AnnaMelina - Katarsis (EP) - Review
Katarsis (EP)
AnnaMelina
Released: May 24th, 2016
TrainRec AB / Universal Music Sverige AB
Words:Peter Quincy Ng
Auto-tune, the ubiquitous pitch-bending vocoder that so famously appears in hip-hop and pop music has always been met with much criticism. Enter Swedenâs Anna Melina Ă
kerman Kvie, who takes back the notion that auto-tune is simply for âbad singingâ. With her digitally-encoded heartbreak, appearing across the board on her latest EP âKatarsisâ, AnnaMelina turns her pitch-bent vocals into a thing of beauty: brilliantly nuanced both in emotion and sound. Focusing on a beat-driven sound,  thatâs subtly Scandinavian, Annaâs electronic elements never resort to excess, and her sound is for the textured self-reflection than that of the dance floor. Slow and spacious, her hip-hop-flavored production undulates under surging waves of bass and drum pads. Spilling out over a dreamy façade, AnnaMelina drops five songs of liquid cool pĂ„ svenska, the last one which features a collaboration with Swedish rapper Jaqe.
âRNâ
Notably Annaâs most aurally-arresting track, âRNâ is a bumping piece where hook-heavy choruses and Ă
kermanâs vocoded sound take front stage. Using her repetition for emphasis, AnnaMelinaâs driving drum snares steer through the puncturing keys and lurking bass as she sings in Swedish, "Det hĂ€r betyder inget sĂ€rskilt/ Du ljuger om att vara Ă€rlig och om jag ska vara Ă€rlig sĂ„ Ă€r det slut, sĂ„ Ă€r det / Du kan inte ta mig" (This means nothing in particular/ You lie about being honest and if I'll be honest, it's over, that's it. You cannot take me), again and again for emphasis. Itâs a song thatâs aptly-suited for the albumâs title, struggling to break free from  both lies and the truth. Check out AnnaMelinaâs live take of the track below:
âSnöflingorâ
A downtempo follow-up to AnnaMelinaâs opener, âSnowflakesâ moves along more gradually as her pitch-bent legato blurs the track into a dreamy daze. Following a surging, wave-like progression, the track contracts and expands; first to a decrescendo, then midway building-up with its synths to a snaring climax in a haze of vocal ethereality.
âLila Himmelâ
Perhaps Ă
kerman Kvieâs most vocal performance on the record, âPurple Skyâ is a cold and crisp track that showcases all of AnnaMelina has to offer. A wintery track with its piano keys crystallizing over the crumble of AnnaMelinaâs emotion, the hip-hop flavored production is what makes AnnaMelinaâs genre-hybridized sound so unique, from the drums to the vocal staccato of her rap-game drill. Check out AnnaMelinaâs fluid delivery as she oozes over the scenic backdrops, which yes, do feature purple skies:
âStormens Ăgaâ
Itâs not a track which you would associate with a turbulent title like âThe Eye of the Stormâ its a track that instead oozes over an uneasy calm. Itâs a retreating track, but one that glimmers with its frozen ambiance of its wintery chimes over the battered emotion of Ă
kerman.
âVilsen (feat. Jaqe)â
Instead of fading away, the clamoring piano loops of âLostâ, suggest something else on her collaboration Swedish rapper Jaqe. With its gunning, rapid-fire drum beats to match the relatively bold and brash sound of âLostâ, Jaqeâs paragraphed rap verses offer as an emancipation to Annaâs drudgery. Brandishing her scars, AnnaMelina exclaims, âVar varit vilsenâ (Iâve been lost) as she seemingly relishes finding her freedom in the truth when singing retrospectively.Â