" is the lead song from JAY WATTS' upcoming EP, "ANTIDOTE", scheduled for release on March 25th. The song was written by Jacques Watkins and produced by IKXNNX and Reefa. The smash single is available on all streaming and download platforms now, via the SRG ILS Group/Music Matters Entertainment label imprint.
âIâll be like this eraâs Bobby Brown;â New Jersey native Jay Watts only half-jokingly muses. Described as the urban pop/R&b âIt Boyâ, singer/songwriter/producer JAY WATTS â is set out to ambitiously deliver on the promising genre-fusing momentum of noteworthy and infectious breakthrough single releases over the past few years with his soon-to-be-released debut EP, âAntidote.â
His forthcoming EP âAntidoteâ aims to not only establish him as a household name but as a musical phenomenon to be reckoned with amongst his peersâŚpast and present. His multi-influenced, relationship-based, mainstream-ready set â produced by IKXNNX, Reefa, and 12Keys -- does boast a wide-ranging contemporary sound thatâll simultaneously conquer R&B and pop audiences starting with the smoothed-out R&B melody and slick-grooved beat ballad flow of the setâs first single, âNUMB.â
Sequenced alongside similarly radio-ready joints like the immediately infectious, summer-vibe urban pop bounce of âProblemas;â his airy, late-night-creepingâ âHigh Notes;â the dreamy-n-bumpinâ relationship realness of âFuck Boyâ and the beat-driven, hypnotic melody of the title track. Music lovers will want to immediately listen to the infectious EP.
âMy approach to the music is genuine,â he reflects, on what sets him apart from the pack. âThis is simply me and my personality, and Iâm not trying to fit in or follow. When all is said and done, I just want to be one of the greatest entertainers of all time.â
Check out his music through the links above and connect with Jay Watts through his socials to make sure you never miss new music. Remember to follow Hip Hop Scriptures to stay updated on the latest Fresh Artist Friday.
ARTIST BIO:
Jay has been coming into his own in the music industry over the last several years and his hard work has paid off. Whether his beat-ballad flow of popularly streamed, hip-hop love story-like âSingle Friends,â that mainstream-tinged head-boppinâ âMy Dreams,â or the low-key anthemic pop-rock sheen of his Power Rangers soundtrack standout âWatch Me Walk,â which afforded Major League Baseballâs The Show exposure, and the latter grew into a heavily streamed urban success. The self-professed âKing of Ratchet Popâ has confidently taken his time creating a premiere set which more than delivers on audience curiosity.
Coming from humble beginnings, he says he could be found âfreestyling at the lunch tables, cracking jokes, shutting talent shows downâ and front-center every single time for his familyâs favorite pastimeâŚ.karaoke. âI come from a family that likes get-togethers,â Jay recalls. âTo this very day, they still do karaokeâŚsinging all of the old school songs. So I originally got into it just from that. When they werenât using the karaoke machine I would just take it into my room and experiment.â While he wasnât taking formal music lessons, his passion and talent were so clearly evident by the time he was 12 that his mother booked his first studio session. Now armed with a core audience, a new label home (Music Matters Entertainment/SRG-ILS Records), and a hits-worthy collection of brand-new songs which reflect immense artistic growth and a renewed sense of direction, Jay Watts is ready to take the world by storm.
STAY CONNECTED WITH JAY WATTS ON SOCIAL MEDIA:
Instagram - Twitter - YouTube - www.ImJayWatts.com
STAY CONNECTED WITH HIP HOP SCRIPTURES ON SOCIAL MEDIA:
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
donât let your single friends ruiiin what weâre doiiin
Episode #859 - Benjamin A. Onyango
Episode #859 â Benjamin A. Onyango
SIDEWALKS host Veronica Castro talks to actor Benjamin A. Onyango (âBeautifully Brokenâ). Plus, we have music by Jay Watts (âSingle Friendsâ) and Peabo Bryson (âLove Like Yours And Mineâ). Co-Host: Richard R. Lee.
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