In 1880 the Jameson Distillery in Dublin was over five acres in size. Horses pulled the carts that were full of barrels, looked after by men with thick forearms and heavy hammers. These days, the distillery is in Midleton and the horsepower comes from engines, but some things are still the same. Our barrels are still treated with great care and our whiskey is still the talk of the town.
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This week was New Beer's Eve, celebrating the end of Prohibition in the US. Yep, we didn't know it was a thing either… but we're not going to complain. We're celebrating with a Beer Back:
1 pint of Beavertown Neck Oil
1 shot of Jameson Chaser
Have a sip of the Beavertown Neck Oil, followed by a shot of Jameson. All washed down with the rest of the Neck Oil. Sláinte!
Another of our The Jameson Works Bursary winners, Ali Holloway dropped by to let us know how she is getting on with weaving the epic story of her Great Grandfather, merchant sailor Frederick Desnaux.
"I have been thinking about how to translate some of the themes into cloth. A journey lends itself to the process of weaving, in this mechanical act the progress of a thread can be followed as it traverses the warp on the loom, back and forth, under and over, slowly revealing a bigger picture. Like a story a journey has a beginning, middle and end and we weave stories and stitch together events.
The theme of a journey has made me think about superstitions surrounding travelling, both European and African and in the course of my research have discovered that the colour red in many cultures is used on clothing to provide protection, it is a colour that can represent both life and death and is often embroidered on clothes to provide protection from evil spirits. I am going to experiment with using red thread to embroider elements of Freddie's journey, I have been looking at maps of both the West African coast and also shipping maps which show the trade routes the 19th century steam boats followed.
The kente cloth he had been given on a previous trip is my way of weaving into his story. Kente is a West African cloth made by sewing together narrow strips of woven cloth to make a larger piece of fabric. These have a ceremonial and symbolic meaning and are highly valued.
In the letters he wrote home to his wife Nellie, Freddie is constantly reassuring her about his good health, the good weather and the ease of passage, but in reality going to Africa on a steam ship was a journey fraught with all sorts of dangers."
We're really excited to find out how Freddie's story comes to life - travelling the high seas is something pretty close to our hearts.
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Our Master Cooper Ger Buckley learned his trade directly from his father. His family have been making barrels for over 200 years and Ger himself is a 5th generation cooper.
Traditionally coopers make barrels and buckets. In our line of work, it’s just the barrels that Ger puts together, hand-making whiskey barrels of the finest quality for us to store our Jameson in.
Back in the day a hooper would work alongside a cooper to fit the metal rings on the outside of the barrel. In more recent times, the cooper has taken on this process, bending the wood and fitting the hoops himself.
Not many distilleries still have coopers these days, so Ger really is a living piece of history. Here’s hoping he passes on his skills, so the Buckley family can continue to be a part of the Jameson distillery Cooperage for generations to come.
These days, a large proportion of our whiskey making is aided by technology. The computer is very good at running the system, but that isn't quite enough. Enter Brian Nation, our Master Distiller and the man responsible for adding that human sense of smell and taste, which is of paramount importance when making sure our whiskey is consistently good, the same way his predecessors have done for hundreds of years.