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Title: Morning, Noon, and Night Artist: Jane Stuart (American, 1812-1888) Genre: allegory Medium: oil on panel Location: New Britain Museum of American Art, New Britain, CT, USA
Jane Stuart was a miniaturist and portraitist. She learned her craft by copying paintings of her father, Gilbert Stuart, the famous portraitist of George Washington.
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The moon rose... a great, honey-hued moon. The fields all about were touched with her light. The grove of pointed firs on an eastern hill was like a magic town of slender steeples.
L.M. Montgomery, Jane of Lantern Hill (1937)
Will Jane’s parents, Andrew and Robin, be happy in their reconciliation after the end of JoLH?
Yes, forever.
Yes, but only for a short time.
No, I don’t think they adequately worked through their issues.
50/50 chance.
Idk/see results.
Poll submitted by 👤me 😛. I was shocked by the last “will they be happy” poll when the majority decided Barney and Valancy wouldn’t be long term happy, so I’m excited to see the results here. =)
I love that passage in jane of lantern hill where it says the words "Can I help you?" are the keynote to Jane's character. it just makes me :'))))
Continuing with my hyperfixation, I managed to finish the rest of the height scales for each character in the movie. The characters that aren't outlined are the lost boys from Hook 1991 because I wanted Disney's lost boys to have more prominence and I also decided to use them as height references. I also changed the role of old man Tootles in the movie, who plays his role is old man Danny since I thought it would make more sense, since the original lost boys didn't want to be adopted in the animated movie.
One of my favorite designs to do was Peter Pan's mom. I tried to make her look more like him because she's the one who stood out the most in the film. Besides the fact that I love Victorian dresses, I tried to make her look like a beauty of the time. I imagine her with reddish hair, green eyes, a wasp waist, and sickly pale skin that stood out among the upper-class women of the time.
I imagined her hat to be similar to her son's, green with red feathers. I also wanted to base it a bit on Wendy's mother and Madame Adelaide Bonfamille.
Also in Hook, Peter had a teddy bear that his mother placed in his crib. I decided to change it to a bunny to differentiate it from Michael.
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LMM gets a lot right when it comes to the way a kid's mind works and how events/relationships impact them. We can see that in Jane, who's struggling academically under the stress of the emotional abuse, her parentification, how she tries to sort out if her mother wanted/loved her, dreading spending the summer with her estranged father, feeling the blame of her parents' separation. But also in Phyllis, who lives in a stable home with two parents and is affluent. Phyllis spouts off the grown-up's gossip and excels in school, and the praise she receives fuels her to continue to act as the adults want her to.
I was just thinking today of how people like Shakespeare and Austen get called Geniuses for their writing, and while LMM does certainly get praise, it's usually with a little *for a children's writer addendum. But to be an adult who can look into the soul of a child and write their psychology is also a Genius level literary skill, even if it isn't looked at the same as those who write adult characters.
This is a pillow that was sewn by one of my relatives in, guess when, 1921. Along with it being beautiful and having a delightfully bloblike cat on it, I wanted to share it because it has a strong LM Montgomery vibe. I could imagine Valancy whiling away a winter's night working on this, or Anne taking it with her to Redmond, Jane rescuing it from the depths of a closet, or Emily wandering through the Disappointed House looking for the right place for it.
You may notice I've edited it somewhat; I removed my relative's initials, which are stitched under that top arch shape. In person, the colors aren't quite so distinct -- it's very velvety and shimmery, but brightened up by all the stitching. And of course the regal cat.
What does this part remind me of...
Right! Baby Walter's journey in Anne of Ingleside, chapter 9:
I always liked how LMM depicts walking at night through a familiar place when you're extremely afraid of something. The houses and trees are unfriendly and remote, everything looks strange when it's dark, and what if your home has no lights on?
