in celebration of the folktale in folklore pt.1 (and how taylor swift inexplicably wrote a musical in my head) It is the nature of a folktale to continuously transform and mutate as it passes from one person to another. Before the release of folklore, she called on listeners to pass down the stories she had so meticulously crafted within the album. Among them is the ever enduring tale of a love triangle told in three songs. On their own, the trilogy is already an incredible achievement in storytelling. But because of the strong thematic coherence of the entire album, all the other songs on the album enriches the story arc of august, betty, and james. After listening to folklore countless of times, a cohesive narrative started to form in my head that would play like a movie. At some point I took it even further and imagined it as a musical. This may have partly been inspired by my other quarantine obsession, Hamilton. Specifically, the sequence and staging of Helpless and Satisfied. If you follow the narrative throughout folklore, you encounter several time jumps and clear imagery that repeats and foreshadows. As if time is skipping backwards and forwards. This is ultimately how I’m choosing to pass her story down. Maybe it’s unique, maybe it’s not. I just wanted to share because I think for me, it illicit a very strong and emotional response and I hope others could experience it as well. I also don’t want to lose the memory of it so I wanted to put it down in writing. The following details loosely how I imagine the first three songs. I say loosely hopefully to also try and make the experience as unique to the listener as possible. The story begins, appropriately, with the 1. Like a prologue of a Greek Tragedy, it introduces us to the premise and to our three main characters. This then is followed by betty’s soliloquy in cardigan. Set in the fall, this is after betty discovers james’ summer fling. The next song, the last great american dynasty, was one of two songs I struggled the most with to fit in the narrative because it’s so tied to who Taylor herself is. Ultimately, it functions as a great embedded narrative. A story within the story. I imagined it to be a folktale betty’s mom narrates to console her. She describes all the bold and extravagant choices Rebekah made throughout her life. The townsfolk may not have seen her in the best light, but she lived her life anyway. And things wouldn’t be the same if she hadn’t made those choices. All this to tell betty to be proud and own all of the bold choices she made in her relationship with james, no matter if it is perceived to be wrong or not. the last great american dynasty is also my favorite sequence to visualize. I imagine it to be a grand set piece with a chorus of townsfolk singing parts of the song, their gossip stitching together Rebekah’s story. What is gossip if not the exchange of and proliferation of folktales, right? There would be dancers and the rotating stage would be spinning wildly counterclockwise. I can hear a full orchestra and band with raucous horns and bombastic strings. Transitioning to the next song, I think it’s a great juxtaposition going from this big choral dance number to a haunting duet during the spring formal…….