In William Thackeray’s wonderful semi autobiographical novel, The History of Pendennis (1848-1850), The Gentleman’s Club sounds remarkably like Wodehouse’s Junior Ganymede Club. Perhaps an influence?
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In William Thackeray’s wonderful semi autobiographical novel, The History of Pendennis (1848-1850), The Gentleman’s Club sounds remarkably like Wodehouse’s Junior Ganymede Club. Perhaps an influence?

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Jeeves & Wooster books in order
I have no affiliation with Geico, an American insurance company, but this commercial shows how we are all connected by our experiences with aunts.
Aunts in Literature that I have encountered - the good, the bad, and the terrifying. They have a peculiar position marked by influence and distance.
Aunt Agatha & Aunt Dahlia - Jeeves and Wooster stories by P.G. Wodehouse
A platoon of Lord Emsworth’s sisters, most notably, Lady Constance Keeble, Lady Julia Fish, & Lady Charlotte, tough eggs all - “When you get to know the family better, you’ll realize that there are dozens of aunts you’ve not heard of yet – far flung and scattered all over England, and each the leading blister of her particular county.” 😂 - Heavy Weather by P.G. Wodehouse
Aunt Ada Doom - Cold Comfort Farm by Stella Gibbons
Aunt Augusta - Travels with My Aunt by Graham Greene
Great Aunt Betsey Trotwood and Aunt Jane Murdstone - David Copperfield by Charles Dickens
Lady Catherine de Bourgh and Mrs. Gardiner - Pride and Prejudice by Jane Austen
Mrs. Reed - Jane Eyre by Charlotte Bronte
Mrs. Glegg - The Mill on the Floss by George Eliot: “Mrs. Glegg had both a front and a back parlor in her excellent house at St. Ogg’s, so that she had two points of view from which she could observe the weaknesses of her fellow-beings and reinforce her thankfulness for her own exceptional strength of mind." 😂
To be continued…

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I came upon a few hilarious fictitious book titles whilst reading Leave it to Psmith. For example, there’s mention of Psmith reading The Man with the Missing Toe and the highly regarded Songs of Squalor by the Canadian poet Raltson McTodd.
Richard Usborne has in fact provided an excellent list of Wodehouse’s fictitious book titles in his book Plum Sauce. Here are some that may tickle the diaphragm in fond remembrance…
Rosie M. Banks: Only A Factory Girl
Stultitia Bodwin: Offal
Lady Florence Craye: Spindrift
Lady Carnaby: Memories of Eighty Interesting Years
Adela Cream: Blackness At Night
Percy Gorringe: The Case of the Poisoned Doughnut
The Rev. Aubrey Jeringham: Is there A Hell?
Louella Peabody: My Friends the Newts
Alexander Worple: American Birds, More American Birds
Muriel Singer: The Children’s Book of American Birds
Horatio Slingsby: Strychnine in the Soup
Clare Throckmorton Stooge: A Strong Man’s Kiss
In Lord Emsworh’s Library: Pigs And How To Make Them Pay
A bit thick, what?
Pg Wooster, Just As He Useter - a poem by Ogden Nash
Bound to your bookseller, leap to your library,
Deluge your dealer with bakshish and bribary,
Lean on the counter and never say when,
Wodehouse and Wooster are with us again.
Flourish the fish-slice, your buttons unloosing,
Prepare for the fabulous browsing and sluicing,
And quote, til you're known as the neighborhood nuisance,
The gems that illumine the browsance and sluicance.
Oh, fondle each gem, and after you quote it,
Kindly inform me just who wrote it.
Which came first, the egg or the rooster?
P.G.Wodehouse or Bertram Wooster?
I know hawk from handsaw, and Finn from Fiji,
But I can't disentangle Bertram from PG.
I inquire in the school room, I ask in the road house,
Did Wodehouse write Wooster, or Wooster Wodehouse?
Bertram Wodehouse and PG Wooster,
They are linked in my mind like Simon and Schuster.
No matter which fumbled in '41,
Or which the woebegone figure of fun.
I deduce how the faux pas came about,
It was clearly Jeeves's afternoon out.
Now Jeeves is back, and my cheeks are crumply
From watching him glide through Steeple Bumpleigh.
Ogden Nash

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Something Fresh, the first Blandings story, is a rom-com with a who done it. It’s decently written, although it isn’t as uproariously funny as his later stories. You do get an introduction to some of the principal denizens of Blandings Castle, and one gets glimpses of the comic genius to come. Parenthetically, I was fascinated to learn of the complicated social strata amongst the staff.
“As we grow older and realize more clearly the limitations of human happiness, we come to see that the only real and abiding pleasure in life is to give pleasure to other people.”
“There are men in this world who cannot rest, who are so constituted that they can only take their leisure in the shape of a change of work.”
“Lord Emsworth belonged to the people-like-to-be-left-alone-to-amuse-themselves-when-they-come-to-a-place school of hosts.”
Not Wodehouse, but my not so politically correct Uncle said this during Thanksgiving dinner. I was given the stare from my Aunt when I laughed too loudly.
You know you are in Heaven when your:
Cook is French
Lover is Italian
Policeman is English
Engineer is German
And the Swiss run the whole place.
You know you are in Hell when your:
Cook is English
Lover is Swiss
Policeman is German
Engineer is French
And the Italians run the whole place.
THE BASSINGTON-BASSINGTON CLAN
…..‘I’ve never heard of Bassington. Have you ever heard of him, Jeeves?’
‘I am familiar with the name Bassington-Bassington, sir. There are three branches of the Bassington-Bassington family—the Shropshire Bassington-Bassingtons, the Hampshire Bassington-Bassingtons, and the Kent Bassington-Bassingtons.’
‘England seems pretty well stocked up with Bassington-Bassingtons.’
‘Tolerably so, sir.’
‘No chance of a sudden shortage, I mean, what?’
‘Presumably not, sir.’
FROM ‘THE INIMITABLE JEEVES’

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“When my father told me the adventures of Jeeves and Bertie Wooster he would stand on the mountain path, dabbing at his streaming eyes and almost choking with laughter . I enjoyed these stories so much that it was my ambition to become a butler when I grew up.”
- John Mortimer, Clinging to the Wreckage
Plum said he never drew characters from real life except for Psmith. “He was based more or less faithfully on Rupert D’Oyly Carte, the son of the Savoy Theatre man. He was at school with a cousin of mine, and my cousin happened to tell me about his monocle, immaculate clothes, and his habit, when asked by a master how he was, of replying, ‘Sir, I grow thinnah and thinnah.’”
- Preface of Something Fresh