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THE BRIDE "HALLOWEEN 2020" VARIANT LINK IN BIO or GO HERE http://bodega.brianewing.com/halloween-2020/ 18" x 24" Screen Print Signed & Numbered Edition of 50 These will ship after 10/22! Use code "RENTMONEY" for a super-secret discount! . NEW #HALLOWEEN VARIANT OF #THEBRIDE & #MONSTER PRINTS! This month I'm releasing 2 NEW prints on regular and foil paper!!! . I dug these up from the crypt, dusted them off, and updated them for 2020! I'm really STOKED about the new printing technique we did on these. If you picked up the #JOKER #GOTHAMGREEN print then you'll know what I'm talking about! . The Bride and Monster are very important pieces in my evolution as an 'artist'! They were the beginning of a new style for me. It was a dark and stormy night in 2012, I had just left NYC, and moved to Ohio at the invite from friends and also to pry my head out of my butt. I really didn't know what I was going to do as a person or artist. . As soon as I landed in Ohio, I was asked to design posters for #MELVINS and #SWANS. There was no budget and the deadline was crazy. Out of desperation (aka no budget or time), I decided to try something new - the anatomical style. I figured if it didn't work I could just go back to my regular illustration style. To my shock, people didn't hate it and there was a demand. So I started to use that style for the next 8 years. It's been an interesting journey so far - with highs and lows and more highs. . THANK YOU for tagging along and supporting me all these years. . The last variant of these two was the #SILVERSCREAM pieces for my solo show of the same name back in 2015! . Five years later and almost 8 years to the date of releasing the MELVINS poster - I present to you the HALLOWEEN 2020 Variant. Now with sparkles aaand a #foilvariant!! . . . The #DANZIG #BLACKARIA regular prints are SOLD OUT! THANKS to EVERYONE that picked it up! I only have a few of the foils left!!! . . . . . #BRIDEOFFRANKENSTEIN #illustration #design #MARYSHELLEY ā#JAMESWHALE #anatomy #universalmonster #classichorror #screenprint #darkart #lineart #detail @capsulesbook #inking #horrormovies #artprints #horror #FRANKENSTEIN #alternativemovieposter #brianewing (at Frankenstein Castle Darmstadt) https://www.instagram.com/p/CGXo1oZFyHT/?igshid=5xyeigdtnx1m
Day 1 of forever
The Invisible Man (1933)
Can you figure out the techniques behind the extensive special effects in 1933ās The Invisible Man? Probably if you look hard. Does that matter? They're still impressive and sophisticated, as is the story, direction, and writing. Itās a classic for a reason.
When a mysterious bandaged scientist (Claude Rains) takes a room at the Lionās Head Inn, he raises suspicion among the locals. After his request to be left alone is ignored, Dr. Jack Griffin's secret is revealed: he's discovered a way to make himself invisible. Driven mad by the procedure, the Invisible Man goes on a rampage that holds the entire world in the grip of terror.
This is a smart, refined film. It's often darkly comical, which makes it timeless. The Invisible Man cracks jokes and taunts the helpless people in his path. That would've been gutsy back then but the picture takes it further. Wrap your mind around the fact that our main character is a villain. Griffin is not some misunderstood monster who was given the wrong brain or a group of friends confronting a blood-sucking demon from a faraway land; he's a cold-blooded murderer, a terrorist and a madman. Heās also charismatic, funny and undoubtedly brilliant. Youā¦ like him. Credit goes to actor Claude Rains. Even when heās covered up with bandages or isnāt appearing on-screen, itās a tremendous performance. The intonations, his speech pattern, the way he articulates his words makes you forget thereās not actually anyone on-screen.
I know what youāre thinking. A movie about an invisible man? That mustāve been cheap to make. What a genius gimmick! But youād be wrong. Director James Whale (also responsible for Universalās FrankensteinĀ and its sequel, Bride of Frankenstein) has assembled a lean, fast-paced, special effects-laden film. Special effects technicians John P. Fulton, John J. Mescall and Frank D. Williams knew people would look at the film with scrutiny so they give you a lot to see. Objects are always being tossed around or moved by the Invisible Man so that you know exactly where he is on-screen. While you can probably get an idea of how they created some of the illusions and today, this sort of thing is a cinch, you try and recreate them with the equipment of the time. When you look simply at the craft of the effects, you'll be amazed. You realize the intricacy of the camera work and choreography required throughout. There's a shot in which Griffin takes off his bandages to reveal nothingā¦ in front of a mirror. Try and figure out how they pulled that one off.
At the time,Ā The Invisible Man was groundbreaking and today, the visuals hold up, as do the tension and humor. Claude Rains is excellent at playing the villain and many of the other parts (including Una OāConnor, whose shriek will be permanently imprinted into your mind) are memorable. Itās among the best of Universal's monster films. (On Blu-ray, April 29, 2017)
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#Frankenstein, first released in cinemas #OnThisDay in 1931 Original 6 Sheet #PosterArt #CoolArt #Art #MoviePoster #BorisKarloff #MaeClarke #CarlLaemmle #JamesWhale #UniversalMonsters https://www.instagram.com/p/B5IDgQVHR-U/?igshid=m489uo4b7g75
#frankenstein #jameswhale #filmarchivistpov #35mm #35mmfilm (at Aero Theatre) https://www.instagram.com/p/BpdjAXuFDDC/?utm_source=ig_tumblr_share&igshid=7m9a6clbarml
[to Paul Robeson, upon hearing and seeing the āOlā Man Riverā sequence in Whaleās 1936 film SHOW BOAT (1936)] āThe spine-chilling effect of that one song was something I shall never forget.ā #JamesWhale
