Malayna Evans, author of Jagger Jones & The Mummy’s Ankh, talks about how she got her agent, Liza Fleissig (Liza Royce Agency).
How I Found My Perfect-fit Literary Agent
(with a lot of hard work and a giant dose of good luck)
There are a lot of terrific things about accomplishing my lifelong goal of becoming a published author. I get to chat about my favorite subject, ancient Egypt, with kids. I’ve made loads of new friends, including other authors to share the wins and losses with. I was just invited to sit on a panel at a literary festival I’ve attended as a consumer for years. (Eek!)
Some of the pleasures are predictable. Others I didn’t see coming.
One of the best surprises I’ve found on my path to publication is the simple enjoyment of working with an agent who appreciates my work and understands where I want to go. If I’m honest, landing an agent was also one of the most hard-won accomplishments so far.
You’ve heard that old saying: the harder you work the luckier you get. I won’t say I didn’t work for it—I did. I wrote the manuscript, revised the manuscript, labored over the perfect query letter, did my research, sent out dozens of queries, crossed my fingers really hard. Literary agents don’t just fall from the sky. You have to work at it. And it requires a level of patience I don’t naturally possess. But the day I sent a query to my fabulous agent, Liza Fleissig from LRA, the universe leaned in, patted me on the back, and whispered in my ear: it’s your turn.
My debut novel, Jagger Jones & the Mummy’s Ankh, features a South Side Chicago kid named, predictably, Jagger. And because luck was on my side that day, my agent has a Jagger of her own. I’ll never know if I’d have caught her attention if my protagonists had been named Jim, or Jennifer, or Jamal. But what I do know is that she took one look and my query and wanted to see more.
It would be nice to say she then took one look and my manuscript and my fate was sealed. But like everything else in this business, it took more edits, more time, more work, and way too much patience. Liza asked me to revise, then revise again. But each time, she gave me exceptional feedback, finding the holes in my story, suggesting ways I could improve it. Had I done all that work and not earned my way onto her list, my manuscript would still have been much improved. So I took every bit of advice she threw my way and did my best to incorporate it. I trusted her. And that trust paid off.
In the end, Liza invited me to join her terrific team of writers and she found Jagger a perfect home (yay, Month9Books!) …. and she got me three-book deal (yay, me!). She’s advocated for me, educated me, and given me a few much-needed pep talks along the way. And I have the security of focusing on the work, knowing I have a solid partner to help me launch my work into the world when it’s ready.
So what’s the take-away?
If you’re a writer in search of an agent, my story might feel frustrating, like something you can’t possibly replicate. I mean what are you going to do? Research the names of agents’ loved one. (Uh, creepy!) But here’s why my story should give you hope: I did it. And I’ve met a bunch of other formerly unpublished writers who’ve done it too. And I also work with some extraordinary critique partners who haven’t done it … yet. I managed my expectation—I’m still managing them—and pushed myself even when it felt hopeless. And eventually, I found someone I trusted, then she held my hand while I took the leap. So even though my story won’t be yours, it does show that an unpublished, middle-aged, single mom can move the needle forward with grit, determination, and some faked patience. And if I can do it, you can too!
Malayna Evans published Jagger Jones & The Mummy’s Ankh in May 2019.










