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The more I write, the more I realize that writing is predominantly a curatorial work and it’s about listening rather than making. “Poet” in Greek is a maker, but I think a maker at their best is a maker of space rather than a maker of objects. And so I think, for me, it’s about: How do I create space?
Ocean Vuong, New Yorker Interview "Ocean Vuong is Still Learning"
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“I think the main thing that I’d love to know someone’s taken away from this is the sense of friendship, actually—towards my characters and towards the viewer’s own friends. This movie was always a love declaration to my friends, so, to me, it just makes sense that one would think of theirs while watching it, and just want to cherish them, and miss them. It might sound silly but I think it would be enough for me. And maybe also to know that it started, amongst men, maybe, a conversation about what it means to be masculine, what it means to worry that you might be less masculine all of a sudden because you feel certain things… how this masculinity can be toxic. Because this is undeniably what the movie fundamentally is about.”
Xavier Dolan, when asked about what was the main thing he would like the viewers to take with them from such a layered script/work.
Deleted scene from ‘Matthias & Maxime’ (2019) //dir. Xavier Dolan
Plum said he never drew characters from real life except for Psmith. “He was based more or less faithfully on Rupert D’Oyly Carte, the son of the Savoy Theatre man. He was at school with a cousin of mine, and my cousin happened to tell me about his monocle, immaculate clothes, and his habit, when asked by a master how he was, of replying, ‘Sir, I grow thinnah and thinnah.’”
- Preface of Something Fresh
In which Iain Glen says “I kicked a$$” in an American accent 😂 But he’s not wrong about that gladiator scene 💥 (10:15-13:28)
https://youtu.be/5ya9pFCdeuQ
AOL Build post-interview Q&A
GIRL IN THE AUDIENCE: As a young actress, you get advice to have fun in the room when you're auditio–
DAVID TENNANT: Did you just call me a young actress?
GIRL: No, as– I mean–
DT: Thank you! I'm thrilled.
GIRL: (bursts out laughing)
DT: You're a young actress. Sorry.
GIRL: We're told to have fun in the room when you audition. How do you have fun with a serious role?
DT: Oh, I don't know how you– Audition's a nightmare, isn't it? It's just horrible.
GIRL: Do you shake the hand of the casting director? Yea/nay?
DT: I will shake whatever gets me the job.
GIRL: (laughing)
DT: I just– I– Auditioning's really tough. I– it's just– There's no sense to it. How can you do your best in that situation? And yet– I don't know what– you know– I don't know what the– uh– uh– uh– brr, I don't know. I don't know! I'm rubbish. I'm rubbish at giving advice! How useful was that? Not at all.
Girl:
David Tennant’s charm claims another victim
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John Powell would own a dragon. Fuck yeah he would. And we love him.
I think half the time, I do like to push. I've always liked to question myself and my world around me and how I operate within my space. I don't know why. I think it's that constant pursuit for self and truth.
That makes me happy. There's no greater feeling in the world than when we push ourselves into these spaces, into an uncomfortable space, and it goes well.
~ Jamie Campbell Bower, Rock Sound (Issue 314)
