Le dernier bastion de la résistance
~ Red Door ᎎá”ËĄËĄ
âI donât know how much he cares about family. I donât think he cares that much about family. I donât think he gives a shit about family. I really donât. He doesnât give a shit, if Kol is in a box, or if Finn was in a box for centuries.
He canât talk about family. Itâs one of the big things I have with the writers. As many times as I possibly can, I have erased or removed lines about family, and Iâve bullied my way out of hundreds of occasions where heâs talked about family first because he doesnât mean it and he doesnât believe it.
He loves his brother, and in a strange way, the whole show is about this bizarre love between these brothers that cannot be together, but cannot be apart. The whole show is predicated on that strange love, and thatâs all there is to it. He says family, but he means Klaus, above all, and he means himself, above all.
He made some kind of pact with himself, from the outset of their curse, and that was to serve his brother. Everybody else can go to hell. He loves Rebekah, but even Rebekah can flee and he wonât care. Heâs always going to be where his brother is, or try to serve his brother and to serve the two of them.
I feel like theyâre one soul, and two different aspects of one soul. Iâve always felt that way, and itâs something that I still steadfastly believe.â
Source: ( x ) Ëąá”á”á”á”ᶀá”á”Ëą ᎔ ᶠá”á”ËĄ á”Êłá”á”á”ᶰ á”ᶰᔠá¶á”ᶰ'á” á”á”ᔠᶠᶀˣá”á”Ë
~ Blue Exit áŽčá”Êłá¶Êž
âGillies experience directing his film Broken Kingdom was undoubtedly rewarding, but exceedingly laborious. The film ended up taking five years and itâs financial constraints demanded that he be creative and  resourceful with his time. Directing The Originals, Gillies noticed some definite similarities and significant differences.
âIt was different in the sense that there was way more money in The Originals than there was in my independent film, and far less disasters--a well oiled machine, The Originals,â he describes.
There was freedom that came with the generous budget: access to high quality production sets and equipment. But still, there were limitations. Although immensely grateful for the opportunity to direct the episode, he was confined to the showâs requisite style and aesthetic.
âIn a sense youâre like a hunter-gatherer. Youâre sort of at the mercy of other peopleâs ideas in a sense. When you are directing for yourself, youâre collecting pieces to edit your own ideas.â
He eagerly welcomed the challenge of recreating an episode and utilized his familiarity with the showâs dynamics to his advantage. âBut yeah,â he admits, âthereâs nothing quite like your own signature as well.â
Source: ( x ) á¶á”á”Ëąá” Êžá”á”Êł ËĄá”á”á”'Ëą ˥ᶀá”á” á” á”Ê°á”Êłá¶° ʷᶀá”Ê°á”á”á” á” Êłá”Ëąá”Ë
~ grow up all of you. here's wassup:
To save a lot of time and foolish pride I'll say what's on my mind, girl You love me, you hate me, you cut me down to size You blinded me with love and, yeah, it opened up my eyes ... I'm lookin' for another kind of love Oh, lordy, how I need it ... I hope all is forgiven You loved me, you hate me, I used to be your lover You know you had it coming, girl So take me to the other side.
