#intestellar

Christopher Nolan, Interstellar

我靠动物园爆红全宇宙_卢贝多【完结】

my komment: sehr schone zoo Geschichte. Bischen zu wenig Tiere aber ok.

Einführung

Xia Shiqing, eine ehemalige Tierpflegerin, reiste durch die Zeit und wurde zum Körper eines Verlierers mit einer spirituellen Kraftstufe von 0 im interstellaren Zeitalter und erbte eine Familie, die kurz vor dem Ausbruch stand. Der geschlossene Zoo der Antike. Um reibungslos zu überleben, hatte Xia Shiqing, ein gesalzener Fisch, der nicht mehr mit dem Trend der Zeit mithalten konnte, keine andere Wahl, als zu seinem alten Beruf zurückzukehren: Pelze züchten, Blumen züchten und Live-Streaming betreiben. Infolgedessen konkurrierten andere Anker um Empfehlungspositionen.

1. Contact

2. Batman

3. Interstellar

4. Dunkirk

5. Ae Dil Hai Mushkil

6. Up

7. The Social Network

8. Erin Brockovich

9. Spirited Away

10. Black Widow

My komment (germen) : ein Roboter aus der Zukunft wird ein Mensch in den 1980ern. cooles Konzept. hatte spaß es zu lesen.

Englisch:

Yuanyuan is the last life steward system in the future world. After 5023, all mankind has entered the era of mechanization. Unfortunately, she will be destroyed. After being destroyed, Yuanyuan discovered that she had actually traveled to the 1980s when supplies were scarce. She became the second cannon fodder who abused her nephew and niece. She was finally cleaned up by her husband who was an officer. She was abducted and trafficked to her death in the mountains.

Shen Huai has a handsome face and extraordinary aura. As soon as Yuanyuan approaches him, she has a steady stream of energy supply, filling her with energy. There is such a good energy in front of her. She can’t get a divorce when she says nothing. She sees a man’s body compare with each other day by day. A good day, but the look in her eyes is getting more and more wrong. (TN: part of me feels it meant to say ‘his’ eyes as in the ML but I can’t be sure so I’m leaving it)

I heard that Shen Huai brought back a daughter-in-law from a rural town. Everyone thought that the girl from a small place had never seen the world, and she must be ugly in a big city, but she didn’t understand etiquette. I didn’t expect this girl to stun everyone with her fluent English. The state banquet chefs clapped their hands for good dishes. The Shen family thought that this was already very good. They didn’t know that the girl could cut, cultivate, animal husbandry, pharmacy, acupuncture, brewing, craftsman, the whole decathlon. While everyone was envious, jealous and hated, they all sighed that Head Shen really picked up the treasure. Everyone in the army heard that Shen Huai was often in a daze because he missed his little wife at home, and his comrades all wanted to know how beautiful his sister-in-law was, so that the cold and abstinent head could not think about it. On the day Chen Yuan entered the military hospital, she was said to have caused a sensation because of her high appearance, which led to an increase in the registration rate. One-sentence introduction: Relying on food to conquer the cold husband’s intention: work hard to make progress every day.

Interstellar (2014)... i don’t think I’ll ever lose my overwhelming desire to know what secrets the universe holds. even as a grown man my sense of wonder has not diminished in the slightest. i look up at the night sky and my mind wanders to a point where I can no longer comprehend what is laid out in front of me. what’s out there? who’s out there? where does it end? how did it start? what does it all mean? cinema has tried to answer these questions over the years, but ultimately the mysteries of the universe remain intact. chris nolan is no stranger to the world of science fiction, but his first foray into a more cosmic based side of the genre gave this film fan that previously mentioned sense of wonder which had admittedly laid dormant inside for quite some time. don’t get me wrong, i become a wide eyed 10 year old lad when you transport me to the amazingly realised worlds which exist in today’s visually splendid features. however the real beauty is in the grounded approach. chris nolan was never going to give us pandora… he has no interest in making jaegers fight kaiju… and even though he has an incredibly successful superhero trilogy under his belt, you’re probably not going to experience in one of his films a twelve person brawl in an airport chock full of lazer beams, flying about, and all other manor of hyper realised comic book shenanigans. if chris nolan is going to traverse the unimaginable void and transport his audience to an unknown point in the galactic realm, then you can bet every single coin in your purse he’s going to try and show us how it might one day be possible. and that’s where we finally arrive at the great filmmakers 2014 space odyssey; interstellar. from full consultation with renowned astrophysicists, to super computer generated projections of real world space anomalies. chris nolan clearly refuses to step one foot outside of our home worlds influence without making absolutely sure the science was at the very least theoretically sound. granted there is an obvious amount of guesswork and the scientific situational discussion does feel somewhat convenient at times. but hey, this is a film. not an actual published paper on the theory of an einstein rosen brideg, or a what lies beyond the event horizon of a black hole. and in film the narrative must be moved forward… even if it unfortunately has to get a little hokey due to the subject at hand. we still see great practical sets and effects being used here (which is an ongoing staple of the filmmakers vision) even though the spectacle is one which does warrant a more post digital approach. admittedly you can’t put a black hole on screen without using a few polygons, but again you get the impression that chris nolan will only consult the boys in IT when he absolutely has no other alternative. not to be outdone, one of nolan’s old running buddies hans zimmer has one of his careers finest hours in scoring this grand space adventure. the main organ theme which accompanies a number of the films important scenes is a perfect fit in expressing the enormity and importance of the crews challenges and ordeals. no greater example of this is the films now iconic docking scene. probably as tense and beautiful as big cinema has seen for a very long time. but as gripping and immaculate as the scene is shot, it’s the score which raises the stakes and carries the struggle through to its finale. you get the feeling that if a certain mr kubrick was alive today, and had just watched through that exact few moments, he’d have given a slight nod of approval. in fact, to close off this slightly wordy summary of mr nolans latest screen outing, i’d go one step further in suggesting that if the late mr kubrick was alive today and had just arrived at the films closing credits, then he would haven given a definite nod of approval to what he’d just experienced over the last 170 minutes… and when we’re on the subject of thought provoking science fiction cinema, there can’t really be any higher accolade. interstellar is a remarkable piece of work full of ideas and wonder. if you embrace the journey it wants to take you on, you’ll come out the other end having felt like you’ve genuinely explored some of the mysteries of the night sky